"Who hath smelt1 wood-smoke at twilight2? Who hath
heard the birch log burning?
Who is quick to read the noises of the night?
Let him follow with the others, for the young men's feet are turning
To the camps of proved desire and known delight."
In the Ojibway language _wigwam_ means a good spot for camping, a place cleared for a camp, a camp as an abstract proposition, and a camp in the concrete as represented by a tent, a thatched shelter, or a conical tepee. In like manner, the English word _camp_ lends itself to a variety of concepts. I once slept in a four-poster bed over a polished floor in an elaborate servant-haunted structure which, mainly because it was built of logs and overlooked a lake, the owner always spoke4 of as his camp. Again, I once slept on a bed of prairie grass, before a fire of dried buffalo5 chips and mesquite, wrapped in a single light blanket, while a good vigorous rain-storm made new cold places on me and under me all night. In the morning the cowboy with whom I was travelling remarked that this was "sure a lonesome proposition as a camp."
Between these two extremes is infinite variety, grading upwards6 through the divers8 bivouacs of snow, plains, pines, or hills to the bark shelter; past the dog-tent, the A-tent, the wall-tent, to the elaborate permanent canvas cottage of the luxurious9 camper, the dug-out winter retreat of the range cowboy, the trapper's cabin, the great log-built lumber-jack communities, and the last refinements10 of sybaritic summer homes in the Adirondacks. All these are camps. And when you talk of making camp you must know whether that process is to mean only a search for rattlesnakes and enough acrid-smoked fuel to boil tea, or a winter's consultation11 with an expert architect; whether your camp is to be made on the principle of Omar's one-night Sultan, or whether it is intended to accommodate the full days of an entire summer.
But to those who tread the Long Trail the making of camp resolves itself into an algebraical formula. After a man has travelled all day through the Northern wilderness12 he wants to rest, and anything that stands between himself and his repose13 he must get rid of in as few motions as is consistent with reasonable thoroughness. The end in view is a hot meal and a comfortable dry place to sleep. The straighter he can draw the line to those two points the happier he is.
Early in his woods experience, Dick became possessed14 with the desire to do everything for himself. As this was a laudable striving for self-sufficiency, I called a halt at about three o'clock one afternoon in order to give him plenty of time.
Now Dick is a good, active, able-bodied boy, possessed of average intelligence and rather more than average zeal16. He even had theory of a sort, for he had read various "Boy Campers, or the Trapper's Guide," "How to Camp Out," "The Science of Woodcraft," and other able works. He certainly had ideas enough and confidence enough. I sat down on a log.
At the end of three hours' flusteration, heat, worry, and good hard work, he had accomplished17 the following results: A tent, very saggy18, very askew19, covered a four-sided area--it was not a rectangle--of very bumpy20 ground. A hodge-podge bonfire, in the centre of which an inaccessible21 coffee-pot toppled menacingly, alternately threatened to ignite the entire surrounding forest or to go out altogether through lack of fuel. Personal belongings22 strewed23 the ground near the fire, and provisions cumbered the entrance to the tent. Dick was anxiously mixing batter24 for the cakes, attempting to stir a pot of rice often enough to prevent it from burning, and trying to rustle25 sufficient dry wood to keep the fire going. This diversity of interests certainly made him sit up and pay attention. At each instant he had to desert his flour-sack to rescue the coffee-pot, or to shift the kettle, or to dab15 hastily at the rice, or to stamp out the small brush, or to pile on more dry twigs26. His movements were not graceful28. They raised a scurry29 of dry bark, ashes, wood dust, twigs, leaves, and pine needles, a certain proportion of which found their way into the coffee, the rice, and the sticky batter, while the smaller articles of personal belonging, hastily dumped from the duffel-bag, gradually disappeared from view in the manner of Pompeii and ancient Vesuvius. Dick burned his fingers and stumbled about and swore, and looked so comically-pathetically red-faced through the smoke that I, seated on the log, at the same time laughed and pitied. And in the end, when he needed a continuous steady fire to fry his cakes, he suddenly discovered that dry twigs do not make coals, and that his previous operations had used up all the fuel within easy circle of the camp.
So he had to drop everything for the purpose of rustling30 wood, while the coffee chilled, the rice cooled, the bacon congealed31, and all the provisions, cooked and uncooked, gathered entomological specimens32. At the last, the poor bedeviled theorist made a hasty meal of scorched33 food, brazenly34 postponed35 the washing of dishes until the morrow, and coiled about his hummocky36 couch to dream the nightmares of complete exhaustion37.
Poor Dick! I knew exactly how he felt, how the low afternoon sun scorched, how the fire darted38 out at unexpected places, how the smoke followed him around, no matter on which side of the fire he placed himself, how the flies all took to biting when both hands were occupied, and how they all miraculously39 disappeared when he had set down the frying-pan and knife to fight them. I could sympathize, too, with the lonely, forlorn, lost-dog feeling that clutched him after it was all over. I could remember how big and forbidding and unfriendly the forest had once looked to me in like circumstances, so that I had felt suddenly thrust outside into empty spaces. Almost was I tempted40 to intervene; but I liked Dick, and I wanted to do him good. This experience was harrowing, but it prepared his mind for the seeds of wisdom. By the following morning he had chastened his spirit, forgotten the assurance breathed from the windy pages of the Boy Trapper Library, and was ready to learn.
Have you ever watched a competent portraitist at work? The infinite pains a skilled man spends on the preliminaries before he takes one step towards a likeness41 nearly always wears down the patience of the sitter. He measures with his eye, he plumbs42, he sketches43 tentatively, he places in here a dab, there a blotch44, he puts behind him apparently45 unproductive hours--and then all at once he is ready to begin something that will not have to be done over again. An amateur, however, is carried away by his desire for results. He dashes in a hit-or-miss early effect, which grows into an approximate likeness almost immediately, but which will require infinite labour, alteration46, and anxiety to beat into finished shape.
The case of the artist in making camps is exactly similar, and the philosophical47 reasons for his failure are exactly the same. To the superficial mind a camp is a shelter, a bright fire, and a smell of cooking. So when a man is very tired he cuts across lots to those three results. He pitches his tent, lights his fire, puts over his food--and finds himself drowned in detail, like my friend Dick.
The following is, in brief, what during the next six weeks I told that youth, by precept48, by homily, and by making the solution so obvious that he could work it out for himself.
When five or six o'clock draws near, begin to look about you for a good level dry place, elevated some few feet above the surroundings. Drop your pack or beach your canoe. Examine the location carefully. You will want two trees about ten feet apart, from which to suspend your tent, and a bit of flat ground underneath49 them. Of course the flat ground need not be particularly unencumbered by brush or saplings, so the combination ought not to be hard to discover. Now return to your canoe. Do not unpack50 the tent.
With the little axe51 clear the ground thoroughly52. By bending a sapling over strongly with the left hand, clipping sharply at the strained fibres, and then bending it as strongly the other way to repeat the axe stroke on the other side, you will find that treelets of even two or three inches diameter can be felled by two blows. In a very few moments you will have accomplished a hole in the forest, and your two supporting trees will stand sentinel at either end of a most respectable-looking clearing. Do not unpack the tent.
Now, although the ground seems free of all but unimportant growths, go over it thoroughly for little shrubs53 and leaves. They look soft and yielding, but are often possessed of unexpectedly abrasive54 roots. Besides, they mask the face of the ground. When you have finished pulling them up by the roots, you will find that your supposedly level plot is knobby with hummocks55. Stand directly over each little mound56; swing the back of your axe vigorously against it, adze-wise, between your legs. Nine times out of ten it will crumble57, and the tenth time means merely a root to cut or a stone to pry58 out. At length you are possessed of a plot of clean, fresh earth, level and soft, free from projections59. But do not unpack your tent.
Lay a young birch or maple60 an inch or so in diameter across a log. Two clips will produce you a tent-peg. If you are inexperienced, and cherish memories of striped lawn marquees, you will cut them about six inches long. If you are wise and old and gray in woods experience, you will multiply that length by four. Then your loops will not slip off, and you will have a real grip on mother earth, than which nothing can be more desirable in the event of a heavy rain and wind squall about midnight. If your axe is as sharp as it ought to be, you can point them more neatly61 by holding them suspended in front of you while you snip62 at their ends with the axe, rather than by resting them against a solid base. Pile them together at the edge of the clearing. Cut a crotched sapling eight or ten feet long. Now unpack your tent.
In a wooded country you will not take the time to fool with tent-poles. A stout63 line run through the eyelets and along the apex64 will string it successfully between your two trees. Draw the line as tight as possible, but do not be too unhappy if, after your best efforts, it still sags65 a little. That is what your long crotched stick is for. Stake out your four corners. If you get them in a good rectangle, and in such relation to the apex as to form two isosceles triangles of the ends, your tent will stand smoothly66. Therefore, be an artist and do it right. Once the four corners are well placed, the rest follows naturally. Occasionally in the North Country it will be found that the soil is too thin over the rocks to grip the tent-pegs. In that case drive them at a sharp angle as deep as they will go, and then lay a large flat stone across the slant67 of them. Thus anchored, you will ride out a gale68. Finally, wedge your long sapling crotch under the line--outside the tent, of course--to tighten69 it. Your shelter is up. If you are a woodsman, ten or fifteen minutes has sufficed to accomplish all this.
There remains70 the question of a bed, and you'd better attend to it now, while your mind is still occupied with the shelter problem. Fell a good thrifty71 young balsam and set to work pulling off the fans. Those you cannot strip off easily with your hands are too tough for your purpose. Lay them carelessly crisscross against the blade of your axe and up the handle. They will not drop off, and when you shoulder that axe you will resemble a walking haystack, and will probably experience a genuine emotion of surprise at the amount of balsam that can be thus transported. In the tent lay smoothly one layer of fans, convex side up, butts72 toward the foot. Now thatch3 the rest on top of this, thrusting the butt73 ends underneath the layer already placed in such a manner as to leave the fan ends curving up and down towards the foot of your bed. Your second emotion of surprise will assail74 you as you realize how much spring inheres in but two or three layers thus arranged. When you have spread your rubber blanket, you will be possessed of a bed as soft and a great deal more aromatic75 and luxurious than any you would be able to buy in town.
Your next care is to clear a living space in front of the tent. This will take you about twenty seconds, for you need not be particular as to stumps77, hummocks, or small brush. All you want is room for cooking, and suitable space for spreading out your provisions. But do not unpack anything yet.
Your fireplace you will build of two green logs laid side by side. The fire is to be made between them. They should converge78 slightly, in order that the utensils79 to be rested across them may be of various sizes. If your vicinity yields flat stones, they build up even better than the logs--unless they happen to be of granite80. Granite explodes most disconcertingly. Poles sharpened, driven upright into the ground, and then pressed down to slant over the fireplace, will hold your kettles a suitable height above the blaze.
Fuel should be your next thought. A roll of birch bark first of all. Then some of the small, dry, resinous81 branches that stick out from the trunks of medium-sized pines, living or dead. Finally, the wood itself. If you are merely cooking supper, and have no thought for a warmth-fire or a friendship-fire, I should advise you to stick to the dry pine branches, helped out, in the interest of coals for frying, by a little dry maple or birch. If you need more of a blaze, you will have to search out, fell, and split a standing82 dead tree. This is not at all necessary. I have travelled many weeks in the woods without using a more formidable implement83 than a one-pound hatchet84. Pile your fuel--a complete supply, all you are going to need--by the side of your already improvised85 fireplace. But, as you value your peace of mind, do not fool with matches.
It will be a little difficult to turn your mind from the concept of fire, to which all these preparations have compellingly led it--especially as a fire is the one cheerful thing your weariness needs the most at this time of day--but you must do so. Leave everything just as it is, and unpack your provisions.
First of all, rinse86 your utensils. Hang your tea-pail, with the proper quantity of water, from one slanting87 pole, and your kettle from the other. Salt the water in the latter receptacle. Peel your potatoes, if you have any; open your little provision sacks; puncture88 your tin cans, if you have any; slice your bacon; clean your fish; pluck your birds; mix your dough89 or batter; spread your table tinware on your tarpaulin90 or a sheet of birch bark; cut a kettle-lifter; see that everything you are going to need is within direct reach of your hand as you squat91 on your heels before the fireplace. Now light your fire.
The civilized92 method is to build a fire and then to touch a match to the completed structure. If well done and in a grate or steve, this works beautifully. Only in the woods you have no grate. The only sure way is as follows: Hold a piece of birch bark in your hand. Shelter your match all you know how. When the bark has caught, lay it in your fireplace, assist it with more bark, and gradually build up, twig27 by twig, stick by stick, from the first pin-point of flame, all the fire you are going to need. It will not be much. The little hot blaze rising between the parallel logs directly against the aluminium93 of your utensils will do the business in a very short order. In fifteen minutes at most your meal is ready. And you have been able to attain94 to hot food thus quickly because you were prepared.
In case of very wet weather the affair is altered somewhat. If the rain has just commenced, do not stop to clear out very thoroughly, but get your tent up as quickly as possible, in order to preserve an area of comparatively dry ground. But if the earth is already soaked, you had best build a bonfire to dry out by, while you cook over a smaller fire a little distance removed, leaving the tent until later. Or it may be well not to pitch the tent at all, but to lay it across slanting supports at an angle to reflect the heat against the ground.
It is no joke to light a fire in the rain. An Indian can do it more easily than a white man, but even an Indian has more trouble than the story-books acknowledge. You will need a greater quantity of birch bark, a bigger pile of resinous dead limbs from the pine trees, and perhaps the heart of a dead pine stub or stump76. Then, with infinite patience, you may be able to tease the flame. Sometimes a small dead birch contains in the waterproof95 envelope of its bark a species of powdery, dry touchwood that takes the flame readily. Still, it is easy enough to start a blaze--a very fine-looking, cheerful, healthy blaze; the difficulty is to prevent its petering out the moment your back is turned.
But the depths of woe96 are sounded and the limit of patience reached when you are forced to get breakfast in the dripping forest. After the chill of early dawn you are always reluctant in the best of circumstances to leave your blankets, to fumble97 with numbed98 fingers for matches, to handle cold steel and slippery fish. But when every leaf, twig, sapling, and tree contains a douche of cold water; when the wetness oozes99 about your moccasins from the soggy earth with every step you take; when you look about you and realize that somehow, before you can get a mouthful to banish100 that before-breakfast ill-humour, you must brave cold water in an attempt to find enough fuel to cook with, then your philosophy and early religious training avail you little. The first ninety-nine times you are forced to do this you will probably squirm circumspectly101 through the bush in a vain attempt to avoid shaking water down on yourself; you will resent each failure to do so, and at the end your rage will personify the wilderness for the purpose of one sweeping102 anathema103. The hundredth time will bring you wisdom. You will do the anathema--rueful rather than enraged--from the tent opening. Then you will plunge104 boldly in and get wet. It is not pleasant, but it has to be done, and you will save much temper, not to speak of time.
Dick and I earned our diplomas at this sort of work. It rained twelve of the first fourteen days we were out. Towards the end of that two weeks I doubt if even an Indian could have discovered a dry stick of wood in the entire country. The land was of Laurentian rock formation, running in parallel ridges105 of bare stone separated by hollows carpeted with a thin layer of earth. The ridges were naturally ill-adapted to camping, and the cup hollows speedily filled up with water until they became most creditable little marshes106. Often we hunted for an hour or so before we could find any sort of a spot to pitch our tent. As for a fire, it was a matter of chopping down dead trees large enough to have remained dry inside, of armfuls of birch bark, and of the patient drying out, by repeated ignition, of enough fuel to cook very simple meals. Of course we could have kept a big fire going easily enough, but we were travelling steadily107 and had not the time for that. In these trying circumstances, Dick showed that, no matter how much of a tenderfoot he might be, he was game enough under stress.
But to return to our pleasant afternoon. While you are consuming the supper you will hang over some water to heat for the dish-washing, and the dish-washing you will attend to the moment you have finished eating. Do not commit the fallacy of sitting down for a little rest. Better finish the job completely while you are about it. You will appreciate leisure so much more later. In lack of a wash-rag you will find that a bunch of tall grass bent108 double makes an ideal swab.
Now brush the flies from your tent, drop the mosquito-proof lining109, and enjoy yourself. The whole task, from first to last, has consumed but a little over an hour. And you are through for the day.
In the woods, as nowhere else, you will earn your leisure only by forethought. Make no move until you know it follows the line of greatest economy. To putter is to wallow in endless desolation. If you cannot move directly and swiftly and certainly along the line of least resistance in everything you do, take a guide with you; you are not of the woods people. You will never enjoy doing for yourself, for your days will be crammed110 with unending labour.
It is but a little after seven. The long crimson111 shadows of the North Country are lifting across the aisles112 of the forest. You sit on a log, or lie on your back, and blow contented113 clouds straight up into the air. Nothing can disturb you now. The wilderness is yours, for you have taken from it the essentials of primitive114 civilization--shelter, warmth, and food. An hour ago a rainstorm would have been a minor115 catastrophe116. Now you do not care. Blow high, blow low, you have made for yourself an abiding-place, so that the signs of the sky are less important to you than to the city dweller117 who wonders if he should take an umbrella. From your doorstep you can look placidly118 out on the great unknown. The noises of the forest draw close about you their circle of mystery, but the circle cannot break upon you, for here you have conjured119 the homely120 sounds of kettle and crackling flame to keep ward7. Thronging121 down through the twilight steal the jealous woodland shadows, awful in the sublimity122 of the Silent Places, but at the sentry123 outposts of your firelit trees they pause like wild animals, hesitating to advance. The wilderness, untamed, dreadful at night, is all about; but this one little spot you have reclaimed124. Here is something before unknown to the eerie125 spirits of the woods. As you sleepily knock the ashes from the pipe, you look about on the familiar scene with accustomed satisfaction. You are at home.
1 smelt | |
v.熔解,熔炼;n.银白鱼,胡瓜鱼 | |
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2 twilight | |
n.暮光,黄昏;暮年,晚期,衰落时期 | |
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3 thatch | |
vt.用茅草覆盖…的顶部;n.茅草(屋) | |
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4 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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5 buffalo | |
n.(北美)野牛;(亚洲)水牛 | |
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6 upwards | |
adv.向上,在更高处...以上 | |
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7 ward | |
n.守卫,监护,病房,行政区,由监护人或法院保护的人(尤指儿童);vt.守护,躲开 | |
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8 divers | |
adj.不同的;种种的 | |
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9 luxurious | |
adj.精美而昂贵的;豪华的 | |
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10 refinements | |
n.(生活)风雅;精炼( refinement的名词复数 );改良品;细微的改良;优雅或高贵的动作 | |
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11 consultation | |
n.咨询;商量;商议;会议 | |
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12 wilderness | |
n.杳无人烟的一片陆地、水等,荒漠 | |
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13 repose | |
v.(使)休息;n.安息 | |
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14 possessed | |
adj.疯狂的;拥有的,占有的 | |
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15 dab | |
v.轻触,轻拍,轻涂;n.(颜料等的)轻涂 | |
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16 zeal | |
n.热心,热情,热忱 | |
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17 accomplished | |
adj.有才艺的;有造诣的;达到了的 | |
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18 saggy | |
松懈的,下垂的 | |
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19 askew | |
adv.斜地;adj.歪斜的 | |
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20 bumpy | |
adj.颠簸不平的,崎岖的 | |
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21 inaccessible | |
adj.达不到的,难接近的 | |
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22 belongings | |
n.私人物品,私人财物 | |
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23 strewed | |
v.撒在…上( strew的过去式和过去分词 );散落于;点缀;撒满 | |
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24 batter | |
v.接连重击;磨损;n.牛奶面糊;击球员 | |
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25 rustle | |
v.沙沙作响;偷盗(牛、马等);n.沙沙声声 | |
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26 twigs | |
细枝,嫩枝( twig的名词复数 ) | |
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27 twig | |
n.小树枝,嫩枝;v.理解 | |
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28 graceful | |
adj.优美的,优雅的;得体的 | |
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29 scurry | |
vi.急匆匆地走;使急赶;催促;n.快步急跑,疾走;仓皇奔跑声;骤雨,骤雪;短距离赛马 | |
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30 rustling | |
n. 瑟瑟声,沙沙声 adj. 发沙沙声的 | |
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31 congealed | |
v.使凝结,冻结( congeal的过去式和过去分词 );(指血)凝结 | |
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32 specimens | |
n.样品( specimen的名词复数 );范例;(化验的)抽样;某种类型的人 | |
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33 scorched | |
烧焦,烤焦( scorch的过去式和过去分词 ); 使(植物)枯萎,把…晒枯; 高速行驶; 枯焦 | |
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34 brazenly | |
adv.厚颜无耻地;厚脸皮地肆无忌惮地 | |
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35 postponed | |
vt.& vi.延期,缓办,(使)延迟vt.把…放在次要地位;[语]把…放在后面(或句尾)vi.(疟疾等)延缓发作(或复发) | |
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36 hummocky | |
adj.圆丘般的,多圆丘的;波丘地 | |
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37 exhaustion | |
n.耗尽枯竭,疲惫,筋疲力尽,竭尽,详尽无遗的论述 | |
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38 darted | |
v.投掷,投射( dart的过去式和过去分词 );向前冲,飞奔 | |
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39 miraculously | |
ad.奇迹般地 | |
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40 tempted | |
v.怂恿(某人)干不正当的事;冒…的险(tempt的过去分词) | |
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41 likeness | |
n.相像,相似(之处) | |
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42 plumbs | |
v.经历( plumb的第三人称单数 );探究;用铅垂线校正;用铅锤测量 | |
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43 sketches | |
n.草图( sketch的名词复数 );素描;速写;梗概 | |
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44 blotch | |
n.大斑点;红斑点;v.使沾上污渍,弄脏 | |
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45 apparently | |
adv.显然地;表面上,似乎 | |
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46 alteration | |
n.变更,改变;蚀变 | |
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47 philosophical | |
adj.哲学家的,哲学上的,达观的 | |
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48 precept | |
n.戒律;格言 | |
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49 underneath | |
adj.在...下面,在...底下;adv.在下面 | |
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50 unpack | |
vt.打开包裹(或行李),卸货 | |
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51 axe | |
n.斧子;v.用斧头砍,削减 | |
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52 thoroughly | |
adv.完全地,彻底地,十足地 | |
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53 shrubs | |
灌木( shrub的名词复数 ) | |
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54 abrasive | |
adj.使表面磨损的;粗糙的;恼人的 | |
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55 hummocks | |
n.小丘,岗( hummock的名词复数 ) | |
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56 mound | |
n.土墩,堤,小山;v.筑堤,用土堆防卫 | |
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57 crumble | |
vi.碎裂,崩溃;vt.弄碎,摧毁 | |
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58 pry | |
vi.窥(刺)探,打听;vt.撬动(开,起) | |
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59 projections | |
预测( projection的名词复数 ); 投影; 投掷; 突起物 | |
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60 maple | |
n.槭树,枫树,槭木 | |
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61 neatly | |
adv.整洁地,干净地,灵巧地,熟练地 | |
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62 snip | |
n.便宜货,廉价货,剪,剪断 | |
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64 apex | |
n.顶点,最高点 | |
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65 sags | |
向下凹或中间下陷( sag的第三人称单数 ); 松弛或不整齐地悬着 | |
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66 smoothly | |
adv.平滑地,顺利地,流利地,流畅地 | |
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67 slant | |
v.倾斜,倾向性地编写或报道;n.斜面,倾向 | |
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68 gale | |
n.大风,强风,一阵闹声(尤指笑声等) | |
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69 tighten | |
v.(使)变紧;(使)绷紧 | |
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70 remains | |
n.剩余物,残留物;遗体,遗迹 | |
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71 thrifty | |
adj.节俭的;兴旺的;健壮的 | |
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72 butts | |
笑柄( butt的名词复数 ); (武器或工具的)粗大的一端; 屁股; 烟蒂 | |
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73 butt | |
n.笑柄;烟蒂;枪托;臀部;v.用头撞或顶 | |
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74 assail | |
v.猛烈攻击,抨击,痛斥 | |
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75 aromatic | |
adj.芳香的,有香味的 | |
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76 stump | |
n.残株,烟蒂,讲演台;v.砍断,蹒跚而走 | |
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77 stumps | |
(被砍下的树的)树桩( stump的名词复数 ); 残肢; (板球三柱门的)柱; 残余部分 | |
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78 converge | |
vi.会合;聚集,集中;(思想、观点等)趋近 | |
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79 utensils | |
器具,用具,器皿( utensil的名词复数 ); 器物 | |
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80 granite | |
adj.花岗岩,花岗石 | |
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81 resinous | |
adj.树脂的,树脂质的,树脂制的 | |
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82 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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83 implement | |
n.(pl.)工具,器具;vt.实行,实施,执行 | |
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84 hatchet | |
n.短柄小斧;v.扼杀 | |
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85 improvised | |
a.即席而作的,即兴的 | |
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86 rinse | |
v.用清水漂洗,用清水冲洗 | |
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87 slanting | |
倾斜的,歪斜的 | |
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88 puncture | |
n.刺孔,穿孔;v.刺穿,刺破 | |
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89 dough | |
n.生面团;钱,现款 | |
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90 tarpaulin | |
n.涂油防水布,防水衣,防水帽 | |
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91 squat | |
v.蹲坐,蹲下;n.蹲下;adj.矮胖的,粗矮的 | |
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92 civilized | |
a.有教养的,文雅的 | |
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93 aluminium | |
n.铝 (=aluminum) | |
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94 attain | |
vt.达到,获得,完成 | |
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95 waterproof | |
n.防水材料;adj.防水的;v.使...能防水 | |
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96 woe | |
n.悲哀,苦痛,不幸,困难;int.用来表达悲伤或惊慌 | |
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97 fumble | |
vi.笨拙地用手摸、弄、接等,摸索 | |
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98 numbed | |
v.使麻木,使麻痹( numb的过去式和过去分词 ) | |
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99 oozes | |
v.(浓液等)慢慢地冒出,渗出( ooze的第三人称单数 );使(液体)缓缓流出;(浓液)渗出,慢慢流出 | |
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100 banish | |
vt.放逐,驱逐;消除,排除 | |
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101 circumspectly | |
adv.慎重地,留心地 | |
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102 sweeping | |
adj.范围广大的,一扫无遗的 | |
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103 anathema | |
n.诅咒;被诅咒的人(物),十分讨厌的人(物) | |
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104 plunge | |
v.跳入,(使)投入,(使)陷入;猛冲 | |
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105 ridges | |
n.脊( ridge的名词复数 );山脊;脊状突起;大气层的)高压脊 | |
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106 marshes | |
n.沼泽,湿地( marsh的名词复数 ) | |
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107 steadily | |
adv.稳定地;不变地;持续地 | |
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108 bent | |
n.爱好,癖好;adj.弯的;决心的,一心的 | |
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109 lining | |
n.衬里,衬料 | |
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110 crammed | |
adj.塞满的,挤满的;大口地吃;快速贪婪地吃v.把…塞满;填入;临时抱佛脚( cram的过去式) | |
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111 crimson | |
n./adj.深(绯)红色(的);vi.脸变绯红色 | |
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112 aisles | |
n. (席位间的)通道, 侧廊 | |
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113 contented | |
adj.满意的,安心的,知足的 | |
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114 primitive | |
adj.原始的;简单的;n.原(始)人,原始事物 | |
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115 minor | |
adj.较小(少)的,较次要的;n.辅修学科;vi.辅修 | |
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116 catastrophe | |
n.大灾难,大祸 | |
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117 dweller | |
n.居住者,住客 | |
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118 placidly | |
adv.平稳地,平静地 | |
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119 conjured | |
用魔术变出( conjure的过去式和过去分词 ); 祈求,恳求; 变戏法; (变魔术般地) 使…出现 | |
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120 homely | |
adj.家常的,简朴的;不漂亮的 | |
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121 thronging | |
v.成群,挤满( throng的现在分词 ) | |
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122 sublimity | |
崇高,庄严,气质高尚 | |
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123 sentry | |
n.哨兵,警卫 | |
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124 reclaimed | |
adj.再生的;翻造的;收复的;回收的v.开拓( reclaim的过去式和过去分词 );要求收回;从废料中回收(有用的材料);挽救 | |
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125 eerie | |
adj.怪诞的;奇异的;可怕的;胆怯的 | |
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