Opera superstar
9-30-78
Probably no opera singer since Caruso has made so great an impact on the American public as Beverly Sills. Even today, the mention of her name can automatically sell out a concert hall anywhere in the U.S. She has become bigger than her art, for while a few younger singers can reach the notes more easily, Sills generates a certain intense excitement into all her roles that makes every show she appears in not just an opera, but an event.
Her star vehicle this fall is an early 19th-century opera, Il Turco In Italia (The Turk in Italy), written by Gioacchino Rossini prior to his masterpiece, The Barber of Seville.
Il Turco, presented by the New York City Opera for eight performances in September through November, is a subtle comedy about a flirtatious1, Sophia Loren-type character (Sills) with a jealous husband. The audience will miss none of the Italian humor because this production of Il Turco is in English.
"I love to do English translations," said Miss Sills last week in a telephone interview. "I believe the whole art of opera is based on communication. I don't see how people can appreciate a comedy in a language that four fifths of the audience doesn't understand. There's only snobbery2 about foreign languages in this country — not in Europe. In America, an opera is like a museum piece. But I think the great classics like Boheme and Traviata don't need to be translated because everyone knows what they're about."
She performs regularly with the New York City Opera even though the State Theatre-based company is able to pay only a tiny fraction of what singers receive at other great opera houses around the world. "I made my career with them," she explained. "I sing there because of loyalty3, and because I love to." She has already made plans to retire from singing in 1980 and to become codirector of the New York City Opera with Julius Rudel, the present director.
Right now she is busy studying three other roles. On December 7 she will headline the Metropolitan4 Opera's new production of Donizetti's Don Pasquale, which will run until January 20. In March she will star in a world premiere for the New York City Opera, Miss Haversham's Fire, based on the Charles Dickens novel Great Expectations. In June she will go to San Diego to perform in yet another world-premiere opera, Juana La Loca by Gian Carlo Menotti.
Last season, Beverly hosted a popular television program called Lifestyles. This year, she said, "I'm doing something much bigger, as a result of that show's success. Unfortunately, I can't tell you what it is, because CBS will be making an announcement in mid-October."
Miss Sills said she has no plans for another book. Her first, the self portrait Bubbles, has sold 130,000 copies in hardcover and many times that figure in paperback5 since it came out a year ago. "Bubbles" was her childhood nickname. She was born Belle6 Silverman in Brooklyn a few months before the stock market crash of 1929. At 3 she did her first radio broadcast; at 7 she was the star of a regular weekly radio show. In her early teens she joined a touring musical company and spent the next 10 years on the road. Then she was accepted by the New York City Opera.
In her first few seasons with the fledgling company, she showed few signs of the fame that was to come. Meanwhile, she and her husband, newspaper publisher Peter Greenough, had become the happy parents of two, a girl named Meredith (Muffy) and a boy, Peter Junior.
Then the heartbreak struck. When Muffy was 2, it was discovered that she suffered from a serious hearing impairment. A few months later, the couple learned that their son was severely7 mentally retarded8.
For the next year and a half, Beverly abandoned her singing career and spent all her time at home. When she returned to the New York City Opera, people noticed a distinct change. Somehow she seemed to have acquired a new dramatic power. In such roles as Cleopatra in Handel's Julius Caesar she dazzled both critics and public, and has done so ever since. In 1969, when she made her debut9 at La Scala in Milan — Europe's foremost opera house — the Italian press labeled her "La Fenomena."
Because of a long-standing disagreement with Rudolph Bing, the managing director of the Metropolitan Opera, it was not until 1975, after Bing's retirement10, that she made her debut at the Met. The occasion caused the largest advance ticket sale in the company's history.
For the pat eight years, Sills and her family have lived on Central Park West. "I just feel that we get all the sunshine here," she said. Muffy has just started her freshman11 year at college in upstate New York and plans to become a veterinarian. Beverly's husband Peter divides his time among various business projects and the National Foundation for the March of Dimes12.
Her advice for young singers trying to break into opera? "Keep auditioning," Beverly replied emphatically, "no matter how many times you're turned down. I tried out for the New York City Opera nine times before they took me. And auditions13 themselves are valuable: they give you the experience of a performance."
点击收听单词发音
1 flirtatious | |
adj.爱调情的,调情的,卖俏的 | |
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2 snobbery | |
n. 充绅士气派, 俗不可耐的性格 | |
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3 loyalty | |
n.忠诚,忠心 | |
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4 metropolitan | |
adj.大城市的,大都会的 | |
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5 paperback | |
n.平装本,简装本 | |
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6 belle | |
n.靓女 | |
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7 severely | |
adv.严格地;严厉地;非常恶劣地 | |
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8 retarded | |
a.智力迟钝的,智力发育迟缓的 | |
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9 debut | |
n.首次演出,初次露面 | |
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10 retirement | |
n.退休,退职 | |
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11 freshman | |
n.大学一年级学生(可兼指男女) | |
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12 dimes | |
n.(美国、加拿大的)10分铸币( dime的名词复数 ) | |
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13 auditions | |
n.(对拟做演员、歌手、乐师等人的)试听,试音( audition的名词复数 ) | |
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