XXIV: EDWARD LEAR

 There are few writers whose works I care to read more than once, and one of them is certainly Edward Lear. Nonsense, like poetry, to which it is closely allied¹, like philosophic² speculation³, like every product of the imagination, is an assertion of man’s spiritual freedom in spite of all the oppression of circumstance. As long as it remains⁴ possible for the human mind to invent the Quangle Wangle and the Fimble Fowl⁵, to wander at will over the Great Gromboolian Plain and the hills of the Cnankly Bore, the victory is ours. The existence of nonsense is the nearest approach to a proof of that improvable article of faith, whose truth we must all assume or perish miserably⁶: that life is worth living. It is when circumstances combine to prove, with syllogistic⁷ cogency⁸, that life is not worth living that I turn to Lear and find comfort and refreshment⁹. I read him and I perceive that it is a good thing to be alive; for I am free, with Lear, to be as inconsequent as I like.

Lear is a genuine poet. For what is his nonsense except the poetical¹⁰ imagination a 162little twisted out of its course? Lear had the true poet’s feeling for words—words in themselves, precious and melodious¹¹, like phrases of music; personal as human beings. Marlowe talks of entertaining divine Zenocrate; Milton of the leaves that fall in Vallombrosa; Lear of the Fimble Fowl with a corkscrew leg, of runcible spoons, of things meloobious and genteel. Lewis Carroll wrote nonsense by exaggerating sense—a too logical logic¹². His coinages of words are intellectual. Lear, more characteristically a poet, wrote nonsense that is an excess of imagination, coined words for the sake of their colour and sound alone. His is the purer nonsense, because more poetical. Change the key ever so little and the “Dong with a Luminous¹³ Nose” would be one of the most memorable¹⁴ romantic poems of the nineteenth century. Think, too, of that exquisite¹⁵ “Yonghy Bonghy Bo”! In one of Tennyson’s later volumes there is a charming little lyric¹⁶ about Catullus, which begins:

Row us out from Desenzano,

To your Sirmione row!

So they row’d, and there we landed—

O venusta Sirmio!

Can one doubt for a moment that he was thinking, when he wrote these words, of that 163superb stanza¹⁷ with which the “Yonghy Bonghy” opens:

On the coast of Coromandel,

Where the early pumpkins¹⁸ blow,

In the middle of the woods,

Dwelt the Yonghy Bonghy Bo.

Personally, I prefer Lear’s poem; it is the richer and the fuller of the two.

Lear’s genius is at its best in the Nonsense Rhymes, or Limericks, as a later generation has learned to call them. In these I like to think of him not merely as a poet and a draughtsman—and how unique an artist the recent efforts of Mr. Nash to rival him have only affirmed—but also as a profound social philosopher. No study of Lear would be complete without at least a few remarks on “They” of the Nonsense Rhymes. “They” are the world, the man in the street; “They” are what the leader-writers in the twopenny press would call all Right-Thinking Men and Women; “They” are Public Opinion. The Nonsense Rhymes are, for the most part, nothing more nor less than episodes selected from the history of that eternal struggle between the genius or the eccentric and his fellow-beings. Public Opinion universally abhors¹⁹ eccentricity²⁰. There was, for example, that charming Old Man of Melrose who 164walked on the tips of his toes. But “They” said (with their usual inability to appreciate the artist), “It ain’t pleasant to see you at present, you stupid old man of Melrose.” Occasionally, when the eccentric happens to be a criminal genius, “They” are doubtless right. The Old Man with a Gong who bumped on it all the day long deserved to be smashed. (But “They” also smashed a quite innocuous Old Man of Whitehaven merely for dancing a quadrille with a raven²¹.) And there was that Old Person of Buda, whose conduct grew ruder and ruder; “They” were justified²², I dare say, in using a hammer to silence his clamour. But it raises the whole question of punishment and of the relation between society and the individual.

When “They” are not offensive, they content themselves with being foolishly inquisitive²³. Thus, “They” ask the Old Man of the Wrekin whether his boots are made of leather. “They” pester²⁴ the Old Man in a Tree with imbecile questions about the Bee which so horribly bored him. In these encounters the geniuses and the eccentrics often get the better of the gross and heavy-witted public. The Old Person of Ware²⁵ who rode on the back of a bear certainly scored off “Them.” For when “They” asked: “Does it trot²⁶?” He replied, “It does not.” (The 165picture shows it galloping²⁷ ventre à terre.) “It’s a Moppsikon Floppsikon bear.” Sometimes, too, the eccentric actually leads “Them” on to their discomfiture²⁸. One thinks of that Old Man in a Garden, who always begged every one’s pardon. When “They” asked him, “What for?” he replied, “You’re a bore, and I trust you’ll go out of my garden.” But “They” probably ended up by smashing him.

Occasionally the men of genius adopt a Mallarméen policy. They flee from the gross besetting²⁹ crowd.

La chair est triste, hélas, et j’ai lu tous les livres.

Fuir, là-bas, fuir....

It was surely with these words on his lips that the Old Person of Bazing (whose presence of mind, for all that he was a Symbolist, was amazing) went out to purchase the steed which he rode at full speed and escaped from the people of Bazing. He chose the better part; for it is almost impossible to please the mob. The Old Person of Ealing was thought by his suburban³⁰ neighbours to be almost devoid³¹ of good feeling, because, if you please, he drove a small gig with three owls³² and a pig. And there was that pathetic Old Man of Thermopyl? (for whom I have a peculiar³³ sympathy, since he reminds me so 166poignantly of myself), who never did anything properly. “They,” said, “If you choose to boil eggs in your shoes, you shall never remain in Thermopyl?.” The sort of people “They” like do the stupidest things, have the vulgarest accomplishments³⁴. Of the Old Person of Filey his acquaintance was wont³⁵ to speak highly because he danced perfectly³⁶ well to the sound of a bell. And the people of Shoreham adored that fellow-citizen of theirs whose habits were marked by decorum and who bought an umbrella and sate³⁷ in the cellar. Naturally; it was only to be expected.

1 allied   

adj.协约国的；同盟国的

参考例句：

• Britain was allied with the United States many times in history.历史上英国曾多次与美国结盟。
• Allied forces sustained heavy losses in the first few weeks of the campaign.同盟国在最初几周内遭受了巨大的损失。

2 philosophic   

adj.哲学的，贤明的

参考例句：

• It was a most philosophic and jesuitical motorman.这是个十分善辩且狡猾的司机。
• The Irish are a philosophic as well as a practical race.爱尔兰人是既重实际又善于思想的民族。

3 speculation   

n.思索，沉思；猜测；投机

参考例句：

• Her mind is occupied with speculation.她的头脑忙于思考。
• There is widespread speculation that he is going to resign.人们普遍推测他要辞职。

4 remains   

n.剩余物，残留物；遗体，遗迹

参考例句：

• He ate the remains of food hungrily.他狼吞虎咽地吃剩余的食物。
• The remains of the meal were fed to the dog.残羹剩饭喂狗了。

5 fowl   

n.家禽，鸡，禽肉

参考例句：

• Fowl is not part of a traditional brunch.禽肉不是传统的早午餐的一部分。
• Since my heart attack,I've eaten more fish and fowl and less red meat.自从我患了心脏病后，我就多吃鱼肉和禽肉，少吃红色肉类。

6 miserably   

adv.痛苦地；悲惨地；糟糕地；极度地

参考例句：

• The little girl was wailing miserably. 那小女孩难过得号啕大哭。
• It was drizzling, and miserably cold and damp. 外面下着毛毛细雨，天气又冷又湿，令人难受。 来自《简明英汉词典》

7 syllogistic   

adj.三段论法的，演绎的，演绎性的

参考例句：

8 cogency   

n.说服力；adj.有说服力的

参考例句：

• The film makes its points with cogency and force.影片强有力地阐明了主旨。
• There were perfectly cogent reasons why Julian Cavendish should be told of the Major's impending return.要将少校即将返回的消息告知朱利安·卡文迪什是有绝对充足的理由的。

9 refreshment   

n.恢复，精神爽快，提神之事物；（复数）refreshments:点心，茶点

参考例句：

• He needs to stop fairly often for refreshment.他须时不时地停下来喘口气。
• A hot bath is a great refreshment after a day's work.在一天工作之后洗个热水澡真是舒畅。

10 poetical   

adj.似诗人的；诗一般的；韵文的；富有诗意的

参考例句：

• This is a poetical picture of the landscape. 这是一幅富有诗意的风景画。 来自《简明英汉词典》
• John is making a periphrastic study in a worn-out poetical fashion. 约翰正在对陈腐的诗风做迂回冗长的研究。 来自辞典例句

11 melodious   

adj.旋律美妙的，调子优美的，音乐性的

参考例句：

• She spoke in a quietly melodious voice.她说话轻声细语，嗓音甜美。
• Everybody was attracted by her melodious voice.大家都被她悦耳的声音吸引住了。

12 logic   

n.逻辑(学)；逻辑性

参考例句：

• What sort of logic is that?这是什么逻辑？
• I don't follow the logic of your argument.我不明白你的论点逻辑性何在。

13 luminous   

adj.发光的，发亮的；光明的；明白易懂的；有启发的

参考例句：

• There are luminous knobs on all the doors in my house.我家所有门上都安有夜光把手。
• Most clocks and watches in this shop are in luminous paint.这家商店出售的大多数钟表都涂了发光漆。

14 memorable   

adj.值得回忆的，难忘的，特别的，显著的

参考例句：

• This was indeed the most memorable day of my life.这的确是我一生中最值得怀念的日子。
• The veteran soldier has fought many memorable battles.这个老兵参加过许多难忘的战斗。

15 exquisite   

adj.精美的；敏锐的；剧烈的，感觉强烈的

参考例句：

• I was admiring the exquisite workmanship in the mosaic.我当时正在欣赏镶嵌画的精致做工。
• I still remember the exquisite pleasure I experienced in Bali.我依然记得在巴厘岛所经历的那种剧烈的快感。

16 lyric   

n.抒情诗，歌词；adj.抒情的

参考例句：

• This is a good example of Shelley's lyric poetry.这首诗是雪莱抒情诗的范例。
• His earlier work announced a lyric talent of the first order.他的早期作品显露了一流的抒情才华。

17 stanza   

n.（诗）节，段

参考例句：

• We omitted to sing the second stanza.我们漏唱了第二节。
• One young reporter wrote a review with a stanza that contained some offensive content.一个年轻的记者就歌词中包含有攻击性内容的一节写了评论。

18 pumpkins   

n.南瓜( pumpkin的名词复数 )；南瓜的果肉，南瓜囊

参考例句：

• I like white gourds, but not pumpkins. 我喜欢吃冬瓜，但不喜欢吃南瓜。 来自《简明英汉词典》
• Then they cut faces in the pumpkins and put lights inside. 然后在南瓜上刻出一张脸，并把瓜挖空。 来自英语晨读30分（高三）

19 abhors   

v.憎恶( abhor的第三人称单数 )；（厌恶地）回避；拒绝；淘汰

参考例句：

• For the same reason, our party abhors the deification of an individual. 因为这样，我们党也厌弃对于个人的神化。 来自《简明英汉词典》
• She abhors cruelty to animals. 她憎恶虐待动物。 来自《现代英汉综合大词典》

20 eccentricity   

n.古怪，反常，怪癖

参考例句：

• I can't understand the eccentricity of Henry's behavior.我不理解亨利的古怪举止。
• His eccentricity had become legendary long before he died.在他去世之前他的古怪脾气就早已闻名遐尔了。

21 raven   

n.渡鸟，乌鸦；adj.乌亮的

参考例句：

• We know the raven will never leave the man's room.我们知道了乌鸦再也不会离开那个男人的房间。
• Her charming face was framed with raven hair.她迷人的脸上垂落着乌亮的黑发。

22 justified   

a.正当的，有理的

参考例句：

• She felt fully justified in asking for her money back. 她认为有充分的理由要求退款。
• The prisoner has certainly justified his claims by his actions. 那个囚犯确实已用自己的行动表明他的要求是正当的。

23 inquisitive   

adj.求知欲强的，好奇的，好寻根究底的

参考例句：

• Children are usually inquisitive.小孩通常很好问。
• A pat answer is not going to satisfy an inquisitive audience.陈腔烂调的答案不能满足好奇的听众。

24 pester   

v.纠缠，强求

参考例句：

• He told her not to pester him with trifles.他对她说不要为小事而烦扰他。
• Don't pester me.I've got something urgent to attend to.你别跟我蘑菇了，我还有急事呢。

25 ware   

n.(常用复数)商品，货物

参考例句：

• The shop sells a great variety of porcelain ware.这家店铺出售品种繁多的瓷器。
• Good ware will never want a chapman.好货不须叫卖。

26 trot   

n.疾走，慢跑；n.老太婆；现成译本；(复数）trots:腹泻（与the 连用）；v.小跑，快步走，赶紧

参考例句：

• They passed me at a trot.他们从我身边快步走过。
• The horse broke into a brisk trot.马突然快步小跑起来。

27 galloping   

adj. 飞驰的, 急性的 动词gallop的现在分词形式

参考例句：

• The horse started galloping the moment I gave it a good dig. 我猛戳了马一下，它就奔驰起来了。
• Japan is galloping ahead in the race to develop new technology. 日本在发展新技术的竞争中进展迅速，日新月异。

28 discomfiture   

n.崩溃；大败；挫败；困惑

参考例句：

• I laughed my head off when I heard of his discomfiture. 听到别人说起他的狼狈相，我放声大笑。 来自《简明英汉词典》
• Without experiencing discomfiture and setbacks,one can never find truth. 不经过失败和挫折，便找不到真理。 来自《简明英汉词典》

29 besetting   

adj.不断攻击的v.困扰( beset的现在分词 )；不断围攻；镶；嵌

参考例句：

• Laziness is my besetting sin. 懒惰是我积重难返的恶习。 来自辞典例句
• His besetting sin is laziness. 他所易犯的毛病就是懒惰。 来自辞典例句

30 suburban   

adj.城郊的，在郊区的

参考例句：

• Suburban shopping centers were springing up all over America. 效区的商业中心在美国如雨后春笋般地兴起。
• There's a lot of good things about suburban living.郊区生活是有许多优点。

31 devoid   

adj.全无的，缺乏的

参考例句：

• He is completely devoid of humour.他十分缺乏幽默。
• The house is totally devoid of furniture.这所房子里什么家具都没有。

32 owls   

n.猫头鹰( owl的名词复数 )

参考例句：

• 'Clumsy fellows,'said I; 'they must still be drunk as owls.' “这些笨蛋，”我说，“他们大概还醉得像死猪一样。” 来自英汉文学 - 金银岛
• The great majority of barn owls are reared in captivity. 大多数仓鸮都是笼养的。 来自辞典例句

33 peculiar   

adj.古怪的，异常的；特殊的，特有的

参考例句：

• He walks in a peculiar fashion.他走路的样子很奇特。
• He looked at me with a very peculiar expression.他用一种很奇怪的表情看着我。

34 accomplishments   

n.造诣；完成( accomplishment的名词复数 )；技能；成绩；成就

参考例句：

• It was one of the President's greatest accomplishments. 那是总统最伟大的成就之一。
• Among her accomplishments were sewing,cooking,playing the piano and dancing. 她的才能包括缝纫、烹调、弹钢琴和跳舞。 来自《现代英汉综合大词典》

35 wont   

adj.习惯于；v.习惯；n.习惯

参考例句：

• He was wont to say that children are lazy.他常常说小孩子们懒惰。
• It is his wont to get up early.早起是他的习惯。

36 perfectly   

adv.完美地，无可非议地，彻底地

参考例句：

• The witnesses were each perfectly certain of what they said.证人们个个对自己所说的话十分肯定。
• Everything that we're doing is all perfectly above board.我们做的每件事情都是光明正大的。

37 sate   

v.使充分满足

参考例句：

• Nothing could sate the careerist's greed for power.什么也满足不了这个野心家的权力欲。
• I am sate with opera after listening to it for a whole weekend.听了整整一个周末的歌剧，我觉得腻了。