Chapter 2

A visit to the National Gallery of Berlin makes me gnash my teeth. The sight of so much misspent labour, of the acres of canvases deluged¹ with dirty, bad paint, raises my bile. We know that all things are relative, and because Germany has produced few painters worthy² of the name that after all it doesn't much matter—there is Italy and Holland to fall back on; not to mention the Spain of El Greco, Velasquez, Goya, and the great Frenchmen. But there is something singularly exasperating³ in German painting, whether old or new, that sets us to wondering whether such museums as the National Gallery, Berlin; the new Pinakothek, Munich, and other repositories of ugly colour and absurd mythologies⁴ do not cause a deterioration⁵ in public taste. It is almost pathetic to see not only the general visitor but also students gazing admiringly at the monstrous⁶ art of Kaulbach, Schadow, Cornelius (the Nazarene school), or at the puerilities of the Swiss, Arnold Boecklin and his follower⁷, Franz von Stuck, of Munich, who has simply brutalised the eternal [Pg 180] Boecklin themes. It is all very well to say that these galleries, like the modern collection upstairs in the Dresden gallery (with its wonderful Rembrandts and Vermeers down-stairs) serve to preserve the historical art chain. But bad art should have no significance, history or no history—let such history appeal to the professors of ?sthetics and other twaddlers. Furthermore, the evil example of Boecklin and the rest, shows in German contemporary painting. I don't mean the Cubists and other freaks, but in current art, the art that sells, that receives respectful critical treatment. We are continually forced to look at the menagerie, mermaids⁸, and frogs, and fauns, painted in imitation of the hard, violent tones of Boecklin, himself a scene-painter, but not a great painter.

The critics in Germany don't bother themselves over paint quality, beautiful surfaces, or handling, but with books about the philosophy of the painter, his "weltanschauung," his ethics⁹; you all the while wondering why he uses such muddy paints, why he is blind to the loveliness of atmosphere, pure colours, and sheer pictorial¹⁰ quality. Style and quality are, I believe, suspected in Germany as evidences of superficiality, of a desire to add ornament¹¹ where plain speech should suffice. Like German prose and German singing—oh, how acrid¹² is the Teutonic tone-production, a lemon in the larynx!—German painting limps heavily. Nietzsche is right; in certain matters the Germans are the [Pg 181] Chinese of Europe; they refuse to see the light of modern discoveries in art.

Here is a violent instance: On the top floor of the National Gallery, Berlin, there is a room with fourteen masterpieces on its walls. Nothing in the galleries below—not even Zorn's Maja—nothing in all Berlin, excepting the old masters in the Kaiser Friedrich Museum, can be mentioned in the same breath with these beautiful compositions, condemned¹³ to perpetual twilight¹⁴. They were secured by the late and lamented¹⁵ Von Tschudi, who left the National Gallery after their purchase and retired¹⁶ to Munich, where he bought a great example of El Greco for the old Pinakothek, the Laocoon, a service, I fancy, not quite appreciated by the burghers of Munich. The masters who have thus fallen under the ban of official displeasure are Manet, Monet, Pissarro, Renoir, Sisley, and Cézanne—the latter represented by two of the most veracious¹⁷ fruit-pieces I ever saw. The Manet is the famous Hothouse, and in the semi-darkness (not a ray of artificial light is permitted) I noted¹⁸ that the canvas had mellowed¹⁹ with the years. The Monets are of rare quality. Altogether a magnificent object-lesson for young Germany, in which tender colour, an exquisite²⁰ vision (poetic without being sloppy-sentimental) of the animate²¹ and inanimate world. What a lesson for those rough daubers who growl²² at the dandyism of the Frenchmen, whose landscapes look like diagrams, surveyors' [Pg 182] maps, or what-not; painters who, if they were told that they are not knee-high to a grasshopper²³ when their pictures are set side by side with American landscapists, would roar as if at a good joke; and a lesson that will never be learned by the present generation, which believes that Max Klinger is a great etcher, a great sculptor²⁴ (only think of that terrifying Beethoven statue in Leipsic), that Boecklin is a great poet as well as a marvellous painter, that—oh, what's the use! The nation that produced such world masters as Albrecht Dürer, Hans Holbein, Lucas Cranach, and the German Primitives²⁵ has seemingly lost its lien²⁶ in sound art.

Remember, I am not arguing with you, as Jemmy Whistler puts it, I'm just telling you; these things are not a matter of taste, but a matter of fact, of rotten bad paint. What Royal Cortissoz wrote of the German Exhibition and of the Scandinavians when in New York fits into this space with appositeness: "... an insensitiveness to the genius of their medium. They do not love paint and caress²⁷ it with a sensuous²⁸ instinct for its exquisite potentialities. They know nothing of the beauty of surface. Nor, by the same token, have they awakened²⁹ to the lesson which Manet so admirably enforced of the magic that lies in pure colour for those who really know how to use it." I can hear our German friend discoursing³⁰ on the subject of surface beauty! For him the underlying³¹ philosophic³² [Pg 183] "idea," whatever that has to do with paint, is his shibboleth³³, and behold³⁴ the result. Moreover, the German has not naturally a colour sense. It is only such a man as Reinhardt, with the Oriental feeling for sumptuous³⁵ hues³⁶, that has succeeded in emancipating³⁷ the German theatre from its garish³⁸ taste. Some day the Richard Wagner music-drama will be renovated³⁹ on the scenic⁴⁰ side—Roller in Vienna has made a decided⁴¹ step in the right direction—and the old Munich travesties⁴², which Wagner thought he wanted, will be relegated⁴³ to the limbo⁴⁴ of meretricious⁴⁵ art.

1 deluged   

v.使淹没( deluge的过去式和过去分词 )；淹没；被洪水般涌来的事物所淹没；穷于应付

参考例句：

• The minister was deluged with questions. 部长穷于应付像洪水般涌来的问题。 来自《简明英汉词典》
• They deluged me with questions. 他们向我连珠发问。 来自《简明英汉词典》

2 worthy   

adj.(of)值得的，配得上的；有价值的

参考例句：

• I did not esteem him to be worthy of trust.我认为他不值得信赖。
• There occurred nothing that was worthy to be mentioned.没有值得一提的事发生。

3 exasperating   

adj. 激怒的 动词exasperate的现在分词形式

参考例句：

• Our team's failure is very exasperating. 我们队失败了，真是气死人。
• It is really exasperating that he has not turned up when the train is about to leave. 火车快开了， 他还不来，实在急人。

4 mythologies   

神话学( mythology的名词复数 )； 神话（总称）； 虚构的事实； 错误的观点

参考例句：

• a study of the religions and mythologies of ancient Rome 关于古罗马的宗教和神话的研究
• This realization is enshrined in "Mythologies." 这一看法见诸于他的《神话集》一书。

5 deterioration   

n.退化；恶化；变坏

参考例句：

• Mental and physical deterioration both occur naturally with age. 随着年龄的增长，心智和体力自然衰退。
• The car's bodywork was already showing signs of deterioration. 这辆车的车身已经显示出了劣化迹象。

6 monstrous   

adj.巨大的；恐怖的；可耻的，丢脸的

参考例句：

• The smoke began to whirl and grew into a monstrous column.浓烟开始盘旋上升，形成了一个巨大的烟柱。
• Your behaviour in class is monstrous!你在课堂上的行为真是丢人！

7 follower   

n.跟随者；随员；门徒；信徒

参考例句：

• He is a faithful follower of his home football team.他是他家乡足球队的忠实拥护者。
• Alexander is a pious follower of the faith.亚历山大是个虔诚的信徒。

8 mermaids   

n.（传说中的）美人鱼( mermaid的名词复数 )

参考例句：

• The high stern castle was a riot or carved gods, demons, knights, kings, warriors, mermaids, cherubs. 其尾部高耸的船楼上雕满了神仙、妖魔鬼怪、骑士、国王、勇士、美人鱼、天使。 来自辞典例句
• This is why mermaids should never come on land. 这就是为什么人鱼不应该上岸的原因。 来自电影对白

9 ethics   

n.伦理学；伦理观，道德标准

参考例句：

• The ethics of his profession don't permit him to do that.他的职业道德不允许他那样做。
• Personal ethics and professional ethics sometimes conflict.个人道德和职业道德有时会相互抵触。

10 pictorial   

adj.绘画的；图片的；n．画报

参考例句：

• The had insisted on a full pictorial coverage of the event.他们坚持要对那一事件做详尽的图片报道。
• China Pictorial usually sells out soon after it hits the stands.《人民画报》往往一到报摊就销售一空。

11 ornament   

v.装饰，美化；n.装饰，装饰物

参考例句：

• The flowers were put on the table for ornament.花放在桌子上做装饰用。
• She wears a crystal ornament on her chest.她的前胸戴了一个水晶饰品。

12 acrid   

adj.辛辣的，尖刻的，刻薄的

参考例句：

• There is an acrid tone to your remarks.你说这些话的口气带有讥刺意味。
• The room was filled with acrid smoke.房里充满刺鼻的烟。

13 condemned   

adj. 被责难的, 被宣告有罪的 动词condemn的过去式和过去分词

参考例句：

• He condemned the hypocrisy of those politicians who do one thing and say another. 他谴责了那些说一套做一套的政客的虚伪。
• The policy has been condemned as a regressive step. 这项政策被认为是一种倒退而受到谴责。

14 twilight   

n.暮光，黄昏；暮年，晚期，衰落时期

参考例句：

• Twilight merged into darkness.夕阳的光辉融于黑暗中。
• Twilight was sweet with the smell of lilac and freshly turned earth.薄暮充满紫丁香和新翻耕的泥土的香味。

15 lamented   

adj.被哀悼的，令人遗憾的v.（为…）哀悼，痛哭，悲伤( lament的过去式和过去分词 )

参考例句：

• her late lamented husband 她那令人怀念的已故的丈夫
• We lamented over our bad luck. 我们为自己的不幸而悲伤。 来自《简明英汉词典》

16 retired   

adj.隐退的，退休的，退役的

参考例句：

• The old man retired to the country for rest.这位老人下乡休息去了。
• Many retired people take up gardening as a hobby.许多退休的人都以从事园艺为嗜好。

17 veracious   

adj.诚实可靠的

参考例句：

• Miss Stackpole was a strictly veracious reporter.斯坦克波尔小姐是一丝不苟、实事求是的记者。
• We need to make a veracious evaluation.我们需要事先作出准确的估计。

18 noted   

adj.著名的，知名的

参考例句：

• The local hotel is noted for its good table.当地的那家酒店以餐食精美而著称。
• Jim is noted for arriving late for work.吉姆上班迟到出了名。

19 mellowed   

（使）成熟( mellow的过去式和过去分词 )； 使色彩更加柔和，使酒更加醇香

参考例句：

• She's mellowed over the years. 这些年来他变得成熟了。
• The colours mellowed as the sun went down. 随着太阳的落去，色泽变得柔和了。

20 exquisite   

adj.精美的；敏锐的；剧烈的，感觉强烈的

参考例句：

• I was admiring the exquisite workmanship in the mosaic.我当时正在欣赏镶嵌画的精致做工。
• I still remember the exquisite pleasure I experienced in Bali.我依然记得在巴厘岛所经历的那种剧烈的快感。

21 animate   

v.赋于生命，鼓励；adj.有生命的，有生气的

参考例句：

• We are animate beings,living creatures.我们是有生命的存在，有生命的动物。
• The girls watched,little teasing smiles animating their faces.女孩们注视着，脸上挂着调皮的微笑，显得愈加活泼。

22 growl   

v.（狗等）嗥叫，（炮等）轰鸣；n.嗥叫，轰鸣

参考例句：

• The dog was biting,growling and wagging its tail.那条狗在一边撕咬一边低声吼叫，尾巴也跟着摇摆。
• The car growls along rutted streets.汽车在车辙纵横的街上一路轰鸣。

23 grasshopper   

n.蚱蜢，蝗虫，蚂蚱

参考例句：

• He thought he had made an end of the little grasshopper.他以为把那个小蚱蜢干掉了。
• The grasshopper could not find anything to eat.蚱蜢找不到任何吃的东西。

24 sculptor   

n.雕刻家，雕刻家

参考例句：

• A sculptor forms her material.雕塑家把材料塑造成雕塑品。
• The sculptor rounded the clay into a sphere.那位雕塑家把黏土做成了一个球状。

25 primitives   

原始人（primitive的复数形式）

参考例句：

• Almost all operators work only with primitives. 几乎所有运算符都只能操作“主类型”(Primitives)。
• The anthropology of the future will not be concerned above all else with primitives. 未来的人类学不会以原始人为主要的研究对象。

26 lien   

n.扣押权，留置权

参考例句：

• A lien is a type of security over property.留置是一种财产担保。
• The court granted me a lien on my debtor's property.法庭授予我对我债务人财产的留置权。

27 caress   

vt./n.爱抚，抚摸

参考例句：

• She gave the child a loving caress.她疼爱地抚摸着孩子。
• She feasted on the caress of the hot spring.她尽情享受着温泉的抚爱。

28 sensuous   

adj.激发美感的；感官的，感觉上的

参考例句：

• Don't get the idea that value of music is commensurate with its sensuous appeal.不要以为音乐的价值与其美的感染力相等。
• The flowers that wreathed his parlor stifled him with their sensuous perfume.包围著客厅的花以其刺激人的香味使他窒息。

29 awakened   

v.（使）醒( awaken的过去式和过去分词 )；（使）觉醒；弄醒；（使）意识到

参考例句：

• She awakened to the sound of birds singing. 她醒来听到鸟的叫声。
• The public has been awakened to the full horror of the situation. 公众完全意识到了这一状况的可怕程度。 来自《简明英汉词典》

30 discoursing   

演说（discourse的现在分词形式）

参考例句：

• He was discoursing to us on Keats. 他正给我们讲济慈。
• He found the time better employed in searching than in discussing, in discovering than in discoursing. 他认为与其把时间花费在你争我辩和高谈阔论上，不如用在研究和发现上。

31 underlying   

adj.在下面的，含蓄的，潜在的

参考例句：

• The underlying theme of the novel is very serious.小说隐含的主题是十分严肃的。
• This word has its underlying meaning.这个单词有它潜在的含义。

32 philosophic   

adj.哲学的，贤明的

参考例句：

• It was a most philosophic and jesuitical motorman.这是个十分善辩且狡猾的司机。
• The Irish are a philosophic as well as a practical race.爱尔兰人是既重实际又善于思想的民族。

33 shibboleth   

n.陈规陋习；口令；暗语

参考例句：

• It is time to go beyond the shibboleth that conventional forces cannot deter.是时候摆脱那些传统力量无法遏制的陈规陋习了。
• His article is stuffed with shibboleth.他的文章中满是一些陈词滥调。

34 behold   

v.看，注视，看到

参考例句：

• The industry of these little ants is wonderful to behold.这些小蚂蚁辛勤劳动的样子看上去真令人惊叹。
• The sunrise at the seaside was quite a sight to behold.海滨日出真是个奇景。

35 sumptuous   

adj.豪华的，奢侈的，华丽的

参考例句：

• The guests turned up dressed in sumptuous evening gowns.客人们身着华丽的夜礼服出现了。
• We were ushered into a sumptuous dining hall.我们被领进一个豪华的餐厅。

36 hues   

色彩( hue的名词复数 )； 色调； 信仰； 观点

参考例句：

• When the sun rose a hundred prismatic hues were reflected from it. 太阳一出，更把它映得千变万化、异彩缤纷。
• Where maple trees grow, the leaves are often several brilliant hues of red. 在枫树生长的地方，枫叶常常呈现出数种光彩夺目的红色。

37 emancipating   

v.解放某人（尤指摆脱政治、法律或社会的束缚）( emancipate的现在分词 )

参考例句：

• Innovation requires emancipating our minds, seeking truth from facts and keeping pace with the times. 创新就要不断解放思想、实事求是、与时俱进。 来自汉英非文学 - 十六大报告
• The harmonious society is important content of Marx's mankind emancipating thought. 和谐社会是马克思人类解放思想中的重要内容。 来自互联网

38 garish   

adj.华丽而俗气的，华而不实的

参考例句：

• This colour is bright but not garish.这颜色艳而不俗。
• They climbed the garish purple-carpeted stairs.他们登上铺着俗艳的紫色地毯的楼梯。

39 renovated   

翻新，修复，整修( renovate的过去式和过去分词 )

参考例句：

• He renovated his house. 他翻修了房子。
• The house has been renovated three years earlier. 这所房子三年前就已翻新。

40 scenic   

adj.自然景色的，景色优美的

参考例句：

• The scenic beauty of the place entranced the visitors.这里的美丽风光把游客们迷住了。
• The scenic spot is on northwestern outskirts of Beijing.这个风景区位于北京的西北远郊。

41 decided   

adj.决定了的，坚决的；明显的，明确的

参考例句：

• This gave them a decided advantage over their opponents.这使他们比对手具有明显的优势。
• There is a decided difference between British and Chinese way of greeting.英国人和中国人打招呼的方式有很明显的区别。

42 travesties   

n.拙劣的模仿作品，荒谬的模仿，歪曲( travesty的名词复数 )

参考例句：

• What is the dolphin and whale cause of such travesties upon earth that we have experienced? 在地球上我们所体验的这类悲剧中，我们海豚鲸鱼的带来了什么？ 来自互联网

43 relegated   

v.使降级( relegate的过去式和过去分词 )；使降职；转移；把…归类

参考例句：

• She was then relegated to the role of assistant. 随后她被降级做助手了。
• I think that should be relegated to the garbage can of history. 我认为应该把它扔进历史的垃圾箱。 来自《现代汉英综合大词典》

44 limbo   

n.地狱的边缘；监狱

参考例句：

• His life seemed stuck in limbo and he could not go forward and he could not go back.他的生活好像陷入了不知所措的境地，进退两难。
• I didn't know whether my family was alive or dead.I felt as if I was in limbo.我不知道家人是生是死，感觉自己茫然无措。

45 meretricious   

adj.华而不实的，俗艳的

参考例句：

• A wooden building painted to look like marble is meretricious.一座漆得像大理石般的木制建筑物外表是美丽的。
• Her room was painted in meretricious technicolour.她的房间刷着俗艳的颜色。