Compared with the old towns around it Monte Carlo is so new, so fresh, so bright that it may be the city of youth, an embodiment of youth itself, of careless, reckless, sensuous2 youth. It is so young that there is not a wrinkle on its face, although the cheek may be a trifle tinted3 and the lips unduly4 red. Its streets recall the gaiety of youth, its lavish5 gardens proclaim the indulgence and the luxury of youth, its crags and ravines the spirit of adventure, its clear sky the far vision of youth and its blazing sun the fierce passion of youth.
The gorgeous white Casino would seem to realise, in such a city, the fantasy of youth. It is so immense, so impossible, so unlike any conception of sober middle age, so unreal, so daring. It conforms to the type of no ordinary building. Its architecture is not of this world of common things, although it may possibly approach that of the exuberant6 temple in white on the top of a wedding cake.
The Casino, in its extravagance, is indeed just such a castle in the air as a young man would build, a fabric7 of his dream, his palace of delight. The very town tingles8 with life, with excitement, with restlessness, with the playfulness of everything. It is a butterfly town, for it lives only for a few gay months. The air is laden9 with the scent10 of flowers, while the honeymoon11 wind lies asleep on the heaving bosom12 of the deep.
Moreover it is a town of the south, of the warm, indolent south, where, as Sancho Panza would say, there is—whatever happens—“still sun on the wall.” Here in the south, as compared with the north, the seasons are reversed. The winter is the time for pleasure; the summer for rest, for seclusion13 within shut doors and, it may be, for forgetfulness of things.
The winter in the north is symbolic14 of the closing days of life and of the weariness of old age; for the world has then become cold, dark and cheerless, as well as indifferent and possibly unkind. The summer in the south is, in its turn, the symbol of the end of the pageant15 of youth. The gardens are faded and parched16 up, the flowers are withered17 and dead, the grass is a waste of arid18 brown, the fountains are dry and the very earth is cracked with thirst. The world, spent and panting, has sunk into a drugged sleep like a man exhausted19 by a fever. The days of riotous20 living have come to an end; passion has burnt itself out; the rivers of pleasure are now beds of stone and the Dead Sea apple is the only fruit left on the tree.
MONTE CARLO FROM MONACO.
As the southern winter begins again the freshly-sown grass springs up; the lawns become green; the buds open; the roses, the heliotrope21, the geraniums and the mimosa break into flower and the world is as gay as the sun and a caressing22 wind can make it.
It is then a tempting23 time to think of the drab, mist-shrouded island of England with its sodden24 fields and the rain dripping from the thatch25, of London, of those sad houses and those awful streets, of the slush-covered roads, of the muffled26 faces and the blue hands, of the hours of semi-darkness, of the sun that is seen as a red disc in a fog.
Because Monte Carlo, as a town, appears to be symbolic of all that is young it must not be assumed that its inhabitants have acquired eternal youth. Many attempt it, many struggle to attain27 it with an eagerness which is pathetic and pitiable. They are like gaily-dressed ghosts, a little stiff in movement, following a figure that dances before them like a faun. There is a butterfly called “The Painted Lady” and perhaps it will suffice to say that the existence of this fluttering thing will come often to the minds of those who stroll along the Terrace in the sun.
Apart from its suggestion of youthfulness Monte Carlo is a town full of remarkable28 contrasts as extreme as the black shadow of a cypress29 on a marble wall. On one side of the haven30, with its chapel31 to Ste. Dévote, rises the great rock of Monaco. On its summit stand the palace, the fortress32 and the little town—all three so staid, so grey, so very, very old—just as they have stood in company through some six hundred years. On the other side of the chapel, on rising ground, lies Monte Carlo, modern in every fibre of its being, a town that has sprung up in a night like a gaudily-tinted fungus33, a brilliant, vivid place, slashed34 with colour like a jester’s coat, as ephemeral as a rainbow, since any change in the public taste may cause it to fade into nothingness.
On the crest35 of the hill above Monte Carlo there stands, against the skyline, the massive monument in stone set up by the Emperor Augustus to mark the victory of Rome over a horde36 of savages37; while below, by the edge of the sea, are the pinnacles38 of the Casino, a monument in papier maché to mark the subjection of a cultured folk to the mastery of a passion.
Climbing the mountain behind the town is still the ancient road that, more than two thousand years ago, led from the Roman forum39 into Gaul; while, by the water’s edge, on the other hand, are the railway, the motor track and a hydroplane that has just flown over from Corsica.
All around Monte Carlo, from the east to the west, are the cave-dwellings of prehistoric40 men, a brutish people clad in wolf skins; while in the town itself are hotels of unparalleled luxury and, on the Terrace, a company of pampered41 men and women decked in all the “purple and fine linen” that the world can provide.
Still more curious is it that the great modern forts of Mont Agel and the Tête de Chien actually look down upon a line of fortified42 camps and stone strongholds built by the Ligurians before the dawn of history.
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1 gilded | |
a.镀金的,富有的 | |
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2 sensuous | |
adj.激发美感的;感官的,感觉上的 | |
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3 tinted | |
adj. 带色彩的 动词tint的过去式和过去分词 | |
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4 unduly | |
adv.过度地,不适当地 | |
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5 lavish | |
adj.无节制的;浪费的;vt.慷慨地给予,挥霍 | |
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6 exuberant | |
adj.充满活力的;(植物)繁茂的 | |
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7 fabric | |
n.织物,织品,布;构造,结构,组织 | |
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8 tingles | |
n.刺痛感( tingle的名词复数 )v.有刺痛感( tingle的第三人称单数 ) | |
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9 laden | |
adj.装满了的;充满了的;负了重担的;苦恼的 | |
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10 scent | |
n.气味,香味,香水,线索,嗅觉;v.嗅,发觉 | |
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11 honeymoon | |
n.蜜月(假期);vi.度蜜月 | |
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12 bosom | |
n.胸,胸部;胸怀;内心;adj.亲密的 | |
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13 seclusion | |
n.隐遁,隔离 | |
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14 symbolic | |
adj.象征性的,符号的,象征主义的 | |
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15 pageant | |
n.壮观的游行;露天历史剧 | |
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16 parched | |
adj.焦干的;极渴的;v.(使)焦干 | |
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17 withered | |
adj. 枯萎的,干瘪的,(人身体的部分器官)因病萎缩的或未发育良好的 动词wither的过去式和过去分词形式 | |
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18 arid | |
adj.干旱的;(土地)贫瘠的 | |
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19 exhausted | |
adj.极其疲惫的,精疲力尽的 | |
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20 riotous | |
adj.骚乱的;狂欢的 | |
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21 heliotrope | |
n.天芥菜;淡紫色 | |
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22 caressing | |
爱抚的,表现爱情的,亲切的 | |
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23 tempting | |
a.诱人的, 吸引人的 | |
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24 sodden | |
adj.浑身湿透的;v.使浸透;使呆头呆脑 | |
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25 thatch | |
vt.用茅草覆盖…的顶部;n.茅草(屋) | |
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26 muffled | |
adj.(声音)被隔的;听不太清的;(衣服)裹严的;蒙住的v.压抑,捂住( muffle的过去式和过去分词 );用厚厚的衣帽包着(自己) | |
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27 attain | |
vt.达到,获得,完成 | |
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28 remarkable | |
adj.显著的,异常的,非凡的,值得注意的 | |
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29 cypress | |
n.柏树 | |
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30 haven | |
n.安全的地方,避难所,庇护所 | |
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31 chapel | |
n.小教堂,殡仪馆 | |
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32 fortress | |
n.堡垒,防御工事 | |
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33 fungus | |
n.真菌,真菌类植物 | |
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34 slashed | |
v.挥砍( slash的过去式和过去分词 );鞭打;割破;削减 | |
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35 crest | |
n.顶点;饰章;羽冠;vt.达到顶点;vi.形成浪尖 | |
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36 horde | |
n.群众,一大群 | |
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37 savages | |
未开化的人,野蛮人( savage的名词复数 ) | |
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38 pinnacles | |
顶峰( pinnacle的名词复数 ); 顶点; 尖顶; 小尖塔 | |
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39 forum | |
n.论坛,讨论会 | |
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40 prehistoric | |
adj.(有记载的)历史以前的,史前的,古老的 | |
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41 pampered | |
adj.饮食过量的,饮食奢侈的v.纵容,宠,娇养( pamper的过去式和过去分词 ) | |
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42 fortified | |
adj. 加强的 | |
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43 derived | |
vi.起源;由来;衍生;导出v.得到( derive的过去式和过去分词 );(从…中)得到获得;源于;(从…中)提取 | |
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