To this writer of the sea the sea was not an element. It was a stage, where was displayed an exhibition of valour, and of such achievement as the world had never seen before. The greatness of that achievement cannot be pronounced imaginary, since its reality has affected12 the destinies of nations; nevertheless, in its grandeur13 it has all the remoteness of an ideal. History preserves the skeleton of facts and, here and there, a figure or a name; but it is in Marryat’s novels that we find the mass of the nameless, that we see them in the flesh, that we obtain a glimpse of the everyday life and an insight into the spirit animating the crowd of obscure men who knew how to build for their country such a shining monument of memories.
Marryat is really a writer of the Service. What sets him apart is his fidelity14. His pen serves his country as well as did his professional skill and his renowned15 courage. His figures move about between water and sky, and the water and the sky are there only to frame the deeds of the Service. His novels, like amphibious creatures, live on the sea and frequent the shore, where they flounder deplorably. The loves and the hates of his boys are as primitive16 as their virtues17 and their vices18. His women, from the beautiful Agnes to the witch-like mother of Lieutenant19 Vanslyperken, are, with the exception of the sailors’ wives, like the shadows of what has never been. His Silvas, his Ribieras, his Shriftens, his Delmars remind us of people we have heard of somewhere, many times, without ever believing in their existence. His morality is honourable20 and conventional. There is cruelty in his fun and he can invent puns in the midst of carnage. His naiveties are perpetrated in a lurid21 light. There is an endless variety of types, all surface, with hard edges, with memorable22 eccentricities23 of outline, with a childish and heroic effect in the drawing. They do not belong to life; they belong exclusively to the Service. And yet they live; there is a truth in them, the truth of their time; a headlong, reckless audacity24, an intimacy25 with violence, an unthinking fearlessness, and an exuberance26 of vitality27 which only years of war and victories can give. His adventures are enthralling28; the rapidity of his action fascinates; his method is crude, his sentimentality, obviously incidental, is often factitious. His greatness is undeniable.
It is undeniable. To a multitude of readers the navy of to-day is Marryat’s navy still. He has created a priceless legend. If he be not immortal29, yet he will last long enough for the highest ambition, because he has dealt manfully with an inspiring phase in the history of that Service on which the life of his country depends. The tradition of the great past he has fixed30 in his pages will be cherished for ever as the guarantee of the future. He loved his country first, the Service next, the sea perhaps not at all. But the sea loved him without reserve. It gave him his professional distinction and his author’s fame — a fame such as not often falls to the lot of a true artist.
At the same time, on the other side of the Atlantic, another man wrote of the sea with true artistic8 instinct. He is not invincibly31 young and heroic; he is mature and human, though for him also the stress of adventure and endeavour must end fatally in inheritance and marriage. For James Fenimore Cooper nature was not the frame-work, it was an essential part of existence. He could hear its voice, he could understand its silence, and he could interpret both for us in his prose with all that felicity and sureness of effect that belong to a poetical32 conception alone. His fame, as wide but less brilliant than that of his contemporary, rests mostly on a novel which is not of the sea. But he loved the sea and looked at it with consummate33 understanding. In his sea tales the sea inter-penetrates with life; it is in a subtle way a factor in the problem of existence, and, for all its greatness, it is always in touch with the men, who, bound on errands of war or gain, traverse its immense solitudes34. His descriptions have the magistral ampleness of a gesture indicating the sweep of a vast horizon. They embrace the colours of sunset, the peace of starlight, the aspects of calm and storm, the great loneliness of the waters, the stillness of watchful35 coasts, and the alert readiness which marks men who live face to face with the promise and the menace of the sea.
He knows the men and he knows the sea. His method may be often faulty, but his art is genuine. The truth is within him. The road to legitimate36 realism is through poetical feeling, and he possesses that — only it is expressed in the leisurely37 manner of his time. He has the knowledge of simple hearts. Long Tom Coffin38 is a monumental seaman39 with the individuality of life and the significance of a type. It is hard to believe that Manual and Borroughcliffe, Mr. Marble of Marble-Head, Captain Tuck of the packet-ship Montauk, or Daggett, the tenacious40 commander of the Sea Lion of Martha’s Vineyard, must pass away some day and be utterly41 forgotten. His sympathy is large, and his humour is as genuine — and as perfectly42 unaffected — as is his art. In certain passages he reaches, very simply, the heights of inspired vision.
He wrote before the great American language was born, and he wrote as well as any novelist of his time. If he pitches upon episodes redounding43 to the glory of the young republic, surely England has glory enough to forgive him, for the sake of his excellence44, the patriotic45 bias46 at her expense. The interest of his tales is convincing and unflagging; and there runs through his work a steady vein47 of friendliness48 for the old country which the succeeding generations of his compatriots have replaced by a less definite sentiment.
Perhaps no two authors of fiction influenced so many lives and gave to so many the initial impulse towards a glorious or a useful career. Through the distances of space and time those two men of another race have shaped also the life of the writer of this appreciation49. Life is life, and art is art — and truth is hard to find in either. Yet in testimony50 to the achievement of both these authors it may be said that, in the case of the writer at least, the youthful glamour, the headlong vitality of the one and the profound sympathy, the artistic insight of the other — to which he had surrendered — have withstood the brutal51 shock of facts and the wear of laborious52 years. He has never regretted his surrender.
点击收听单词发音
1 irresistible | |
adj.非常诱人的,无法拒绝的,无法抗拒的 | |
参考例句: |
|
|
2 adventurous | |
adj.爱冒险的;惊心动魄的,惊险的,刺激的 | |
参考例句: |
|
|
3 artifices | |
n.灵巧( artifice的名词复数 );诡计;巧妙办法;虚伪行为 | |
参考例句: |
|
|
4 glamour | |
n.魔力,魅力;vt.迷住 | |
参考例句: |
|
|
5 temperament | |
n.气质,性格,性情 | |
参考例句: |
|
|
6 lark | |
n.云雀,百灵鸟;n.嬉戏,玩笑;vi.嬉戏 | |
参考例句: |
|
|
7 naval | |
adj.海军的,军舰的,船的 | |
参考例句: |
|
|
8 artistic | |
adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
参考例句: |
|
|
9 animating | |
v.使有生气( animate的现在分词 );驱动;使栩栩如生地动作;赋予…以生命 | |
参考例句: |
|
|
10 fable | |
n.寓言;童话;神话 | |
参考例句: |
|
|
11 curtailment | |
n.缩减,缩短 | |
参考例句: |
|
|
12 affected | |
adj.不自然的,假装的 | |
参考例句: |
|
|
13 grandeur | |
n.伟大,崇高,宏伟,庄严,豪华 | |
参考例句: |
|
|
14 fidelity | |
n.忠诚,忠实;精确 | |
参考例句: |
|
|
15 renowned | |
adj.著名的,有名望的,声誉鹊起的 | |
参考例句: |
|
|
16 primitive | |
adj.原始的;简单的;n.原(始)人,原始事物 | |
参考例句: |
|
|
17 virtues | |
美德( virtue的名词复数 ); 德行; 优点; 长处 | |
参考例句: |
|
|
18 vices | |
缺陷( vice的名词复数 ); 恶习; 不道德行为; 台钳 | |
参考例句: |
|
|
19 lieutenant | |
n.陆军中尉,海军上尉;代理官员,副职官员 | |
参考例句: |
|
|
20 honourable | |
adj.可敬的;荣誉的,光荣的 | |
参考例句: |
|
|
21 lurid | |
adj.可怕的;血红的;苍白的 | |
参考例句: |
|
|
22 memorable | |
adj.值得回忆的,难忘的,特别的,显著的 | |
参考例句: |
|
|
23 eccentricities | |
n.古怪行为( eccentricity的名词复数 );反常;怪癖 | |
参考例句: |
|
|
24 audacity | |
n.大胆,卤莽,无礼 | |
参考例句: |
|
|
25 intimacy | |
n.熟悉,亲密,密切关系,亲昵的言行 | |
参考例句: |
|
|
26 exuberance | |
n.丰富;繁荣 | |
参考例句: |
|
|
27 vitality | |
n.活力,生命力,效力 | |
参考例句: |
|
|
28 enthralling | |
迷人的 | |
参考例句: |
|
|
29 immortal | |
adj.不朽的;永生的,不死的;神的 | |
参考例句: |
|
|
30 fixed | |
adj.固定的,不变的,准备好的;(计算机)固定的 | |
参考例句: |
|
|
31 invincibly | |
adv.难战胜地,无敌地 | |
参考例句: |
|
|
32 poetical | |
adj.似诗人的;诗一般的;韵文的;富有诗意的 | |
参考例句: |
|
|
33 consummate | |
adj.完美的;v.成婚;使完美 [反]baffle | |
参考例句: |
|
|
34 solitudes | |
n.独居( solitude的名词复数 );孤独;荒僻的地方;人迹罕至的地方 | |
参考例句: |
|
|
35 watchful | |
adj.注意的,警惕的 | |
参考例句: |
|
|
36 legitimate | |
adj.合法的,合理的,合乎逻辑的;v.使合法 | |
参考例句: |
|
|
37 leisurely | |
adj.悠闲的;从容的,慢慢的 | |
参考例句: |
|
|
38 coffin | |
n.棺材,灵柩 | |
参考例句: |
|
|
39 seaman | |
n.海员,水手,水兵 | |
参考例句: |
|
|
40 tenacious | |
adj.顽强的,固执的,记忆力强的,粘的 | |
参考例句: |
|
|
41 utterly | |
adv.完全地,绝对地 | |
参考例句: |
|
|
42 perfectly | |
adv.完美地,无可非议地,彻底地 | |
参考例句: |
|
|
43 redounding | |
v.有助益( redound的现在分词 );及于;报偿;报应 | |
参考例句: |
|
|
44 excellence | |
n.优秀,杰出,(pl.)优点,美德 | |
参考例句: |
|
|
45 patriotic | |
adj.爱国的,有爱国心的 | |
参考例句: |
|
|
46 bias | |
n.偏见,偏心,偏袒;vt.使有偏见 | |
参考例句: |
|
|
47 vein | |
n.血管,静脉;叶脉,纹理;情绪;vt.使成脉络 | |
参考例句: |
|
|
48 friendliness | |
n.友谊,亲切,亲密 | |
参考例句: |
|
|
49 appreciation | |
n.评价;欣赏;感谢;领会,理解;价格上涨 | |
参考例句: |
|
|
50 testimony | |
n.证词;见证,证明 | |
参考例句: |
|
|
51 brutal | |
adj.残忍的,野蛮的,不讲理的 | |
参考例句: |
|
|
52 laborious | |
adj.吃力的,努力的,不流畅 | |
参考例句: |
|
|
欢迎访问英文小说网 |