The bones of contention4 may be pitched far and wide by the chances and changes of exile, but the contending dogs bark and yap in Paris. At this time there lived, sometimes in Italy, sometimes at Frohsdorf, a jovial5 young gentleman, fond of sport and society, cultivating the tastes and enjoying the easy existence of a country-gentleman of princely rank—the Comte de Chambord. Son of that Duchesse de Berri who tried to play a great part and failed, he was married to an Italian princess and had no children. He was, therefore, the last of the Bourbons, and passed in Europe as such. But he did not care. Perhaps his was the philosophy of the indolent which saith that some one must be last and why not I?
Nevertheless, there ran in his veins6 some energetic blood. On his father's side he was descended7 from sixty-six kings of France. From his mother he inherited a relationship to many makers8 of history. For the Duchesse de Berri's grandmother was the sister of Marie Antoinette. Her mother was aunt to that Empress of the French, Marie Louise, who was a notable exception to the rule that “Bon sang ne peut mentir.” Her father was a king of Sicily and Naples. She was a Bourbon married to a Bourbon. When she was nineteen she gave birth to a daughter, who died next day. In a year she had a son who died in twenty hours. Two years later her husband died in her arms, assassinated9, in a back room of the Opera House in Paris.
Seven months after her husband's death she gave birth to the Comte de Chambord, the last of the old Bourbons. She was active, energetic and of boundless10 courage. She made a famous journey through La Vendee on horseback to rally the Royalists. She urged her father-in-law, Charles X., to resist the revolution. She was the best Royalist of them all. And her son was the Comte de Chambord, who could have been a king if he had not been a philosopher, or a coward.
He was waiting till France called him with one voice. As if France had ever called for anything with one voice!
Amid the babel there rang out not a few voices for the younger branch of the Royal line—the Orleans. Louis Philippe—king for eighteen years—was still alive, living in exile at Claremont. Two years earlier, in the rush of the revolution of 1848, he had effected his escape to Newhaven. The Orleans always seek a refuge in England, and always turn and abuse that country when they can go elsewhere in safety. And England is not one penny the worse for their abuse, and no man or country was ever yet one penny the better for their friendship.
Louis Philippe had been called to the throne by the people of France. His reign11 of eighteen years was marked by one great deed. He threw open the Palace of Versailles—which was not his—to the public. And then the people who called him in, hooted12 him out. His life had been attempted many times. All the other kings hated him and refused to let their daughters marry his sons. He and his sons were waiting at Claremont while the talkers in Paris talked their loudest.
There was a third bone of contention—the Imperial line. At this time the champions of this morsel13 were at the summit; for a Bonaparte was riding on the top of the revolutionary scrimmage.
By the death of the great Napoleon's only child, the second son of his third brother became the recognised claimant to the Imperial crown.
For France has long ceased to look to the eldest14 son as the rightful heir. There is, in fact, a curse on the first-born of France. Napoleon's son, the King of Rome, died in exile, an Austrian. The Duc de Bordeaux, born eight years after him, never wore the crown, and died in exile, childless. The Comte de Paris, born also at the Tuileries, was exiled when he was ten years old, and died in England. All these, of one generation. And of the next, the Prince Imperial, hurried out of France in 1870, perished on the Veldt. The King of Rome lies in his tomb at Vienna, the Duc de Bordeaux at Goritz, the Comte de Paris at Weybridge, the Prince Imperial at Farnborough. These are the heirs of France, born in the palace of the Tuileries. How are they cast upon the waters of the world! And where the palace of the Tuileries once stood the pigeons now call to each other beneath the trees, while, near at hand, lolls on the public seat he whom France has always with her, the vaurien—the worth-nothing.
So passes the glory of the world. It is not a good thing to be born in a palace, nor to live in one.
It was in the Rue15 Lafayette that John Turner had his office, and when he emerged from it into that long street on the evening of the 25th of August, 1850, he ran against, or he was rather run against by, the newsboy who shrieked16 as he pattered along in lamentable17 boots and waved a sheet in the face of the passer: “The King is dead! The King is dead!”
And Paris—the city that soon forgets—smiled and asked what King?
Louis Philippe was dead in England, at the age of seventy-seven, the bad son of a bad father, another of those adventurers whose happy hunting-ground always has been, always will be, France.
John Turner, like many who are slow in movement, was quick in thought. He perceived at once that the death of Louis Philippe left the field open to the next adventurer; for he left behind him no son of his own mettle18.
Turner went back to his office, where the pen with which he had signed a cheque for four hundred pounds, payable19 to the Reverend Septimus Marvin, was still wet; where, at the bottom of the largest safe, the portrait of an unknown lady of the period of Louis XVI. lay concealed20. He wrote out a telegram to Mrs. St. Pierre Lawrence, addressed to her at her villa21 near Royan, and then proceeded to his dinner with the grave face of the careful critic.
The next morning he received the answer, at his breakfast-table, in the apartment he had long occupied in the Avenue d'Antin. But he did not open the envelope. He had telegraphed to Mrs. St. Pierre Lawrence, asking if it would be convenient for her to put him up for a few days. And he suspected that it would not.
“When I am gone,” he said to his well-trained servant, “put that into an envelope and send it after me to the Villa Cordouan, Royan. Pack my portmanteau for a week.”
Thus John Turner set out southward to join a party of those Royalists whom his father before him had learnt to despise. And in a manner he was pre-armed; for he knew that he would not be welcome. It was in those days a long journey, for the railway was laid no farther than Tours, from whence the traveller must needs post to La Rochelle, and there take a boat to Royan—that shallow harbour at the mouth of the Gironde.
“Must have a change—of cooking,” he explained to Mrs. St. Pierre Lawrence. “Doctor says I am getting too stout22.”
He shook her deliberately23 by the hand without appearing to notice her blank looks.
“So I came south and shall finish up at Biarritz, which they say is going to be fashionable. I hope it is not inconvenient24 for you to give me a bed—a solid one—for a night or two.”
“Oh no!” answered Mrs. St. Pierre Lawrence, who had charming manners, and was one of those fortunate persons who are never at a loss. “Did you not receive my telegram?”
“Telling me you were counting the hours till my arrival?”
“Well,” admitted Mrs. St. Pierre Lawrence, wisely reflecting that he would ultimately see the telegram, “hardly so fervent25 as that—”
“Good Lord!” interrupted Turner, looking behind her toward the veranda26, which was cool and shady, where two men were seated near a table bearing coffee-cups. “Who is that?”
“Which?” asked Mrs. St. Pierre Lawrence, without turning to follow the direction of his glance.
“Why do you say gad?” asked the lady, with surprise.
“Where did he get that face from?” was the reply.
Turner took off his hat and mopped his brow; for it was very hot and the August sun was setting over a copper28 sea.
“Where we all get our faces from, I suppose!” answered Mrs. St. Pierre Lawrence, with her easy laugh. She was always mistress of the situation. “The heavenly warehouse29, one supposes. His name is Barebone. He is a friend of Dormer's.”
“Any friend of Dormer Colville's commands my interest.”
Mrs. St. Pierre Lawrence glanced quickly at her companion beneath the shade of her lace-trimmed parasol.
“What do you mean by that?” she asked, in a voice suddenly hard and resentful.
“That he chooses his friends well,” returned the banker, with his guileless smile. His face was bovine30, and in the heat of summer apt to be shiny. No one would attribute an inner meaning to a stout person thus outwardly brilliant. Mrs. St. Pierre Lawrence appeared to be mollified, and turned toward the house with a gesture inviting31 him to walk with her.
“I will be frank with you,” she said. “I telegraphed to tell you that the Villa Cordouan is for the moment unfortunately filled with guests.”
“What matter? I will go to the hotel. In fact, I told the driver of my carriage to wait for further orders. I half feared that at this time of year, you know, house would be full. I'll just shake hands with Colville and then be off. You will let me come in after dinner, perhaps. You and I must have a talk about money, you will remember.”
There was no time to answer; for Dormer Colville, perceiving their approach, was already hurrying down the steps of the veranda to meet them. He laughed as he came, for John Turner's bulk made him a laughing matter in the eyes of most men, and his good humour seemed to invite them to frank amusement.
The greeting was, therefore, jovial enough on both sides, and after being introduced to Loo Barebone, Mr. Turner took his leave without farther defining his intentions for the evening.
“I do not think it matters much,” Mrs. St. Pierre Lawrence said to her two guests, when he had left. “And he may not come, after all.”
Her self-confidence sufficiently32 convinced Loo, who was always ready to leave something to chance. But Colville shook his head.
It thus came about that sundry33 persons of title and importance who had been invited to come to the Villa Cordouan after dinner for a little music found the English banker complacently34 installed in the largest chair, with a shirt-front evading35 the constraint36 of an abnormal waistcoat, and a sleepy chin drooping37 surreptitiously toward it.
“He is my banker from Paris,” whispered Mrs. St. Pierre Lawrence to one and another. “He knows nothing, and so far as I am aware, is no politician—merely a banker, you understand. Leave him alone and he will go to sleep.”
During the three weeks which Loo Barebone had spent very pleasantly at the Villa Cordouan, Mrs. St. Pierre Lawrence had provided music and light refreshment38 for her friends on several occasions. And each evening the drawing-room, which was not a small one, had been filled to overflowing39. Friends brought their friends and introduced them to the hostess, who in turn presented them to Barebone. Some came from a distance, driving from Saintes or La Rochelle or Pons. Others had taken houses for the bathing-season at Royan itself.
“He never makes a mistake,” said the hostess to Dormer Colville, behind her fan, a hundred times, following with her shrewd eyes the gay and easy movements of Loo, who seemed to be taught by some instinct to suit his manner to his interlocutor.
To-night there was more music and less conversation.
“Play him to sleep,” Dormer Colville had said to his cousin. And at length Turner succumbed40 to the soft effect of a sonata41. He even snored in the shade of a palm, and the gaiety of the proceedings42 in no way suffered.
It was only Colville who seemed uneasy and always urged any who were talking earnestly to keep out of earshot of the sleeping Englishman. Once or twice he took Barebone by the arm and led him to the other end of the room, for he was always the centre of the liveliest group and led the laughter there.
“Oh! but he is charming, my dear,” more than one guest whispered to Mrs. St. Pierre Lawrence, as they took their departure.
“He will do—he will do,” the men said with a new light of hope in their grave faces.
Nearly all had gone when John Turner at length woke up. Indeed, Colville threw a book upon the floor to disturb his placid43 sleep.
“I will come round to-morrow,” he said, bidding his hostess good night. “I have some papers for you to sign since you are determined44 to sell your rentes and leave the money idle at your bank.”
“Yes. I am quite determined,” she answered, gaily45, for she was before her time inasmuch as she was what is known in these days of degenerate46 speech as cock-sure.
And when John Turner, carrying a bundle of papers, presented himself at the Villa Cordouan next morning he found Mrs. St. Pierre Lawrence sitting alone in the veranda.
“Dormer and his friend have left me to my own devices. They have gone away,” she mentioned, casually47, in the course of conversation.
“Suddenly?”
“Oh no,” she answered, carelessly, and wrote her name in a clear firm hand on the document before her. And John Turner looked dense48.
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1
humble
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| adj.谦卑的，恭顺的；地位低下的；v.降低，贬低 | |
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commotion
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| n.骚动，动乱 | |
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wrangle
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| vi.争吵 | |
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contention
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| n.争论，争辩，论战；论点，主张 | |
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jovial
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| adj.快乐的，好交际的 | |
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veins
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| n.纹理；矿脉( vein的名词复数 )；静脉；叶脉；纹理 | |
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7
descended
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| a.为...后裔的，出身于...的 | |
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makers
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| n.制造者，制造商（maker的复数形式） | |
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9
assassinated
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| v.暗杀( assassinate的过去式和过去分词 )；中伤；诋毁；破坏 | |
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boundless
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| adj.无限的；无边无际的；巨大的 | |
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reign
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| n.统治时期，统治，支配，盛行；v.占优势 | |
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12
hooted
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| （使）作汽笛声响，作汽车喇叭声( hoot的过去式和过去分词 ) | |
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13
morsel
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| n.一口，一点点 | |
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eldest
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| adj.最年长的，最年老的 | |
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rue
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| n.懊悔，芸香，后悔；v.后悔，悲伤，懊悔 | |
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16
shrieked
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| v.尖叫( shriek的过去式和过去分词 ) | |
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17
lamentable
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| adj.令人惋惜的，悔恨的 | |
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18
mettle
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| n.勇气，精神 | |
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payable
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| adj.可付的，应付的，有利益的 | |
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concealed
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| a.隐藏的，隐蔽的 | |
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villa
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| n.别墅，城郊小屋 | |
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deliberately
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| adv.审慎地；蓄意地；故意地 | |
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inconvenient
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| adj.不方便的，令人感到麻烦的 | |
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fervent
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| adj.热的，热烈的，热情的 | |
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veranda
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| n.走廊；阳台 | |
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gad
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| n.闲逛；v.闲逛 | |
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28
copper
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| n.铜；铜币；铜器；adj.铜(制)的；(紫)铜色的 | |
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29
warehouse
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| n.仓库；vt.存入仓库 | |
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bovine
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| adj.牛的；n.牛 | |
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inviting
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| adj.诱人的，引人注目的 | |
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sufficiently
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| adv.足够地，充分地 | |
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sundry
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| adj.各式各样的，种种的 | |
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complacently
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| adv. 满足地, 自满地, 沾沾自喜地 | |
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35
evading
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| 逃避( evade的现在分词 )； 避开； 回避； 想不出 | |
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36
constraint
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| n.(on)约束，限制；限制(或约束)性的事物 | |
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37
drooping
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| adj. 下垂的，无力的 动词droop的现在分词 | |
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38
refreshment
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| n.恢复，精神爽快，提神之事物；（复数）refreshments:点心，茶点 | |
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39
overflowing
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| n. 溢出物,溢流 adj. 充沛的，充满的 动词overflow的现在分词形式 | |
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40
succumbed
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| 不再抵抗（诱惑、疾病、攻击等）( succumb的过去式和过去分词 )； 屈从； 被压垮； 死 | |
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41
sonata
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| n.奏鸣曲 | |
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proceedings
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| n.进程，过程，议程；诉讼(程序)；公报 | |
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43
placid
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| adj.安静的，平和的 | |
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determined
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| adj.坚定的；有决心的 | |
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gaily
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| adv.欢乐地，高兴地 | |
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46
degenerate
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| v.退步，堕落；adj.退步的，堕落的；n.堕落者 | |
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47
casually
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| adv.漠不关心地，无动于衷地，不负责任地 | |
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48
dense
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| a.密集的，稠密的，浓密的；密度大的 | |
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