As for Will Deverill’s play, the first night was crowded. All London was there, in the sense that the Savage19, the Garrick, and the Savile give to all London. Rue20 had taken tickets for stalls with reckless extravagance, and bestowed21 them right and left, as if on the author’s behalf, to every influential22 soul among her fine acquaintance. Florian whipped up a fair number of first-nighters of the literary clique23, and not a few great ladies from Belgravia drawing-rooms. The audience was distinctly and decidedly favourable25. But not all the packed houses that ever were can save a bad play, if bad it is, from condign26 damnation. The incorruptible pit and the free and independent electors of the gallery are no respecters of persons, in their critical capacity. Fortunately, however, as it happened, Will’s play was a good one. It didn’t take the audience by storm at the first hearing, but it pleased and satisfied them. One or two of the melodies had a catchy28 ring; one or two of the scenes were both brilliant and pathetic. The house encored all the principal tunes29; and when the curtain fell on virtue30 triumphant31, in the person of Honeysuckle, vociferous32 cries arose on every side for “Author! Author!”
Will sat in a stage box, throughout the whole performance, with Florian, Rue, his sister, Mrs Sartoris, and her husband, the amiable33 East End curate. It was a three-act piece. As far as the end of the second act, Maud Sartoris was delighted; it was a distinct success, and Rue was very well pleased. Maud thought that was good; after all, whether she “smelt of drapery” or not, it’s well for one’s brother to produce a favourable impression on a woman with a fortune of seven hundred thousand. But the third act, she felt sure, was distinctly inferior to the two that preceded it. She said as much to Rue, while Will, trembling with excitement from head to foot, slipped off to make his expected bow before the curtain.
At those words of hers, Rue turned pale. She had thought so all through, though she would hardly acknowledge it, even to herself, and she feared in her own heart she knew the reason. Could Will have written the first two acts during those happy days when his head was stuffed full of Linnet at Meran, and gone on with the third in a London lodging34 after he learned of her marriage to Andreas Hausberger? Rue more than half-suspected that obvious explanation?—?for Honeysuckle was Linnet?—?and the thought disquieted35 her.
“You’re quite right,” Florian interposed, with his airy eloquence36. “The first two acts are good?—?distinctly good. Will wrote them in the Tyrol. The third’s a poor thing?—?mere37 fluff and feather: oh, what a falling off was there! It was written in London! But who can sing aright of Arcady in the mud of Mayfair? Who can sing of Zion by the willows38 of Babylon? Will drew his first inspiration from the sparkling air of Meran; it faded like a mist with the mists of the Channel.”
“The audience doesn’t seem to think so,” Rue put in, somewhat anxiously, as a hearty39 round of applause greeted Will by the footlights. “They feel it’s all right. They’re evidently satisfied, on the whole, with the nature of the dénoument.”
“If you look at the papers to-morrow morning,” Florian answered, carelessly, “you’ll find every candid40 critic disagrees with the audience and agrees with Mrs Sartoris. But what matter for that! It’s a very good play, with some very good tunes in it; and the actors have made it. I really didn’t think our dear friend Will could do anything so good?—?till I saw it interpreted. I call the reception, on the whole, most promising41.”
Rue felt positively42 annoyed that Florian should speak so condescendingly of Will’s beautiful music. He damned it with faint praise, while Rue herself felt for it a genuine enthusiasm. For she knew it was good,?—?all except that third act,?—?and even there she saw touches of really fine composition.
In a minute or two more, Will came back to them, radiant. Florian boarded him at once. “Ten thousand congratulations, dear boy,” he cried, affectedly43. “We’re all delighted. Laurel wreaths for the victor! Bays drape your lute44. Everybody’s been saying the first two acts are a triumphal progress, though the third, we agree, fails to sustain the attention?—?flags in interest somewhat.”
Will coloured up to his eyes. Rue noted45 the blush; her heart sank at sight of it. “I knew it was weak myself,” he admitted, a little shamefacedly. “The inspiration died down. Perhaps it was natural. You see, Maud,” he went on, turning round to his sister as to a neutral person, and avoiding Rue’s eye, “I wrote and composed the first two acts at Innsbruck and Meran, under the immediate46 influence of the Tyrolese air and the Tyrolese music; they welled up in me in the midst of peasant songs and cow-bells. The third act, I had to manufacture at my rooms in Craven Street. Surroundings, of course, make a deal of difference to this sort of thing. I was in the key there, and out of it in London. Pumped-up poetry and pumped-up music are poor substitutes after all for the spontaneous article.”
He didn’t dare to look at Rue as he spoke47 those words. He was conscious all the while, let him boggle as he might, that she knew the real reason for the failure of the dénoument. And he was conscious, too, though he was a modest man, that Rue would feel hurt at the effect Linnet’s marriage had had upon his music. As for Rue herself, poor girl, her face was crimson48. To think she should have done so much, and wronged her modesty49 so far with Mr Wildon Blades to get Will’s operetta put on the stage that evening; to think she should have risked her own money to ensure its success, and then to find it owed its inspiration wholly and solely50 to the charms of her peasant rival, Linnet! Rue was more than merely vexed51; she was shamed and humiliated52. Will’s triumph was turned for her into gall27 and bitterness. His heart, after all, was still fixed53 on his cow-girl!
They drove home together in Rue’s luxurious54 brougham to Hans Place, Chelsea?—?Mr Sartoris and Florian following close in a hansom. The party were engaged to sup at Rue’s. Florian had invited them, indeed, to a banquet at Romano’s, as more strictly55 in keeping with the evening’s entertainment; but Maud Sartoris had objected to such a plan as “improper,” and likely to damage dear Arthur’s prospects56. So at Rue’s they supped. But, in spite of Will’s success, and his health which they drank in Rue’s finest champagne57, with musical honours, the party somehow lacked go and spirit. Will was dimly conscious in his own soul of having unwittingly behaved rather ill to Rue; Rue was dimly conscious of harbouring some deep-seated but indefinite resentment58 towards Will and Linnet. It was some consolation59, at least, to know that the girl was now decently married and done for; sooner or later, for certain, such a man as Will Deverill was sure to get over a mere passing fancy for a handsome up-standing Tyrolese peasant-girl.
After supper, Will Deverill and the Sartorises went home in a party. But Florian lingered late. This was an excellent opportunity. Rue was annoyed with Will, and therefore all the more likely to accept another suitor. He gazed around the room?—?that little palace of art he had decorated with such care for his soul to dwell in. “Upon my word, Rue,” he murmured at last, after some desultory60 talk, glancing around him complacently61, “I’m proud of this place; I never knew before what a decorator I was. It’s simply charming.” He gazed at her fixedly62. “It’s the sweetest home in all London,” he went on in a rapt voice, “and it’s inhabited by the sweetest and brightest creature in the whole of Christendom. I sometimes think, Rue, as I gaze round this house, how happy I should be?—?if I too lived in it.”
For a moment, Rue stared at him without quite understanding what he meant to convey by this singular intimation. Then all at once it flashed across her. In spite of her distress63, a smile stole over her face. She held out her hand frankly64. “Good night, Florian,” she said, in a very decided24 tone. “Let me urge upon you to be content with your chambers65 in Pimlico. You’re a delightful66 and always most amusing friend; I hope you’re not going to make your friendship impossible for me. I like you very much, in your own sort of way; but if ever you re-open that subject again, . . . I’m afraid I could give you no further opportunity of admiring your own handicraft in this pretty little house of mine. That’s why I say good-night to you now so plainly. It’s best to be plain?—?best to understand one another, once for all, and for ever.”
Two minutes later, a dejected creature named Florian Wood found himself walking disconsolate67, with his umbrella up, on the sloppy68 wet flags of ill-lighted Sloane Street. He had sustained a loss of seven hundred thousand pounds on a turn of fortune’s wheel, at an inauspicious moment. And Rue, with her face in her hands by the fire, was saying to herself with many tears and sighs that, Linnet or no Linnet, she never would and never could love anyone in the world except that dear Will Deverill.
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1 minor | |
adj.较小(少)的,较次要的;n.辅修学科;vi.辅修 | |
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2 puffs | |
n.吸( puff的名词复数 );(烟斗或香烟的)一吸;一缕(烟、蒸汽等);(呼吸或风的)呼v.使喷出( puff的第三人称单数 );喷着汽(或烟)移动;吹嘘;吹捧 | |
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3 privately | |
adv.以私人的身份,悄悄地,私下地 | |
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4 hospitable | |
adj.好客的;宽容的;有利的,适宜的 | |
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5 abstruse | |
adj.深奥的,难解的 | |
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6 feats | |
功绩,伟业,技艺( feat的名词复数 ) | |
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7 oracle | |
n.神谕,神谕处,预言 | |
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8 averred | |
v.断言( aver的过去式和过去分词 );证实;证明…属实;作为事实提出 | |
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9 counterfeited | |
v.仿制,造假( counterfeit的过去分词 ) | |
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10 distinguished | |
adj.卓越的,杰出的,著名的 | |
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11 offhand | |
adj.临时,无准备的;随便,马虎的 | |
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12 quotations | |
n.引用( quotation的名词复数 );[商业]行情(报告);(货物或股票的)市价;时价 | |
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13 nay | |
adv.不;n.反对票,投反对票者 | |
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14 wholesome | |
adj.适合;卫生的;有益健康的;显示身心健康的 | |
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15 dread | |
vt.担忧,忧虑;惧怕,不敢;n.担忧,畏惧 | |
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16 anticipation | |
n.预期,预料,期望 | |
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17 quacks | |
abbr.quacksalvers 庸医,骗子(16世纪习惯用水银或汞治疗梅毒的人)n.江湖医生( quack的名词复数 );江湖郎中;(鸭子的)呱呱声v.(鸭子)发出嘎嘎声( quack的第三人称单数 ) | |
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18 bishop | |
n.主教,(国际象棋)象 | |
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19 savage | |
adj.野蛮的;凶恶的,残暴的;n.未开化的人 | |
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20 rue | |
n.懊悔,芸香,后悔;v.后悔,悲伤,懊悔 | |
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21 bestowed | |
赠给,授予( bestow的过去式和过去分词 ) | |
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22 influential | |
adj.有影响的,有权势的 | |
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23 clique | |
n.朋党派系,小集团 | |
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24 decided | |
adj.决定了的,坚决的;明显的,明确的 | |
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25 favourable | |
adj.赞成的,称赞的,有利的,良好的,顺利的 | |
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26 condign | |
adj.应得的,相当的 | |
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27 gall | |
v.使烦恼,使焦躁,难堪;n.磨难 | |
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28 catchy | |
adj.易记住的,诡诈的,易使人上当的 | |
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29 tunes | |
n.曲调,曲子( tune的名词复数 )v.调音( tune的第三人称单数 );调整;(给收音机、电视等)调谐;使协调 | |
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30 virtue | |
n.德行,美德;贞操;优点;功效,效力 | |
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31 triumphant | |
adj.胜利的,成功的;狂欢的,喜悦的 | |
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32 vociferous | |
adj.喧哗的,大叫大嚷的 | |
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33 amiable | |
adj.和蔼可亲的,友善的,亲切的 | |
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34 lodging | |
n.寄宿,住所;(大学生的)校外宿舍 | |
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35 disquieted | |
v.使不安,使忧虑,使烦恼( disquiet的过去式和过去分词 ) | |
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36 eloquence | |
n.雄辩;口才,修辞 | |
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37 mere | |
adj.纯粹的;仅仅,只不过 | |
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38 willows | |
n.柳树( willow的名词复数 );柳木 | |
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39 hearty | |
adj.热情友好的;衷心的;尽情的,纵情的 | |
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40 candid | |
adj.公正的,正直的;坦率的 | |
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41 promising | |
adj.有希望的,有前途的 | |
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42 positively | |
adv.明确地,断然,坚决地;实在,确实 | |
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43 affectedly | |
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44 lute | |
n.琵琶,鲁特琴 | |
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45 noted | |
adj.著名的,知名的 | |
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46 immediate | |
adj.立即的;直接的,最接近的;紧靠的 | |
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47 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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48 crimson | |
n./adj.深(绯)红色(的);vi.脸变绯红色 | |
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49 modesty | |
n.谦逊,虚心,端庄,稳重,羞怯,朴素 | |
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50 solely | |
adv.仅仅,唯一地 | |
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51 vexed | |
adj.争论不休的;(指问题等)棘手的;争论不休的问题;烦恼的v.使烦恼( vex的过去式和过去分词 );使苦恼;使生气;详细讨论 | |
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52 humiliated | |
感到羞愧的 | |
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53 fixed | |
adj.固定的,不变的,准备好的;(计算机)固定的 | |
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54 luxurious | |
adj.精美而昂贵的;豪华的 | |
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55 strictly | |
adv.严厉地,严格地;严密地 | |
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56 prospects | |
n.希望,前途(恒为复数) | |
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57 champagne | |
n.香槟酒;微黄色 | |
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58 resentment | |
n.怨愤,忿恨 | |
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59 consolation | |
n.安慰,慰问 | |
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60 desultory | |
adj.散漫的,无方法的 | |
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61 complacently | |
adv. 满足地, 自满地, 沾沾自喜地 | |
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62 fixedly | |
adv.固定地;不屈地,坚定不移地 | |
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63 distress | |
n.苦恼,痛苦,不舒适;不幸;vt.使悲痛 | |
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64 frankly | |
adv.坦白地,直率地;坦率地说 | |
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65 chambers | |
n.房间( chamber的名词复数 );(议会的)议院;卧室;会议厅 | |
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66 delightful | |
adj.令人高兴的,使人快乐的 | |
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67 disconsolate | |
adj.忧郁的,不快的 | |
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68 sloppy | |
adj.邋遢的,不整洁的 | |
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