“Already?” Mrs. Viveash had been reduced, by the violence of her headache, to coming home after her luncheon1 with Piers2 Cotton for a rest. She had fed her hungry pain on Pyramidon and now she was lying down on the Dufy-upholstered sofa at the foot of her full-length portrait by Jacques-Emile Blanche. Her head was not much better, but she was bored. When the maid had announced Gumbril, she had given word that he was to be let in. “I’m very ill,” she went on expiringly. “Look at me,” she pointed3 to herself, “and me again.” She waved her hand towards the sizzling brilliance4 of the portrait. “Before and after. Like the advertisements, you know. Every picture tells a story.” She laughed faintly, then made a little grimace5 and, sucking in the breath between her lips, she put her hand to her forehead.
“My poor Myra.” Gumbril pulled up a chair to the sofa and sat there like a doctor at his patient’s bedside. “But before and after what?” he asked, almost professionally.
“No, I don’t think so.”
“Not love, by any chance?”
“That would have been a just retribution,” Gumbril went on, “after what you’ve done to me.”
“What have I done to you?” Mrs. Viveash asked, opening wide her pale-blue eyes.
“But you’re being childish, Theodore. Say what you mean without these grand, silly phrases.” The dying voice spoke12 with impatience13.
“Well, what I mean,” said Gumbril, “is merely this. You prevented me from going to see the only person I ever really wanted to see in my life. And yesterday, when I tried to see her, she was gone. Vanished. And here am I left in the vacuum.”
Mrs. Viveash shut her eyes. “We’re all in the vacuum,” she said. “You’ll still have plenty of company, you know.” She was silent for a moment. “Still, I’m sorry,” she added. “Why didn’t you tell me? And why didn’t you just pay no attention to me and go all the same?”
“I didn’t tell you,” Gumbril answered, “because, then, I didn’t know. And I didn’t go because I didn’t want to quarrel with you.”
“Thank you,” said Mrs. Viveash, and patted his hand, “But what are you going to do about it now? Not quarrelling with me is only a rather negative satisfaction, I’m afraid.”
“I propose to leave the country to-morrow morning,” said Gumbril.
“Ah, the classical remedy.... But not to shoot big game, I hope?” She thought of Viveash among the 292Tikki-tikkis and the tsetses. He was a charming creature; charming, but ... but what?
“Good heavens!” exclaimed Gumbril. “What do you take me for? Big game!” He leaned back in his chair and began to laugh, heartily14, for the first time since he had returned from Robertsbridge, yesterday evening. He had felt then as though he would never laugh again. “Do you see me in a pith helmet, with an elephant gun?”
Mrs. Viveash put her hand to her forehead. “I see you, Theodore,” she said, “but I try to think you would look quite normal; because of my head.”
“I go to Paris first,” said Gumbril. “After that, I don’t know. I shall go wherever I think people will buy pneumatic trousers. I’m travelling on business.”
This time, in spite of her head, Mrs. Viveash laughed.
“I thought of giving myself a farewell banquet,” Gumbril went on. “We’ll go round before dinner, if you’re feeling well enough, that is, and collect a few friends. Then, in profoundest gloom, we’ll eat and drink. And in the morning, unshaved, exhausted15 and filled with disgust, I shall take the train from Victoria, feeling thankful to get out of England.”
“We’ll do it,” said Mrs. Viveash faintly and indomitably from the sofa that was almost genuinely a death-bed. “And, meanwhile, we’ll have a second brew17 of tea and you shall talk to me.”
The tannin was brought in. Gumbril settled down to talk and Mrs. Viveash to listen—to listen and from time to time to dab18 her brows with eau-de-Cologne, to take a sniff19 of hartshorn.
Gumbril talked. He talked of the marriage ceremonies of octopuses20, of the rites21 intricately consummated22 in the 293submarine green grottos23 of the Indian Ocean. Given a total of sixteen arms, how many permutations and combinations of caresses24? And in the middle of each bunch of arms a mouth like the beak25 of a macaw.
On the backside of the moon, his friend Umbilikoff, the mystic, used to assure him, the souls of the dead in the form of little bladders—like so much swelled26 sago—are piled up and piled up till they squash and squeeze one another with an excruciating and ever-growing pressure. In the exoteric world this squeezing on the moon’s backside is known, erroneously, as hell. And as for the constellation27, Scorpio—he was the first of all constellations28 to have a proper sort of backbone29. For by an effort of the will he ingurgitated his external armour30, he compressed and rebuilt it within his body and so became the first vertebrate. This, you may well believe, was a notable day in cosmic history.
The rents in these new buildings in Regent Street and Piccadilly run to as much as three or four pounds a square foot. Meanwhile, all the beauty imagined by Nash has departed, and chaos31 and barbarism once more reign32 supreme33, even in Regent Street. The ghost of Gumbril Senior stalked across the room.
Who lives longer: the man who takes heroin34 for two years and dies, or the man who lives on roast beef, water and potatoes till ninety-five? One passes his twenty-four months in eternity35. All the years of the beef-eater are lived only in time. “I can tell you all about heroin,” said Mrs. Viveash.
Lady Capricorn, he understood, was still keeping open bed. How Rubens would have admired those silk cushions, those gigantic cabbage roses, those round pink pearls of 294hers, vaster than those that Captain Nemo discovered in the immemorial oyster36! And the warm dry rustle37 of flesh over flesh as she walks, moving first one leg, then advancing the other.
Talking of octopuses, the swim-bladders of deep-sea fishes are filled with almost absolutely pure oxygen. C’est la vie—Gumbril shrugged38 his shoulders.
In Alpine39 pastures the grasshoppers40 start their flight, whizzing like clockwork grasshoppers. And these brown invisible ones reveal themselves suddenly as they skim above the flowers—a streak41 of blue lightning, a trailing curve of scarlet42. Then the overwing shuts down over the coloured wing below and they are once more invisible fiddlers rubbing their thighs43, like Lady Capricorn, at the foot of the towering flowers.
Forgers give patina44 to their medi?val ivories by lending them to stout45 young Jewesses to wear for a few months hanging, like an amulet46, between their breasts.
Sir Henry Griddle has finally married the hog-faced gentlewoman.
Piero della Francesca’s fresco49 of the Resurrection at San Sepolcro is the most beautiful picture in the world, and the hotel there is far from bad. Scriabine = le Tschaikovsky de nos jours. The dullest landscape painter is Marchand. The best poet....
“You bore me,” said Mrs. Viveash.
“Must I talk of love, then?” asked Gumbril.
“It looks like it,” Mrs. Viveash answered, and closed her eyes.
Gumbril told the anecdote50 about Jo Peters, Connie 295Asticot and Jim Baum. The anecdote of Lola Knopf and the Baroness51 Gnomon. Of Margherita Radicofani, himself, and the Pastor52 Meyer. Of Lord Cavey and little Toby Nobes. When he had finished these, he saw that Mrs. Viveash had gone to sleep.
He was not flattered. But a little sleep would do her headache, he reflected, a world of good. And knowing that if he ceased to speak, she would probably be woken by the sudden blankness of the silence, he went on quietly talking to himself.
“When I’m abroad this time,” he soliloquized, “I shall really begin writing my autobiography53. There’s nothing like a hotel bedroom to work in.” He scratched his head thoughtfully and even picked his nose, which was one of his bad habits, when he was alone. “People who know me,” he went on, “will think that what I write about the governess cart and my mother and the flowers and so on is written merely because I know in here,” he scratched his head a little harder to show himself that he referred to his brain, “that that’s the sort of thing one ought to write about. They’ll think I’m a sort of dingy55 Romain Rolland, hopelessly trying to pretend that I feel the emotions and have the great spiritual experiences, which the really important people do feel and have. And perhaps they’ll be right. Perhaps the Life of Gumbril will be as manifestly an ersatz as the Life of Beethoven. On the other hand, they may be astonished to find that it’s the genuine article. We shall see.” Gumbril nodded his head slowly, while he transferred two pennies from his right-hand trouser pocket to his left-hand trouser pocket. He was somewhat distressed56 to find that these coppers57 had been trespassing59 among the silver. Silver was for the right-hand, copper58 296for the left. It was one of the laws which it was extremely unlucky to infringe60. “I have a premonition,” he went on, “that one of these days I may become a saint. An unsuccessful flickering61 sort of saint, like a candle beginning to go out. As for love—m’yes, m’yes. And as for the people I have met—I shall point out that I have known most of the eminent62 men in Europe, and that I have said of all of them what I said after my first love affair: Is that all?”
“Did you really say that about your first love affair?” asked Mrs. Viveash, who had woken up again.
“Didn’t you?”
“No. I said: This is all—everything, the universe. In love, it’s either all or nothing at all.” She shut her eyes and almost immediately went to sleep again.
Gumbril continued his lullaby-soliloquy.
“‘This charming little book.’... The Scotsman. ‘This farrago of obscenity, slander64 and false psychology65.’... Darlington Echo. ‘Mr. Gumbril’s first cousin is St. Francis Xavier, his second cousin is the Earl of Rochester, his third cousin is the Man of Feeling, his fourth cousin is David Hume.’... Court Journal.” Gumbril was already tired of this joke. “When I consider how my light is spent,” he went on, “when I consider!... Herr Jesu, as Fraulein Nimmernein used to exclaim at the critical moment. Consider, dear cow, consider. This is not the time of year for grass to grow. Consider, dear cow, consider, consider.” He got up from his chair and tiptoed across the room to the writing-table. An Indian dagger66 lay next to the blotting-pad; Mrs. Viveash used it as a paper-knife. Gumbril picked it up, executed several passes with it. “Thumb on the blade,” he said, “and strike upwards67. 297On guard. Lunge. To the hilt it penetrates68. Poniard at the tip”—he ran the blade between his fingers—“caress by the time it reaches the hilt. Z—zip.” He put down the knife and stopping for a moment to make a grimace at himself in the mirror over the mantelpiece, he went back to his chair.
At seven o’clock Mrs. Viveash woke up. She shook her head to feel if the pain were still rolling about loose inside her skull69.
“I really believe I’m all right,” she said. She jumped up. “Come on,” she cried. “I feel ready for anything.”
“And I feel like so much food for worms,” said Gumbril. “Still, Versiam’ a tazza piena il generoso umor.” He hummed the Drinking Song out of Robert the Devil, and to that ingenuously70 jolly melody they left the house.
Their taxi that evening cost them several pounds. They made the man drive back and forth71, like a shuttle, from one end of London to the other. Every time they passed through Piccadilly Circus Mrs. Viveash leant out of the window to look at the sky signs dancing their unceasing St. Vitus’s dance above the monument to the Earl of Shaftesbury.
“How I adore them!” she said the first time they passed them. “Those wheels that whizz round till the sparks fly out from under them: that rushing motor, and that lovely bottle of port filling the glass and then disappearing and reappearing and filling it again. Too lovely.”
“Too revolting,” Gumbril corrected her. “These things are the epileptic symbol of all that’s most bestial72 and idiotic73 in contemporary life. Look at those beastly things and then look at that.” He pointed to the County Fire Office on the northern side of the Circus. “There stands 298decency, dignity, beauty, repose74. And there flickers75, there gibbers and twitches—what? Restlessness, distraction77, refusal to think, anything for an unquiet life....”
“What a delicious pedant78 you are!” She turned away from the window, put her hands on his shoulders and looked at him. “Too exquisitely79 ridiculous!” And she kissed him.
“You won’t force me to change my opinion.” Gumbril smiled at her. “Eppur’ si muove—I stick to my guns like Galileo. They move and they’re horrible.”
“They’re me,” said Mrs. Viveash emphatically. “Those things are me.”
They drove first to Lypiatt’s mews. Under the Piranesian arch. The clothes-lines looped from window to window across the street might have been those ropes which form so essential and so mysterious a part of the furniture of the Prisons. The place smelt81, the children were shouting; the hyena-like laughter of the flappers reverberated82 between the close-set walls. All Gumbril’s sense of social responsibility was aroused in a moment.
Shut up in his room all day, Lypiatt had been writing—writing his whole life, all his ideas and ideals, all for Myra. The pile of scribbled83 sheets grew higher and higher. Towards evening he made an end; he had written all that he wanted to write. He ate the remains84 of yesterday’s loaf of bread and drank some water; for he realized suddenly that he had been fasting the whole day. Then he composed himself to think; he stretched himself out on the brink85 of the well and looked down into the eyeless darkness.
He still had his Service revolver. Taking it out of the drawer in which it was kept, he loaded it, he laid it on the packing-case which served him as a table at his bed’s head, 299and stretched himself out on the bed. He lay quite still, his muscles all relaxed, hardly breathing. He imagined himself dead. Derision! there was still the plunge86 into the well.
He picked up the pistol, looked down the barrel. Black and deep as the well. The muzzle87 against his forehead was a cold mouth.
There was nothing new to be thought about death. There was not even the possibility of a new thought. Only the old thoughts, the horrible old questions returned.
The cold mouth to his forehead, his finger pressing on the trigger. Already he would be falling, falling. And the annihilating88 crash would be the same as the far-away sound of death at the bottom of the well. And after that, in the silence? The old question was still the same.
After that, he would lie bleeding. The flies would drink his blood as though it were red honey. In the end the people would come and fetch him away, and the coroner’s jury would look at him in the mortuary and pronounce him temporarily insane. Then he would be buried in a black hole, would be buried and decay.
And meanwhile, would there be anything else? There was nothing new to be thought or asked. And there was still no answer.
In the room it began to grow dark; colours vanished, forms ran together. The easel and Myra’s portrait were now a single black silhouette89 against the window. Near and far were fused, become one and continuous in the darkness, became a part of the darkness. Outside the window the pale twilight90 grew more sombre. The children shouted shrilly92, playing their games under the green gas lamps. The mirthless, ferocious93 laughter of young girls mocked 300and invited. Lypiatt stretched out his hand and fingered the pistol.
Down below, at his door, he heard a sharp knocking. He lifted his head and listened, caught the sound of two voices, a man’s and a woman’s. Myra’s voice he recognized at once; the other, he supposed, was Gumbril’s.
“Hideous94 to think that people actually live in places like this,” Gumbril was saying. “Look at those children. It ought to be punishable by law to produce children in this street.”
“They always take me for the Pied Piper,” said Mrs. Viveash. Lypiatt got up and crept to the window. He could hear all they said.
“I wonder if Lypiatt’s in. I don’t see any sign of a light.”
“But he has heavy curtains,” said Mrs. Viveash, “and I know for a fact that he always composes his poetry in the dark. He may be composing poetry.”
Gumbril laughed.
“Knock again,” said Mrs. Viveash. “Poets are always absorbed, you know. And Casimir’s always the poet.”
“Il Poeta—capital P. Like d’Annunzio in the Italian papers,” said Gumbril. “Did you know that d’Annunzio has books printed on mackintosh for his bath?” He rapped again at the door. “I saw it in the Corriere della Sera the other day at the club. He reads the Little Flowers of St. Francis by preference in his bath. And he has a fountain pen with waterproof95 ink in the soap-dish, so that he can add a few Fioretti of his own whenever he feels like it. We might suggest that to Casimir.”
Lypiatt stood with folded arms by the window, listening. How lightly they threw his life, his heart, from hand to 301hand, as though it were a ball and they were playing a game! He thought suddenly of all the times he had spoken lightly and maliciously96 of other people. His own person had always seemed, on those occasions, sacred. One knew in theory very well that others spoke of one contemptuously—as one spoke of them. In practice—it was hard to believe.
“Poor Casimir!” said Mrs. Viveash. “I’m afraid his show was a failure.”
“I know it was,” said Gumbril. “Complete and absolute. I told my tame capitalist that he ought to employ Lypiatt for our advertisements. He’d be excellent for those. And it would mean some genuine money in his pocket.”
“But the worst of it is,” said Mrs. Viveash, “that he’ll only feel insulted by the suggestion.” She looked up at the window.
“I don’t know why,” she went on, “this house looks most horribly dead. I hope nothing’s happened to poor Casimir. I have a most disagreeable feeling that it may have.”
“Ah, this famous feminine intuition,” laughed Gumbril. He knocked again.
“And I can’t help feeling that he must have gone out to dinner. We shall have to give him up, I’m afraid. It’s a pity. He’s so good with Mercaptan. Like bear and mastiff. Or rather, like bear and poodle, bear and King Charles’s spaniel—or whatever those little dogs are that you see ladies in eighteenth-century French engravings taking to bed with them. Let’s go.”
“Just knock once again,” said Mrs. Viveash. “He might 302really be preoccupied98, or asleep, or ill.” Gumbril knocked. “Now listen. Hush99.”
They were silent; the children still went on hallooing in the distance. There was a great clop-clopping of horse’s feet as a van was backed into a stable door near by. Lypiatt stood motionless, his arms still crossed, his chin on his breast. The seconds passed.
“Not a sound,” said Gumbril. “He must have gone out.”
“I suppose so,” said Mrs. Viveash.
“Come on, then. We’ll go and look for Mercaptan.”
He heard their steps in the street below, heard the slamming of the taxi door. The engine was started up. Loud on the first gear, less loud on the second, whisperingly on the third, it moved away, gathering100 speed. The noise of it was merged101 with the general noise of the town. They were gone.
Lypiatt walked slowly back to his bed. He wished suddenly that he had gone down to answer the last knock. These voices—at the well’s edge he had turned to listen to them; at the well’s extreme verge102. He lay quite still in the darkness; and it seemed to him at last that he had floated away from the earth, that he was alone, no longer in a narrow dark room, but in an illimitable darkness outside and beyond. His mind grew calmer; he began to think of himself, of all that he had known, remotely, as though from a great way off.
“Adorable lights!” said Mrs. Viveash, as they drove once more through Piccadilly Circus.
Gumbril said nothing. He had said all that he had to say last time.
“And there’s another,” exclaimed Mrs. Viveash, as 303they passed, near Burlington House, a fountain of Sandeman’s port. “If only they had an automatic jazz band attached to the same mechanism103!” she said regretfully.
The Green Park remained solitary104 and remote under the moon. “Wasted on us,” said Gumbril, as they passed. “One should be happily in love to enjoy a summer night under the trees.” He wondered where Emily could be now. They sat in silence; the cab drove on.
Mr. Mercaptan, it seemed, had left London. His housekeeper105 had a long story to tell. A regular Bolshevik had come yesterday, pushing in. And she had heard him shouting at Mr. Mercaptan in his own room. And then, luckily, a lady had come and the Bolshevik had gone away again. And this morning Mr. Mercaptan had decided106, quite sudden like, to go away for two or three days. And it wouldn’t surprise her at all if it had something to do with that horrible Bolshevik fellow. Though of course Master Paster hadn’t said anything about it. Still, as she’d known him when he was so high and seen him grow up like, she thought she could say she knew him well enough to guess why he did things. It was only brutally107 that they contrived109 to tear themselves away.
Secure, meanwhile, behind a whole troop of butlers and footmen, Mr. Mercaptan was dining comfortably at Oxhanger with the most faithful of his friends and admirers, Mrs. Speegle. It was to Mrs. Speegle that he had dedicated110 his coruscating111 little ‘Loves of the Pachyderms’; for Mrs. Speegle it was who had suggested, casually112 one day at luncheon, that the human race ought to be classified in two main species—the Pachyderms, and those whose skin, like her own, like Mr. Mercaptan’s and a few others’, was fine and ‘responsive,’ as Mr. Mercaptan himself put it, ‘to all 304caresses, including those of pure reason.’ Mr. Mercaptan had taken the casual hint and had developed it, richly. The barbarous Pachyderms he divided up into a number of subspecies: steatocephali, acephali, theolaters, industrious113 Jud?orhynci—busy, compact and hard as dung-beetles—Peabodies, Russians and so on. It was all very witty114 and delicately savage115. Mr. Mercaptan had a standing116 invitation at Oxhanger. With dangerous pachyderms like Lypiatt ranging loose about the town, he thought it best to avail himself of it. Mrs. Speegle, he knew, would be delighted to see him. And indeed she was. He arrived just at lunch-time. Mrs. Speegle and Maisie Furlonger were already at the fish.
“Mercaptan!” Mrs. Speegle’s soul seemed to be in the name. “Sit down,” she went on, cooing as she talked, like a ring-dove. There seemed to be singing in every word she spoke. She pointed to a chair next to hers. “N’you’re n’just in time to tell us all about n’your Lesbian experiences.”
And Mercaptan, giving vent8 to his fully54 orchestrated laugh—squeal and roar together—had sat down and, speaking in French partly, he nodded towards the butler and the footman, ‘à cause des valets,’ and partly because the language lent itself more deliciously to this kind of confidences, he had begun there and then, interrupted and spurred on by the cooing of Mrs. Speegle and the happy shrieks117 of Maisie Furlonger, to recount at length and with all the wit in the world his experience among the Isles118 of Greece. How delicious it was, he said to himself, to be with really civilized119 people! In this happy house it seemed scarcely possible to believe that such a thing as a pachyderm existed.
But Lypiatt still lay, face upwards, on his bed, floating, 305it seemed to himself, far out into the dark emptinesses between the stars. From those distant abstract spaces he seemed to be looking impersonally120 down upon his own body stretched out by the brink of the hideous well; to be looking back over his own history. Everything, even his own unhappiness, seemed very small and beautiful; every frightful121 convulsion had become no more than a ripple122, and only the fine musical ghost of sound came up to him from all the shouting.
“We have no luck,” said Gumbril, as they climbed once more into the cab.
“I’m not sure,” said Mrs. Viveash, “that we haven’t really had a great deal. Did you genuinely want very much to see Mercaptan?”
“Not in the least,” said Gumbril. “But do you genuinely want to see me?”
Mrs. Viveash drew the corners of her mouth down into a painful smile and did not answer. “Aren’t we going to pass through Piccadilly Circus again?” she asked. “I should like to see the lights again. They give one temporarily the illusion of being cheerful.”
“No, no,” said Gumbril, “we are going straight to Victoria.”
“We couldn’t tell the driver to...?”
“Certainly not.”
“Ah, well,” said Mrs. Viveash. “Perhaps one’s better without stimulants123. I remember when I was very young, when I first began to go about at all, how proud I was of having discovered champagne124. It seemed to me wonderful to get rather tipsy. Something to be exceedingly proud of. And, at the same time, how much I really disliked wine! Loathed125 the taste of it. Sometimes, when Calliope and I 306used to dine quietly together, tête-à-tête, with no awful men about, and no appearances to keep up, we used to treat ourselves to the luxury of a large lemon-squash, or even raspberry syrup126 and soda127. Ah, I wish I could recapture the deliciousness of raspberry syrup.”
Coleman was at home. After a brief delay he appeared himself at the door. He was wearing pyjamas128, and his face was covered with red-brown smears129, the tips of his beard were clotted130 with the same dried pigment131.
“What have you been doing to yourself?” asked Mrs. Viveash.
“Merely washing in the blood of the Lamb,” Coleman answered, smiling, and his eyes sparkling blue fire, like an electric machine.
The door on the opposite side of the little vestibule was open. Looking over Coleman’s shoulder, Gumbril could see through the opening a brightly lighted room and, in the middle of it, like a large rectangular island, a wide divan132. Reclining on the divan an odalisque by Ingres—but slimmer, more serpentine133, more like a lithe134 pink length of boa—presented her back. That big, brown mole135 on the right shoulder was surely familiar. But when, startled by the loudness of the voices behind her, the odalisque turned round—to see in a horribly embarrassing instant that the Cossack had left the door open and that people could look in, were looking in, indeed—the slanting136 eyes beneath their heavy white lids, the fine aquiline137 nose, the wide, full-lipped mouth, though they presented themselves for only the fraction of a second, were still more recognizable and familiar. For only the fraction of a second did the odalisque reveal herself definitely as Rosie. Then a hand pulled feverishly138 at the counterpane, the section of buff-coloured 307boa wriggled139 and rolled; and, in a moment, where an odalisque had been, lay only a long packet under a white sheet, like a jockey with a fractured skull when they carry him from the course.
Well, really.... Gumbril felt positively140 indignant; not jealous, but astonished and righteously indignant.
“Well, when you’ve finished bathing,” said Mrs. Viveash, “I hope you’ll come and have dinner with us.” Coleman was standing between her and the farther door; Mrs. Viveash had seen nothing in the room beyond the vestibule.
“I’m busy,” said Coleman.
“So I see.” Gumbril spoke as sarcastically141 as he could.
“Do you see?” asked Coleman, and looked round. “So you do!” He stepped back and closed the door.
“It’s Theodore’s last dinner,” pleaded Mrs. Viveash.
“Not even if it were his last supper,” said Coleman, enchanted142 to have been given the opportunity to blaspheme a little. “Is he going to be crucified? Or what?”
“Merely going abroad,” said Gumbril.
“He has a broken heart,” Mrs. Viveash explained.
“That’s just about it,” said Gumbril, grimly.
Relieved by the shutting of the door from her immediate63 embarrassment144, Rosie threw back a corner of the counterpane and extruded145 her head, one arm and the shoulder with the mole on it. She looked about her, opening her slanting eyes as wide as she could. She listened with parted lips to the voices that came, muffled146 now, through the door. It seemed to her as though she were waking up; as though now, for the first time, she were hearing that shattering laugh, were looking now for the 308first time on these blank, white walls and the one lovely and horrifying147 picture. Where was she? What did it all mean? Rosie put her hand to her forehead, tried to think. Her thinking was always a series of pictures; one after another the pictures swam up before her eyes, melted again in an instant.
Her mother taking off her pince-nez to wipe them—and at once her eyes were tremulous and vague and helpless. “You should always let the gentleman get over the stile first,” she said, and put on her glasses again. Behind the glasses her eyes immediately became clear, piercing, steady and efficient. Rather formidable eyes. They had seen Rosie getting over the stile in front of Willie Hoskyns, and there was too much leg.
James reading at his desk; his heavy, round head propped148 on his hand. She came up behind him and threw her arms round his neck. Very gently, and without turning his eyes from the page, he undid149 her embrace and, with a little push that was no more than a hint, an implication, signified that he didn’t want her. She had gone to her pink room, and cried.
Another time James shook his head and smiled patiently under his moustache. ‘You’ll never learn,’ he said. She had gone to her room and cried that time too.
Another time they were lying in bed together, in the pink bed; only you couldn’t see it was pink because there was no light. They were lying very quietly. Warm and happy and remote she felt. Sometimes as it were the physical memory of pleasure plucked at her nerves, making her start, making her suddenly shiver. James was breathing as though he were asleep. All at once he stirred. He patted her shoulder two or three times in a kindly150 and 309business-like way. “I know what that means,” she said, “when you pat me like that.” And she patted him—pat-pat-pat, very quickly. “It means you’re going to bed.” “How do you know?” he asked. “Do you think I don’t know you after all this time? I know that pat by heart.” And suddenly all her warm, quiet happiness evaporated; it was all gone. “I’m only a machine for going to bed with,” she said. “That’s all I am for you.” She felt she would like to cry. But James only laughed and said, “Nonsense!” and pulled his arm clumsily from underneath151 her. “You go to sleep,” he said, and kissed her on the forehead. Then he got out of bed, and she heard him bumping clumsily about in the darkness. “Damn!” he said once. Then he found the door, opened, and was gone.
She thought of those long stories she used to make up when she went shopping. The fastidious lady; the poets; all the adventures.
Toto’s hands were wonderful.
She saw, she heard Mr. Mercaptan reading his essay. Poor father, reading aloud from the Hibbert Journal!
And now the Cossack, covered with blood. He, too, might read aloud from the Hibbert Journal—only backwards152, so to speak. She had a bruise153 on her arm. “You think there’s nothing inherently wrong and disgusting in it?” he had asked. “There is, I tell you.” He had laughed and kissed her and stripped off her clothes and caressed154 her. And she had cried, she had struggled, she had tried to turn away; and in the end she had been overcome by a pleasure more piercing and agonizing10 than anything she had ever felt before. And all the time Coleman had hung over her, with his blood-stained beard, smiling 310into her face, and whispering, “Horrible, horrible, infamous155 and shameful156.” She lay in a kind of stupor157. Then, suddenly there had been that ringing. The Cossack had left her. And now she was awake again, and it was horrible, it was shameful. She shuddered158; she jumped out of bed and began as quickly as she could to put on her clothes.
“Really, really, won’t you come?” Mrs. Viveash was insisting. She was not used to people saying no when she asked, when she insisted. She didn’t like it.
“No.” Coleman shook his head. “You may be having the last supper. But I have a date here with the Magdalen.”
“Oh, a woman,” said Viveash. “But why didn’t you say so before?”
“Well, as I’d left the door open,” said Coleman, “I thought it was unnecessary.”
“Fie,” said Mrs. Viveash. “I find this very repulsive159. Let’s go away.” She plucked Gumbril by the sleeve.
“Good-bye,” said Coleman, politely. He shut the door after them and turned back across the little hall.
“What! Not thinking of going?” he exclaimed, as he came in. Rosie was sitting down on the edge of the bed pulling on her shoes.
“Go away,” she said. “You disgust me.”
“But that’s splendid,” Coleman declared. “That’s all as it should be, all as I intended.” He sat down beside her on the divan. “Really,” he said, admiringly, “what exquisite80 legs!”
Rosie would have given anything in the world to be back again in Bloxam Gardens. Even if James did live in his books all the time.... Anything in the world.
“This time,” said Mrs. Viveash, “we simply must go through Piccadilly Circus.”
311“It’ll only be about two miles farther.”
“Well, that isn’t much.”
Gumbril leaned out and gave the word to the driver.
“And besides, I like driving about like this,” said Mrs. Viveash. “I like driving for driving’s sake. It’s like the Last Ride Together. Dear Theodore!” She laid her hand on his.
“Thank you,” said Gumbril, and kissed it.
The little cab buzzed along down the empty Mall. They were silent. Through the thick air one could see the brightest of the stars. It was one of those evenings when men feel that truth, goodness and beauty are one. In the morning, when they commit their discovery to paper, when others read it written there, it looks wholly ridiculous. It was one of those evenings when love is once more invented for the first time. That, too, seems a little ridiculous, sometimes, in the morning.
“Here are the lights again,” said Mrs. Viveash. “Hop, twitch76, flick—yes, genuinely an illusion of jollity, Theodore. Genuinely.”
Gumbril stopped the cab. “It’s after half-past eight,” he said. “At this rate we shall never get anything to eat. Wait a minute.”
He ran into Appenrodt’s, and came back in a moment with a packet of smoked salmon160 sandwiches, a bottle of white wine and a glass.
“We have a long way to go,” he explained, as he got into the taxi.
They ate their sandwiches, they drank their wine. The taxi drove on and on.
“This is positively exhilarating,” said Mrs. Viveash, as they turned into the Edgware Road.
312Polished by the wheels and shining like an old and precious bronze, the road stretched before them, reflecting the lamps. It had the inviting161 air of a road which goes on for ever.
“They used to have such good peep-shows in this street,” Gumbril tenderly remembered: “Little back shops where you paid twopence to see the genuine mermaid162, which turned out to be a stuffed walrus163, and the tattooed164 lady, and the dwarf165, and the living statuary, which one always hoped, as a boy, was really going to be rather naked and thrilling, but which was always the most pathetic of unemployed166 barmaids, dressed in the thickest of pink Jaeger.”
“Do you think there’d be any of those now?” asked Mrs. Viveash.
Gumbril shook his head. “They’ve moved on with the march of civilization. But where?” He spread out his hands interrogatively. “I don’t know which direction civilization marches—whether north towards Kilburn and Golders Green, or over the river to the Elephant, to Clapham and Sydenham and all those other mysterious places. But, in any case, high rents have marched up here; there are no more genuine mermaids167 in the Edgware Road. What stories we shall be able to tell our children!”
“Do you think we shall ever have any?” Mrs. Viveash asked.
“One can never tell.”
“I should have thought one could,” said Mrs. Viveash. Children—that would be the most desperate experiment of all. The most desperate, and perhaps the only one having any chance of being successful. History recorded cases.... On the other hand, it recorded other cases that proved the opposite. She had often thought of this experiment. 313There were so many obvious reasons for not making it. But some day, perhaps—she always put it off, like that.
The cab had turned off the main road into quieter and darker streets.
“Where are we now?” asked Mrs. Viveash.
“Penetrating into Maida Vale. We shall soon be there. Poor old Shearwater!” He laughed. Other people in love were always absurd.
“Shall we find him in, I wonder?” It would be fun to see Shearwater again. She liked to hear him talking, learnedly, and like a child. But when the child is six feet high and three feet wide and two feet thick, when it tries to plunge head first into your life—then, really, no.... “But what did you want with me?” he had asked. “Just to look at you,” she answered. Just to look; that was all. Music hall, not boudoir.
“Here we are.” Gumbril got out and rang the second floor bell.
The door was opened by an impertinent-looking little maid.
“Mr. Shearwater’s at the lavatory,” she said, in answer to Gumbril’s question.
“Laboratory?” he suggested.
“At the ’ospital.” That made it clear.
“And is Mrs. Shearwater at home?” he asked maliciously.
The little maid shook her head. “I expected ’er, but she didn’t come back to dinner.”
“Would you mind giving her a message when she does come in,” said Gumbril. “Tell her that Mr. Toto was very sorry he hadn’t time to speak to her when he saw her this evening in Pimlico.”
“Mr. who?”
314“Mr. Toto.”
“Mr. Toto is sorry ’e ’adn’t the time to speak to Mrs. Shearwater when ’e saw ’er in Pimlico this evening. Very well, sir.”
“You won’t forget?” said Gumbril.
“No, I won’t forget.”
“I’m rather glad,” said Mrs. Viveash. “If we ever did find anybody, it would mean the end of this Last-Ride-Together feeling. And that would be sad. And it’s a lovely night. And really, for the moment, I feel I can do without my lights. Suppose we just drove for a bit now.”
But Gumbril would not allow that. “We haven’t had enough to eat yet,” he said, and he gave the cabman Gumbril Senior’s address.
Gumbril Senior was sitting on his little iron balcony among the dried-out pots that had once held geraniums, smoking his pipe and looking earnestly out into the darkness in front of him. Clustered in the fourteen plane trees of the square, the starlings were already asleep. There was no sound but the rustling169 of the leaves. But sometimes, every hour or so, the birds would wake up. Something—perhaps it might be a stronger gust16 of wind, perhaps some happy dream of worms, some nightmare of cats simultaneously170 dreamed by all the flock together—would suddenly rouse them. And then they would all start to talk at once, at the tops of their shrill91 voices—for perhaps half a minute. Then in an instant they all went to sleep again and there was once more no sound but the rustling of the shaken leaves. At these moments Mr. Gumbril would lean forward, would strain his eyes and his ears in the hope of 315seeing, of hearing something—something significant, explanatory, satisfying. He never did, of course; but that in no way diminished his happiness.
Mr. Gumbril received them on his balcony with courtesy.
“I was just thinking of going in to work,” he said. “And now you come and give me a good excuse for sitting out here a little longer. I’m delighted.”
Gumbril Junior went downstairs to see what he could find in the way of food. While he was gone, his father explained to Mrs. Viveash the secrets of the birds. Enthusiastically, his light floss of grey hair floating up and falling again about his head as he pointed and gesticulated, he told her; the great flocks assembled—goodness only knew where!—they flew across the golden sky, detaching here a little troop, there a whole legion, they flew until at last all had found their appointed resting-places and there were no more to fly. He made this nightly flight sound epical172, as though it were a migration173 of peoples, a passage of armies.
“And it’s my firm belief,” said Gumbril Senior, adding notes to his epic171, “that they make use of some sort of telepathy, some kind of direct mind-to-mind communication between themselves. You can’t watch them without coming to that conclusion.”
“A charming conclusion,” said Mrs. Viveash.
“It’s a faculty174,” Gumbril Senior went on, “we all possess, I believe. All we animals.” He made a gesture which included himself, Mrs. Viveash and the invisible birds among the plane trees. “Why don’t we use it more? You may well ask. For the simple reason, my dear young lady, that half our existence is spent in dealing175 with things that have no mind—things with which it is impossible to 316hold telepathic communication. Hence the development of the five senses. I have eyes that preserve me from running into the lamp-post, ears that warn me I’m in the neighbourhood of Niagara. And having made these instruments very efficient, I use them even in holding converse176 with other beings having a mind. I let my telepathic faculty lie idle, preferring to employ an elaborate and cumbrous arrangement of symbols in order to make my thought known to you through your senses. In certain individuals, however, the faculty is naturally so well-developed—like the musical, or the mathematical, or the chess-playing faculties177 in other people—that they cannot help entering into direct communication with other minds, whether they want to or not. If we knew a good method of educating and drawing out the latent faculty, most of us could make ourselves moderately efficient telepaths; just as most of us can make ourselves into moderate musicians, chess players and mathematicians178. There would also be a few, no doubt, who could never communicate directly. Just as there are a few who cannot recognize ‘Rule Britannia’ or Bach’s Concerto179 in D minor180 for two violins, and a few who cannot comprehend the nature of an algebraical symbol. Look at the general development of the mathematical and musical faculties only within the last two hundred years. By the twenty-first century, I believe, we shall all be telepaths. Meanwhile, these delightful181 birds have forestalled182 us. Not having the wit to invent a language or an expressive183 pantomime, they contrive108 to communicate such simple thoughts as they have, directly and instantaneously. They all go to sleep at once, wake at once, say the same thing at once; they turn all at once when they’re flying. Without a leader, without a word of 317command, they do everything together, in complete unison184. Sitting here in the evenings, I sometimes fancy I can feel their thoughts striking against my own. It has happened to me once or twice: that I have known a second before it actually happened, that the birds were going to wake up and begin their half-minute of chatter185 in the dark. Wait! Hush.” Gumbril Senior threw back his head, pressed his hand over his mouth, as though by commanding silence on himself he could command it on the whole world. “I believe they’re going to wake now. I feel it.”
He was silent. Mrs. Viveash looked towards the dark trees and listened. A full minute passed. Then the old gentleman burst out happily laughing.
“Completely wrong!” he said. “They’ve never been more soundly asleep.” Mrs. Viveash laughed too. “Perhaps they all changed their minds, just as they were waking up,” she suggested.
Gumbril Junior reappeared; glasses clinked as he walked, and there was a little rattle186 of crockery. He was carrying a tray.
“Cold beef,” he said, “and salad and a bit of a cold apple-pie. It might be worse.”
They drew up chairs to Gumbril Senior’s work-table, and there, among the letters and the unpaid187 bills and the sketchy188 elevations189 of archiducal palaces, they ate the beef and the apple-pie, and drank the one-and-ninepenny vin ordinaire of the house. Gumbril Senior, who had already supped, looked on at them from the balcony.
“Did I tell you,” said Gumbril Junior, “that we saw Mr. Porteous’s son the other evening—very drunk?”
Gumbril Senior threw up his hands. “If you knew the calamities190 that young imbecile has been the cause of!”
318“What’s he done?”
“Gambled away I don’t know how much borrowed money. And poor Porteous can’t afford anything—even now.” Mr. Gumbril shook his head and clutched and combed his beard. “It’s a fearful blow, but of course, Porteous is very steadfast191 and serene192 and.... There!” Gumbril Senior interrupted himself, holding up his hand. “Listen!”
In the fourteen plane trees the starlings had suddenly woken up.
There was a wild outburst, like a stormy sitting in the Italian Parliament. Then all was silent. Gumbril Senior listened, enchanted. His face, as he turned back towards the light, revealed itself all smiles. His hair seemed to have blown loose of its own accord, from within, so to speak; he pushed it into place.
“You heard them?” he asked Mrs. Viveash. “What can they have to say to one another, I wonder, at this time of night?”
“And did you feel they were going to wake up?” Mrs. Viveash inquired.
“No,” said Gumbril Senior with candour.
“When we’ve finished,” Gumbril Junior spoke with his mouth full, “you must show Myra your model of London. She’d adore it—except that it has no electric sky-signs.”
His father looked all of a sudden very much embarrassed. “I don’t think it would interest Mrs. Viveash much,” he said.
“Oh, yes it would. Really,” she declared.
“Well, as a matter of fact it isn’t here.” Gumbril Senior pulled with fury at his beard.
“Not here? But what’s happened to it?”
319Gumbril Senior wouldn’t explain. He just ignored his son’s question and began to talk once more about the starlings. Later on, however, when Gumbril and Mrs. Viveash were preparing to go, the old man drew him apart into a corner and began to whisper the explanation.
“I didn’t want to blare it about in front of strangers,” he said, as though it were a question of the housemaid’s illegitimate baby or a repair to the water-closet. “But the fact is, I’ve sold it. The Victoria and Albert had wind that I was making it; they’ve been wanting it all the time. And I’ve let them have it.”
“But why?” Gumbril Junior asked in a tone of astonishment193. He knew with what a paternal194 affection—no, more than paternal; for he was sure that his father was more whole-heartedly attached to his models than his son—with what pride he regarded these children of his spirit.
Gumbril Senior sighed. “It’s all that young imbecile,” he said.
“What young imbecile?”
“Porteous’s son, of course. You see, poor Porteous has had to sell his library, among other things. You don’t know what that means to him. All these precious books. And collected at the price of such hardships. I thought I’d like to buy a few of the best ones back for him. They gave me quite a good price at the Museum.” He came out of his corner and hurried across the room to help Mrs. Viveash with her cloak. “Allow me, allow me,” he said.
Slowly and pensively195 Gumbril Junior followed him. Beyond good and evil? Below good and evil? The name of earwig.... The tubby pony196 trotted197. The wild columbines suspended, among the shadows of the hazel copse, hooked spurs, helmets of aerial purple. The twelfth sonata198 320of Mozart was insecticide; no earwigs could crawl through that music. Emily’s breasts were firm and pointed and she had slept at last without a tremor199. In the starlight, good, true and beautiful became one. Write the discovery in books—in books quos, in the morning, legimus cacantes. They descended200 the stairs. The cab was waiting outside.
“The Last Ride again,” said Mrs. Viveash.
“Golgotha Hospital, Southwark,” said Gumbril to the driver and followed her into the cab.
“Drive, drive, drive,” repeated Mrs. Viveash. “I like your father, Theodore. One of these days he’ll fly away with the birds. And how nice it is of those starlings to wake themselves up like that in the middle of the night, merely to amuse him. Considering how unpleasant it is to be woken in the night. Where are we going?”
“We’re going to look at Shearwater in his laboratory.”
“Is that a long way away?”
“Immensely,” said Gumbril.
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1
luncheon
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| n.午宴，午餐，便宴 | |
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piers
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| n.水上平台( pier的名词复数 )；（常设有娱乐场所的）突堤；柱子；墙墩 | |
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pointed
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| adj.尖的，直截了当的 | |
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brilliance
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| n.光辉，辉煌，壮丽，（卓越的）才华，才智 | |
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grimace
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| v.做鬼脸，面部歪扭 | |
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shrug
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| v.耸肩(表示怀疑、冷漠、不知等) | |
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influenza
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| n.流行性感冒，流感 | |
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vent
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| n.通风口，排放口；开衩；vt.表达，发泄 | |
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contented
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| adj.满意的，安心的，知足的 | |
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agonizing
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| adj.痛苦难忍的；使人苦恼的v.使极度痛苦；折磨(agonize的ing形式) | |
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wrecked
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| adj.失事的，遇难的 | |
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spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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impatience
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| n.不耐烦，急躁 | |
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heartily
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| adv.衷心地，诚恳地，十分，很 | |
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exhausted
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| adj.极其疲惫的，精疲力尽的 | |
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gust
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| n.阵风，突然一阵（雨、烟等），（感情的）迸发 | |
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brew
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| v.酿造，调制 | |
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dab
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| v.轻触，轻拍，轻涂；n.(颜料等的)轻涂 | |
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sniff
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| vi.嗅…味道；抽鼻涕；对嗤之以鼻，蔑视 | |
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octopuses
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| 章鱼( octopus的名词复数 ) | |
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rites
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| 仪式，典礼( rite的名词复数 ) | |
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consummated
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| v.使结束( consummate的过去式和过去分词 )；使完美；完婚；（婚礼后的）圆房 | |
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grottos
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| n.（吸引人的）岩洞，洞穴，（人挖的）洞室( grotto的名词复数 ) | |
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caresses
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| 爱抚，抚摸( caress的名词复数 ) | |
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beak
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| n.鸟嘴，茶壶嘴，钩形鼻 | |
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swelled
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| 增强( swell的过去式和过去分词 )； 肿胀； （使）凸出； 充满（激情） | |
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constellation
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| n.星座n.灿烂的一群 | |
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constellations
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| n.星座( constellation的名词复数 )；一群杰出人物；一系列（相关的想法、事物）；一群（相关的人） | |
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backbone
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| n.脊骨，脊柱，骨干；刚毅，骨气 | |
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armour
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| （=armor）n.盔甲；装甲部队 | |
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chaos
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| n.混乱，无秩序 | |
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reign
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| n.统治时期，统治，支配，盛行；v.占优势 | |
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supreme
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| adj.极度的，最重要的；至高的，最高的 | |
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heroin
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| n.海洛因 | |
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eternity
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| n.不朽，来世；永恒，无穷 | |
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oyster
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| n.牡蛎；沉默寡言的人 | |
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rustle
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| v.沙沙作响；偷盗(牛、马等)；n.沙沙声声 | |
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shrugged
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| vt.耸肩（shrug的过去式与过去分词形式） | |
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alpine
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| adj.高山的；n.高山植物 | |
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grasshoppers
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| n.蚱蜢( grasshopper的名词复数 )；蝗虫；蚂蚱；（孩子）矮小的 | |
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streak
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| n.条理，斑纹，倾向，少许，痕迹；v.加条纹，变成条纹，奔驰，快速移动 | |
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scarlet
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| n.深红色，绯红色，红衣；adj.绯红色的 | |
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thighs
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| n.股，大腿( thigh的名词复数 )；食用的鸡（等的）腿 | |
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44
patina
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| n.铜器上的绿锈，年久而产生的光泽 | |
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46
amulet
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| n.护身符 | |
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cemeteries
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| n.（非教堂的）墓地，公墓( cemetery的名词复数 ) | |
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vaults
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| n.拱顶( vault的名词复数 )；地下室；撑物跳高；墓穴 | |
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49
fresco
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| n.壁画；vt.作壁画于 | |
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50
anecdote
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| n.轶事，趣闻，短故事 | |
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51
baroness
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| n.男爵夫人，女男爵 | |
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pastor
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| n.牧师，牧人 | |
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autobiography
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| n.自传 | |
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fully
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| adv.完全地，全部地，彻底地；充分地 | |
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dingy
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| adj.昏暗的，肮脏的 | |
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distressed
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| 痛苦的 | |
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coppers
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| 铜( copper的名词复数 )； 铜币 | |
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copper
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| n.铜；铜币；铜器；adj.铜(制)的；(紫)铜色的 | |
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59
trespassing
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| [法]非法入侵 | |
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60
infringe
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| v.违反，触犯，侵害 | |
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61
flickering
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| adj.闪烁的，摇曳的，一闪一闪的 | |
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62
eminent
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| adj.显赫的，杰出的，有名的，优良的 | |
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63
immediate
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| adj.立即的；直接的，最接近的；紧靠的 | |
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64
slander
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| n./v.诽谤，污蔑 | |
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65
psychology
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| n.心理，心理学，心理状态 | |
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66
dagger
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| n.匕首，短剑，剑号 | |
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67
upwards
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| adv.向上，在更高处...以上 | |
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68
penetrates
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| v.穿过( penetrate的第三人称单数 )；刺入；了解；渗透 | |
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69
skull
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| n.头骨；颅骨 | |
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70
ingenuously
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| adv.率直地，正直地 | |
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71
forth
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| adv.向前；向外，往外 | |
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72
bestial
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| adj.残忍的；野蛮的 | |
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73
idiotic
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| adj.白痴的 | |
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74
repose
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| v.(使)休息；n.安息 | |
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75
flickers
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| 电影制片业； （通常指灯光）闪烁，摇曳( flicker的名词复数 ) | |
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76
twitch
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| v.急拉，抽动，痉挛，抽搐；n.扯，阵痛，痉挛 | |
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77
distraction
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| n.精神涣散，精神不集中，消遣，娱乐 | |
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78
pedant
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| n.迂儒；卖弄学问的人 | |
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79
exquisitely
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| adv.精致地；强烈地；剧烈地；异常地 | |
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80
exquisite
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| adj.精美的；敏锐的；剧烈的，感觉强烈的 | |
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81
smelt
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| v.熔解，熔炼；n.银白鱼，胡瓜鱼 | |
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82
reverberated
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| 回响，回荡( reverberate的过去式和过去分词 )； 使反响，使回荡，使反射 | |
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83
scribbled
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| v.潦草的书写( scribble的过去式和过去分词 )；乱画；草草地写；匆匆记下 | |
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84
remains
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| n.剩余物，残留物；遗体，遗迹 | |
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85
brink
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| n.(悬崖、河流等的)边缘，边沿 | |
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86
plunge
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| v.跳入，(使)投入，(使)陷入；猛冲 | |
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87
muzzle
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| n.鼻口部；口套；枪(炮)口；vt.使缄默 | |
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88
annihilating
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| v.（彻底）消灭( annihilate的现在分词 )；使无效；废止；彻底击溃 | |
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89
silhouette
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| n.黑色半身侧面影，影子，轮廓；v.描绘成侧面影，照出影子来，仅仅显出轮廓 | |
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90
twilight
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| n.暮光，黄昏；暮年，晚期，衰落时期 | |
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91
shrill
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| adj.尖声的；刺耳的；v尖叫 | |
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92
shrilly
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| 尖声的； 光亮的，耀眼的 | |
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93
ferocious
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| adj.凶猛的，残暴的，极度的，十分强烈的 | |
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94
hideous
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| adj.丑陋的，可憎的，可怕的，恐怖的 | |
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95
waterproof
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| n.防水材料；adj.防水的；v.使...能防水 | |
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96
maliciously
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| adv.有敌意地 | |
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97
delirious
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| adj.不省人事的，神智昏迷的 | |
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98
preoccupied
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| adj.全神贯注的，入神的；被抢先占有的；心事重重的v.占据（某人）思想，使对…全神贯注，使专心于( preoccupy的过去式) | |
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99
hush
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| int.嘘，别出声；n.沉默，静寂；v.使安静 | |
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100
gathering
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| n.集会，聚会，聚集 | |
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101
merged
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| （使）混合( merge的过去式和过去分词 )； 相融； 融入； 渐渐消失在某物中 | |
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102
verge
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| n.边，边缘；v.接近，濒临 | |
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103
mechanism
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| n.机械装置；机构，结构 | |
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104
solitary
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| adj.孤独的，独立的，荒凉的；n.隐士 | |
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105
housekeeper
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| n.管理家务的主妇，女管家 | |
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106
decided
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| adj.决定了的，坚决的；明显的，明确的 | |
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107
brutally
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| adv.残忍地，野蛮地，冷酷无情地 | |
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108
contrive
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| vt.谋划，策划；设法做到；设计，想出 | |
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109
contrived
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| adj.不自然的，做作的；虚构的 | |
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110
dedicated
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| adj.一心一意的；献身的；热诚的 | |
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111
coruscating
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| v.闪光，闪烁( coruscate的现在分词 ) | |
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112
casually
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| adv.漠不关心地，无动于衷地，不负责任地 | |
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113
industrious
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| adj.勤劳的，刻苦的，奋发的 | |
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114
witty
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| adj.机智的，风趣的 | |
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115
savage
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| adj.野蛮的；凶恶的，残暴的；n.未开化的人 | |
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116
standing
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| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
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117
shrieks
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| n.尖叫声( shriek的名词复数 )v.尖叫( shriek的第三人称单数 ) | |
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118
isles
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| 岛( isle的名词复数 ) | |
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119
civilized
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| a.有教养的，文雅的 | |
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120
impersonally
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| ad.非人称地 | |
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121
frightful
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| adj.可怕的；讨厌的 | |
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122
ripple
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| n.涟波，涟漪，波纹，粗钢梳；vt.使...起涟漪，使起波纹； vi.呈波浪状，起伏前进 | |
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123
stimulants
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| n.兴奋剂( stimulant的名词复数 )；含兴奋剂的饮料；刺激物；激励物 | |
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124
champagne
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| n.香槟酒；微黄色 | |
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125
loathed
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| v.憎恨，厌恶( loathe的过去式和过去分词 )；极不喜欢 | |
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126
syrup
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| n.糖浆，糖水 | |
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127
soda
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| n.苏打水；汽水 | |
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128
pyjamas
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| n.（宽大的）睡衣裤 | |
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129
smears
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| 污迹( smear的名词复数 )； 污斑； （显微镜的）涂片； 诽谤 | |
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130
clotted
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| adj.凝结的v.凝固( clot的过去式和过去分词 ) | |
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131
pigment
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| n.天然色素，干粉颜料 | |
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132
divan
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| n.长沙发；（波斯或其他东方诗人的）诗集 | |
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133
serpentine
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| adj.蜿蜒的，弯曲的 | |
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134
lithe
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| adj.(指人、身体)柔软的，易弯的 | |
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135
mole
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| n.胎块；痣；克分子 | |
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136
slanting
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| 倾斜的，歪斜的 | |
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137
aquiline
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| adj.钩状的，鹰的 | |
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138
feverishly
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| adv. 兴奋地 | |
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139
wriggled
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| v.扭动，蠕动，蜿蜒行进( wriggle的过去式和过去分词 )；（使身体某一部位）扭动；耍滑不做，逃避（应做的事等） | |
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140
positively
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| adv.明确地，断然，坚决地；实在，确实 | |
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141
sarcastically
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| adv.挖苦地，讽刺地 | |
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142
enchanted
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| adj. 被施魔法的，陶醉的，入迷的 动词enchant的过去式和过去分词 | |
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143
platonic
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| adj.精神的；柏拉图（哲学）的 | |
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144
embarrassment
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| n.尴尬；使人为难的人(事物)；障碍；窘迫 | |
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145
extruded
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| v.挤压出( extrude的过去式和过去分词 )；挤压成；突出；伸出 | |
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146
muffled
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| adj.（声音）被隔的；听不太清的；（衣服）裹严的；蒙住的v.压抑，捂住( muffle的过去式和过去分词 )；用厚厚的衣帽包着（自己） | |
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147
horrifying
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| a.令人震惊的，使人毛骨悚然的 | |
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148
propped
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| 支撑，支持，维持( prop的过去式和过去分词 ) | |
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149
Undid
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| v. 解开, 复原 | |
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150
kindly
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| adj.和蔼的，温和的，爽快的；adv.温和地，亲切地 | |
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151
underneath
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| adj.在...下面，在...底下；adv.在下面 | |
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152
backwards
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| adv.往回地，向原处，倒，相反，前后倒置地 | |
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153
bruise
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| n.青肿，挫伤；伤痕；vt.打青；挫伤 | |
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154
caressed
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| 爱抚或抚摸…( caress的过去式和过去分词 ) | |
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155
infamous
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| adj.声名狼藉的，臭名昭著的，邪恶的 | |
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156
shameful
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| adj.可耻的，不道德的 | |
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157
stupor
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| v.昏迷；不省人事 | |
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158
shuddered
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| v.战栗( shudder的过去式和过去分词 )；发抖；（机器、车辆等）突然震动；颤动 | |
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159
repulsive
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| adj.排斥的，使人反感的 | |
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160
salmon
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| n.鲑，大马哈鱼，橙红色的 | |
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161
inviting
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| adj.诱人的，引人注目的 | |
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162
mermaid
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| n.美人鱼 | |
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163
walrus
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| n.海象 | |
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164
tattooed
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| v.刺青，文身( tattoo的过去式和过去分词 )；连续有节奏地敲击；作连续有节奏的敲击 | |
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165
dwarf
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| n.矮子，侏儒，矮小的动植物；vt.使…矮小 | |
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166
unemployed
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| adj.失业的，没有工作的；未动用的，闲置的 | |
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167
mermaids
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| n.（传说中的）美人鱼( mermaid的名词复数 ) | |
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168
drawn
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| v.拖，拉，拔出；adj.憔悴的，紧张的 | |
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169
rustling
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| n. 瑟瑟声，沙沙声 adj. 发沙沙声的 | |
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170
simultaneously
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| adv.同时发生地，同时进行地 | |
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171
epic
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| n.史诗，叙事诗；adj.史诗般的，壮丽的 | |
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172
epical
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| adj.叙事诗的，英勇的 | |
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173
migration
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| n.迁移，移居，（鸟类等的）迁徙 | |
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174
faculty
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| n.才能；学院，系；(学院或系的)全体教学人员 | |
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175
dealing
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| n.经商方法，待人态度 | |
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176
converse
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| vi.谈话，谈天，闲聊；adv.相反的，相反 | |
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177
faculties
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| n.能力( faculty的名词复数 )；全体教职员；技巧；院 | |
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178
mathematicians
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| 数学家( mathematician的名词复数 ) | |
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179
concerto
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| n.协奏曲 | |
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180
minor
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| adj.较小(少)的，较次要的；n.辅修学科；vi.辅修 | |
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181
delightful
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| adj.令人高兴的，使人快乐的 | |
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182
forestalled
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| v.先发制人，预先阻止( forestall的过去式和过去分词 ) | |
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183
expressive
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| adj.表现的，表达…的，富于表情的 | |
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184
unison
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| n.步调一致，行动一致 | |
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185
chatter
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| vi.／n.喋喋不休；短促尖叫；(牙齿)打战 | |
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186
rattle
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| v.飞奔，碰响；激怒；n.碰撞声；拨浪鼓 | |
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187
unpaid
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| adj.未付款的，无报酬的 | |
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188
sketchy
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| adj.写生的，写生风格的，概略的 | |
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189
elevations
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| （水平或数量）提高( elevation的名词复数 )； 高地； 海拔； 提升 | |
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190
calamities
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| n.灾祸，灾难( calamity的名词复数 )；不幸之事 | |
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191
steadfast
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| adj.固定的，不变的，不动摇的；忠实的；坚贞不移的 | |
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192
serene
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| adj. 安详的，宁静的，平静的 | |
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193
astonishment
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| n.惊奇，惊异 | |
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194
paternal
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| adj.父亲的，像父亲的，父系的，父方的 | |
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195
pensively
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| adv.沉思地，焦虑地 | |
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196
pony
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| adj.小型的；n.小马 | |
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197
trotted
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| 小跑，急走( trot的过去分词 )； 匆匆忙忙地走 | |
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198
sonata
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| n.奏鸣曲 | |
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199
tremor
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| n.震动，颤动，战栗，兴奋，地震 | |
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200
descended
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| a.为...后裔的，出身于...的 | |
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201
piously
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| adv.虔诚地 | |
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