Her father, who was not fifty yet, had been a young man when he came to this strange seclusion4. Why he should have chosen Bordighera, no one had taken the trouble to inquire. He came when it was a little town on the spur of the hill, without either hotels or tourists, or{v1-24} at least very few of these articles—like many other little towns which are perched on little platforms among the olive woods all over that lovely country. The place had commended itself to him because it was so completely out of the way. And then it was very cheap, simple, and primitive5. He was not, however, by any means a primitive-minded man; and when he took Domenico and Mariuccia into his service, it was for a year or two an interest in his life to train them to everything that was the reverse of their own natural primitive ways. Mariuccia had a little native instinct for cookery such as is not unusual among the Latin races, and which her master trained into all the sophistications of a cordon6 bleu. And Domenico had that lively desire to serve his padrone “hand and foot,” as English servants say, and do everything for him, which comes natural to an amiable7 Italian eager to please. Both of them had been encouraged and trained to carry out these inclinations8. Mr Waring was difficult to please. He wanted attendance continually. He would not tolerate a speck9 of dust anywhere, or any carelessness of service; but otherwise he was not a bad master.{v1-25} He left them many independences, which suited them, and never objected to that appropriation10 to themselves of his house as theirs, and assertion of themselves as an important part of the family, which is the natural result of a long service. Frances grew up accordingly in franker intimacy11 with the honest couple than is usual in English households. There was nothing they would not have done for the Signorina—starve for her, scrape and pinch for her, die for her if need had been; and in the meantime, while there was no need for service more heroic, correct her, and improve her mind, and set her faults before her with simplicity12. Her faults were small, it is true, but zealous13 Love did not omit to find many out.
Mr Waring painted a little, and was disposed to call himself an artist; and he read a great deal, or was supposed to do so, in the library, which formed one of the set of rooms, among the old books in vellum, which took a great deal of reading. A little old public library existing in another little town farther up among the hills, gave him an excuse, if it was not anything more, for a great deal of what he called work.{v1-26} There were some manuscripts and a number of old editions laid up in this curious little hermitage of learning, from which the few people who knew him believed he was going some day to compile or collect something of importance. The people who knew him were very few. An old clergyman, who had been a colonial chaplain all his life, and now “took the service” in the bare little room which served as an English church, was the chief of his acquaintances. This gentleman had an old wife and a middle-aged14 daughter, who furnished something like society for Frances. Another associate was an old Indian officer, much battered15 by wounds, liver, and disappointment, who, systematically16 neglected by the authorities (as he thought), and finding himself a nobody in the home to which he had looked forward for so many years, had retired17 in disgust, and built himself a little house, surrounded with palms, which reminded him of India, and full in the rays of the sun, which kept off his neuralgia. He, too, had a wife, whose constant correspondence with her numerous children occupied her mind and thoughts, and who liked Frances because she{v1-27} never tired of hearing stories of those absent sons and daughters. They saw a good deal of each other, these three resident families, and reminded each other from time to time that there was such a thing as society.
In summer they disappeared—sometimes to places higher up among the hills, sometimes to Switzerland or the Tyrol, sometimes “home.” They all said home, though neither the Durants nor the Gaunts knew much of England, and though they could never say enough in disparagement18 of its grey skies and cold winds. But the Warings never went “home.” Frances, who was entirely19 without knowledge or associations with her native country, used the word from time to time because she heard Tasie Durant or Mrs Gaunt do so; but her father never spoke20 of England, nor of any possible return, nor of any district in England as that to which he belonged. It escaped him at times that he had seen something of society a dozen or fifteen years before this date; but otherwise, nothing was known about his past life. It was not a thing that was much discussed, for the intercourse21 in which he lived with his neigh{v1-28}bours was not intimate, nor was there any particular reason why he should enter upon his own history; but now and then it would be remarked by one or another that nobody knew anything of his antecedents. “What’s your county, Waring?” General Gaunt had once asked; and the other had answered with a languid smile, “I have no county,” without the least attempt to explain. The old general, in spite of himself, had apologised, he did not know why; but still no information was given. And Waring did not look like a man who had no county. His thin long figure had an aristocratic air. He knew about horses, and dogs, and country-gentleman sort of subjects. It was impossible that he should turn out to be a shopkeeper’s son, or a bourgeois22 of any kind. However, as has been said, the English residents did not give themselves much trouble about the matter. There was not enough of them to get up a little parochial society, like that which flourishes in so many English colonies, gossiping with the best, and forging anew for themselves those chains of a small community which everybody pretends to hate.{v1-29}
In the afternoon of the day on which the encounter recorded in the previous chapter had taken place, Frances sat in the loggia alone at her work. She was busy with her drawing—a very elaborate study of palm-trees, which she was making from a cluster of those trees which were visible from where she sat. A loggia is something more than a balcony; it is like a room with the outer wall or walls taken away. This one was as large as the big salone out of which it opened, and had therefore room for changes of position as the sun changed. Though it faced the west, there was always a shady corner at one end or the other. It was the favourite place in which Frances carried on all her occupations—where her father came to watch the sunset—where she had tea, with that instinct of English habit and tradition which she possessed23 without knowing how. Mr Waring did not much care for her tea, except now and then in a fitful way; and Mariuccia thought it medicine. But it pleased Frances to have the little table set out with two or three old china cups which did not match, and a small silver teapot, which was one of the very{v1-30} few articles of value in the house. Very rarely, not once in a month, had she any occasion for these cups; but yet, such a chance did occur at long intervals24; and in the meantime, with a pleasure not much less infantine, but much more wistful than that with which she had played at having a tea-party seven or eight years before, she set out her little table now.
She was seated with her drawing materials on one table and the tea on another, in the stillness of the afternoon, looking out upon the mountains and the sea. No; she was doing nothing of the sort. She was looking with all her might at the clump25 of palm-trees within the garden of the villa26, which lay low down at her feet between her and the sunset. She was not indifferent to the sunset. She had an admiration27, which even the humblest art-training quickens, for the long range of coast, with its innumerable ridges28 running down from the sky to the sea, in every variety of gnarled edge, and gentle slope, and precipice29; and for the amazing blue of the water, with its ribbon-edge of paler colours, and the deep royal purple of the broad surface, and the white sails thrown{v1-31} up against it, and the white foam30 that turned up the edges of every little wave. But in the meantime she was not thinking of them, nor of the infinitely31 varied32 lines of the mountains, or the specks33 of towns, each with its campanile shining in the sun, which gave character to the scene; but of the palms on which her attention was fixed34, and which, however beautiful they sound, or even look, are apt to get very spiky35 in a drawing, and so often will not “come” at all. She was full of fervour in her work, which had got to such a pitch of impossibility that her lips were dry and wide apart from the strain of excitement with which she struggled with her subject, when the bell tinkled36 where it hung outside upon the stairs, sending a little jar through all the Palazzo, where bells were very uncommon37; and presently Tasie Durant, pushing open the door of the salone, with a breathless little “Permesso?” came out upon the loggia in her usual state of haste, and with half-a-dozen small books tumbling out of her hand.
“Never mind, dear; they are only books for the Sunday-school. Don’t you know we had{v1-32} twelve last Sunday? Twelve!—think!—when I have thought it quite large and extensive to have five. I never was more pleased. I am getting up a little library for them like they have at home. It is so nice to have everything like they have at home.”
“Like what?” said Frances, though she had no education.
“Like they have—well, if you are so particular, the same as they have at home. There were three of one family—think! Not little nobodies, but ladies and gentlemen. It is so nice of people not just poor people, people of education, to send their children to the Sunday-school.”
“New people?” said Frances.
“Yes; tourists, I suppose. You all scoff38 at the tourists; but I think it is very good for the place, and so pleasant for us to see a new face from time to time. Why should they all go to Mentone? Mentone is so towny, quite a big place. And papa says that in his time Nice was everything, and that nobody had ever heard of Mentone.”
“Who are the new people, Tasie?” Frances asked.{v1-33}
“They are a large family—that is all I know; not likely to settle, more’s the pity. Oh no. Quite well people, not even a delicate child,” said Miss Durant, regretfully; “and such a nice domestic family, always walking about together. Father and mother, and governess and six children. They must be very well off, too, or they could not travel like that, such a lot of them, and nurses—and I think I heard, a courier too.” This, Miss Durant said in a tone of some emotion; for the place, as has been said, was just beginning to be known, and the people who came as yet were but pioneers.
“I have seen them. I wonder who they are. My father——” said Frances; and then stopped, and held her head on one side, to contemplate39 the effect of the last touches on her drawing; but this was in reality because it suddenly occurred to her that to publish her father’s acquaintance with the stranger might be unwise.
“Your father?” said Tasie. “Did he take any notice of them? I thought he never took any notice of tourists. Haven’t you done those palms yet? What a long time you are taking{v1-34} over them! Do you think you have got the colour quite right on those stems? Nothing is so difficult to do as palms, though they look so easy—except olives: olives are impossible. But what were you going to say about your father? Papa says he has not seen Mr Waring for ages. When will you come up to see us?”
“It was only last Saturday, Tasie.”
“——Week,” said Tasie. “Oh yes, I assure you; for I put it down in my diary: Saturday week. You can’t quite tell how time goes, when you don’t come to church. Without Sunday, all the days are alike. I wondered that you were not at church last Sunday, Frances, and so did mamma.”
“Why was it? I forget. I had a headache, I think. I never like to stay away. But I went to church here in the village instead.”
“O Frances, I wonder your papa lets you do that! It is much better when you have a headache to stay at home. I am sure I don’t want to be intolerant, but what good can it do you going there? You can’t understand a word.”
“Yes, indeed I do—many words. Mariuccia has shown me all the places; and it is good to{v1-35} see the people all saying their prayers. They are a great deal more in earnest than the people down at the Marina, where it would be just as natural to dance as to pray.”
“Ah, dance!” said Tasie, with a little sigh. “You know there is never anything of that kind here. I suppose you never was at a dance in your life—unless it is in summer, when you go away?”
“I have never been at a dance in my life. I have seen a ballet, that is all.”
“O Frances, please don’t talk of anything so wicked! A ballet! that is very different from nice people dancing—from dancing one’s own self with a nice partner. However, as we never do dance here, I can’t see why you should say that about our church. It is a pity, to be sure, that we have no right church; but it is a lovely room, and quite suitable. If you would only practise the harmonium a little, so as to take the music when I am away. I never can afford to have a headache on Sunday,” Miss Durant added, in an injured tone.
“But, Tasie, how could I take the harmonium, when I don’t even know how to play?{v1-36}”
“I have offered to teach you, till I am tired, Frances. I wonder what your papa thinks, if he calls it reasonable to leave you without any accomplishments40? You can draw a little, it is true; but you can’t bring out your sketches in the drawing-room of an evening, to amuse people; and you can always play——”
“When you can play.”
“Yes, of course that is what I mean—when you can play. It has quite vexed41 me often to think how little trouble is taken about you; for you can’t always be young, so young as you are now. And suppose some time you should have to go home—to your friends, you know?”
Frances raised her head from her drawing and looked her companion in the face. “I don’t think we have any—friends,” she said.
“Oh, my dear, that must be nonsense!” cried Tasie. “I confess I have never heard your papa talk of any. He never says ‘my brother,’ or ‘my sister,’ or ‘my brother-in-law,’ as other people do—but then he is such a very quiet man; and you must have somebody—cousins at least—you must have cousins; nobody is without somebody,” Miss Durant said.{v1-37}
“Well, I suppose we must have cousins,” said Frances. “I had not thought of it. But I don’t see that it matters much; for if my cousins are surprised that I can’t play, it will not hurt them—they can’t be considered responsible for me, you know.”
Tasie looked at her with the look of one who would say much if she could—wistfully and kindly42, yet with something of the air of mingled43 importance and reluctance44 with which the bearer of ill news hesitates before opening his budget. She had indeed no actual ill news to tell, only the burden of that fact of which everybody felt Frances should be warned—that her father was looking more delicate than ever, and that his “friends” ought to know. She would have liked to speak, and yet she had not courage to do so. The girl’s calm consent that probably she must have cousins was too much for any one’s patience. She never seemed to think that one day she might have to be dependent on these cousins; she never seemed to think—— But after all, it was Mr Waring’s fault. It was not poor Frances that was to blame.
“You know how often I have said to you{v1-38} that you ought to play, you ought to be able to play. Supposing you have not any gift for it, still you might be able to do a little. You could so easily get an old piano, and I should like to teach you. It would not be a task at all. I should like it. I do so wish you would begin. Drawing and languages depend a great deal upon your own taste and upon your opportunities; but every lady ought to play.”
Tasie (or Anastasia, but that name was too long for anybody’s patience) was a great deal older than Frances—so much older as to justify45 the hyperbole that she might be her mother; but of this fact she herself was not aware. It may seem absurd to say so, but yet it was true. She knew, of course, how old she was, and how young Frances was; but her faculties46 were of the kind which do not perceive differences. Tasie herself was just as she had been at Frances’ age—the girl at home, the young lady of the house. She had the same sort of occupations: to arrange the flowers; to play the harmonium in the little colonial chapel47; to look after the little exotic Sunday-school; to take care of papa’s surplice; to play a little{v1-39} in the evenings when they “had people with them”; to do fancy-work, and look out for such amusements as were going. It would be cruel to say how long this condition of young-ladyhood had lasted, especially as Tasie was a very good girl, kind, and friendly, and simple-hearted, and thinking no evil.
Some women chafe48 at the condition which keeps them still girls when they are no longer girls; but Miss Durant had never taken it into her consideration. She had a little more of the housekeeping to do, since mamma had become so delicate; and she had a great deal to fill up her time, and no leisure to think or inquire into her own position. It was her position, and therefore the best position which any girl could have. She had the satisfaction of being of the greatest use to her parents, which is the thing of all others which a good child would naturally desire. She talked to Frances without any notion of an immeasurable distance between them, from the same level, though with a feeling that the girl, by reason of having had no mother, poor thing, was lamentably49 backward in many ways, and sadly blind,{v1-40} though that was natural, to the hazard of her own position. What would become of her if Mr Waring died? Tasie would sometimes grow quite anxious about this, declaring that she could not sleep for thinking of it. If there were relations—as of course there must be—she felt that they would think Frances sadly deficient50. To teach her to play was the only practical way in which she could show her desire to benefit the girl, who, she thought, might accept the suggestion from a girl like herself, when she might not have done so from a more authoritative51 voice.
Frances on her part accepted the suggestion with placidity52, and replied that she would think of it, and ask her father; and perhaps if she had time—— But she did not really at all intend to learn music of Tasie. She had no desire to know just as much as Tasie did, whose accomplishments, as well as her age and her condition altogether, were quite evident and clear to the young creature, whose eyes possessed the unbiassed and distinct vision of youth. She appraised53 Miss Durant exactly at her real value, as the young so{v1-41} constantly do, even when they are quite submissive to the little conventional fables54 of life, and never think of asserting their superior knowledge; but the conversation was suggestive, and beguiled55 her mind into many new channels of thought. The cousins unknown—should she ever be brought into intercourse with them, and enter perhaps a kind of other world through their means—would they think it strange that she knew so little, and could not play the piano? Who were they? These thoughts circled vaguely56 in her mind through all Tasie’s talk, and kept flitting out and in of her brain, even when she removed to the tea-table and poured out some tea. Tasie always admired the cups. She cried, “This is a new one, Frances. Oh, how lucky you are! What pretty bits you have picked up!” with all the ardour of a collector. And then she began to talk of the old Savona pots, which were to be had so cheap, quite cheap, but which, she heard at home, were so much thought of.
Frances did not pay much attention to the discourse57 about the Savona pots; she went{v1-42} on with her thoughts about the cousins, and when Miss Durant went away, gave herself up entirely to those speculations58. What sort of people would they be? Where would they live? And then there recurred59 to her mind the meeting of the morning, and what the stranger said who knew her father. It was almost the first time she had ever seen him meet any one whom he knew, except the acquaintances of recent times, with whom she had made acquaintance, as he did. But the stranger of the morning evidently knew about him in a period unknown to Frances. She had made a slight and cautious attempt to find out something about him at breakfast, but it had not been successful. She wondered whether she would have courage to ask her father now in so many words who he was and what he meant.
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1 sketches | |
n.草图( sketch的名词复数 );素描;速写;梗概 | |
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2 neatly | |
adv.整洁地,干净地,灵巧地,熟练地 | |
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3 ornament | |
v.装饰,美化;n.装饰,装饰物 | |
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4 seclusion | |
n.隐遁,隔离 | |
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5 primitive | |
adj.原始的;简单的;n.原(始)人,原始事物 | |
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6 cordon | |
n.警戒线,哨兵线 | |
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7 amiable | |
adj.和蔼可亲的,友善的,亲切的 | |
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8 inclinations | |
倾向( inclination的名词复数 ); 倾斜; 爱好; 斜坡 | |
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9 speck | |
n.微粒,小污点,小斑点 | |
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10 appropriation | |
n.拨款,批准支出 | |
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11 intimacy | |
n.熟悉,亲密,密切关系,亲昵的言行 | |
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12 simplicity | |
n.简单,简易;朴素;直率,单纯 | |
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13 zealous | |
adj.狂热的,热心的 | |
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14 middle-aged | |
adj.中年的 | |
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15 battered | |
adj.磨损的;v.连续猛击;磨损 | |
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16 systematically | |
adv.有系统地 | |
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17 retired | |
adj.隐退的,退休的,退役的 | |
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18 disparagement | |
n.轻视,轻蔑 | |
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19 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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20 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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21 intercourse | |
n.性交;交流,交往,交际 | |
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22 bourgeois | |
adj./n.追求物质享受的(人);中产阶级分子 | |
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23 possessed | |
adj.疯狂的;拥有的,占有的 | |
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24 intervals | |
n.[军事]间隔( interval的名词复数 );间隔时间;[数学]区间;(戏剧、电影或音乐会的)幕间休息 | |
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25 clump | |
n.树丛,草丛;vi.用沉重的脚步行走 | |
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26 villa | |
n.别墅,城郊小屋 | |
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27 admiration | |
n.钦佩,赞美,羡慕 | |
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28 ridges | |
n.脊( ridge的名词复数 );山脊;脊状突起;大气层的)高压脊 | |
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29 precipice | |
n.悬崖,危急的处境 | |
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30 foam | |
v./n.泡沫,起泡沫 | |
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31 infinitely | |
adv.无限地,无穷地 | |
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32 varied | |
adj.多样的,多变化的 | |
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33 specks | |
n.眼镜;斑点,微粒,污点( speck的名词复数 ) | |
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34 fixed | |
adj.固定的,不变的,准备好的;(计算机)固定的 | |
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35 spiky | |
adj.长而尖的,大钉似的 | |
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36 tinkled | |
(使)发出丁当声,(使)发铃铃声( tinkle的过去式和过去分词 ); 叮当响着发出,铃铃响着报出 | |
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37 uncommon | |
adj.罕见的,非凡的,不平常的 | |
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38 scoff | |
n.嘲笑,笑柄,愚弄;v.嘲笑,嘲弄,愚弄,狼吞虎咽 | |
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39 contemplate | |
vt.盘算,计议;周密考虑;注视,凝视 | |
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40 accomplishments | |
n.造诣;完成( accomplishment的名词复数 );技能;成绩;成就 | |
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41 vexed | |
adj.争论不休的;(指问题等)棘手的;争论不休的问题;烦恼的v.使烦恼( vex的过去式和过去分词 );使苦恼;使生气;详细讨论 | |
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42 kindly | |
adj.和蔼的,温和的,爽快的;adv.温和地,亲切地 | |
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43 mingled | |
混合,混入( mingle的过去式和过去分词 ); 混进,与…交往[联系] | |
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44 reluctance | |
n.厌恶,讨厌,勉强,不情愿 | |
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45 justify | |
vt.证明…正当(或有理),为…辩护 | |
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46 faculties | |
n.能力( faculty的名词复数 );全体教职员;技巧;院 | |
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47 chapel | |
n.小教堂,殡仪馆 | |
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48 chafe | |
v.擦伤;冲洗;惹怒 | |
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49 lamentably | |
adv.哀伤地,拙劣地 | |
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50 deficient | |
adj.不足的,不充份的,有缺陷的 | |
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51 authoritative | |
adj.有权威的,可相信的;命令式的;官方的 | |
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52 placidity | |
n.平静,安静,温和 | |
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53 appraised | |
v.估价( appraise的过去式和过去分词 );估计;估量;评价 | |
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54 fables | |
n.寓言( fable的名词复数 );神话,传说 | |
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55 beguiled | |
v.欺骗( beguile的过去式和过去分词 );使陶醉;使高兴;消磨(时间等) | |
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56 vaguely | |
adv.含糊地,暖昧地 | |
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57 discourse | |
n.论文,演说;谈话;话语;vi.讲述,著述 | |
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58 speculations | |
n.投机买卖( speculation的名词复数 );思考;投机活动;推断 | |
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59 recurred | |
再发生,复发( recur的过去式和过去分词 ); 治愈 | |
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