CHAPTER XIII W. B. YEATS

It might reasonably be supposed that the last drop in Ireland’s cup of bitterness was Mr. William Butler Yeats. An emotional and misfortunate people with the tyrant’s heel on its neck, and poverty and disaster always in attendance upon it, may be excused if it does not altogether dance to the pipings of a pretty fellow like Mr. Yeats. In point of fact, however, Ireland fails to dance not because of her sadness, but because Mr. Yeats’s minstrelsy is to all intents and purposes utterly¹ alien to her. In England, or more correctly speaking, in London, it is true, there has been and possibly is now, a small cult² of what is commonly called the Keltic Muse³. And the head and front of it, of course, is Mr. Yeats. He has found ardent,[118] if undiscriminating, support among the Irish reporters and reviewers on the daily papers; he enjoys the patronage⁵ of Mr. Clement⁶ Shorter, and he is received respectfully at the Irish Literary Club. Further I am told that there is a musically-minded elocutionist in London who goes about chanting his numbers to the three-stringed psaltery. That Mr. Yeats is a poet of some parts nobody in his senses will attempt to deny. That he is a vast, or potent⁷, or as he himself would no doubt phrase it, a Druid poet, I am not disposed to admit. The strength of him is slight indeed; the thought of him prattles⁸ forever round the trivial. He has a still small voice with a wistfulness about it; and it is on this wistfulness that he has builded up his business. His contemporaries, the men among whom, whether he likes it or no, he will always have to range, are every one of them stronger men than he. They are ruder and more forceful, more gusty⁹ and less attenuated¹⁰, if only by fits and starts. They[119] do their best to try to belong to the great British poetical¹¹ tradition. They fail lamentably¹², but their work bears marks of aspiration¹³. Mr. Yeats, on the other hand, has been particular to pose on a little hill of his own. He imagines that he has discovered a sort of private tradition, the which he calls Keltic. Out of Ireland he believes himself to have captured Druid music, and this he has put up for us in sundry¹⁴ lyrical pieces and sundry plays. His lyrical pieces are admired in all the drawing-rooms and all the sub-editors’ rooms, and his plays have been stamped with the heartfelt approval of the Chief Secretary for Ireland, and Mr. Max Beerbohm. The general opinion of him may be summed up in three words—How charmingly Keltic! It is an old contention¹⁵ of mine that Mr. Yeats’s qualities are not Keltic at all. I go further and say that as a fact there are no Keltic qualities which are not common in good English poetry. The best Kelt we ever had was Mr. Yeats’s own master, one William Blake,[120] who was sheer Cockney. Mr. Yeats is just Blake spun¹⁶ out, and overconscious.
“The moon, like a flower
In heaven’s high bower¹⁷,
With silent delight,
Sits and smiles on the night.”
“I would that we were, my beloved, white birds on the foam¹⁸ of the sea!
We tire of the flame of the meteor, before it can fade and flee;
And the flame of the blue star of twilight¹⁹, hung low on the rim⁴ of the sky,
Has awaked in our hearts, my beloved, a sadness that may not die.”
“Sweet babe, in thy face
Soft desires I can trace,
Secret joys and secret smiles,
Little pretty infant wiles²⁰.
…
As thy softest limbs I feel
Smiles as of the morning steal
O’er thy cheek, and o’er thy breast
Where thy little heart doth rest.”
“I told my love, I told my love,
I told her all my heart,
[121]
Trembling, cold, in ghastly fears.
Ah, she did depart!
…
Soon after she was gone from me,
A traveler came by,
Silently, invisibly:
He took her with a sigh.”
“Beloved, gaze in thine own heart,
The holy tree is growing there;
From joy the holy branches start,
And all the trembling flowers they bear.
The changing colors of its fruit
Have dowered the stars with merry light;
The surety of its hidden root
Has planted quiet in the night.”

Which is Blake, and which is Yeats? You may put the name of either under any of these stanzas²¹, without being guilty of an unpardonable critical lapse²². Mr. Yeats took Blake and imitated him as frankly²³, and it may be, as unconsciously, as many less sophisticated versifiers have imitated Tennyson, or Mr. Swinburne, or Rossetti. It is creditable to him that he should have had discernment enough to perceive in Blake an exceptional[122] and individual content; but why having got hold of that content, having saturated²⁴ himself with it, as it were, and having found the exploitation of it easy and provocative²⁵ of praise, Mr. Yeats should turn round and call it Keltic is something of a puzzle. Of course, one has to remember that among a people whose interests are material, rather than spiritual, the poet who would get a hearing is compelled to have resort to a certain amount of adventitiousness and empyricism.
“We poets in our youth begin in gladness;
But thereof come in the end despondency and madness,”

saith Wordsworth. We poets in our youth also begin in sincerity²⁶ and with a single eye to the glory of the Muses²⁷. But too frequently, even while our youth is still with us, we begin to think about the glory of ourselves, and take steps accordingly. It is good for us, if we have any gift at all, to organize and advertise a school, with ourselves carefully elected by ourselves to the position of archpriest.[123] The critic who in an idle hour set down “Cockney School,” has a great deal to answer for. Somebody followed him hard with the “Lake School.” And in due course we had the “Fleshly School.” It is to be noted²⁸, however, that these epithets²⁹ were bestowed³⁰ by the critics upon the poets, and not by the poets upon the poets themselves. I venture to suggest that it has been slightly different in the case of Mr. Yeats and his following. In Mr. Yeats’s mind—perhaps without his being wholly alive to it—something like the following has taken place: “To be of any account in this world a poet must have a quality or cry of his own. There is a quality, or poignancy³¹ of individualism, about Blake which has not yet become obvious to the multitude. I admire it, and I can imitate it, and possibly improve upon it; therefore let me adopt it for my own. And as I am an Irishman I shall cause it to be known not as the spirit of Blake, but as the Keltic quality. Selah!” I do not suggest for a moment that[124] Mr. Yeats’s conduct in this matter has been either wicked or unjustifiable. I do not even suggest that Mr. Yeats has been quite aware of what he was doing; but not to put too fine a point upon it, I do say that he has been “modern,” and that it is a thousand pities. There is nothing in Ireland, and there never has been anything in Ireland which will justify³² the appropriation³³ of Blake as a sort of exclusive Irish product; and Mr. Yeats has written nothing which he could not have written just as well had he been a Cockney, or a Hebrew, capable of appreciating the spiritual and technical parts of Blake, and of perceiving the beauty of certain scraps³⁴ of Irish history and folk-lore. As an Irish poet, Mr. Yeats, in my opinion, fails completely. It is as reasonable to call him an Irish poet as it would be to call Milton a Hebrew poet because he wrote “Paradise Lost,” or Mr. Swinburne a Greek poet because he wrote “Atalanta.” There is not an Irishman, qua Irishman, who wants Mr. Yeats; any more[125] than there is an Irishman, qua Irishman, who wants Mr. Yeats’s Irish Literary Theater. Mr. Yeats’s poetry and Mr. Yeats’s Irish Literary Theater are Blake’s poetry and Blake’s Literary Theater. They belong to the Euston Road, and not to Tara; they are cultivated, wary³⁵, wistful, minor³⁶ English, and not Irish at all. You have to be English, and a trifle subtle at that, to get on with them. Blake’s laurels³⁷ are very posthumous³⁸ and recent because the Englishmen of his time were busy with Pope and Crabbe, and had a sort of suspicion that Wordsworth was a lunatic. Englishmen did not know even Shakespeare in those days; at any rate not in the way that we know him nowadays. To the Pope-suckled Englishman of culture, Shakespeare, if he was anything at all, was a sort of robustious and flowery dramatist. They played him in full-bottomed wigs³⁹ and small clothes. To-day the tendencies are all the other way. Shakespeare we shall tell you was no playwright⁴⁰, but a poet, and the biggest[126] of them. Our modern actors spoil him for us, not by their cuts and modifications⁴¹, but by their raree-shows and mouthings. Who of them can say for you to your soul’s satisfaction:
… “O here,
Will I set up my everlasting⁴² rest
And shake the yoke⁴³ of inauspicious stars
From this world-weary flesh?”

Shakespeare is for all time and more and more for the closet. Blake is a greater poet than the critical are disposed to admit, even in this age of tender enthusiasms. And Mr. Yeats is a poet, not because he is Irish or Keltic, but in so far and precisely⁴⁴ as far as he has had the good sense to take Blake for his master. For Kelticism as it is understood by its professors, Shakespeare abounds⁴⁵ in it.
1st Lady. Come, my gracious lord,
Shall I be your playfellow?
Mam. No, I’ll none of you.
1st Lady. Why, my sweet lord?
[127]
Mam. You’ll kiss me hard, and speak to me as if
I were a baby still.—I love you better.
2nd Lady. And why so, my lord?
Mam. Not for because
Your brows are blacker; yet black brows, they say,
Become some women best, so that there be not
Too much hair there, but in a semi-circle
Or half-moon made with a pen.
2nd Lady. Who taught you this?
Mam. I learnt it out of women’s faces.—Pray now
What color are your eyebrows⁴⁶?
1st Lady. Blue, my lord.
Mam. Nay⁴⁷, there’s a mock. I have seen a lady’s nose
That has been blue, but not her eyebrows.
2nd Lady. Hark ye;
The queen your mother rounds apace; we shall
Present our service to a fine new prince
One of these days; and then you’d wanton with us,
If we would have you.
1st Lady. She is spread of late
Into a goodly bulk. Good time encounter her!
Her. What wisdom stirs amongst you?—Come, sir, now
I am for you again. Pray you, sit by us,
And tell’s a tale.
Mam. Merry or sad shall’t be?
[128]
Her. As merry as you will.
Mam. A sad tale’s best for winter:
I have one of sprites and goblins.
Her. Let’s have that, good sir,
Come on, sit down. Come on, and do your best,
To fright me with your sprites, you’re powerful at it.
Mam. There was a man—
Her. Nay, come sit down; then on.
Mam. Dwelt by a churchyard—I will tell it softly;
Yond crickets shall not hear it.
Her. Come on then,
And give’t in mine ear.

There is enough Keltic quality here, surely, to satisfy both Mr. Yeats and Mr. Shorter. In fine, this tiny episode out of A Winter’s Tale is quite as good, and quite as Keltic, as anything the Blake School, to give it its honest title, has managed hitherto to produce. What the average Irishman would think about it is another story. It is a pity to take from Ireland even a trifle over which she might, not improperly⁴⁸, plume⁴⁹ herself. But Mr. Yeats in the figure of Irish poet reminds[129] us of nothing so much as a peacock butterfly purchased in the chrysalis state out of France by the careful entomologist, hidden in a plant-pot at his parlor⁵⁰ window, and slaughtered⁵¹ and labeled British so soon as it has had time to spread its wistful wings.

1 utterly   

adv.完全地，绝对地

参考例句：

• Utterly devoted to the people,he gave his life in saving his patients.他忠于人民，把毕生精力用于挽救患者的生命。
• I was utterly ravished by the way she smiled.她的微笑使我完全陶醉了。

2 cult   

n.异教，邪教；时尚，狂热的崇拜

参考例句：

• Her books aren't bestsellers,but they have a certain cult following.她的书算不上畅销书，但有一定的崇拜者。
• The cult of sun worship is probably the most primitive one.太阳崇拜仪式或许是最为原始的一种。

3 muse   

n.缪斯（希腊神话中的女神），创作灵感

参考例句：

• His muse had deserted him,and he could no longer write.他已无灵感，不能再写作了。
• Many of the papers muse on the fate of the President.很多报纸都在揣测总统的命运。

4 rim   

n.(圆物的)边，轮缘；边界

参考例句：

• The water was even with the rim of the basin.盆里的水与盆边平齐了。
• She looked at him over the rim of her glass.她的目光越过玻璃杯的边沿看着他。

5 patronage   

n.赞助，支援，援助；光顾，捧场

参考例句：

• Though it was not yet noon,there was considerable patronage.虽然时间未到中午，店中已有许多顾客惠顾。
• I am sorry to say that my patronage ends with this.很抱歉，我的赞助只能到此为止。

6 clement   

adj.仁慈的；温和的

参考例句：

• A clement judge reduced his sentence.一位仁慈的法官为他减了刑。
• The planet's history contains many less stable and clement eras than the holocene.地球的历史包含着许多不如全新世稳定与温和的地质时期。

7 potent   

adj.强有力的，有权势的；有效力的

参考例句：

• The medicine had a potent effect on your disease.这药物对你的病疗效很大。
• We must account of his potent influence.我们必须考虑他的强有力的影响。

8 prattles   

v.（小孩般）天真无邪地说话( prattle的第三人称单数 )；发出连续而无意义的声音；闲扯；东拉西扯

参考例句：

• She prattles on about the village gossip. 她闲扯些村里的事。 来自互联网
• I find myself unaccustomed to the present situation where no one prattles on besides me. 现在没人絮语，反而有点不习惯了。 来自互联网

9 gusty   

adj.起大风的

参考例句：

• Weather forecasts predict more hot weather,gusty winds and lightning strikes.天气预报预测高温、大风和雷电天气将继续。
• Why was Candlestick Park so windy and gusty? 埃德尔斯蒂克公园里为什么会有那么多的强劲阵风？

10 attenuated   

v.（使）变细( attenuate的过去式和过去分词 )；（使）变薄；（使）变小；减弱

参考例句：

• an attenuated form of the virus 毒性已衰减的病毒
• You're a seraphic suggestion of attenuated thought . 你的思想是轻灵得如同天使一般的。 来自辞典例句

11 poetical   

adj.似诗人的；诗一般的；韵文的；富有诗意的

参考例句：

• This is a poetical picture of the landscape. 这是一幅富有诗意的风景画。 来自《简明英汉词典》
• John is making a periphrastic study in a worn-out poetical fashion. 约翰正在对陈腐的诗风做迂回冗长的研究。 来自辞典例句

12 lamentably   

adv.哀伤地，拙劣地

参考例句：

• Aviation was lamentably weak and primitive. 航空设施极其薄弱简陋。 来自辞典例句
• Poor Tom lamentably disgraced himself at Sir Charles Mirable's table, by premature inebriation. 可怜的汤姆在查尔斯·米拉贝尔爵士的宴会上，终于入席不久就酩酊大醉，弄得出丑露乖，丢尽了脸皮。 来自辞典例句

13 aspiration   

n.志向，志趣抱负；渴望；(语)送气音；吸出

参考例句：

• Man's aspiration should be as lofty as the stars.人的志气应当象天上的星星那么高。
• Young Addison had a strong aspiration to be an inventor.年幼的爱迪生渴望成为一名发明家。

14 sundry   

adj.各式各样的，种种的

参考例句：

• This cream can be used to treat sundry minor injuries.这种药膏可用来治各种轻伤。
• We can see the rich man on sundry occasions.我们能在各种场合见到那个富豪。

15 contention   

n.争论，争辩，论战；论点，主张

参考例句：

• The pay increase is the key point of contention. 加薪是争论的焦点。
• The real bone of contention,as you know,is money.你知道，争论的真正焦点是钱的问题。

16 spun   

v.纺，杜撰，急转身

参考例句：

• His grandmother spun him a yarn at the fire.他奶奶在火炉边给他讲故事。
• Her skilful fingers spun the wool out to a fine thread.她那灵巧的手指把羊毛纺成了细毛线。

17 bower   

n.凉亭，树荫下凉快之处；闺房；v.荫蔽

参考例句：

• They sat under the leafy bower at the end of the garden and watched the sun set.他们坐在花园尽头由叶子搭成的凉棚下观看落日。
• Mrs. Quilp was pining in her bower.奎尔普太太正在她的闺房里度着愁苦的岁月。

18 foam   

v./n.泡沫，起泡沫

参考例句：

• The glass of beer was mostly foam.这杯啤酒大部分是泡沫。
• The surface of the water is full of foam.水面都是泡沫。

19 twilight   

n.暮光，黄昏；暮年，晚期，衰落时期

参考例句：

• Twilight merged into darkness.夕阳的光辉融于黑暗中。
• Twilight was sweet with the smell of lilac and freshly turned earth.薄暮充满紫丁香和新翻耕的泥土的香味。

20 wiles   

n.（旨在欺骗或吸引人的）诡计，花招；欺骗，欺诈( wile的名词复数 )

参考例句：

• All her wiles were to persuade them to buy the goods. 她花言巧语想打动他们买这些货物。 来自《简明英汉词典》
• The woman used all her wiles to tempt him into following her. 那女人用尽了自己的诱骗本领勾引着他尾随而去。 来自《用法词典》

21 stanzas   

节，段( stanza的名词复数 )

参考例句：

• The poem has six stanzas. 这首诗有六小节。
• Stanzas are different from each other in one poem. 诗中节与节差异颇大。

22 lapse   

n.过失，流逝，失效，抛弃信仰，间隔；vi.堕落，停止，失效，流逝；vt.使失效

参考例句：

• The incident was being seen as a serious security lapse.这一事故被看作是一次严重的安全疏忽。
• I had a lapse of memory.我记错了。

23 frankly   

adv.坦白地，直率地；坦率地说

参考例句：

• To speak frankly, I don't like the idea at all.老实说，我一点也不赞成这个主意。
• Frankly speaking, I'm not opposed to reform.坦率地说，我不反对改革。

24 saturated   

a.饱和的，充满的

参考例句：

• The continuous rain had saturated the soil. 连绵不断的雨把土地淋了个透。
• a saturated solution of sodium chloride 氯化钠饱和溶液

25 provocative   

adj.挑衅的，煽动的，刺激的，挑逗的

参考例句：

• She wore a very provocative dress.她穿了一件非常性感的裙子。
• His provocative words only fueled the argument further.他的挑衅性讲话只能使争论进一步激化。

26 sincerity   

n.真诚，诚意；真实

参考例句：

• His sincerity added much more authority to the story.他的真诚更增加了故事的说服力。
• He tried hard to satisfy me of his sincerity.他竭力让我了解他的诚意。

27 muses   

v.沉思，冥想( muse的第三人称单数 )；沉思自语说（某事）

参考例句：

• We have listened too long to the courtly muses of Europe. 欧洲那种御用的诗才，我们已经听够了。 来自辞典例句
• Shiki muses that this is, at least, probably the right atmosphere. 志贵觉得这至少是正确的气氛。 来自互联网

28 noted   

adj.著名的，知名的

参考例句：

• The local hotel is noted for its good table.当地的那家酒店以餐食精美而著称。
• Jim is noted for arriving late for work.吉姆上班迟到出了名。

29 epithets   

n.（表示性质、特征等的）词语( epithet的名词复数 )

参考例句：

• He insulted me, using rude epithets. 他用粗话诅咒我。 来自《简明英汉词典》
• He cursed me, using a lot of rude epithets. 他用上许多粗鲁的修饰词来诅咒我。 来自辞典例句

30 bestowed   

赠给，授予( bestow的过去式和过去分词 )

参考例句：

• It was a title bestowed upon him by the king. 那是国王赐给他的头衔。
• He considered himself unworthy of the honour they had bestowed on him. 他认为自己不配得到大家赋予他的荣誉。

31 poignancy   

n.辛酸事，尖锐

参考例句：

• As she sat in church her face had a pathos and poignancy. 当她坐在教堂里时，脸上带着一种哀婉和辛辣的表情。
• The movie, "Trains, Planes, and Automobiles" treats this with hilarity and poignancy. 电影“火车，飞机和汽车”是以欢娱和热情庆祝这个节日。

32 justify   

vt.证明…正当(或有理)，为…辩护

参考例句：

• He tried to justify his absence with lame excuses.他想用站不住脚的借口为自己的缺席辩解。
• Can you justify your rude behavior to me?你能向我证明你的粗野行为是有道理的吗？

33 appropriation   

n.拨款，批准支出

参考例句：

• Our government made an appropriation for the project.我们的政府为那个工程拨出一笔款项。
• The council could note an annual appropriation for this service.议会可以为这项服务表决给他一笔常年经费。

34 scraps   

油渣

参考例句：

• Don't litter up the floor with scraps of paper. 不要在地板上乱扔纸屑。
• A patchwork quilt is a good way of using up scraps of material. 做杂拼花布棉被是利用零碎布料的好办法。

35 wary   

adj.谨慎的，机警的，小心的

参考例句：

• He is wary of telling secrets to others.他谨防向他人泄露秘密。
• Paula frowned,suddenly wary.宝拉皱了皱眉头，突然警惕起来。

36 minor   

adj.较小(少)的，较次要的；n.辅修学科；vi.辅修

参考例句：

• The young actor was given a minor part in the new play.年轻的男演员在这出新戏里被分派担任一个小角色。
• I gave him a minor share of my wealth.我把小部分财产给了他。

37 laurels   

n.桂冠，荣誉

参考例句：

• The path was lined with laurels.小路两旁都种有月桂树。
• He reaped the laurels in the finals.他在决赛中荣膺冠军。

38 posthumous   

adj.遗腹的；父亡后出生的；死后的，身后的

参考例句：

• He received a posthumous award for bravery.他表现勇敢，死后受到了嘉奖。
• The legendary actor received a posthumous achievement award.这位传奇男星在过世后获得终身成就奖的肯定。

39 wigs   

n.假发，法官帽( wig的名词复数 )

参考例句：

• They say that wigs will be coming in again this year. 据说今年又要流行戴假发了。 来自辞典例句
• Frank, we needed more wigs than we thought, and we have to do some advertising. 弗兰克，因为我们需要更多的假发，而且我们还要做点广告。 来自电影对白

40 playwright   

n.剧作家，编写剧本的人

参考例句：

• Gwyn Thomas was a famous playwright.格温·托马斯是著名的剧作家。
• The playwright was slaughtered by the press.这位剧作家受到新闻界的无情批判。

41 modifications   

n.缓和( modification的名词复数 )；限制；更改；改变

参考例句：

• The engine was pulled apart for modifications and then reassembled. 发动机被拆开改型，然后再组装起来。 来自《简明英汉词典》
• The original plan had undergone fairly extensive modifications. 原计划已经作了相当大的修改。 来自《简明英汉词典》

42 everlasting   

adj.永恒的，持久的，无止境的

参考例句：

• These tyres are advertised as being everlasting.广告上说轮胎持久耐用。
• He believes in everlasting life after death.他相信死后有不朽的生命。

43 yoke   

n.轭；支配；v.给...上轭，连接，使成配偶

参考例句：

• An ass and an ox,fastened to the same yoke,were drawing a wagon.驴子和公牛一起套在轭上拉车。
• The defeated army passed under the yoke.败军在轭门下通过。

44 precisely   

adv.恰好，正好，精确地，细致地

参考例句：

• It's precisely that sort of slick sales-talk that I mistrust.我不相信的正是那种油腔滑调的推销宣传。
• The man adjusted very precisely.那个人调得很准。

45 abounds   

v.大量存在，充满，富于( abound的第三人称单数 )

参考例句：

• The place abounds with fruit, especially pears and peaches. 此地盛产水果，尤以梨桃著称。 来自《现代汉英综合大词典》
• This country abounds with fruit. 这个国家盛产水果。 来自《现代汉英综合大词典》

46 eyebrows   

眉毛( eyebrow的名词复数 )

参考例句：

• Eyebrows stop sweat from coming down into the eyes. 眉毛挡住汗水使其不能流进眼睛。
• His eyebrows project noticeably. 他的眉毛特别突出。

47 nay   

adv.不；n.反对票，投反对票者

参考例句：

• He was grateful for and proud of his son's remarkable,nay,unique performance.他为儿子出色的，不，应该是独一无二的表演心怀感激和骄傲。
• Long essays,nay,whole books have been written on this.许多长篇大论的文章，不，应该说是整部整部的书都是关于这件事的。

48 improperly   

不正确地，不适当地

参考例句：

• Of course it was acting improperly. 这样做就是不对嘛！
• He is trying to improperly influence a witness. 他在试图误导证人。

49 plume   

n.羽毛；v.整理羽毛，骚首弄姿，用羽毛装饰

参考例句：

• Her hat was adorned with a plume.她帽子上饰着羽毛。
• He does not plume himself on these achievements.他并不因这些成就而自夸。

50 parlor   

n.店铺，营业室；会客室，客厅

参考例句：

• She was lying on a small settee in the parlor.她躺在客厅的一张小长椅上。
• Is there a pizza parlor in the neighborhood?附近有没有比萨店？

51 slaughtered   

v.屠杀，杀戮，屠宰( slaughter的过去式和过去分词 )

参考例句：

• The invading army slaughtered a lot of people. 侵略军杀了许多人。 来自《简明英汉词典》
• Hundreds of innocent civilians were cruelly slaughtered. 数百名无辜平民遭残杀。 来自《简明英汉词典》