Push pulled me in immediately. It’s one of the few books that, upon finishing it, I turnedright back to the first page and read it again. I was on a beach during a girls’ trip with myfriend Rhonda, who insisted I read it. The voice created by genius author Sapphirecompletely took me away. She gave such singular and significant expression to a girl anda world that are often invisible. It was challenging and intensely beautiful material.
I first worked with Lee Daniels on Tennessee, a film I did in 2008. He was theproducer, but he basically ended up directing me, and he totally got me. I was thrilledwhen I learned he had acquired the rights to Push, though not at all thinking I would beinvolved.
A trusted friend, actress and director Karen G, was working as an acting1 coach withsome of the cast, especially the young women, and she let me know that something reallyincredible was happening on the set. One day, out of nowhere, with one day’s notice, Leeasked me to play the social worker character, Ms. Weiss (a role originally intended for thephenomenal Helen Mirren). I was over the moon, but a little freaked out too. I had a littlemore than one day to prepare. I learned my lines and did some deep, quick-and-dirtyimprovisation and backstory building with Karen. I loosely based Ms. Weiss on theupstate New York “Sweetie, it’s not normal” therapist Tommy and I used to see.
The entire process of filming was renegade and brilliant. Lee believed in me, and Ibelieved in him. I believed in the remarkable2 cast, and of course I believed in thebrilliance that was on the page. Lee’s major concern was that I didn’t “look like MariahCarey.” He insisted on no makeup3 and even had a prosthetic nose made for me. We didn’tend up using it, but the application aggravated4 the rosacea around my nose, which,ironically, really worked for the character (now, ain’t that some peculiar5 mixed ish, tohave both keloids and rosacea).
I remember once, on set, Lee caught me applying a little blush and screamed, “NOMAKEUP, Mariah!” Another physical note he gave me was to “walk flat-footed!” (oh,these tippy toes). I was confident in my grasp of the Ms. Weiss character; the mostchallenging work was not to be emotionally moved by Mo’Nique’s amazing and powerfulperformance. Ms. Weiss had to be detached, but the human being in me struggled withthat. There was a moment when Mo’Nique’s sublime6 acting got into my heart, and aninvoluntary tear welled up in my eye. I discreetly7 wiped it away, hoping it wasn’t caughton camera.
What she and Gabby Sidibe brought to their characters was simply stunning8, stellarwork. I loved working on the film. My management at the time discouraged me fromdoing it, because it was last minute and low budget, but I knew it was a rare andexquisitely human story. It was also a creative stretch, which was artistically9 enriching forme. I was so proud to be involved. After Precious was screened at Sundance in 2009 andwon both an Audience Award and a Grand Jury Prize in the Dramatic category (plus aSpecial Jury Prize for Mo’Nique), Tyler Perry and Oprah announced they would come onas producers, giving the film the marketing10, promotional support, and shine it deserved.
And it got glamorous11. Cannes was the epitome12 of red carpets, with tons ofinternational paparazzi (you better believe Ms. Weiss was left on the screen and MariahCarey, in full effect, was there). The European press tour was fabulous13, full of red carpets,dozens of couture gowns, and a thousand parties, including a secret one on RobertoCavalli’s yacht. Precious won awards wherever it went. The biggest night was the 82ndAnnual Academy Awards. The film received six nominations14, including best picture, bestdirector, and best actress, and won best supporting actress for Mo’Nique and best adaptedscreenplay for Geoffrey Fletcher—making him the first African American to win in thatcategory.
I also won a few awards for my small but significant role. I won the BreakthroughPerformance Award at the Palm Springs International Film Festival, where Lee and I wereextra festive15, using our pet names onstage (me, “Kitten,” and him, “Cotton”), laughing,and whispering to each other. And, okay, maybe we were a little tipsy too, but it was oneof those bottles-on-all-the-tables award shows! Mostly we were totally thrilled.
I was thrilled. Not only did Precious give me public validation16 for my acting afterGlitter, but because Lee believed in me, I was able to believe in myself again as an actress.
It was evidence that with the right material and the right people (with the right vision), Icould seriously pursue acting. Lee later gave me another unexpected and challenging roleas Hattie Pearl, mother of Cecil Gaines (the main character) and field slave in The Butler.
Lee easily saw in me what so few dared to even look for, and we have a rare and realconnection. A trust.

点击
收听单词发音

1
acting
![]() |
|
n.演戏,行为,假装;adj.代理的,临时的,演出用的 | |
参考例句: |
|
|
2
remarkable
![]() |
|
adj.显著的,异常的,非凡的,值得注意的 | |
参考例句: |
|
|
3
makeup
![]() |
|
n.组织;性格;化装品 | |
参考例句: |
|
|
4
aggravated
![]() |
|
使恶化( aggravate的过去式和过去分词 ); 使更严重; 激怒; 使恼火 | |
参考例句: |
|
|
5
peculiar
![]() |
|
adj.古怪的,异常的;特殊的,特有的 | |
参考例句: |
|
|
6
sublime
![]() |
|
adj.崇高的,伟大的;极度的,不顾后果的 | |
参考例句: |
|
|
7
discreetly
![]() |
|
ad.(言行)审慎地,慎重地 | |
参考例句: |
|
|
8
stunning
![]() |
|
adj.极好的;使人晕倒的 | |
参考例句: |
|
|
9
artistically
![]() |
|
adv.艺术性地 | |
参考例句: |
|
|
10
marketing
![]() |
|
n.行销,在市场的买卖,买东西 | |
参考例句: |
|
|
11
glamorous
![]() |
|
adj.富有魅力的;美丽动人的;令人向往的 | |
参考例句: |
|
|
12
epitome
![]() |
|
n.典型,梗概 | |
参考例句: |
|
|
13
fabulous
![]() |
|
adj.极好的;极为巨大的;寓言中的,传说中的 | |
参考例句: |
|
|
14
nominations
![]() |
|
n.提名,任命( nomination的名词复数 ) | |
参考例句: |
|
|
15
festive
![]() |
|
adj.欢宴的,节日的 | |
参考例句: |
|
|
16
validation
![]() |
|
n.确认 | |
参考例句: |
|
|
欢迎访问英文小说网 |