There was the knocking at the door. Sammy, lying on his bed in pajamas1 and a bathrobe, called"Who?"When West Indian Archie answered, Sammy slid the round, two-sided shaving mirror under the bed,with what little of the cocaine2 powder-or crystals, actually-was left, and I opened the door.
"Red-I want my money!"A .32-20 is a funny kind of gun. It's bigger than a .32. But it's not as big as a .38. I had faced down somedangerous Negroes. But no one who wasn't ready to die messed with West Indian Archie.
I couldn't believe it. He truly scared me. I was so incredulous at what was happening that it was hardto form words with my brain and my mouth.
"Man-what's the beef?"West Indian Archie said he'd thought I was trying something when I'd told him I'd hit, but he'd paidme the three hundred dollars until he could double-check his written betting slips; and, as he'dthought, I hadn't combinated the number I'd claimed, but another.
"Man, you're crazy!" I talked fast; I'd seen out of the corner of my eye Sammy's hand easing under hispillow where he kept his Army .45. "Archie, smart a man as you're supposed to be, you'd paysomebody who hadn't hit?"The .32-20 moved, and Sammy froze. West Indian Archie told him, "I ought to shoot you through theear." And he looked back at me. "You don't have my money?"I must have shaken my head. "I'll give you until twelve o'clock tomorrow." And he put his handbehind him and pulled open the door. He backed out, and slammed it.
It was a classic hustler-code impasse3. The money wasn't the problem. I still had about two hundreddollars of it. Had money been the issue, Sammy could have made up the difference; if it wasn't in hispocket, his women could quickly have raised it. West Indian Archie himself, for that matter, wouldhave loaned me three hundred dollars if I'd ever asked him, as many thousands of dollars of mine ashe'd gotten ten percent of. Once, in fact, when he'd heard I was broke, he had looked me up andhanded me some money and grunted4, "Stick this in your pocket." The issue was the position which his action had put us both into. For a hustler in our sidewalk jungleworld, "face" and "honor" were important. No hustler could have it known that he'd been "hyped,"meaning outsmarted or made a fool of. And worse, a hustler could never afford to have itdemonstrated that he could be bluffed5, that he could be frightened by a threat, that he lacked nerve.
West Indian Archie knew that some young hustlers rose in stature6 in our world when they somehowhoodwinked older hustlers, then put it on the wire for everyone to hear. He believed I was trying that.
In turn, I knew he would be protecting his stature by broadcasting all over the wire his threat to me.
Because of this code, in my time in Harlem I'd personally known a dozen hustlers who, threatened,left town, disgraced.
Once the wire had it, any retreat by either of us was unthinkable. The wire would be awaiting thereport of the showdown.
I'd also known of at least another dozen showdowns in which one took the Dead On Arrival ride tothe morgue, and the other went to prison for manslaughter or the electric chair for murder.
Sammy let me hold his .32. My guns were at my apartment. I put the .32 in my pocket, with my handon it, and walked out.
I couldn't stay out of sight. I had to show up at all of my usual haunts. I was glad that Reginald wasout of town. He might have tried protecting me, and I didn't want him shot in the head by WestIndian Archie.
I stood awhile on the corner, with my mind confused-the muddled7 thinking that's characteristic of theaddict. Was West Indian Archie, I began to wonder, bluffing8 a hype on me? To make fun of me? Someold hustlers did love to hype younger ones. I knew he wouldn't do it as some would, just to pick upthree hundred dollars. But everyone was so slick. In this Harlem jungle people would hype theirbrothers. Numbers runners often had hyped addicts9 who had hit, who were so drugged that, whenchallenged, they really couldn't be sure if they had played a certain number.
I began to wonder whether West Indian Archie might not be right. Had I really gotten mycombination confused? I certainly knew the two numbers I'd played; I knew I'd told him to com-binateonly one of them. Had I gotten mixed up about which number?
Have you ever been so sure you did something that you never would have thought of it again-unlessit was brought up again? Then you start trying to mentally confirm-and you're only about half-sure?
It was just about tune10 for me to go and pick up Jean Parks, to go downtown to see Billie at the OnyxClub. So much was swirling11 in my head. I thought about telephoning her and calling it off, makingsome excuse. But I knew that running now was the worst thing I could do. So I went on and picked up Jean at her place. We took a taxi on down to 52nd Street. "_Billie Holiday_" and those big photo blowups of her were under the lights outside. Inside, the tables were jammed against the wall, tables aboutbig enough to get two drinks and four elbows on; the Onyx was one of those very little places.
Billie, at the microphone, had just finished a number when she saw Jean and me. Her white gownglittered under the spotlight12, her face had that coppery, Indianish look, and her hair was in thattrademark ponytail. For her next number she did the one she knew I always liked so: "You Don'tKnow What Love Is"-"until you face each dawn with sleepless13 eyes . . . until you've lost a love youhate to lose-"When her set was done, Billie came over to our table. She and Jean, who hadn't seen each other in along time, hugged each other. Billie sensed something wrong with me. She knew that I was alwayshigh, but she knew me well enough to see that something else was wrong, and asked in her customaryprofane language what was the matter with me. And in my own foul14 vocabulary of those days, Ipretended to be without a care, so she let it drop.
We had a picture taken by the club photographer that night. The three of us were sitting closetogether. That was the last time I ever saw Lady Day. She's dead; dope and heartbreak stopped thatheart as big as a barn and that sound and style that no one successfully copies. Lady Day sang withthe _soul_ of Negroes from the centuries of sorrow and oppression. What a shame that proud, fine,black woman never lived where the true greatness of the black race was appreciated!
In the Onyx Club men's room, I sniffed15 the little packet of cocaine I had gotten from Sammy. Jean andI, riding back up to Harlem in a cab, decided16 to have another drink. She had no idea what washappening when she suggested one of my main hangouts, the bar of the La Marr-Cheri on the cornerof 147th Street and St. Nicholas Avenue. I had my gun, and the cocaine courage, and I said okay. Andby the time we'd had the drink, I was so high that I asked Jean to take a cab on home, and she did. Inever have seen Jean again, either.
Like a fool, I didn't leave the bar. I stayed there, sitting, like a bigger fool, with my back to the door,thinking about West Indian Archie. Since that day, I have never sat with my back to a door-and Inever will again. But it's a good thing I was then. I'm positive if I'd seen West Indian Archie come in,I'd have shot to kill.
The next thing I knew West Indian Archie was standing17 before me, cursing me, loud, his gun on me.
He was really making his public point, floor-showing for the people. He called me foul names,threatened me.
Everyone, bartenders and customers, sat or stood as though carved, drinks in mid-air. The jukebox, inthe rear, was going. I had never seen West Indian Archie high before. Not a whisky high, I could tell itwas something else. I knew the hustlers' characteristic of keying up on dope to do a job.
I was thinking, "I'm going to kill Archie . . . I'm just going to wait until he turns around-to get the drop on him." I could feel my own .32 resting against my ribs18 where it was tucked under my belt, beneathmy coat.
West Indian Archie, seeming to read my mind, quit cursing. And his words jarred me.
"You're thinking you're going to kill me first, Red. But I'm going to give you something to think about.
I'm sixty. I'm an old man. I've been to Sing Sing. My life is over. You're a young man. Kill me, you'relost anyway. All you can do is go to prison."I've since thought that West Indian Archie may have been trying to scare me into running, to saveboth his face and his life. It may be that's why he was high. No one knew that I hadn't killed anyone,but no one who knew me, including myself, would doubt that I'd kill.
I can't guess what might have happened. But under the code, if West Indian Archie had gone out ofthe door, after having humiliated19 me as he had, I'd have had to follow him out. We'd have shot it outin the street.
But some friends of West Indian Archie moved up alongside him, quietly calling his name, "Archie . . .
Archie."And he let them put their hands on him-and they drew him aside. I watched them move him pastwhere I was sitting, glaring at me. They were working him back toward the rear.
Then, taking my time, I got down off the stool. I dropped a bill on the bar for the bartender. Withoutlooking back, I went out.
I stood outside, in full view of the bar, with my hand in my pocket, for perhaps five minutes. WhenWest Indian Archie didn't come out, I left.
It must have been five in the morning when, downtown, I woke up a white actor I knew who lived inthe Howard Hotel on 45th Street, off Sixth Avenue.
I knew I had to stay high.
The amount of dope I put into myself within the next several hours sounds inconceivable. I got someopium from that fellow. I took a cab back up to my apartment and I smoked it. My gun was ready if Iheard a mosquito cough.
My telephone rang. It was the white Lesbian who lived downtown. She wanted me to bring her andher girl friend fifty dollars worth of reefers.
I felt that if I had always done it, I had to do it now. Opium20 had me drowsy21. I had a bottle ofbenzedrine tablets in my bathroom; I swallowed some of them to perk22 up. The two drugs working inme had my head going in opposite directions at the same time.
I knocked at the apartment right behind mine. The dealer23 let me have loose marijuana on credit. Hesaw I was so high that he even helped me roll it-a hundred sticks. And while we were rolling it, weboth smoked some.
Now opium, benzedrine, reefers.
I stopped by Sammy's on the way downtown. His flashing-eyed Spanish Negro woman opened thedoor. Sammy had gotten weak for that woman. He had never let any other of his women hang aroundso much; now she was even answering his doorbell. Sammy was by this time very badly addicted24. Heseemed hardly to recognize me. Lying in bed, he reached under and again brought out that inevitableshaving mirror on which, for some reason, he always kept his cocaine crystals. He motioned for me tosniff some. I didn't refuse.
Going downtown to deliver the reefers, I felt sensations I cannot describe, in all those differentgrooves at the same time. The only word to describe it was a _timelessness_. A day might haveseemed to me five minutes. Or a half-hour might have seemed a week.
I can't imagine how I looked when I got to the hotel. When the Lesbian and her girl friend saw me,they helped me to a bed; I fell across it and passed out.
That night, when they woke me up, it was half a day beyond West Indian Archie's deadline. Late, Iwent back uptown. It was on the wire. I could see people who knew me finding business elsewhere. Iknew nobody wanted to be caught in a crossfire25.
But nothing happened. The next day, either. I just stayed high.
Some raw kid hustler in a bar, I had to bust26 in his mouth. He came back, pulling a blade; I would haveshot him, but somebody grabbed him. They put him out, cursing that he was going to kill me.
Intuition told me to get rid of my gun. I gave a hustler the eye across the bar. I'd no more than slippedhim the gun from my belt when a cop I'd seen about came in the other door. He had his hand on hisgun butt27. He knew what was all over the wire; he was certain I'd be armed. He came slowly overtoward me, and I knew if I sneezed, he'd blast me down.
He said, "Take your hand out of your pocket, Red-_real_ carefully."I did. Once he saw me empty handed, we both could relax a little. He motioned for me to walk outside, ahead of him, and I did. His partner was waiting on the sidewalk, opposite their patrol car,double-parked with its radio going. With people stopping, looking, they patted me down there on thesidewalk.
"What are you looking for?" I asked them when they didn't find anything.
"Red, there's a report you're carrying a gun.""I had one," I said. "But I threw it in the river."The one who had come into the bar said, "I think I'd leave town if I were you, Red."I went back into the bar. Saying that I had thrown my gun away had kept them from taking me to myapartment. Things I had there could have gotten me more time than ten guns, and could have gottenthem a promotion28.
Everything was building up, closing in on me. I was trapped in so many cross turns. West IndianArchie gunning for me. The Italians who thought I'd stuck up their crap game after me. The scared kidhustler I'd hit. The cops.
For four years, up to that point, I'd been lucky enough, or slick enough, to escape jail, or even gettingarrested. Or any _serious_ trouble. But I knew that any minute now something had to give.
Sammy had done something that I've often wished I could have thanked him for.
When I heard the car's horn, I was walking on St. Nicholas Avenue. But my ears were hearing a gun. Ididn't dream the horn could possibly be for me.
"_Homeboy!_"I jerked around; I came close to shooting.
_Shorty_-from Boston!
I'd scared him nearly to death.
"_Daddy-o!_"I couldn't have been happier.
Inside the car, he told me Sammy had telephoned about how I was jammed up tight and told him he'd better come and get me. And Shorty did his band's date, then borrowed his piano man's car, andburned up the miles to New York.
I didn't put up any objections to leaving. Shorty stood watch outside my apartment. I brought out andstuffed into the car's trunk what little stuff I cared to hang on to. Then we hit the highway. Shorty hadbeen without sleep for about thirty-six hours. He told me afterward29 that through just about the wholeride back, I talked out of my head.
收听单词发音 |
1
pajamas
|
|
| n.睡衣裤 | |
参考例句： |
|
|
|
|
2
cocaine
|
|
| n.可卡因，古柯碱（用作局部麻醉剂） | |
参考例句： |
|
|
|
|
3
impasse
|
|
| n.僵局；死路 | |
参考例句： |
|
|
|
|
4
grunted
|
|
| （猪等）作呼噜声( grunt的过去式和过去分词 )； （指人）发出类似的哼声； 咕哝着说 | |
参考例句： |
|
|
|
|
5
bluffed
|
|
| 以假象欺骗，吹牛( bluff的过去式和过去分词 )； 以虚张声势找出或达成 | |
参考例句： |
|
|
|
|
6
stature
|
|
| n.（高度）水平，（高度）境界，身高，身材 | |
参考例句： |
|
|
|
|
7
muddled
|
|
| adj.混乱的；糊涂的；头脑昏昏然的v.弄乱，弄糟( muddle的过去式)；使糊涂；对付，混日子 | |
参考例句： |
|
|
|
|
8
bluffing
|
|
| n. 威吓，唬人 动词bluff的现在分词形式 | |
参考例句： |
|
|
|
|
9
addicts
|
|
| 有…瘾的人( addict的名词复数 )； 入迷的人 | |
参考例句： |
|
|
|
|
10
tune
|
|
| n.调子；和谐，协调；v.调音，调节，调整 | |
参考例句： |
|
|
|
|
11
swirling
|
|
| v.旋转，打旋( swirl的现在分词 ) | |
参考例句： |
|
|
|
|
12
spotlight
|
|
| n.公众注意的中心，聚光灯，探照灯，视听，注意，醒目 | |
参考例句： |
|
|
|
|
13
sleepless
|
|
| adj.不睡眠的，睡不著的，不休息的 | |
参考例句： |
|
|
|
|
14
foul
|
|
| adj.污秽的；邪恶的；v.弄脏；妨害；犯规；n.犯规 | |
参考例句： |
|
|
|
|
15
sniffed
|
|
| v.以鼻吸气，嗅，闻( sniff的过去式和过去分词 )；抽鼻子（尤指哭泣、患感冒等时出声地用鼻子吸气）；抱怨，不以为然地说 | |
参考例句： |
|
|
|
|
16
decided
|
|
| adj.决定了的，坚决的；明显的，明确的 | |
参考例句： |
|
|
|
|
17
standing
|
|
| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
参考例句： |
|
|
|
|
18
ribs
|
|
| n.肋骨( rib的名词复数 )；（船或屋顶等的）肋拱；肋骨状的东西；（织物的）凸条花纹 | |
参考例句： |
|
|
|
|
19
humiliated
|
|
| 感到羞愧的 | |
参考例句： |
|
|
|
|
20
opium
|
|
| n.鸦片；adj.鸦片的 | |
参考例句： |
|
|
|
|
21
drowsy
|
|
| adj.昏昏欲睡的，令人发困的 | |
参考例句： |
|
|
|
|
22
perk
|
|
| n.额外津贴；赏钱；小费； | |
参考例句： |
|
|
|
|
23
dealer
|
|
| n.商人，贩子 | |
参考例句： |
|
|
|
|
24
addicted
|
|
| adj.沉溺于....的，对...上瘾的 | |
参考例句： |
|
|
|
|
25
crossfire
|
|
| n.被卷进争端 | |
参考例句： |
|
|
|
|
26
bust
|
|
| vt.打破；vi.爆裂；n.半身像；胸部 | |
参考例句： |
|
|
|
|
27
butt
|
|
| n.笑柄；烟蒂；枪托；臀部；v.用头撞或顶 | |
参考例句： |
|
|
|
|
28
promotion
|
|
| n.提升，晋级；促销，宣传 | |
参考例句： |
|
|
|
|
29
afterward
|
|
| adv.后来；以后 | |
参考例句： |
|
|
|
| 欢迎访问英文小说网 |