Great lady of the movie screen
3-4-78
As recently as 10 years ago, most of the motion pictures filmed in this country had a single run at the theatres, and then were seldom seen or heard from again.
Television has changed that. Now, with longer broadcasting hours and the abundance of new channels, vintage movies are enjoying a second life, often with a bigger audience than the first time. Maybe that's why the name Maureen O'Sullivan is practically a household word even today. Between 1930 and 1965 she made dozens of films, ranging from Marx Brothers comedy (A Day At The Races) to classics of English literature (David Copperfield, Pride and Prejudice) to Tarzan films, in which she played Jane.
But unlike so many of her contemporaries, Maureen is neither dead nor retired1. She maintains a busy schedule of acting2, writing, traveling, and enjoying her status as a mother of five and a grandmother of many.
Maureen shows me around her large, beautiful apartment facing Central Park, right across the hallway from Basil Rathbone's last home. "I keep this part for the children," she says, indicating a section of several rooms. There are photos of her children everywhere, including a good number of her actress daughters Mia and Tisa Farrow. Mia lives in England and Tisa is in California, but they still get together frequently.
"I'm doing an autobiography3 now. It's about halfway4 done. My agent has the manuscript. But I'm not writing any more until I see if there's any interest in it. … I started it two years ago, then put it away. I wasn't even interested in it myself. Then a friend of mine, John Springer, had me to lunch. He said, 'You ought to do an autobiography.' I said I had already started one. … So I went back and worked on it some more, and condensed it into 10 pages. I had to do it myself — every word, syllable5, comma."
She recently spent five weeks in upstate New York playing one of the leads in The Glass Menagerie by Tennessee Williams. The critics had nothing but praise for her portrayal6 of the ambitious mother, and one described Maureen's acting as "genius."
The stage is not the only place where Maureen employs her dramatic talents. Shortly after completing the Williams play, she went to Albany, New York to do a reading from The Wayward Bus for the state legislature. "They're trying to get a new bill through Congress to get money for a program for more halfway houses for women alcoholics," she explains. "I believe in that kind of thing."
One of the last plays she did in New York City was No Sex Please — We're British. It was a hit in London, and the preview performances were doing well enough in New York to call for an official Broadway opening. "Then [drama critic] Clive Barnes came to the producer and said, 'If you have an opening you'll have a disaster, because the critics won't like it.' And he was right. As soon as the reviews came out, the theatre emptied. In the previews, the audiences loved it. The critics made a big thing out of opening night. In London, I don't think the public pays that much attention to the critics. The average person there doesn't read the reviews."
Perhaps it's the singing lessons she has never stopped taking that account for her pure lyrical speaking voice, which is still as sweet as it was when she made her first film, Song of My Heart, nearly 50 years ago. Though Maureen's soft British accent gives no hint of it, she was brought up in Dublin, Ireland. While working as a young actress in England she was discovered by an American producer and brought to the U.S. to do her first movie with famed tenor7 John McCormack. After that her career blossomed.
Any comment on the Tarzan films for which she became famous? "I made five. They have been remembered. I'm glad to be remembered for something. Let's leave it at that."
These days, while Maureen is waiting to hear about her autobiography, she is working on some short stories. Two have appeared in the Ladies' Home Journal. "I have no special goals," she says. "One thing leads to another. Supposing my theatrical8 career came to an end, I'd like to open an antique shop in Vermont, and write, and paint — I always have — and sew. If you can do one art, you can do them all. It's different ways of saying the same thing.
"I'm a special type of grandmother. At the theatre, I like to take the children backstage. And in New York, I take them in a horse and buggy around the park, or for tea at the Plaza9. In that way, I can bring color into their lives."
Maureen has been a Westsider for the past 15 years. "I'm very fond of
Mal the Tailor, on 72nd near Columbus. And Mr. Walsh the florist10.
O'Neal's Balloon. The Pioneer Market. They're all on 72nd Street. That's
my beat."
She walks toward the window. "I love this view. The park is different every time of the year. Now it's all covered with snow. Pretty soon the buds will be all over the trees." She smiles contentedly11. "I really think that if I had to leave the West Side I'd leave New York. Because to me, this is New York."
Hannah and Her Sisters.
点击收听单词发音
1 retired | |
adj.隐退的,退休的,退役的 | |
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2 acting | |
n.演戏,行为,假装;adj.代理的,临时的,演出用的 | |
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3 autobiography | |
n.自传 | |
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4 halfway | |
adj.中途的,不彻底的,部分的;adv.半路地,在中途,在半途 | |
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5 syllable | |
n.音节;vt.分音节 | |
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6 portrayal | |
n.饰演;描画 | |
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7 tenor | |
n.男高音(歌手),次中音(乐器),要旨,大意 | |
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8 theatrical | |
adj.剧场的,演戏的;做戏似的,做作的 | |
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9 plaza | |
n.广场,市场 | |
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10 florist | |
n.花商;种花者 | |
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11 contentedly | |
adv.心满意足地 | |
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