Four figures, a labourer and his family, travelled slowly up the road proceeding5 across the hill, a sound mingling6 dully with their steps—the voice of the man.[46] You could not tell if it were noise of voice or of footsteps that first came into your ear, but it could be defined on their advance as the voice of a man upbraiding7 his little son.
“You’re a naughty, naughty—you’re a vurry, vurry naughty boy! Oi can’t think what’s comen tyeh!”
The father towered above the tiny figure shuffling8 under his elbow, and kept his eyes stupidly fixed9 upon him. He saw a thin boy, a spare boy, a very shrunken boy of seven or eight years, crying quietly. He let no grief out of his lips, but his white face was streaming with dirty tears. He wore a man’s cap, an unclean sailor jacket, large knickerbockers that made a mockery of his lean joints10, a pair of women’s button boots, and he looked straight ahead.
“The idear! To go and lose a sixpence like that then! Where d’ye think yer’ll land yerself, ay? Where’d I be if I kept on losing sixpences, ay? A creature like you, ay!” and lifting his heavy hand the man struck the boy a blow behind with shock enough to disturb a heifer. They went on, the child with sobs11 that you could feel rather than hear. As they passed the black barn the gipsy bawled12 encouragingly: “S’elp me, father, that’s a good ’un, wallop his trousers!”
But the man ignored him, as he ignored the yell of the pig and the voice of the lark13 rioting above them all; he continued his litany:
“You’re a naughty, naughty boy, an’ I dunno what’s comen tyeh!”
The woman, a poor slip of a woman she was, walked behind them with a smaller child: she seemed to have[47] no desire to shield the boy or to placate14 the man. She did not seem to notice them, and led the toddling15 babe, to whom she gabbled, some paces in the rear of the man of anger. He was a great figure with a bronzed face; his trousers were tied at the knee, his wicker bag was slung16 over his shoulder. With his free and massive hand he held the hand of the boy. He was slightly drunk, and walked with his legs somewhat wide, at the beginning of each stride lifting his heel higher than was required, and at the end of it placing his foot firmly but obliquely17 inwards. There were two bright medals on the breast of his waistcoat, presumably for valour; he was perhaps a man who would stand upon his rights and his dignities, such as they were—but then he was drunk. His language, oddly unprofane, gave a subtle and mean point to his decline from the heroic standard. He only ceased his complaining to gaze swayingly at the boy; then he struck him. The boy, crying quietly, made no effort to avoid or resist him.
“You understand me, you bad boy! As long as you’re with me you got to come under collar. And wher’ll you be next I dunno, a bad creature like you, ay! An’ then to turn roun’ an’ answer me! I dunno! I dunno what’s comen tyeh. Ye know ye lost that sixpence through glammering about. Wher’ d’ye lose it, ay? Wher’ d’ye lose it, ay?”
At these questions be seized the boy by the neck and shook him as a child does a bottle of water. The baby behind them was taken with little gusts18 of laughter at the sight, and the woman cooed back playfully at her.
“George, George!” yelled the woman.
[48]
The man turned round.
“Look after Annie!” she yelled again.
“What’s up?” he called.
Her only answer was a giggle19 of laughter as she disappeared behind a hedge. The child toddled20 up to its father and took his hand, while the quiet boy took her other hand with relief. She laughed up into their faces, and the man resumed his homily.
“He’s a bad, bad boy. He’s a vurry naughty bad boy!”
By-and-by the woman came shuffling after them; the boy looked furtively21 around and dropped his sister’s hand.
“Carm on, me beauty!” cried the man, lifting the girl to his shoulder. “He’s a bad boy; you ’ave a ride on your daddy.” They went on alone, and the woman joined the boy. He looked up at her with a sad face.
“O, my Christ, Johnny!” she said, putting her arms round the boy, “what’s ’e bin22 doin’ to yeh? Yer face is all blood!”
“It’s only me nose, mother. Here,” he whispered, “here’s the tanner.”
They went together down the hill towards the inn, which had already a light in its windows. The screams from the barn had ceased, and a cart passed them full of young pigs, bloody23 and subdued24. The hill began to resume its old dominion25 of soft sounds. It was nearly nine o’clock, and one anxious farmer still made hay although, on this side of the down, day had declined, and with a greyness that came not from[49] the sky, but crept up from the world. From the quiet hill, as the last skein of cocks was carted to the stack, you could hear dimly men’s voices and the rattle26 of their gear.
点击收听单词发音
1 ointment | |
n.药膏,油膏,软膏 | |
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2 barley | |
n.大麦,大麦粒 | |
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3 anguish | |
n.(尤指心灵上的)极度痛苦,烦恼 | |
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4 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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5 proceeding | |
n.行动,进行,(pl.)会议录,学报 | |
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6 mingling | |
adj.混合的 | |
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7 upbraiding | |
adj.& n.谴责(的)v.责备,申斥,谴责( upbraid的现在分词 ) | |
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8 shuffling | |
adj. 慢慢移动的, 滑移的 动词shuffle的现在分词形式 | |
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9 fixed | |
adj.固定的,不变的,准备好的;(计算机)固定的 | |
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10 joints | |
接头( joint的名词复数 ); 关节; 公共场所(尤指价格低廉的饮食和娱乐场所) (非正式); 一块烤肉 (英式英语) | |
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11 sobs | |
啜泣(声),呜咽(声)( sob的名词复数 ) | |
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12 bawled | |
v.大叫,大喊( bawl的过去式和过去分词 );放声大哭;大声叫出;叫卖(货物) | |
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13 lark | |
n.云雀,百灵鸟;n.嬉戏,玩笑;vi.嬉戏 | |
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14 placate | |
v.抚慰,平息(愤怒) | |
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15 toddling | |
v.(幼儿等)东倒西歪地走( toddle的现在分词 );蹒跚行走;溜达;散步 | |
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16 slung | |
抛( sling的过去式和过去分词 ); 吊挂; 遣送; 押往 | |
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17 obliquely | |
adv.斜; 倾斜; 间接; 不光明正大 | |
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18 gusts | |
一阵强风( gust的名词复数 ); (怒、笑等的)爆发; (感情的)迸发; 发作 | |
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19 giggle | |
n.痴笑,咯咯地笑;v.咯咯地笑着说 | |
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20 toddled | |
v.(幼儿等)东倒西歪地走( toddle的过去式和过去分词 );蹒跚行走;溜达;散步 | |
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21 furtively | |
adv. 偷偷地, 暗中地 | |
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22 bin | |
n.箱柜;vt.放入箱内;[计算机] DOS文件名:二进制目标文件 | |
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23 bloody | |
adj.非常的的;流血的;残忍的;adv.很;vt.血染 | |
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24 subdued | |
adj. 屈服的,柔和的,减弱的 动词subdue的过去式和过去分词 | |
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25 dominion | |
n.统治,管辖,支配权;领土,版图 | |
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26 rattle | |
v.飞奔,碰响;激怒;n.碰撞声;拨浪鼓 | |
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