In his new volume, Mr. Hugh Clifford, at the beginning of the sketch1 entitled “At the Heels of the White Man,” expresses his anxiety as to the state of England’s account in the Day-Book of the Recording2 Angel “for the good and the bad we have done — both with the most excellent intentions.” The intentions will, no doubt, count for something, though, of course, every nation’s conquests are paved with good intentions; or it may be that the Recording Angel, looking compassionately3 at the strife4 of hearts, may disdain5 to enter into the Eternal Book the facts of a struggle which has the reward of its righteousness even on this earth — in victory and lasting6 greatness, or in defeat and humiliation7.
And, also, love will count for much. If the opinion of a looker-on from afar is worth anything, Mr. Hugh Clifford’s anxiety about his country’s record is needless. To the Malays whom he governs, instructs, and guides he is the embodiment of the intentions, of the conscience and might of his race. And of all the nations conquering distant territories in the name of the most excellent intentions, England alone sends out men who, with such a transparent8 sincerity9 of feeling, can speak, as Mr. Hugh Clifford does, of the place of toil10 and exile as “the land which is very dear to me, where the best years of my life have been spent”— and where (I would stake my right hand on it) his name is pronounced with respect and affection by those brown men about whom he writes.
All these studies are on a high level of interest, though not all on the same level. The descriptive chapters, results of personal observation, seem to me the most interesting. And, indeed, in a book of this kind it is the author’s personality which awakens11 the greatest interest; it shapes itself before one in the ring of sentences, it is seen between the lines — like the progress of a traveller in the jungle that may be traced by the sound of the parang chopping the swaying creepers, while the man himself is glimpsed, now and then, indistinct and passing between the trees. Thus in his very vagueness of appearance, the writer seen through the leaves of his book becomes a fascinating companion in a land of fascination12.
It is when dealing13 with the aspects of nature that Mr. Hugh Clifford is most convincing. He looks upon them lovingly, for the land is “very dear to him,” and he records his cherished impressions so that the forest, the great flood, the jungle, the rapid river, and the menacing rock dwell in the memory of the reader long after the book is closed. He does not say anything, in so many words, of his affection for those who live amid the scenes he describes so well, but his humanity is large enough to pardon us if we suspect him of such a rare weakness. In his preface he expresses the regret at not having the gifts (whatever they may be) of the kailyard school, or — looking up to a very different plane — the genius of Mr. Barrie. He has, however, gifts of his own, and his genius has served his country and his fortunes in another direction. Yet it is when attempting what he professes14 himself unable to do, in telling us the simple story of Umat, the punkah-puller, with unaffected simplicity15 and half-concealed tenderness, that he comes nearest to artistic16 achievement.
Each study in this volume presents some idea, illustrated17 by a fact told without artifice18, but with an elective sureness of knowledge. The story of Tukang Burok’s love, related in the old man’s own words, conveys the very breath of Malay thought and speech. In “His Little Bill,” the coolie, Lim Teng Wah, facing his debtor19, stands very distinct before us, an insignificant20 and tragic21 victim of fate with whom he had quarrelled to the death over a matter of seven dollars and sixty-eight cents. The story of “The Schooner22 with a Past” may be heard, from the Straits eastward23, with many variations. Out in the Pacific the schooner becomes a cutter, and the pearl-divers are replaced by the Black-birds of the Labour Trade. But Mr. Hugh Clifford’s variation is very good. There is a passage in it — a trifle — just the diver as seen coming up from the depths, that in its dozen lines or so attains24 to distinct artistic value. And, scattered25 through the book, there are many other passages of almost equal descriptive excellence26.
Nevertheless, to apply artistic standards to this book would be a fundamental error in appreciation27. Like faith, enthusiasm, or heroism28, art veils part of the truth of life to make the rest appear more splendid, inspiring, or sinister29. And this book is only truth, interesting and futile30, truth unadorned, simple and straightforward31. The Resident of Pahang has the devoted32 friendship of jmat, the punkah-puller, he has an individual faculty33 of vision, a large sympathy, and the scrupulous34 consciousness of the good and evil in his hands. He may as well rest content with such gifts. One cannot expect to be, at the same time, a ruler of men and an irreproachable35 player on the flute36.
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1 sketch | |
n.草图;梗概;素描;v.素描;概述 | |
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2 recording | |
n.录音,记录 | |
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3 compassionately | |
adv.表示怜悯地,有同情心地 | |
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4 strife | |
n.争吵,冲突,倾轧,竞争 | |
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5 disdain | |
n.鄙视,轻视;v.轻视,鄙视,不屑 | |
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6 lasting | |
adj.永久的,永恒的;vbl.持续,维持 | |
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7 humiliation | |
n.羞辱 | |
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8 transparent | |
adj.明显的,无疑的;透明的 | |
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9 sincerity | |
n.真诚,诚意;真实 | |
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10 toil | |
vi.辛劳工作,艰难地行动;n.苦工,难事 | |
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11 awakens | |
v.(使)醒( awaken的第三人称单数 );(使)觉醒;弄醒;(使)意识到 | |
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12 fascination | |
n.令人着迷的事物,魅力,迷恋 | |
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13 dealing | |
n.经商方法,待人态度 | |
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14 professes | |
声称( profess的第三人称单数 ); 宣称; 公开表明; 信奉 | |
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15 simplicity | |
n.简单,简易;朴素;直率,单纯 | |
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16 artistic | |
adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
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17 illustrated | |
adj. 有插图的,列举的 动词illustrate的过去式和过去分词 | |
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18 artifice | |
n.妙计,高明的手段;狡诈,诡计 | |
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19 debtor | |
n.借方,债务人 | |
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20 insignificant | |
adj.无关紧要的,可忽略的,无意义的 | |
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21 tragic | |
adj.悲剧的,悲剧性的,悲惨的 | |
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22 schooner | |
n.纵帆船 | |
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23 eastward | |
adv.向东;adj.向东的;n.东方,东部 | |
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24 attains | |
(通常经过努力)实现( attain的第三人称单数 ); 达到; 获得; 达到(某年龄、水平、状况) | |
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25 scattered | |
adj.分散的,稀疏的;散步的;疏疏落落的 | |
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26 excellence | |
n.优秀,杰出,(pl.)优点,美德 | |
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27 appreciation | |
n.评价;欣赏;感谢;领会,理解;价格上涨 | |
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28 heroism | |
n.大无畏精神,英勇 | |
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29 sinister | |
adj.不吉利的,凶恶的,左边的 | |
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30 futile | |
adj.无效的,无用的,无希望的 | |
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31 straightforward | |
adj.正直的,坦率的;易懂的,简单的 | |
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32 devoted | |
adj.忠诚的,忠实的,热心的,献身于...的 | |
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33 faculty | |
n.才能;学院,系;(学院或系的)全体教学人员 | |
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34 scrupulous | |
adj.审慎的,小心翼翼的,完全的,纯粹的 | |
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35 irreproachable | |
adj.不可指责的,无过失的 | |
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36 flute | |
n.长笛;v.吹笛 | |
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