Journalist and first-time novelist
8-11-79
"When you achieve a certain prominence1 on television," says NBC's
Edwin Newman, "publishers come to you and ask you to write books.
Then you go round in circles for a while, and finally say, 'Gee2, I'd like
to write a book, but I don't have the time.'"
Six years ago, the award-winning broadcast journalist decided3 to find out if he was bluffing4 himself. He spent seven months of his spare time writing a book called Strictly5 Speaking: Will America be the Death of English? Published in 1974 when Newman was 55 years old, it became the nation's number one best-seller for non-fiction. His follow-up book, A Civil Tongue (1976), was another best-seller.
Now Edwin newman has written his first novel, Sunday Punch (Houghton Mifflin, $9.95). Published in June, it has already gone through two printings in hardcover, totaling 60,000 copies. The Atlantic has described the book as "a Wodehousian excursion that is lighter6 than air and twice as much fun as laughing gas."
In a leisurely7 interview at his Rockefeller Plaza8 office, the author comes across very much as he does on television. His leathery features expand easily into a smile as he delivers, in his slow, concise9, foghorn10 voice, comments that are as thought-provoking as they are witty11.
Sunday Punch, he says, "is the story of an extremely thin, tall, British prizefighter named Aubrey Philpott-Grimes who comes to the U.S. to fight because he can make more money here than in Britain. The more money he makes, the higher taxes he can pay, and Aubrey is a great believer in paying taxes. He is tremendously interested in economics, so that if he is brought to the microphone after a fight, he'll probably start talking about structural12 unemployment and floating exchange rates, rather than talking about fighting. … The book allows me to comment on the United States from the view of an outsider."
His fascination13 with the cultural and linguistic14 differences of the U.S. and England dates back to the late 1940s, when Newman left his job with the Washington-based International News Service and moved to London. There, he found work as a "stringer" for the NBC network, and when he was invited to join the full-time15 staff in 1952, he remained at the British capital for five more years. In 1961, after serving as NBC bureau chief in both Paris and Rome, he returned to his native Manhattan and settled into his present Eastside apartment with his English wife, Rigel. The Newmans' daughter Nancy was educated entirely16 in England.
A harsh critic of the state of the language in America today, Newman is the head of the Usage Panel for the American Heritage Dictionary. He is always being sent examples of poor English. "Do you want to know what accountability is?" he says, his eyes crinkling with amusement as he takes a letter from his desk. "This is from a teachers' committee in Kalamazoo, Michigan. 'Accountability is a concept that, when operationalized, finds the interrelatedness and parameters17 of responsibility shaped by individuals within the system.'
"It seems to me there are two movements going on that affect language in the United States, and it's curious that they would be going on at the same time, because in a way they conflict with each other. One is the increasing use of jargon18 and pomposity19, which can partly traced to the size of the government. As the government grows, this kind of language grows. … The more technical they make the language sound, the more money they're likely to earn.
"Then you have the influence of the social sciences, where exactly the same thing goes on. People attempt to take familiar ideas, small ideas, and in some cases no ideas, and make them sound large by wrapping them up in grandiose20 language.
"The other movement that is going on is based on the notion that correct, specific, concrete language doesn't matter very much. What matters is that your heart be in the right place. … This idea was thoroughly21 welcome to many people in education. For one thing, it means that you have less written work to correct. And also, of course, if you don't have to teach correct English, you don't have to know it."
During his 28 years as an NBC news correspondent, Edwin Newman has excelled in so many areas that he has become known as the network's "Renaissance22 man." One of the most quick-thinking ad-libbers on the air, he is frequently called upon to do live "instant specials" of breaking news. He moderated the first Ford-Carter debate in 1976, has hosted the Today Show numerous times, has covered six national political conventions and reported from 35 foreign countries. Each Monday through Friday, he is heard on both radio and television across the U.S. in a series of news briefs.
His biggest project at the moment is a two-hour, prime-time documentary on U.S. foreign policy, which is scheduled to be aired early in September.
"I think in some way," concludes Newman, "I fell into the right profession. Somebody said — I think it was H.L. Mencken — that you go into the news business because it gives you a front-row seat. And he might have added that not only does it give you a front row seat, but you get the seat free."
born 1-15-19
点击收听单词发音
1 prominence | |
n.突出;显著;杰出;重要 | |
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2 gee | |
n.马;int.向右!前进!,惊讶时所发声音;v.向右转 | |
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3 decided | |
adj.决定了的,坚决的;明显的,明确的 | |
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4 bluffing | |
n. 威吓,唬人 动词bluff的现在分词形式 | |
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5 strictly | |
adv.严厉地,严格地;严密地 | |
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6 lighter | |
n.打火机,点火器;驳船;v.用驳船运送;light的比较级 | |
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7 leisurely | |
adj.悠闲的;从容的,慢慢的 | |
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8 plaza | |
n.广场,市场 | |
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9 concise | |
adj.简洁的,简明的 | |
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10 foghorn | |
n..雾号(浓雾信号) | |
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11 witty | |
adj.机智的,风趣的 | |
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12 structural | |
adj.构造的,组织的,建筑(用)的 | |
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13 fascination | |
n.令人着迷的事物,魅力,迷恋 | |
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14 linguistic | |
adj.语言的,语言学的 | |
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15 full-time | |
adj.满工作日的或工作周的,全时间的 | |
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16 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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17 parameters | |
因素,特征; 界限; (限定性的)因素( parameter的名词复数 ); 参量; 参项; 决定因素 | |
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18 jargon | |
n.术语,行话 | |
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19 pomposity | |
n.浮华;虚夸;炫耀;自负 | |
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20 grandiose | |
adj.宏伟的,宏大的,堂皇的,铺张的 | |
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21 thoroughly | |
adv.完全地,彻底地,十足地 | |
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22 renaissance | |
n.复活,复兴,文艺复兴 | |
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