Of course Von Gerhard is to blame. But I think even he sees the humor of it. It happened in this way, on a day when I was indulging in a particularly greenery-yallery fit of gloom. Norah rushed into my room. I think I was mooning over some old papers, or letters, or ribbons, or some such truck in the charming, knife-turning way that women have when they are blue.
“Out wid yez!” cried Norah. “On with your hat and coat! I've just had a wire from Ernst von Gerhard. He's coming, and you look like an under-done dill pickle3. You aren't half as blooming as when he was here in August, and this is October. Get out and walk until your cheeks are so red that Von Gerhard will refuse to believe that this fiery-faced puffing4, bouncing creature is the green and limp thing that huddled5 in a chair a few months ago. Out ye go!”
And out I went. Hatless, I strode countrywards, leaving paved streets and concrete walks far behind. There were drifts of fallen leaves all about, and I scuffled through them drearily6, trying to feel gloomy, and old, and useless, and failing because of the tang in the air, and the red-and-gold wonder of the frost-kissed leaves, and the regular pump-pump of good red blood that was coursing through my body as per Norah's request.
In a field at the edge of the town, just where city and country begin to have a bowing acquaintance, the college boys were at football practice. Their scarlet7 sweaters made gay patches of color against the dull gray-brown of the autumn grass.
“Seven-eighteen-two-four!” called a voice. There followed a scuffle, a creaking of leather on leather, a thud. I watched them, a bit enviously8, walking backwards9 until a twist in the road hid them from view. That same twist transformed my path into a real country road—a brown, dusty, monotonous10 Michigan country road that went severely11 about its business, never once stopping to flirt12 with the blushing autumn woodland at its left, or to dally13 with the dimpling ravine at its right.
“Now if that were an English country road,” thought I, “a sociably14 inclined, happy-go-lucky, out-for-pleasure English country road, one might expect something of it. On an English country road this would be the psychological moment for the appearance of a blond god, in gray tweed. What a delightful15 time of it Richard Le Gallienne's hero had on his quest! He could not stroll down the most innocent looking lane, he might not loiter along the most out-of-the-way path, he never ambled16 over the barest piece of country road, that he did not come face to face with some witty17 and lovely woman creature, also in search of things unconventional, and able to quote charming lines from Chaucer to him.”
Ah, but that was England, and this is America. I realize it sadly as I step out of the road to allow a yellow milk wagon to rattle18 past. The red letters on the yellow milk cart inform the reader that it is the property of August Schimmelpfennig, of Hickory Grove19. The Schimmelpfennig eye may be seen staring down upon me from the bit of glass in the rear as the cart rattles20 ahead, doubtless being suspicious of hatless young women wandering along country roads at dusk, alone. There was that in the staring eye to which I took exception. It wore an expression which made me feel sure that the mouth below it was all a-grin, if I could but have seen it. It was bad enough to be stared at by the fishy21 Schimmelpfennig eye, but to be grinned at by the Schimmelpfennig mouth!—I resented it. In order to show my resentment22 I turned my back on the Schimmelpfennig cart and pretended to look up the road which I had just traveled.
I pretended to look up the road, and then I did look in earnest. No wonder the Schimmelpfennig eye and mouth had worn the leering expression. The blond god in gray tweed was swinging along toward me! I knew that he was blond because he wore no hat and the last rays of the October sun were making a little halo effect about his head. I knew that his gray clothes were tweed because every well regulated hero on a country road wears tweed. It's almost a religion with them. He was not near enough to make a glance at his features possible. I turned around and continued my walk. The yellow cart, with its impudent23 Schimmelpfennig leer, was disappearing in a cloud of dust. Shades of the “Duchess” and Bertha M. Clay! How does one greet a blond god in gray tweed on a country road, when one has him!
The blond god solved the problem for me.
“Hi!” he called. I did not turn. There was a moment's silence. Then there came a shrill24, insistent25 whistle, of the kind that is made by placing four fingers between the teeth. It is a favorite with the gallery gods. I would not have believed that gray tweed gods stooped to it.
“Hi!” called the voice again, very near now. “Lieber Gott! Never have I seen so proud a young woman!”
I whirled about to face Von Gerhard; a strangely boyish and unprofessional looking Von Gerhard.
“Young man,” I said severely, “have you been a-follerin' of me?”
“For miles,” groaned26 he, as we shook hands. “You walk like a grenadier. I am sent by the charming Norah to tell you that you are to come home to mix the salad dressing27, for there is company for supper. I am the company.”
I was still a bit dazed. “But how did you know which road to take? And when—”
“Wunderbar, nicht wahr?” laughed Von Gerhard. “But really quite simple. I come in on an earlier train than I had expected, chat a moment with sister Norah, inquire after the health of my patient, and am told that she is running away from a horde28 of blue devils!—quote your charming sister—that have swarmed29 about her all day. What direction did her flight take? I ask. Sister Norah shrugs30 her shoulders and presumes that it is the road which shows the reddest and yellowest autumn colors. That road will be your road. So!”
“Pooh! How simple! That is the second disappointment you have given me to-day.”
“But how is that possible? The first has not had time to happen.”
“The first was yourself,” I replied, rudely.
“I had been longing31 for an adventure. And when I saw you 'way up the road, such an unusual figure for our Michigan country roads, I forgot that I was a disappointed old grass widder with a history, and I grew young again, and my heart jumped up into my throat, and I sez to mesilf, sez I: 'Enter the hero!' And it was only you.”
Von Gerhard stared a moment, a curious look on his face. Then he laughed one of those rare laughs of his, and I joined him because I was strangely young, light, and happy to be alive.
“You walk and enjoy walking, yes?” asked Von Gerhard, scanning my face. “Your cheeks they are like—well, as unlike the cheeks of the German girls as Diana's are unlike a dairy maid's. And the nerfs? They no longer jump, eh?”
“Oh, they jump, but not with weariness. They jump to get into action again. From a life of too much excitement I have gone to the other extreme. I shall be dead of ennui32 in another six months.”
“Ennui?” mused33 he, “and you are—how is it?—twenty-eight years, yes? H'm!”
There was a world of exasperation34 in the last exclamation35.
“I am a thousand years old,” it made me exclaim, “a million!”
“I will prove to you that you are sixteen,” declared Von Gerhard, calmly.
We had come to a fork in the road. At the right the narrower road ran between two rows of great maples36 that made an arch of golden splendor37. The frost had kissed them into a gorgeous radiance.
“Sunshine Avenue,” announced Von Gerhard. “It beckons38 us away from home, and supper and salad dressing and duty, but who knows what we shall find at the end of it!”
“Let's explore,” I suggested. “It is splendidly golden enough to be enchanted39.”
We entered the yellow canopied40 pathway.
“Let us pretend this is Germany, yes?” pleaded Von Gerhard. “This golden pathway will end in a neat little glass-roofed restaurant, with tables and chairs outside, and comfortable German papas and mammas and pig-tailed children sitting at the tables, drinking coffee or beer. There will be stout41 waiters, and a red-faced host. And we will seat ourselves at one of the tables, and I will wave my hand, and one of the stout waiters will come flying. 'Will you have coffee, Fraulein, or beer?' It sounds prosaic42, but it is very, very good, as you will see. Pathways in Germany always end in coffee and Kuchen and waiters in white aprons43.”
But, “Oh, no!” I exclaimed, for his mood was infectious. “This is France. Please! The golden pathway will end in a picturesque44 little French farm, with a dairy. And in the doorway45 of the farmhouse46 there will be a red-skirted peasant woman, with a white cap! and a baby on her arm! and sabots! Oh, surely she will wear sabots!”
“Most certainly she will wear sabots,” Von Gerhard said, heatedly, “and blue knitted stockings. And the baby's name is Mimi!”
We had taken hands and were skipping down the pathway now, like two excited children.
“Let's run,” I suggested. And run we did, like two mad creatures, until we rounded a gentle curve and brought up, panting, within a foot of a decrepit47 rail fence. The rail fence enclosed a stubbly, lumpy field. The field was inhabited by an inquiring cow. Von Gerhard and I stood quite still, hand in hand, gazing at the cow. Then we turned slowly and looked at each other.
“This pathway of glorified48 maples ends in a cow,” I said, solemnly. At which we both shrieked49 with mirth, leaning on the decrepit fence and mopping our eyes with our handkerchiefs.
“Did I not say you were sixteen?” taunted50 Von Gerhard. We were getting surprisingly well acquainted.
“Such a scolding as we shall get! It will be quite dark before we are home. Norah will be tearing her hair.”
It was a true prophecy. As we stampeded up the steps the door was flung open, disclosing a tragic51 figure.
“Such a steak!” wailed52 Norah, “and it has been done for hours and hours, and now it looks like a piece of fried ear. Where have you two driveling idiots been? And mushrooms too.”
“She means that the ruined steak was further enhanced by mushrooms,” I explained in response to Von Gerhard's bewildered look. We marched into the house, trying not to appear like sneak53 thieves. Max, pipe in mouth, surveyed us blandly54.
“Fine color you've got, Dawn,” he remarked.
“There is such a thing as overdoing55 this health business,” snapped Norah, with a great deal of acidity56 for her. “I didn't tell you to make them purple, you know.”
Max turned to Von Gerhard. “Now what does she mean by that do you suppose, eh Ernst?”
“Softly, brother, softly!” whispered Von Gerhard. “When women exchange remarks that apparently57 are simple, and yet that you, a man, cannot understand, then know there is a woman's war going on, and step softly, and hold your peace. Aber ruhig!”
Calm was restored with the appearance of the steak, which was found to have survived the period of waiting, and to be incredibly juicy and tender. Presently we were all settled once more in the great beamed living room, Sis at the piano, the two men smoking their after-dinner cigars with that idiotic58 expression of contentment which always adorns59 the masculine face on such occasions.
I looked at them—at those three who had done so much for my happiness and well being, and something within me said: “Now! Speak now!” Norah was playing very softly, so that the Spalpeens upstairs might not be disturbed. I took a long breath and made the plunge60.
“Norah, if you'll continue the slow music, I'll be much obliged. 'The time has come, the Walrus61 said, to talk of many things.'”
“Don't be absurd,” said Norah, over her shoulder, and went on playing.
“I never was more serious in my life, good folkses all. I've got to be. This butterfly existence has gone on long enough. Norah, and Max, and Mr. Doctor Man, I am going away.”
Norah's hands crashed down on the piano keys with a jangling discord62. She swung about to face me.
“Not New York again, Dawn! Not New York!”
“I am afraid so,” I answered.
Max—bless his great, brotherly heart—rose and came over to me and put a hand on my shoulder.
“Don't you like it here, girlie? Want to be hauled home on a shutter63 again, do you? You know that as long as we have a home, you have one. We need you here.”
But I shook my head. From his chair at the other side of the room I could feel Von Gerhard's gaze fixed64 upon us. He had said nothing.
“Need me! No one needs me. Don't worry; I'm not going to become maudlin65 about it. But I don't belong here, and you know, it. I have my work to do. Norah is the best sister that a woman ever had. And Max, you're an angel brother-in-law. But how can I stay on here and keep my self-respect?” I took Max's big hand in mine and gathered courage from it.
“But you have been working,” wailed Norah, “every morning. And I thought the book was coming on beautifully. And I'm sure it will be a wonderful book, Dawn dear. You are so clever.”
“Oh, the book—it is too uncertain. Perhaps it will go, but perhaps it won't. And then—what? It will be months before the book is properly polished off. And then I may peddle66 it around for more months. No; I can't afford to trifle with uncertainties67. Every newspaper man or woman writes a book. It's like having the measles68. There is not a newspaper man living who does not believe, in his heart, that if he could only take a month or two away from the telegraph desk or the police run, he could write the book of the year, not to speak of the great American Play. Why, just look at me! I've only been writing seriously for a few weeks, and already the best magazines in the country are refusing my manuscripts daily.”
“Don't joke,” said Norah, coming over to me, “I can't stand it.”
“Why not? Much better than weeping, isn't it? And anyway, I'm no subject for tears any more. Dr. von Gerhard will tell you how well and strong I am. Won't you, Herr Doktor?”
“Well,” said Von Gerhard, in his careful, deliberate English, “since you ask me, I should say that you might last about one year, in New York.”
“There! What did I tell you!” cried Norah.
“What utter blither!” I scoffed69, turning to glare at Von Gerhard.
“Gently,” warned Max. “Such disrespect to the man who pulled you back from the edge of the yawning grave only six months ago!”
“Yawning fiddlesticks!” snapped I, elegantly. “There was nothing wrong with me except that I wanted to be fussed over. And I have been. And I've loved it. But it must stop now.” I rose and walked over to the table and faced Von Gerhard, sitting there in the depths of a great chair. “You do not seem to realize that I am not free to come and go, and work and play, and laugh and live like other women. There is my living to make. And there is—Peter Orme. Do you think that I could stay on here like this? Oh, I know that Max is not a poor man. But he is not a rich man, either. And there are the children to be educated, and besides, Max married Norah O'Hara, not the whole O'Hara tribe. I want to go to work. I am not a free woman, but when I am working, I forget, and am almost happy. I tell you I must be well again! I will be well! I am well!”
At the end of which dramatic period I spoiled the whole effect by bowing my head on the table and giving way to a fit of weeping such as I had not had since the days of my illness.
“Looks like it,” said Max, at which I decided70 to laugh, and the situation was saved.
It was then that Von Gerhard proposed the thing that set us staring at him in amused wonder. He came over and stood looking down at us, his hands outspread upon the big library table, his body bent71 forward in an attitude of eager intentness. I remember thinking what wonderful hands they were, true indexes of the man's character; broad, white, surgeonly hands; the fingers almost square at the tips. They were hands as different from those slender, nervous, unsteady, womanly hands of Peter Orme as any hands could be, I thought. They were hands made for work that called for delicate strength, if such a paradox72 could be; hands to cling to; to gain courage from; hands that spelled power and reserve. I looked at them, fascinated, as I often had done before, and thought that I never had seen such SANE73 hands.
“You have done me the honor to include me in this little family conclave,” began Ernst von Gerhard. “I am going to take advantage of your trust. I shall give you some advice—a thing I usually keep for unpleasant professional occasions. Do not go back to New York.”
“But I know New York. And New York—the newspaper part of it—knows me. Where else can I go?”
“You have your book to finish. You could never finish it there, is it not so?”
I'm afraid I shrugged74 my shoulders. It was all so much harder than I had expected. What did they want me to do? I asked myself, bitterly.
Von Gerhard went on. “Why not go where the newspaper work will not be so nerve-racking? where you still might find time for this other work that is dear to you, and that may bring its reward in time.” He reached out and took my hand, into his great, steady clasp. “Come to the happy, healthy, German town called Milwaukee, yes? Ach, you may laugh. But newspaper work is newspaper work the world over, because men and women are just men and women the world over. But there you could live sanely75, and work not too hard, and there would be spare hours for the book that is near your heart. And I—I will speak of you to Norberg, of the Post. And on Sundays, if you are good, I may take you along the marvelous lake drives in my little red runabout, yes? Aber wunderbar, those drives are! So.”
Then—“Milwaukee!” shrieked Max and Norah and I, together. “After New York—Milwaukee!”
“Laugh,” said Von Gerhard, quite composedly. “I give you until to-morrow morning to stop laughing. At the end of that time it will not seem quite so amusing. No joke is so funny after one has contemplated76 it for twelve hours.”
The voice of Norah, the temptress, sounded close to my ear. “Dawn dear, just think how many million miles nearer you would be to Max, and me, and home.”
“Oh, you have all gone mad! The thing is impossible. I shan't go back to a country sheet in my old age. I suppose that in two more years I shall be editing a mothers' column on an agricultural weekly.”
“Norberg would be delighted to get you,” mused Von Gerhard, “and it would be day work instead of night work.”
“And you would send me a weekly bulletin on Dawn's health, wouldn't you, Ernst?” pleaded Norah. “And you'd teach her to drink beer and she shall grow so fat that the Spalpeens won't know their auntie.”
At last—“How much do they pay?” I asked, in desperation. And the thing that had appeared so absurd at first began to take on the shape of reality.
Von Gerhard did speak to Norberg of the Post. And I am to go to Milwaukee next week. The skeleton of the book manuscript is stowed safely away in the bottom of my trunk and Norah has filled in the remaining space with sundry77 flannels78, and hot water bags and medicine flasks79, so that I feel like a schoolgirl on her way to boarding-school, instead of like a seasoned old newspaper woman with a capital PAST and a shaky future. I wish that I were chummier with the Irish saints. I need them now.
点击
收听单词发音
收听单词发音 |
1
hitched
|
|
| （免费）搭乘他人之车( hitch的过去式和过去分词 )； 搭便车； 攀上； 跃上 | |
参考例句： |
|
|
|
|
2
wagon
|
|
| n.四轮马车，手推车，面包车；无盖运货列车 | |
参考例句： |
|
|
|
|
3
pickle
|
|
| n.腌汁，泡菜；v.腌，泡 | |
参考例句： |
|
|
|
|
4
puffing
|
|
| v.使喷出( puff的现在分词 )；喷着汽（或烟）移动；吹嘘；吹捧 | |
参考例句： |
|
|
|
|
5
huddled
|
|
| 挤在一起（huddle的过去式与过去分词形式） | |
参考例句： |
|
|
|
|
6
drearily
|
|
| 沉寂地，厌倦地，可怕地 | |
参考例句： |
|
|
|
|
7
scarlet
|
|
| n.深红色，绯红色，红衣；adj.绯红色的 | |
参考例句： |
|
|
|
|
8
enviously
|
|
| adv.满怀嫉妒地 | |
参考例句： |
|
|
|
|
9
backwards
|
|
| adv.往回地，向原处，倒，相反，前后倒置地 | |
参考例句： |
|
|
|
|
10
monotonous
|
|
| adj.单调的，一成不变的，使人厌倦的 | |
参考例句： |
|
|
|
|
11
severely
|
|
| adv.严格地；严厉地；非常恶劣地 | |
参考例句： |
|
|
|
|
12
flirt
|
|
| v.调情，挑逗，调戏；n.调情者，卖俏者 | |
参考例句： |
|
|
|
|
13
dally
|
|
| v.荒废(时日)，调情 | |
参考例句： |
|
|
|
|
14
sociably
|
|
| adv.成群地 | |
参考例句： |
|
|
|
|
15
delightful
|
|
| adj.令人高兴的，使人快乐的 | |
参考例句： |
|
|
|
|
16
ambled
|
|
| v.（马）缓行( amble的过去式和过去分词 )；从容地走，漫步 | |
参考例句： |
|
|
|
|
17
witty
|
|
| adj.机智的，风趣的 | |
参考例句： |
|
|
|
|
18
rattle
|
|
| v.飞奔，碰响；激怒；n.碰撞声；拨浪鼓 | |
参考例句： |
|
|
|
|
19
grove
|
|
| n.林子，小树林，园林 | |
参考例句： |
|
|
|
|
20
rattles
|
|
| （使）发出格格的响声， （使）作嘎嘎声( rattle的第三人称单数 )； 喋喋不休地说话； 迅速而嘎嘎作响地移动，堕下或走动； 使紧张，使恐惧 | |
参考例句： |
|
|
|
|
21
fishy
|
|
| adj. 值得怀疑的 | |
参考例句： |
|
|
|
|
22
resentment
|
|
| n.怨愤，忿恨 | |
参考例句： |
|
|
|
|
23
impudent
|
|
| adj.鲁莽的，卑鄙的，厚颜无耻的 | |
参考例句： |
|
|
|
|
24
shrill
|
|
| adj.尖声的；刺耳的；v尖叫 | |
参考例句： |
|
|
|
|
25
insistent
|
|
| adj.迫切的，坚持的 | |
参考例句： |
|
|
|
|
26
groaned
|
|
| v.呻吟( groan的过去式和过去分词 )；发牢骚；抱怨；受苦 | |
参考例句： |
|
|
|
|
27
dressing
|
|
| n.(食物)调料；包扎伤口的用品，敷料 | |
参考例句： |
|
|
|
|
28
horde
|
|
| n.群众，一大群 | |
参考例句： |
|
|
|
|
29
swarmed
|
|
| 密集( swarm的过去式和过去分词 )； 云集； 成群地移动； 蜜蜂或其他飞行昆虫成群地飞来飞去 | |
参考例句： |
|
|
|
|
30
shrugs
|
|
| n.耸肩（以表示冷淡，怀疑等）( shrug的名词复数 ) | |
参考例句： |
|
|
|
|
31
longing
|
|
| n.（for）渴望 | |
参考例句： |
|
|
|
|
32
ennui
|
|
| n.怠倦，无聊 | |
参考例句： |
|
|
|
|
33
mused
|
|
| v.沉思，冥想( muse的过去式和过去分词 )；沉思自语说（某事） | |
参考例句： |
|
|
|
|
34
exasperation
|
|
| n.愤慨 | |
参考例句： |
|
|
|
|
35
exclamation
|
|
| n.感叹号，惊呼，惊叹词 | |
参考例句： |
|
|
|
|
36
maples
|
|
| 槭树，枫树( maple的名词复数 )； 槭木 | |
参考例句： |
|
|
|
|
37
splendor
|
|
| n.光彩；壮丽，华丽；显赫，辉煌 | |
参考例句： |
|
|
|
|
38
beckons
|
|
| v.（用头或手的动作）示意，召唤( beckon的第三人称单数 ) | |
参考例句： |
|
|
|
|
39
enchanted
|
|
| adj. 被施魔法的，陶醉的，入迷的 动词enchant的过去式和过去分词 | |
参考例句： |
|
|
|
|
40
canopied
|
|
| adj. 遮有天篷的 | |
参考例句： |
|
|
|
|
42
prosaic
|
|
| adj.单调的，无趣的 | |
参考例句： |
|
|
|
|
43
aprons
|
|
| 围裙( apron的名词复数 )； 停机坪，台口（舞台幕前的部份） | |
参考例句： |
|
|
|
|
44
picturesque
|
|
| adj.美丽如画的，（语言）生动的，绘声绘色的 | |
参考例句： |
|
|
|
|
45
doorway
|
|
| n.门口，(喻)入门；门路，途径 | |
参考例句： |
|
|
|
|
46
farmhouse
|
|
| n.农场住宅（尤指主要住房） | |
参考例句： |
|
|
|
|
47
decrepit
|
|
| adj.衰老的，破旧的 | |
参考例句： |
|
|
|
|
48
glorified
|
|
| 美其名的，变荣耀的 | |
参考例句： |
|
|
|
|
49
shrieked
|
|
| v.尖叫( shriek的过去式和过去分词 ) | |
参考例句： |
|
|
|
|
50
taunted
|
|
| 嘲讽( taunt的过去式和过去分词 )； 嘲弄； 辱骂； 奚落 | |
参考例句： |
|
|
|
|
51
tragic
|
|
| adj.悲剧的，悲剧性的，悲惨的 | |
参考例句： |
|
|
|
|
52
wailed
|
|
| v.哭叫，哀号( wail的过去式和过去分词 ) | |
参考例句： |
|
|
|
|
53
sneak
|
|
| vt.潜行(隐藏,填石缝)；偷偷摸摸做；n.潜行；adj.暗中进行 | |
参考例句： |
|
|
|
|
54
blandly
|
|
| adv.温和地，殷勤地 | |
参考例句： |
|
|
|
|
55
overdoing
|
|
| v.做得过分( overdo的现在分词 )；太夸张；把…煮得太久；（工作等）过度 | |
参考例句： |
|
|
|
|
56
acidity
|
|
| n.酸度，酸性 | |
参考例句： |
|
|
|
|
57
apparently
|
|
| adv.显然地；表面上，似乎 | |
参考例句： |
|
|
|
|
58
idiotic
|
|
| adj.白痴的 | |
参考例句： |
|
|
|
|
59
adorns
|
|
| 装饰，佩带( adorn的第三人称单数 ) | |
参考例句： |
|
|
|
|
60
plunge
|
|
| v.跳入，(使)投入，(使)陷入；猛冲 | |
参考例句： |
|
|
|
|
61
walrus
|
|
| n.海象 | |
参考例句： |
|
|
|
|
62
discord
|
|
| n.不和，意见不合，争论，（音乐）不和谐 | |
参考例句： |
|
|
|
|
63
shutter
|
|
| n.百叶窗；(照相机)快门；关闭装置 | |
参考例句： |
|
|
|
|
64
fixed
|
|
| adj.固定的，不变的，准备好的；(计算机)固定的 | |
参考例句： |
|
|
|
|
65
maudlin
|
|
| adj.感情脆弱的，爱哭的 | |
参考例句： |
|
|
|
|
66
peddle
|
|
| vt.(沿街)叫卖，兜售；宣传，散播 | |
参考例句： |
|
|
|
|
67
uncertainties
|
|
| 无把握( uncertainty的名词复数 )； 不确定； 变化不定； 无把握、不确定的事物 | |
参考例句： |
|
|
|
|
68
measles
|
|
| n.麻疹，风疹，包虫病，痧子 | |
参考例句： |
|
|
|
|
69
scoffed
|
|
| 嘲笑，嘲弄( scoff的过去式和过去分词 ) | |
参考例句： |
|
|
|
|
70
decided
|
|
| adj.决定了的，坚决的；明显的，明确的 | |
参考例句： |
|
|
|
|
71
bent
|
|
| n.爱好，癖好；adj.弯的；决心的，一心的 | |
参考例句： |
|
|
|
|
72
paradox
|
|
| n.似乎矛盾却正确的说法；自相矛盾的人(物) | |
参考例句： |
|
|
|
|
73
sane
|
|
| adj.心智健全的，神志清醒的，明智的，稳健的 | |
参考例句： |
|
|
|
|
74
shrugged
|
|
| vt.耸肩（shrug的过去式与过去分词形式） | |
参考例句： |
|
|
|
|
75
sanely
|
|
| ad.神志清楚地 | |
参考例句： |
|
|
|
|
76
contemplated
|
|
| adj. 预期的 动词contemplate的过去分词形式 | |
参考例句： |
|
|
|
|
77
sundry
|
|
| adj.各式各样的，种种的 | |
参考例句： |
|
|
|
|
78
flannels
|
|
| 法兰绒男裤； 法兰绒( flannel的名词复数 ) | |
参考例句： |
|
|
|
|
79
flasks
|
|
| n.瓶，长颈瓶， 烧瓶( flask的名词复数 ) | |
参考例句： |
|
|
|
| 欢迎访问英文小说网 |