“The portrait of a lady,” repeated Loo, slowly. “Young and beautiful. That much I remember.”
The old nobleman had never removed his covering hand from the locket. He had never glanced at it himself. He looked slowly round the peering faces, two and three deep round the table. He was the oldest man present—one of the oldest in Paris—one of the few now living who had known Marie Antoinette.
Without uncovering the locket, he handed it to Barebone across the table with a bow worthy1 of the old regime and his own historic name.
“It is right that you should be the first to see it,” he said. “Since there is no longer any doubt that the lady was your father's mother.”
Loo took the locket, looked at it with strangely glittering eyes and steady lips. He gave a sort of gasp2, which all in the room heard. He was handing it back to the Vicomte de Castel Aunet without a word of comment, when a crashing fall on the bare floor startled every one. A lady had fainted.
“Thank God!” muttered Dormer Colville almost in Barebone's ear and swayed against him. Barebone turned and looked into a face grey and haggard, and shining with perspiration3. Instinctively4 he grasped him by the arm and supported him. In the confusion of the moment no one noticed Colville; for all were pressing round the prostrate5 lady. And in a moment Colville was himself again, though the ready smile sat oddly on such white lips.
“For God's sake be careful,” he said, and turned away, handkerchief in hand.
For the moment the portrait was forgotten until the lady was on her feet again, smiling reassurances6 and rubbing her elbow.
“It is nothing,” she said, “nothing. My heart—that is all.”
And she staggered to a chair with the reassuring7 smile frozen on her face.
Then the portrait was passed from hand to hand in silence. It was a miniature of Marie Antoinette, painted on ivory, which had turned yellow. The colours were almost lost, but the face stood clearly enough. It was the face of a young girl, long and narrow, with the hair drawn8 straight up and dressed high and simply on the head without ornament9.
“It is she,” said one and another. “C'est bien elle.”
“It was painted when she was newly a queen,” commented the Vicomte de Castel Aunet. “I have seen others like it, but not that one before.”
Barebone stood apart and no one offered to approach him. Dormer Colville had gone toward the great fireplace, and was standing10 by himself there with his back toward the room. He was surreptitiously wiping from his face the perspiration which had suddenly run down it, as one may see the rain running down the face of a statue.
Things had taken an unexpected turn. The Marquis de Gemosac, himself always on the surface, had stirred others more deeply than he had anticipated or could now understand. France has always been the victim of her own emotions; aroused in the first instance half in idleness, allowed to swell11 with a semi-restraining laugh, and then suddenly sweeping12 and overwhelming. History tells of a hundred such crises in the pilgrimage of the French people. A few more—and historians shall write “Ichabod” across the most favoured land in Europe.
It is customary to relate that, after a crisis, those most concerned in it know not how they faced it or what events succeeded it. “He never knew,” we are informed, “how he got through the rest of the evening.”
Loo Barebone knew and remembered every incident, every glance. He was in full possession of every faculty13, and never had each been so keenly alive to the necessity of the moment. Never had his quick brain been so alert as it was during the rest of the evening. And those who had come to the Hotel Gemosac to confirm their adoption14 of a figure-head went away with the startling knowledge in their hearts that they had never in the course of an artificial life met a man less suited to play that undignified part.
And all the while, in the back of his mind, there lingered with a deadly patience the desire for the moment which must inevitably15 come when he should at last find himself alone, face to face, with Dormer Colville.
It was nearly midnight before this moment came. At last the latest guest had taken his leave, quitting the house by the garden door and making his way across that forlorn and weedy desert by the dim light reflected from the clouds above. At last the Marquis de Gemosac had bidden them good night, and they were left alone in the vast bedroom which a dozen candles, in candelabras of silver blackened by damp and neglect, only served to render more gloomy and mysterious.
In the confusion consequent on the departure of so many guests the locket had been lost sight of, and Monsieur de Gemosac forgot to make inquiry16 for it. It was in Barebone's pocket.
Colville put together with the toe of his boot the logs which were smouldering in a glow of incandescent17 heat. He turned and glanced over his shoulder toward his companion.
Barebone was taking the locket from his waistcoat pocket and approaching the table where the candles burnt low in their sockets18.
“You never really supposed you were the man, did you?” asked Colville, with a ready smile. He was brave, at all events, for he took the only course left to him with a sublime19 assurance.
Barebone looked across the candles at the face which smiled, and smiled.
“That is what I thought,” he answered, with a queer laugh.
“Do not jump to any hasty decisions,” urged Colville instantly, as if warned by the laugh.
“No! I want to sift20 the matter carefully to the bottom. It will be interesting to learn who are the deceived and who the deceivers.”
Barebone had had time to think out a course of action. His face seemed to puzzle Colville, who was rarely at fault in such judgments21 of character as came within his understanding. But he seemed for an instant to be on the threshold of something beyond his understanding; and yet he had lived, almost day and night, for some months with Barebone. Since the beginning—that far-off beginning at Farlingford—their respective positions had been quite clearly defined. Colville, the elder by nearly twenty years, had always been the guide and mentor22 and friend—the compulsory23 pilot he had gaily24 called himself. He had a vast experience of the world. He had always moved in the best French society. All that he knew, all the influence he could command, and the experience upon which he could draw were unreservedly at Barebone's service. The difference in years had only affected25 their friendship in so far as it defined their respective positions and prohibited any thought of rivalry26. Colville had been the unquestioned leader, Barebone the ready disciple27.
And now in the twinkling of an eye the positions were reversed. Colville stood watching Barebone's face with eyes rendered almost servile by a great suspense28. He waited breathless for the next words.
“This portrait,” said Barebone, “of the Queen was placed in the locket by you?”
Colville nodded with a laugh of conscious cleverness rewarded by complete success. There was nothing in his companion's voice to suggest suppressed anger. It was all right after all. “I had great difficulty in finding just what I wanted,” he added, modestly.
“What I remember—though the memory is necessarily vague—was a portrait of a woman older than this. Her style of dress was more elaborate. Her hair was dressed differently, with sort of curls at the side, and on the top, half buried in the hair, was the imitation of a nest—a dove's nest. Such a thing would naturally stick in a child's memory. It stuck in mine.”
“Yes—and nearly gave the game away to-night,” said Colville, gulping29 down the memory of those tense moments.
“That portrait—the original—you have not destroyed it?”
“Oh no. It is of some value,” replied Colville, almost naively30. He felt in his pocket and produced a silver cigar case. The miniature was wrapped in a piece of thin paper, which he unfolded. Barebone took the painting and examined it with a little nod of recognition. His memory had not failed after twenty years.
“Who is this lady?” he asked.
Dormer Colville hesitated.
“Do you know the history of that period?” he inquired, after a moment's reflection. For the last hour he had been trying to decide on a course of conduct. During the last few minutes he had been forced to change it half a dozen times.
“Septimus Marvin, of Farlingford, is one of the greatest living authorities on those reigns31. I learnt a good deal from him,” was the answer.
“That lady is, I think, the Duchesse de Guiche.”
“You think—”
“Even Marvin could not tell you for certain,” replied Colville, mildly. He did not seem to perceive a difference in Barebone's manner toward himself. The quickest intelligence cannot follow another's mind beyond its own depth.
“Then the inference is that my father was the illegitimate son of the Comte d'Artois.”
“Afterward Charles X., of France,” supplemented Colville, significantly.
“Is that the inference?” persisted Barebone. “I should like to know your opinion. You must have studied the question very carefully. Your opinion should be of some interest, though—”
“Though—” echoed Colville, interrogatively, and regretted it immediately.
“Though it is impossible to say when you speak the truth and when you lie.”
And any who doubted that there was royal blood in Loo Barebone's veins32 would assuredly have been satisfied by a glance at his face at that moment; by the sound of his quiet, judicial33 voice; by the sudden and almost terrifying sense of power in his measuring eyes.
Colville turned away with an awkward laugh and gave his attention to the logs on the hearth34. Then suddenly he regained35 his readiness of speech.
“Look here, Barebone,” he cried. “We must not quarrel; we cannot afford to do that. And after all, what does it matter? You are only giving yourself the benefit of the doubt—that is all. For there is a doubt. You may be what you—what we say you are, after all. It is certain enough that Marie Antoinette and Fersen were in daily correspondence. They were both clever—two of the cleverest people in France—and they were both desperate. Remember that. Do you think that they would have failed in a matter of such intense interest to her, and therefore to him? All these pretenders, Naundorff and the others, have proved that quite clearly, but none has succeeded in proving that he was the man.”
“And do you think that I shall be able to prove that I am the man—when I am not?”
By way of reply Dormer Colville turned again to the fireplace and took down the print of Louis XVI. engraved36 from a portrait painted when he was still Dauphin. A mirror stood near, and Colville came to the table carrying the portrait in one hand, the looking-glass in the other.
“Here,” he said, eagerly. “Look at one and then at the other. Look in the mirror and then at the portrait. Prove it! Why, God has proved it for you.”
“I do not think we had better bring Him into the question,” was the retort: an odd reflex of Captain Clubbe's solid East Anglian piety37. “No. If we go on with the thing at all, let us be honest enough to admit to ourselves that we are dishonest. The portrait in that locket points clearly enough to the Truth.”
“The portrait in that locket is of Marie Antoinette,” replied Colville, half sullenly38. “And no one can ever prove anything contrary to that. No one except myself knows of—of this doubt which you have stumbled upon. De Gemosac, Parson Marvin, Clubbe—all of them are convinced that your father was the Dauphin.”
“And Miss Liston?”
“Miriam Liston—she also, of course. And I believe she knew it long before I told her.”
Barebone turned and looked at him squarely in the eyes. Colville wondered a second time why Loo Barebone reminded him of Captain Clubbe to-night.
“What makes you believe that?” he asked.
“Oh, I don't know. But that isn't the question. The question is about the future. You see how things are in France. It is a question of Louis Napoleon or a monarchy—you see that. Unless you stop him he will be Emperor before a year is out, and he will drag France in the gutter39. He is less a Bonaparte than you are a Bourbon. You remember that Louis Bonaparte himself was the first to say so. He wrote a letter to the Pope, saying so quite clearly. You will go on with it, of course, Barebone. Say you will go on with it! To turn back now would be death. We could not do it if we wanted to. I have been trying to think about it, and I cannot. That is the truth. It takes one's breath away. At the mere40 thought of it I feel as if I were getting out of my depth.”
And he stood reflecting, while Colville watched him.
“If I go on,” he said, at length, “I go on alone.”
“Better not,” urged Colville, with a laugh of great relief. “For you would always have me and my knowledge hanging over you. If you succeeded, you would have me dunning you for hush-money.”
Which seemed true enough. Few men knew more of one side of human nature than Dormer Colville, it would appear.
“I am not afraid of that.”
“You can never tell,” laughed Colville, but his laugh rather paled under Barebone's glance. “You can never tell.”
“Wise men do not attempt to blackmail—kings.”
And Colville caught his breath.
“Perhaps you are right,” he admitted, after a pause. “You seem to be taking to the position very kindly42, Barebone. But I do not mind, you know. It does not matter what we say to each other, eh? We have been good friends so long. You must do as you like. And if you succeed, I must be content to leave my share of the matter to your consideration. You certainly seem to know the business already, and some day perhaps you will remember who taught you to be a King.”
“It was an old North Sea skipper who taught me that,” replied Barebone. “That is one of the things I learnt at sea.”
“Yes—yes,” agreed Colville, almost nervously43. “And you will go on with the thing, will you not? Like a good fellow, eh? Think about it till to-morrow morning. I will go now. Which is my candle? Yes. You will think about it. Do not jump to any hasty decision.”
“If I do go on with it,” was the reply, “it will not be in response to any of your arguments. It will be only and solely45 for the sake of France.”
“Yes—of course,” agreed Colville, and closed the door behind him.
In his own room he turned and looked toward the door leading through to that from which he had hurriedly escaped. He passed his hand across his face, which was white and moist.
“For the sake of France!” he echoed in bewilderment. “For the sake of France! Gad46! I believe he IS the man after all.”
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1
worthy
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| adj.(of)值得的，配得上的；有价值的 | |
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gasp
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| n.喘息，气喘；v.喘息；气吁吁他说 | |
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perspiration
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| n.汗水；出汗 | |
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instinctively
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| adv.本能地 | |
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prostrate
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| v.拜倒，平卧，衰竭；adj.拜倒的，平卧的，衰竭的 | |
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6
reassurances
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| n.消除恐惧或疑虑( reassurance的名词复数 )；恢复信心；使人消除恐惧或疑虑的事物；使人恢复信心的事物 | |
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7
reassuring
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| a.使人消除恐惧和疑虑的，使人放心的 | |
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8
drawn
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| v.拖，拉，拔出；adj.憔悴的，紧张的 | |
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ornament
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| v.装饰，美化；n.装饰，装饰物 | |
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standing
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| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
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swell
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| vi.膨胀，肿胀；增长，增强 | |
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sweeping
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| adj.范围广大的，一扫无遗的 | |
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13
faculty
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| n.才能；学院，系；(学院或系的)全体教学人员 | |
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adoption
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| n.采用，采纳，通过；收养 | |
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15
inevitably
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| adv.不可避免地；必然发生地 | |
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16
inquiry
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| n.打听，询问，调查，查问 | |
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incandescent
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| adj.遇热发光的， 白炽的，感情强烈的 | |
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sockets
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| n.套接字，使应用程序能够读写与收发通讯协定(protocol)与资料的程序( Socket的名词复数 )；孔( socket的名词复数 )；（电器上的）插口；托座；凹穴 | |
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sublime
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| adj.崇高的，伟大的；极度的，不顾后果的 | |
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sift
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| v.筛撒，纷落，详察 | |
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judgments
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| 判断( judgment的名词复数 )； 鉴定； 评价； 审判 | |
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mentor
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| n.指导者，良师益友；v.指导 | |
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compulsory
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| n.强制的，必修的；规定的，义务的 | |
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gaily
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| adv.欢乐地，高兴地 | |
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affected
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| adj.不自然的，假装的 | |
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rivalry
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| n.竞争，竞赛，对抗 | |
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disciple
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| n.信徒，门徒，追随者 | |
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suspense
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| n.（对可能发生的事）紧张感，担心，挂虑 | |
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29
gulping
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| v.狼吞虎咽地吃，吞咽( gulp的现在分词 )；大口地吸（气）；哽住 | |
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naively
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| adv. 天真地 | |
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31
reigns
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| n.君主的统治( reign的名词复数 )；君主统治时期；任期；当政期 | |
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veins
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| n.纹理；矿脉( vein的名词复数 )；静脉；叶脉；纹理 | |
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judicial
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| adj.司法的，法庭的，审判的，明断的，公正的 | |
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hearth
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| n.壁炉炉床，壁炉地面 | |
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regained
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| 复得( regain的过去式和过去分词 )； 赢回； 重回； 复至某地 | |
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engraved
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| v.在（硬物）上雕刻（字，画等）( engrave的过去式和过去分词 )；将某事物深深印在（记忆或头脑中） | |
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37
piety
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| n.虔诚，虔敬 | |
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sullenly
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| 不高兴地，绷着脸，忧郁地 | |
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39
gutter
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| n.沟，街沟，水槽，檐槽，贫民窟 | |
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40
mere
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| adj.纯粹的；仅仅，只不过 | |
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41
curtly
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| adv.简短地 | |
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kindly
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| adj.和蔼的，温和的，爽快的；adv.温和地，亲切地 | |
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nervously
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| adv.神情激动地，不安地 | |
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44
spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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45
solely
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| adv.仅仅，唯一地 | |
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gad
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| n.闲逛；v.闲逛 | |
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