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Chapter 12 Apollo’s Lyre
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On this way, they reached the roof. Christine tripped over it as lightly as a swallow. Their eyes swept the empty space between the three domes1 and the triangular2 pediment. She breathed freely over Paris, the whole valley of which was seen at work below. She called Raoul to come quite close to her and they walked side by side along the zinc3 streets, in the leaden avenues; they looked at their twin shapes in the huge tanks, full of stagnant4 water, where, in the hot weather, the little boys of the ballet, a score or so, learn to swim and dive.

The shadow had followed behind them clinging to their steps; and the two children little suspected its presence when they at last sat down, trustingly, under the mighty6 protection of Apollo, who, with a great bronze gesture, lifted his huge lyre to the heart of a crimson7 sky.

It was a gorgeous spring evening. Clouds, which had just received their gossamer8 robe of gold and purple from the setting sun, drifted slowly by; and Christine said to Raoul:

“Soon we shall go farther and faster than the clouds, to the end of the world, and then you will leave me, Raoul. But, if, when the moment comes for you to take me away, I refuse to go with you — well you must carry me off by force!”

“Are you afraid that you will change your mind, Christine?”

“I don’t know,” she said, shaking her head in an odd fashion. “He is a demon9!” And she shivered and nestled in his arms with a moan. “I am afraid now of going back to live with him . . . in the ground!”

“What compels you to go back, Christine?”

“If I do not go back to him, terrible misfortunes may happen! . . . But I can’t do it, I can’t do it! . . . I know one ought to be sorry for people who live underground . . . But he is too horrible! And yet the time is at hand; I have only a day left; and, if I do not go, he will come and fetch me with his voice. And he will drag me with him, underground, and go on his knees before me, with his death’s head. And he will tell me that he loves me! And he will cry! Oh, those tears, Raoul, those tears in the two black eye-sockets10 of the death’s head! I can not see those tears flow again!”

She wrung11 her hands in anguish12, while Raoul pressed her to his heart.

“No, no, you shall never again hear him tell you that he loves you! You shall not see his tears! Let us fly, Christine, let us fly at once!”

And he tried to drag her away, then and there. But she stopped him.

“No, no,” she said, shaking her head sadly. “Not now! . . . It would be too cruel . . . let him hear me sing to-morrow evening . . . and then we will go away. You must come and fetch me in my dressing14-room at midnight exactly. He will then be waiting for me in the dining-room by the lake . . . we shall be free and you shall take me away . . . You must promise me that, Raoul, even if I refuse; for I feel that, if I go back this time, I shall perhaps never return.”

And she gave a sigh to which it seemed to her that another sigh, behind her, replied.

“Didn’t you hear?”

Her teeth chattered15.

“No,” said Raoul, “I heard nothing.”

“It is too terrible,” she confessed, “to be always trembling like this! . . . And yet we run no danger here; we are at home, in the sky, in the open air, in the light. The sun is flaming; and night-birds can not bear to look at the sun. I have never seen him by daylight . . . it must be awful! . . . Oh, the first time I saw him! . . . I thought that he was going to die.”

“Why?” asked Raoul, really frightened at the aspect which this strange confidence was taking.

“BECAUSE I HAD SEEN HIM!”

This time, Raoul and Christine turned round at the same time:

“There is some one in pain,” said Raoul. “Perhaps some one has been hurt. Did you hear?”

“I can’t say,” Christine confessed. “Even when he is not there, my ears are full of his sighs. Still, if you heard . . . ”

They stood up and looked around them. They were quite alone on the immense lead roof. They sat down again and Raoul said:

“Tell me how you saw him first.”

“I had heard him for three months without seeing him. The first time I heard it, I thought, as you did, that that adorable voice was singing in another room. I went out and looked everywhere; but, as you know, Raoul, my dressing-room is very much by itself; and I could not find the voice outside my room, whereas it went on steadily16 inside. And it not only sang, but it spoke17 to me and answered my questions, like a real man’s voice, with this difference, that it was as beautiful as the voice of an angel. I had never got the Angel of Music whom my poor father had promised to send me as soon as he was dead. I really think that Mamma Valerius was a little bit to blame. I told her about it; and she at once said, ‘It must be the Angel; at any rate, you can do no harm by asking him.’ I did so; and the man’s voice replied that, yes, it was the Angel’s voice, the voice which I was expecting and which my father had promised me. From that time onward19, the voice and I became great friends. It asked leave to give me lessons every day. I agreed and never failed to keep the appointment which it gave me in my dressing-room. You have no idea, though you have heard the voice, of what those lessons were like.”

“No, I have no idea,” said Raoul. “What was your accompaniment?”

“We were accompanied by a music which I do not know: it was behind the wall and wonderfully accurate. The voice seemed to understand mine exactly, to know precisely20 where my father had left off teaching me. In a few weeks’ time, I hardly knew myself when I sang. I was even frightened. I seemed to dread21 a sort of witchcraft22 behind it; but Mamma Valerius reassured23 me. She said that she knew I was much too simple a girl to give the devil a hold on me . . . My progress, by the voice’s own order, was kept a secret between the voice, Mamma Valerius and myself. It was a curious thing, but, outside the dressing-room, I sang with my ordinary, every-day voice and nobody noticed anything. I did all that the voice asked. It said, ‘Wait and see: we shall astonish Paris!’ And I waited and lived on in a sort of ecstatic dream. It was then that I saw you for the first time one evening, in the house. I was so glad that I never thought of concealing24 my delight when I reached my dressing-room. Unfortunately, the voice was there before me and soon noticed, by my air, that something had happened. It asked what was the matter and I saw no reason for keeping our story secret or concealing the place which you filled in my heart. Then the voice was silent. I called to it, but it did not reply; I begged and entreated25, but in vain. I was terrified lest it had gone for good. I wish to Heaven it had, dear! . . . That night, I went home in a desperate condition. I told Mamma Valerius, who said, ‘Why, of course, the voice is jealous!’ And that, dear, first revealed to me that I loved you.”

Christine stopped and laid her head on Raoul’s shoulder. They sat like that for a moment, in silence, and they did not see, did not perceive the movement, at a few steps from them, of the creeping shadow of two great black wings, a shadow that came along the roof so near, so near them that it could have stifled26 them by closing over them.

“The next day,” Christine continued, with a sigh, “I went back to my dressing-room in a very pensive27 frame of mind. The voice was there, spoke to me with great sadness and told me plainly that, if I must bestow28 my heart on earth, there was nothing for the voice to do but to go back to Heaven. And it said this with such an accent of HUMAN sorrow that I ought then and there to have suspected and begun to believe that I was the victim of my deluded29 senses. But my faith in the voice, with which the memory of my father was so closely intermingled, remained undisturbed. I feared nothing so much as that I might never hear it again; I had thought about my love for you and realized all the useless danger of it; and I did not even know if you remembered me. Whatever happened, your position in society forbade me to contemplate30 the possibility of ever marrying you; and I swore to the voice that you were no more than a brother to me nor ever would be and that my heart was incapable31 of any earthly love. And that, dear, was why I refused to recognize or see you when I met you on the stage or in the passages. Meanwhile, the hours during which the voice taught me were spent in a divine frenzy32, until, at last, the voice said to me, ‘You can now, Christine Daae, give to men a little of the music of Heaven.’ I don’t know how it was that Carlotta did not come to the theater that night nor why I was called upon to sing in her stead; but I sang with a rapture33 I had never known before and I felt for a moment as if my soul were leaving my body!”

“Oh, Christine,” said Raoul, “my heart quivered that night at every accent of your voice. I saw the tears stream down your cheeks and I wept with you. How could you sing, sing like that while crying?”

“I felt myself fainting,” said Christine, “I closed my eyes. When I opened them, you were by my side. But the voice was there also, Raoul! I was afraid for your sake and again I would not recognize you and began to laugh when you reminded me that you had picked up my scarf in the sea! . . . Alas34, there is no deceiving the voice! . . . The voice recognized you and the voice was jealous! . . . It said that, if I did not love you, I would not avoid you, but treat you like any other old friend. It made me scene upon scene. At last, I said to the voice, ‘That will do! I am going to Perros to-morrow, to pray on my father’s grave, and I shall ask M. Raoul de Chagny to go with me.’ ‘Do as you please,’ replied the voice, ‘but I shall be at Perros too, for I am wherever you are, Christine; and, if you are still worthy35 of me, if you have not lied to me, I will play you The Resurrection of Lazarus, on the stroke of midnight, on your father’s tomb and on your father’s violin.’ That, dear, was how I came to write you the letter that brought you to Perros. How could I have been so beguiled36? How was it, when I saw the personal, the selfish point of view of the voice, that I did not suspect some impostor? Alas, I was no longer mistress of myself: I had become his thing!”

“But, after all,” cried Raoul, “you soon came to know the truth! Why did you not at once rid yourself of that abominable37 nightmare?”

“Know the truth, Raoul? Rid myself of that nightmare? But, my poor boy, I was not caught in the nightmare until the day when I learned the truth! . . . Pity me, Raoul, pity me! . . . You remember the terrible evening when Carlotta thought that she had been turned into a toad38 on the stage and when the house was suddenly plunged39 in darkness through the chandelier crashing to the floor? There were killed and wounded that night and the whole theater rang with terrified screams. My first thought was for you and the voice. I was at once easy, where you were concerned, for I had seen you in your brother’s box and I knew that you were not in danger. But the voice had told me that it would be at the performance and I was really afraid for it, just as if it had been an ordinary person who was capable of dying. I thought to myself, ‘The chandelier may have come down upon the voice.’ I was then on the stage and was nearly running into the house, to look for the voice among the killed and wounded, when I thought that, if the voice was safe, it would be sure to be in my dressing-room and I rushed to my room. The voice was not there. I locked my door and, with tears in my eyes, besought40 it, if it were still alive, to manifest itself to me. The voice did not reply, but suddenly I heard a long, beautiful wail41 which I knew well. It is the plaint of Lazarus when, at the sound of the Redeemer’s voice, he begins to open his eyes and see the light of day. It was the music which you and I, Raoul, heard at Perros. And then the voice began to sing the leading phrase, ‘Come! And believe in me! Whoso believes in me shall live! Walk! Whoso hath believed in me shall never die! . . . ’ I can not tell you the effect which that music had upon me. It seemed to command me, personally, to come, to stand up and come to it. It retreated and I followed. ‘Come! And believe in me!’ I believed in it, I came . . . I came and — this was the extraordinary thing — my dressing-room, as I moved, seemed to lengthen42 out . . . to lengthen out . . . Evidently, it must have been an effect of mirrors . . . for I had the mirror in front of me . . . And, suddenly, I was outside the room without knowing how!”

“What! Without knowing how? Christine, Christine, you must really stop dreaming!”

“I was not dreaming, dear, I was outside my room without knowing how. You, who saw me disappear from my room one evening, may be able to explain it; but I can not. I can only tell you that, suddenly, there was no mirror before me and no dressing-room. I was in a dark passage, I was frightened and I cried out. It was quite dark, but for a faint red glimmer43 at a distant corner of the wall. I tried out. My voice was the only sound, for the singing and the violin had stopped. And, suddenly, a hand was laid on mine . . . or rather a stone-cold, bony thing that seized my wrist and did not let go. I cried out again. An arm took me round the waist and supported me. I struggled for a little while and then gave up the attempt. I was dragged toward the little red light and then I saw that I was in the hands of a man wrapped in a large cloak and wearing a mask that hid his whole face. I made one last effort; my limbs stiffened44, my mouth opened to scream, but a hand closed it, a hand which I felt on my lips, on my skin . . . a hand that smelt45 of death. Then I fainted away.

“When I opened my eyes, we were still surrounded by darkness. A lantern, standing46 on the ground, showed a bubbling well. The water splashing from the well disappeared, almost at once, under the floor on which I was lying, with my head on the knee of the man in the black cloak and the black mask. He was bathing my temples and his hands smelt of death. I tried to push them away and asked, ‘Who are you? Where is the voice?’ His only answer was a sigh. Suddenly, a hot breath passed over my face and I perceived a white shape, beside the man’s black shape, in the darkness. The black shape lifted me on to the white shape, a glad neighing greeted my astounded47 ears and I murmured, ‘Cesar!’ The animal quivered. Raoul, I was lying half back on a saddle and I had recognized the white horse out of the PROFETA, which I had so often fed with sugar and sweets. I remembered that, one evening, there was a rumor48 in the theater that the horse had disappeared and that it had been stolen by the Opera ghost. I believed in the voice, but had never believed in the ghost. Now, however, I began to wonder, with a shiver, whether I was the ghost’s prisoner. I called upon the voice to help me, for I should never have imagined that the voice and the ghost were one. You have heard about the Opera ghost, have you not, Raoul?”

“Yes, but tell me what happened when you were on the white horse of the Profeta?”

“I made no movement and let myself go. The black shape held me up, and I made no effort to escape. A curious feeling of peacefulness came over me and I thought that I must be under the influence of some cordial. I had the full command of my senses; and my eyes became used to the darkness, which was lit, here and there, by fitful gleams. I calculated that we were in a narrow circular gallery, probably running all round the Opera, which is immense, underground. I had once been down into those cellars, but had stopped at the third floor, though there were two lower still, large enough to hold a town. But the figures of which I caught sight had made me run away. There are demons49 down there, quite black, standing in front of boilers50, and they wield51 shovels52 and pitchforks and poke18 up fires and stir up flames and, if you come too near them, they frighten you by suddenly opening the red mouths of their furnaces . . . Well, while Cesar was quietly carrying me on his back, I saw those black demons in the distance, looking quite small, in front of the red fires of their furnaces: they came into sight, disappeared and came into sight again, as we went on our winding53 way. At last, they disappeared altogether. The shape was still holding me up and Cesar walked on, unled and sure-footed. I could not tell you, even approximately, how long this ride lasted; I only know that we seemed to turn and turn and often went down a spiral stair into the very heart of the earth. Even then, it may be that my head was turning, but I don’t think so: no, my mind was quite clear. At last, Cesar raised his nostrils54, sniffed55 the air and quickened his pace a little. I felt a moistness in the air and Cesar stopped. The darkness had lifted. A sort of bluey light surrounded us. We were on the edge of a lake, whose leaden waters stretched into the distance, into the darkness; but the blue light lit up the bank and I saw a little boat fastened to an iron ring on the wharf56!”

“A boat!”

“Yes, but I knew that all that existed and that there was nothing supernatural about that underground lake and boat. But think of the exceptional conditions in which I arrived upon that shore! I don’t know whether the effects of the cordial had worn off when the man’s shape lifted me into the boat, but my terror began all over again. My gruesome escort must have noticed it, for he sent Cesar back and I heard his hoofs57 trampling58 up a staircase while the man jumped into the boat, untied59 the rope that held it and seized the oars60. He rowed with a quick, powerful stroke; and his eyes, under the mask, never left me. We slipped across the noiseless water in the bluey light which I told you of; then we were in the dark again and we touched shore. And I was once more taken up in the man’s arms. I cried aloud. And then, suddenly, I was silent, dazed by the light . . . Yes, a dazzling light in the midst of which I had been put down. I sprang to my feet. I was in the middle of a drawing-room that seemed to me to be decorated, adorned61 and furnished with nothing but flowers, flowers both magnificent and stupid, because of the silk ribbons that tied them to baskets, like those which they sell in the shops on the boulevards. They were much too civilized62 flowers, like those which I used to find in my dressing-room after a first night. And, in the midst of all these flowers, stood the black shape of the man in the mask, with arms crossed, and he said, ‘Don’t be afraid, Christine; you are in no danger.’ IT WAS THE VOICE!

“My anger equaled my amazement63. I rushed at the mask and tried to snatch it away, so as to see the face of the voice. The man said, ‘You are in no danger, so long as you do not touch the mask.’ And, taking me gently by the wrists, he forced me into a chair and then went down on his knees before me and said nothing more! His humility64 gave me back some of my courage; and the light restored me to the realties of life. However extraordinary the adventure might be, I was now surrounded by mortal, visible, tangible65 things. The furniture, the hangings, the candles, the vases and the very flowers in their baskets, of which I could almost have told whence they came and what they cost, were bound to confine my imagination to the limits of a drawing-room quite as commonplace as any that, at least, had the excuse of not being in the cellars of the Opera. I had, no doubt, to do with a terrible, eccentric person, who, in some mysterious fashion, had succeeded in taking up his abode66 there, under the Opera house, five stories below the level of the ground. And the voice, the voice which I had recognized under the mask, was on its knees before me, WAS A MAN! And I began to cry . . . The man, still kneeling, must have understood the cause of my tears, for he said, ‘It is true, Christine! . . . I am not an Angel, nor a genius, nor a ghost . . . I am Erik!’”

Christine’s narrative67 was again interrupted. An echo behind them seemed to repeat the word after her.

“Erik!”

What echo? . . . They both turned round and saw that night had fallen. Raoul made a movement as though to rise, but Christine kept him beside her.

“Don’t go,” she said. “I want you to know everything HERE!”

“But why here, Christine? I am afraid of your catching68 cold.”

“We have nothing to fear except the trap-doors, dear, and here we are miles away from the trap-doors . . . and I am not allowed to see you outside the theater. This is not the time to annoy him. We must not arouse his suspicion.”

“Christine! Christine! Something tells me that we are wrong to wait till to-morrow evening and that we ought to fly at once.”

“I tell you that, if he does not hear me sing tomorrow, it will cause him infinite pain.”

“It is difficult not to cause him pain and yet to escape from him for good.”

“You are right in that, Raoul, for certainly he will die of my flight.” And she added in a dull voice, “But then it counts both ways . . . for we risk his killing69 us.”

“Does he love you so much?”

“He would commit murder for me.”

“But one can find out where he lives. One can go in search of him. Now that we know that Erik is not a ghost, one can speak to him and force him to answer!”

Christine shook her head.

“No, no! There is nothing to be done with Erik except to run away!”

“Then why, when you were able to run away, did you go back to him?”

“Because I had to. And you will understand that when I tell you how I left him.”

“Oh, I hate him!” cried Raoul. “And you, Christine, tell me, do you hate him too?”

“No,” said Christine simply.

“No, of course not . . . Why, you love him! Your fear, your terror, all of that is just love and love of the most exquisite70 kind, the kind which people do not admit even to themselves,” said Raoul bitterly. “The kind that gives you a thrill, when you think of it . . . Picture it: a man who lives in a palace underground!” And he gave a leer.

“Then you want me to go back there?” said the young girl cruelly. “Take care, Raoul; I have told you: I should never return!”

There was an appalling71 silence between the three of them: the two who spoke and the shadow that listened, behind them.

“Before answering that,” said Raoul, at last, speaking very slowly, “I should like to know with what feeling he inspires you, since you do not hate him.”

“With horror!” she said. “That is the terrible thing about it. He fills me with horror and I do not hate him. How can I hate him, Raoul? Think of Erik at my feet, in the house on the lake, underground. He accuses himself, he curses himself, he implores72 my forgiveness! . . . He confesses his cheat. He loves me! He lays at my feet an immense and tragic73 love . . . He has carried me off for love! . . . He has imprisoned74 me with him, underground, for love! . . . But he respects me: he crawls, he moans, he weeps! . . . And, when I stood up, Raoul, and told him that I could only despise him if he did not, then and there, give me my liberty . . . he offered it . . . he offered to show me the mysterious road . . . Only . . . only he rose too . . . and I was made to remember that, though he was not an angel, nor a ghost, nor a genius, he remained the voice . . . for he sang. And I listened . . . and stayed! . . . That night, we did not exchange another word. He sang me to sleep.

“When I woke up, I was alone, lying on a sofa in a simply furnished little bedroom, with an ordinary mahogany bedstead, lit by a lamp standing on the marble top of an old Louis-Philippe chest of drawers. I soon discovered that I was a prisoner and that the only outlet75 from my room led to a very comfortable bath-room. On returning to the bedroom, I saw on the chest of drawers a note, in red ink, which said, ‘My dear Christine, you need have no concern as to your fate. You have no better nor more respectful friend in the world than myself. You are alone, at present, in this home which is yours. I am going out shopping to fetch you all the things that you can need.’ I felt sure that I had fallen into the hands of a madman. I ran round my little apartment, looking for a way of escape which I could not find. I upbraided76 myself for my absurd superstition77, which had caused me to fall into the trap. I felt inclined to laugh and to cry at the same time.

“This was the state of mind in which Erik found me. After giving three taps on the wall, he walked in quietly through a door which I had not noticed and which he left open. He had his arms full of boxes and parcels and arranged them on the bed, in a leisurely78 fashion, while I overwhelmed him with abuse and called upon him to take off his mask, if it covered the face of an honest man. He replied serenely79, ‘You shall never see Erik’s face.’ And he reproached me with not having finished dressing at that time of day: he was good enough to tell me that it was two o’clock in the afternoon. He said he would give me half an hour and, while he spoke, wound up my watch and set it for me. After which, he asked me to come to the dining-room, where a nice lunch was waiting for us.

“I was very angry, slammed the door in his face and went to the bath-room . . . When I came out again, feeling greatly refreshed, Erik said that he loved me, but that he would never tell me so except when I allowed him and that the rest of the time would be devoted80 to music. ‘What do you mean by the rest of the time?’ I asked. ‘Five days,’ he said, with decision. I asked him if I should then be free and he said, ‘You will be free, Christine, for, when those five days are past, you will have learned not to see me; and then, from time to time, you will come to see your poor Erik!’ He pointed81 to a chair opposite him, at a small table, and I sat down, feeling greatly perturbed82. However, I ate a few prawns83 and the wing of a chicken and drank half a glass of tokay, which he had himself, he told me, brought from the Konigsberg cellars. Erik did not eat or drink. I asked him what his nationality was and if that name of Erik did not point to his Scandinavian origin. He said that he had no name and no country and that he had taken the name of Erik by accident.

“After lunch, he rose and gave me the tips of his fingers, saying he would like to show me over his flat; but I snatched away my hand and gave a cry. What I had touched was cold and, at the same time, bony; and I remembered that his hands smelt of death. ‘Oh, forgive me!’ he moaned. And he opened a door before me. ‘This is my bedroom, if you care to see it. It is rather curious.’ His manners, his words, his attitude gave me confidence and I went in without hesitation84. I felt as if I were entering the room of a dead person. The walls were all hung with black, but, instead of the white trimmings that usually set off that funereal85 upholstery, there was an enormous stave of music with the notes of the DIES IRAE, many times repeated. In the middle of the room was a canopy86, from which hung curtains of red brocaded stuff, and, under the canopy, an open coffin87. ‘That is where I sleep,’ said Erik. ‘One has to get used to everything in life, even to eternity88.’ The sight upset me so much that I turned away my head.

“Then I saw the keyboard of an organ which filled one whole side of the walls. On the desk was a music-book covered with red notes. I asked leave to look at it and read, ‘Don Juan Triumphant89.’ ‘Yes,’ he said, ‘I compose sometimes.’ I began that work twenty years ago. When I have finished, I shall take it away with me in that coffin and never wake up again.’ ‘You must work at it as seldom as you can,’ I said. He replied, ‘I sometimes work at it for fourteen days and nights together, during which I live on music only, and then I rest for years at a time.’ ‘Will you play me something out of your Don Juan Triumphant?’ I asked, thinking to please him. ‘You must never ask me that,’ he said, in a gloomy voice. ‘I will play you Mozart, if you like, which will only make you weep; but my Don Juan, Christine, burns; and yet he is not struck by fire from Heaven.’ Thereupon we returned to the drawing-room. I noticed that there was no mirror in the whole apartment. I was going to remark upon this, but Erik had already sat down to the piano. He said, ‘You see, Christine, there is some music that is so terrible that it consumes all those who approach it. Fortunately, you have not come to that music yet, for you would lose all your pretty coloring and nobody would know you when you returned to Paris. Let us sing something from the Opera, Christine Daae.’ He spoke these last words as though he were flinging an insult at me.”

“What did you do?”

“I had no time to think about the meaning he put into his words. We at once began the duet in Othello and already the catastrophe90 was upon us. I sang Desdemona with a despair, a terror which I had never displayed before. As for him, his voice thundered forth91 his revengeful soul at every note. Love, jealousy92, hatred93, burst out around us in harrowing cries. Erik’s black mask made me think of the natural mask of the Moor94 of Venice. He was Othello himself. Suddenly, I felt a need to see beneath the mask. I wanted to know the FACE of the voice, and, with a movement which I was utterly95 unable to control, swiftly my fingers tore away the mask. Oh, horror, horror, horror!”

Christine stopped, at the thought of the vision that had scared her, while the echoes of the night, which had repeated the name of Erik, now thrice moaned the cry:

“Horror! . . . Horror! . . . Horror!”

Raoul and Christine, clasping each other closely, raised their eyes to the stars that shone in a clear and peaceful sky. Raoul said:

“Strange, Christine, that this calm, soft night should be so full of plaintive96 sounds. One would think that it was sorrowing with us.”

“When you know the secret, Raoul, your ears, like mine, will be full of lamentations.”

She took Raoul’s protecting hands in hers and, with a long shiver, continued:

“Yes, if I lived to be a hundred, I should always hear the superhuman cry of grief and rage which he uttered when the terrible sight appeared before my eyes . . . Raoul, you have seen death’s heads, when they have been dried and withered97 by the centuries, and, perhaps, if you were not the victim of a nightmare, you saw HIS death’s head at Perros. And then you saw Red Death stalking about at the last masked ball. But all those death’s heads were motionless and their dumb horror was not alive. But imagine, if you can, Red Death’s mask suddenly coming to life in order to express, with the four black holes of its eyes, its nose, and its mouth, the extreme anger, the mighty fury of a demon; AND NOT A RAY OF LIGHT FROM THE SOCKETS, for, as I learned later, you can not see his blazing eyes except in the dark.

“I fell back against the wall and he came up to me, grinding his teeth, and, as I fell upon my knees, he hissed98 mad, incoherent words and curses at me. Leaning over me, he cried, ‘Look! You want to see! See! Feast your eyes, glut99 your soul on my cursed ugliness! Look at Erik’s face! Now you know the face of the voice! You were not content to hear me, eh? You wanted to know what I looked like! Oh, you women are so inquisitive100! Well, are you satisfied? I’m a very good-looking fellow, eh? . . . When a woman has seen me, as you have, she belongs to me. She loves me for ever. I am a kind of Don Juan, you know!’ And, drawing himself up to his full height, with his hand on his hip101, wagging the hideous102 thing that was his head on his shoulders, he roared, ‘Look at me! I AM DON JUAN TRIUMPHANT!’ And, when I turned away my head and begged for mercy, he drew it to him, brutally103, twisting his dead fingers into my hair.”

“Enough! Enough!” cried Raoul. “I will kill him. In Heaven’s name, Christine, tell me where the dining-room on the lake is! I must kill him!”

“Oh, be quiet, Raoul, if you want to know!”

“Yes, I want to know how and why you went back; I must know! . . . But, in any case, I will kill him!”

“Oh, Raoul, listen, listen! . . . He dragged me by my hair and then . . . and then . . . Oh, it is too horrible!”

“Well, what? Out with it!” exclaimed Raoul fiercely. “Out with it, quick!”

“Then he hissed at me. ‘Ah, I frighten you, do I? . . . I dare say! . . . Perhaps you think that I have another mask, eh, and that this . . . this . . . my head is a mask? Well,’ he roared, ‘tear it off as you did the other! Come! Come along! I insist! Your hands! Your hands! Give me your hands!’ And he seized my hands and dug them into his awful face. He tore his flesh with my nails, tore his terrible dead flesh with my nails! . . . ‘Know,’ he shouted, while his throat throbbed104 and panted like a furnace, ‘know that I am built up of death from head to foot and that it is a corpse105 that loves you and adores you and will never, never leave you! . . . Look, I am not laughing now, I am crying, crying for you, Christine, who have torn off my mask and who therefore can never leave me again! . . . As long as you thought me handsome, you could have come back, I know you would have come back . . . but, now that you know my hideousness106, you would run away for good . . . So I shall keep you here! . . . Why did you want to see me? Oh, mad Christine, who wanted to see me! . . . When my own father never saw me and when my mother, so as not to see me, made me a present of my first mask!’

“He had let go of me at last and was dragging himself about on the floor, uttering terrible sobs107. And then he crawled away like a snake, went into his room, closed the door and left me alone to my reflections. Presently I heard the sound of the organ; and then I began to understand Erik’s contemptuous phrase when he spoke about Opera music. What I now heard was utterly different from what I had heard up to then. His Don Juan Triumphant (for I had not a doubt but that he had rushed to his masterpiece to forget the horror of the moment) seemed to me at first one long, awful, magnificent sob108. But, little by little, it expressed every emotion, every suffering of which mankind is capable. It intoxicated109 me; and I opened the door that separated us. Erik rose, as I entered, BUT DARED NOT TURN IN MY DIRECTION. ‘Erik,’ I cried, ‘show me your face without fear! I swear that you are the most unhappy and sublime110 of men; and, if ever again I shiver when I look at you, it will be because I am thinking of the splendor111 of your genius!’ Then Erik turned round, for he believed me, and I also had faith in myself. He fell at my feet, with words of love . . . with words of love in his dead mouth . . . and the music had ceased . . . He kissed the hem5 of my dress and did not see that I closed my eyes.

“What more can I tell you, dear? You now know the tragedy. It went on for a fortnight — a fortnight during which I lied to him. My lies were as hideous as the monster who inspired them; but they were the price of my liberty. I burned his mask; and I managed so well that, even when he was not singing, he tried to catch my eye, like a dog sitting by its master. He was my faithful slave and paid me endless little attentions. Gradually, I gave him such confidence that he ventured to take me walking on the banks of the lake and to row me in the boat on its leaden waters; toward the end of my captivity112 he let me out through the gates that closed the underground passages in the Rue13 Scribe. Here a carriage awaited us and took us to the Bois. The night when we met you was nearly fatal to me, for he is terribly jealous of you and I had to tell him that you were soon going away . . . Then, at last, after a fortnight of that horrible captivity, during which I was filled with pity, enthusiasm, despair and horror by turns, he believed me when I said, ‘I WILL COME BACK!’”

“And you went back, Christine,” groaned113 Raoul.

“Yes, dear, and I must tell you that it was not his frightful114 threats when setting me free that helped me to keep my word, but the harrowing sob which he gave on the threshold of the tomb. . . . That sob attached me to the unfortunate man more than I myself suspected when saying good-by to him. Poor Erik! Poor Erik!”

“Christine,” said Raoul, rising, “you tell me that you love me; but you had recovered your liberty hardly a few hours before you returned to Erik! Remember the masked ball!”

“Yes; and do you remember those hours which I passed with you, Raoul . . . to the great danger of both of us?”

“I doubted your love for me, during those hours.”

“Do you doubt it still, Raoul? . . . Then know that each of my visits to Erik increased my horror of him; for each of those visits, instead of calming him, as I hoped, made him mad with love! And I am so frightened, so frightened! . . . ”

“You are frightened . . . but do you love me? If Erik were good-looking, would you love me, Christine?”

She rose in her turn, put her two trembling arms round the young man’s neck and said:

“Oh, my betrothed115 of a day, if I did not love you, I would not give you my lips! Take them, for the first time and the last.”

He kissed her lips; but the night that surrounded them was rent asunder116, they fled as at the approach of a storm and their eyes, filled with dread of Erik, showed them, before they disappeared, high up above them, an immense night-bird that stared at them with its blazing eyes and seemed to cling to the string of Apollo’s lyre.

点击收听单词发音收听单词发音  

1 domes ea51ec34bac20cae1c10604e13288827     
n.圆屋顶( dome的名词复数 );像圆屋顶一样的东西;圆顶体育场
参考例句:
  • The domes are circular or ovoid in cross-section. 穹丘的横断面为圆形或卵圆形。 来自辞典例句
  • Parks. The facilities highlighted in text include sport complexes and fabric domes. 本书重点讲的设施包括运动场所和顶棚式结构。 来自互联网
2 triangular 7m1wc     
adj.三角(形)的,三者间的
参考例句:
  • It's more or less triangular plot of land.这块地略成三角形。
  • One particular triangular relationship became the model of Simone's first novel.一段特殊的三角关系成了西蒙娜第一本小说的原型。
3 zinc DfxwX     
n.锌;vt.在...上镀锌
参考例句:
  • Brass is formed by the fusion of copper and zinc.黄铜是通过铜和锌的熔合而成的。
  • Zinc is used to protect other metals from corrosion.锌被用来保护其他金属不受腐蚀。
4 stagnant iGgzj     
adj.不流动的,停滞的,不景气的
参考例句:
  • Due to low investment,industrial output has remained stagnant.由于投资少,工业生产一直停滞不前。
  • Their national economy is stagnant.他们的国家经济停滞不前。
5 hem 7dIxa     
n.贴边,镶边;vt.缝贴边;(in)包围,限制
参考例句:
  • The hem on her skirt needs sewing.她裙子上的褶边需要缝一缝。
  • The hem of your dress needs to be let down an inch.你衣服的折边有必要放长1英寸。
6 mighty YDWxl     
adj.强有力的;巨大的
参考例句:
  • A mighty force was about to break loose.一股巨大的力量即将迸发而出。
  • The mighty iceberg came into view.巨大的冰山出现在眼前。
7 crimson AYwzH     
n./adj.深(绯)红色(的);vi.脸变绯红色
参考例句:
  • She went crimson with embarrassment.她羞得满脸通红。
  • Maple leaves have turned crimson.枫叶已经红了。
8 gossamer ufQxj     
n.薄纱,游丝
参考例句:
  • The prince helped the princess,who was still in her delightful gossamer gown.王子搀扶着仍穿著那套美丽薄纱晚礼服的公主。
  • Gossamer is floating in calm air.空中飘浮着游丝。
9 demon Wmdyj     
n.魔鬼,恶魔
参考例句:
  • The demon of greed ruined the miser's happiness.贪得无厌的恶习毁掉了那个守财奴的幸福。
  • He has been possessed by the demon of disease for years.他多年来病魔缠身。
10 sockets ffe33a3f6e35505faba01d17fd07d641     
n.套接字,使应用程序能够读写与收发通讯协定(protocol)与资料的程序( Socket的名词复数 );孔( socket的名词复数 );(电器上的)插口;托座;凹穴
参考例句:
  • All new PCs now have USB sockets. 新的个人计算机现在都有通用串行总线插孔。
  • Make sure the sockets in your house are fingerproof. 确保你房中的插座是防触电的。 来自超越目标英语 第4册
11 wrung b11606a7aab3e4f9eebce4222a9397b1     
绞( wring的过去式和过去分词 ); 握紧(尤指别人的手); 把(湿衣服)拧干; 绞掉(水)
参考例句:
  • He has wrung the words from their true meaning. 他曲解这些字的真正意义。
  • He wrung my hand warmly. 他热情地紧握我的手。
12 anguish awZz0     
n.(尤指心灵上的)极度痛苦,烦恼
参考例句:
  • She cried out for anguish at parting.分手时,她由于痛苦而失声大哭。
  • The unspeakable anguish wrung his heart.难言的痛苦折磨着他的心。
13 rue 8DGy6     
n.懊悔,芸香,后悔;v.后悔,悲伤,懊悔
参考例句:
  • You'll rue having failed in the examination.你会悔恨考试失败。
  • You're going to rue this the longest day that you live.你要终身悔恨不尽呢。
14 dressing 1uOzJG     
n.(食物)调料;包扎伤口的用品,敷料
参考例句:
  • Don't spend such a lot of time in dressing yourself.别花那么多时间来打扮自己。
  • The children enjoy dressing up in mother's old clothes.孩子们喜欢穿上妈妈旧时的衣服玩。
15 chattered 0230d885b9f6d176177681b6eaf4b86f     
(人)喋喋不休( chatter的过去式 ); 唠叨; (牙齿)打战; (机器)震颤
参考例句:
  • They chattered away happily for a while. 他们高兴地闲扯了一会儿。
  • We chattered like two teenagers. 我们聊着天,像两个十多岁的孩子。
16 steadily Qukw6     
adv.稳定地;不变地;持续地
参考例句:
  • The scope of man's use of natural resources will steadily grow.人类利用自然资源的广度将日益扩大。
  • Our educational reform was steadily led onto the correct path.我们的教学改革慢慢上轨道了。
17 spoke XryyC     
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说
参考例句:
  • They sourced the spoke nuts from our company.他们的轮辐螺帽是从我们公司获得的。
  • The spokes of a wheel are the bars that connect the outer ring to the centre.辐条是轮子上连接外圈与中心的条棒。
18 poke 5SFz9     
n.刺,戳,袋;vt.拨开,刺,戳;vi.戳,刺,捅,搜索,伸出,行动散慢
参考例句:
  • We never thought she would poke her nose into this.想不到她会插上一手。
  • Don't poke fun at me.别拿我凑趣儿。
19 onward 2ImxI     
adj.向前的,前进的;adv.向前,前进,在先
参考例句:
  • The Yellow River surges onward like ten thousand horses galloping.黄河以万马奔腾之势滚滚向前。
  • He followed in the steps of forerunners and marched onward.他跟随着先辈的足迹前进。
20 precisely zlWzUb     
adv.恰好,正好,精确地,细致地
参考例句:
  • It's precisely that sort of slick sales-talk that I mistrust.我不相信的正是那种油腔滑调的推销宣传。
  • The man adjusted very precisely.那个人调得很准。
21 dread Ekpz8     
vt.担忧,忧虑;惧怕,不敢;n.担忧,畏惧
参考例句:
  • We all dread to think what will happen if the company closes.我们都不敢去想一旦公司关门我们该怎么办。
  • Her heart was relieved of its blankest dread.她极度恐惧的心理消除了。
22 witchcraft pe7zD7     
n.魔法,巫术
参考例句:
  • The woman practising witchcraft claimed that she could conjure up the spirits of the dead.那个女巫说她能用魔法召唤亡灵。
  • All these things that you call witchcraft are capable of a natural explanation.被你们统统叫做巫术的那些东西都可以得到合情合理的解释。
23 reassured ff7466d942d18e727fb4d5473e62a235     
adj.使消除疑虑的;使放心的v.再保证,恢复信心( reassure的过去式和过去分词)
参考例句:
  • The captain's confidence during the storm reassured the passengers. 在风暴中船长的信念使旅客们恢复了信心。 来自《现代英汉综合大词典》
  • The doctor reassured the old lady. 医生叫那位老妇人放心。 来自《简明英汉词典》
24 concealing 0522a013e14e769c5852093b349fdc9d     
v.隐藏,隐瞒,遮住( conceal的现在分词 )
参考例句:
  • Despite his outward display of friendliness, I sensed he was concealing something. 尽管他表现得友善,我还是感觉到他有所隐瞒。 来自《简明英汉词典》
  • SHE WAS BREAKING THE COMPACT, AND CONCEALING IT FROM HIM. 她违反了他们之间的约定,还把他蒙在鼓里。 来自英汉文学 - 三万元遗产
25 entreated 945bd967211682a0f50f01c1ca215de3     
恳求,乞求( entreat的过去式和过去分词 )
参考例句:
  • They entreated and threatened, but all this seemed of no avail. 他们时而恳求,时而威胁,但这一切看来都没有用。
  • 'One word,' the Doctor entreated. 'Will you tell me who denounced him?' “还有一个问题,”医生请求道,“你可否告诉我是谁告发他的?” 来自英汉文学 - 双城记
26 stifled 20d6c5b702a525920b7425fe94ea26a5     
(使)窒息, (使)窒闷( stifle的过去式和过去分词 ); 镇压,遏制; 堵
参考例句:
  • The gas stifled them. 煤气使他们窒息。
  • The rebellion was stifled. 叛乱被镇压了。
27 pensive 2uTys     
a.沉思的,哀思的,忧沉的
参考例句:
  • He looked suddenly sombre,pensive.他突然看起来很阴郁,一副忧虑的样子。
  • He became so pensive that she didn't like to break into his thought.他陷入沉思之中,她不想打断他的思路。
28 bestow 9t3zo     
v.把…赠与,把…授予;花费
参考例句:
  • He wished to bestow great honors upon the hero.他希望将那些伟大的荣誉授予这位英雄。
  • What great inspiration wiII you bestow on me?你有什么伟大的灵感能馈赠给我?
29 deluded 7cff2ff368bbd8757f3c8daaf8eafd7f     
v.欺骗,哄骗( delude的过去式和过去分词 )
参考例句:
  • Don't be deluded into thinking that we are out of danger yet. 不要误以为我们已脱离危险。
  • She deluded everyone into following her. 她骗得每个人都听信她的。 来自《简明英汉词典》
30 contemplate PaXyl     
vt.盘算,计议;周密考虑;注视,凝视
参考例句:
  • The possibility of war is too horrifying to contemplate.战争的可能性太可怕了,真不堪细想。
  • The consequences would be too ghastly to contemplate.后果不堪设想。
31 incapable w9ZxK     
adj.无能力的,不能做某事的
参考例句:
  • He would be incapable of committing such a cruel deed.他不会做出这么残忍的事。
  • Computers are incapable of creative thought.计算机不会创造性地思维。
32 frenzy jQbzs     
n.疯狂,狂热,极度的激动
参考例句:
  • He was able to work the young students up into a frenzy.他能激起青年学生的狂热。
  • They were singing in a frenzy of joy.他们欣喜若狂地高声歌唱。
33 rapture 9STzG     
n.狂喜;全神贯注;着迷;v.使狂喜
参考例句:
  • His speech was received with rapture by his supporters.他的演说受到支持者们的热烈欢迎。
  • In the midst of his rapture,he was interrupted by his father.他正欢天喜地,被他父亲打断了。
34 alas Rx8z1     
int.唉(表示悲伤、忧愁、恐惧等)
参考例句:
  • Alas!The window is broken!哎呀!窗子破了!
  • Alas,the truth is less romantic.然而,真理很少带有浪漫色彩。
35 worthy vftwB     
adj.(of)值得的,配得上的;有价值的
参考例句:
  • I did not esteem him to be worthy of trust.我认为他不值得信赖。
  • There occurred nothing that was worthy to be mentioned.没有值得一提的事发生。
36 beguiled f25585f8de5e119077c49118f769e600     
v.欺骗( beguile的过去式和过去分词 );使陶醉;使高兴;消磨(时间等)
参考例句:
  • She beguiled them into believing her version of events. 她哄骗他们相信了她叙述的事情。
  • He beguiled me into signing this contract. 他诱骗我签订了这项合同。 来自《现代英汉综合大词典》
37 abominable PN5zs     
adj.可厌的,令人憎恶的
参考例句:
  • Their cruel treatment of prisoners was abominable.他们虐待犯人的做法令人厌恶。
  • The sanitary conditions in this restaurant are abominable.这家饭馆的卫生状况糟透了。
38 toad oJezr     
n.蟾蜍,癞蛤蟆
参考例句:
  • Both the toad and frog are amphibian.蟾蜍和青蛙都是两栖动物。
  • Many kinds of toad hibernate in winter.许多种蟾蜍在冬天都会冬眠。
39 plunged 06a599a54b33c9d941718dccc7739582     
v.颠簸( plunge的过去式和过去分词 );暴跌;骤降;突降
参考例句:
  • The train derailed and plunged into the river. 火车脱轨栽进了河里。
  • She lost her balance and plunged 100 feet to her death. 她没有站稳,从100英尺的高处跌下摔死了。
40 besought b61a343cc64721a83167d144c7c708de     
v.恳求,乞求(某事物)( beseech的过去式和过去分词 );(beseech的过去式与过去分词)
参考例句:
  • The prisoner besought the judge for mercy/to be merciful. 囚犯恳求法官宽恕[乞求宽大]。 来自辞典例句
  • They besought him to speak the truth. 他们恳求他说实话. 来自辞典例句
41 wail XMhzs     
vt./vi.大声哀号,恸哭;呼啸,尖啸
参考例句:
  • Somewhere in the audience an old woman's voice began plaintive wail.观众席里,一位老太太伤心地哭起来。
  • One of the small children began to wail with terror.小孩中的一个吓得大哭起来。
42 lengthen n34y1     
vt.使伸长,延长
参考例句:
  • He asked the tailor to lengthen his coat.他请裁缝把他的外衣放长些。
  • The teacher told her to lengthen her paper out.老师让她把论文加长。
43 glimmer 5gTxU     
v.发出闪烁的微光;n.微光,微弱的闪光
参考例句:
  • I looked at her and felt a glimmer of hope.我注视她,感到了一线希望。
  • A glimmer of amusement showed in her eyes.她的眼中露出一丝笑意。
44 stiffened de9de455736b69d3f33bb134bba74f63     
加强的
参考例句:
  • He leaned towards her and she stiffened at this invasion of her personal space. 他向她俯过身去,这种侵犯她个人空间的举动让她绷紧了身子。
  • She stiffened with fear. 她吓呆了。
45 smelt tiuzKF     
v.熔解,熔炼;n.银白鱼,胡瓜鱼
参考例句:
  • Tin is a comparatively easy metal to smelt.锡是比较容易熔化的金属。
  • Darby was looking for a way to improve iron when he hit upon the idea of smelting it with coke instead of charcoal.达比一直在寻找改善铁质的方法,他猛然想到可以不用木炭熔炼,而改用焦炭。
46 standing 2hCzgo     
n.持续,地位;adj.永久的,不动的,直立的,不流动的
参考例句:
  • After the earthquake only a few houses were left standing.地震过后只有几幢房屋还立着。
  • They're standing out against any change in the law.他们坚决反对对法律做任何修改。
47 astounded 7541fb163e816944b5753491cad6f61a     
v.使震惊(astound的过去式和过去分词);愕然;愕;惊讶
参考例句:
  • His arrogance astounded her. 他的傲慢使她震惊。
  • How can you say that? I'm absolutely astounded. 你怎么能说出那种话?我感到大为震惊。
48 rumor qS0zZ     
n.谣言,谣传,传说
参考例句:
  • The rumor has been traced back to a bad man.那谣言经追查是个坏人造的。
  • The rumor has taken air.谣言流传开了。
49 demons 8f23f80251f9c0b6518bce3312ca1a61     
n.恶人( demon的名词复数 );恶魔;精力过人的人;邪念
参考例句:
  • demons torturing the sinners in Hell 地狱里折磨罪人的魔鬼
  • He is plagued by demons which go back to his traumatic childhood. 他为心魔所困扰,那可追溯至他饱受创伤的童年。 来自《简明英汉词典》
50 boilers e1c9396ee45d737fc4e1d3ae82a0ae1f     
锅炉,烧水器,水壶( boiler的名词复数 )
参考例句:
  • Even then the boilers often burst or came apart at the seams. 甚至那时的锅炉也经常从焊接处爆炸或裂开。 来自英汉非文学 - 科学史
  • The clean coal is sent to a crusher and the boilers. 干净的煤送入破碎机和锅炉。
51 wield efhyv     
vt.行使,运用,支配;挥,使用(武器等)
参考例句:
  • They wield enormous political power.他们行使巨大的政治权力。
  • People may wield the power in a democracy.在民主国家里,人民可以行使权力。
52 shovels ff43a4c7395f1d0c2d5931bbb7a97da6     
n.铲子( shovel的名词复数 );锹;推土机、挖土机等的)铲;铲形部份v.铲子( shovel的第三人称单数 );锹;推土机、挖土机等的)铲;铲形部份
参考例句:
  • workmen with picks and shovels 手拿镐铲的工人
  • In the spring, we plunge shovels into the garden plot, turn under the dark compost. 春天,我们用铁锨翻开园子里黑油油的沃土。 来自辞典例句
53 winding Ue7z09     
n.绕,缠,绕组,线圈
参考例句:
  • A winding lane led down towards the river.一条弯弯曲曲的小路通向河边。
  • The winding trail caused us to lose our orientation.迂回曲折的小道使我们迷失了方向。
54 nostrils 23a65b62ec4d8a35d85125cdb1b4410e     
鼻孔( nostril的名词复数 )
参考例句:
  • Her nostrils flared with anger. 她气得两个鼻孔都鼓了起来。
  • The horse dilated its nostrils. 马张大鼻孔。
55 sniffed ccb6bd83c4e9592715e6230a90f76b72     
v.以鼻吸气,嗅,闻( sniff的过去式和过去分词 );抽鼻子(尤指哭泣、患感冒等时出声地用鼻子吸气);抱怨,不以为然地说
参考例句:
  • When Jenney had stopped crying she sniffed and dried her eyes. 珍妮停止了哭泣,吸了吸鼻子,擦干了眼泪。 来自《简明英汉词典》
  • The dog sniffed suspiciously at the stranger. 狗疑惑地嗅着那个陌生人。 来自《简明英汉词典》
56 wharf RMGzd     
n.码头,停泊处
参考例句:
  • We fetch up at the wharf exactly on time.我们准时到达码头。
  • We reached the wharf gasping for breath.我们气喘吁吁地抵达了码头。
57 hoofs ffcc3c14b1369cfeb4617ce36882c891     
n.(兽的)蹄,马蹄( hoof的名词复数 )v.(兽的)蹄,马蹄( hoof的第三人称单数 )
参考例句:
  • The stamp of the horse's hoofs on the wooden floor was loud. 马蹄踏在木头地板上的声音很响。 来自辞典例句
  • The noise of hoofs called him back to the other window. 马蹄声把他又唤回那扇窗子口。 来自辞典例句
58 trampling 7aa68e356548d4d30fa83dc97298265a     
踩( trample的现在分词 ); 践踏; 无视; 侵犯
参考例句:
  • Diplomats denounced the leaders for trampling their citizens' civil rights. 外交官谴责这些领导人践踏其公民的公民权。
  • They don't want people trampling the grass, pitching tents or building fires. 他们不希望人们踩踏草坪、支帐篷或生火。
59 untied d4a1dd1a28503840144e8098dbf9e40f     
松开,解开( untie的过去式和过去分词 ); 解除,使自由; 解决
参考例句:
  • Once untied, we common people are able to conquer nature, too. 只要团结起来,我们老百姓也能移山倒海。
  • He untied the ropes. 他解开了绳子。
60 oars c589a112a1b341db7277ea65b5ec7bf7     
n.桨,橹( oar的名词复数 );划手v.划(行)( oar的第三人称单数 )
参考例句:
  • He pulled as hard as he could on the oars. 他拼命地划桨。
  • The sailors are bending to the oars. 水手们在拼命地划桨。 来自《简明英汉词典》
61 adorned 1e50de930eb057fcf0ac85ca485114c8     
[计]被修饰的
参考例句:
  • The walls were adorned with paintings. 墙上装饰了绘画。
  • And his coat was adorned with a flamboyant bunch of flowers. 他的外套上面装饰着一束艳丽刺目的鲜花。
62 civilized UwRzDg     
a.有教养的,文雅的
参考例句:
  • Racism is abhorrent to a civilized society. 文明社会憎恶种族主义。
  • rising crime in our so-called civilized societies 在我们所谓文明社会中日益增多的犯罪行为
63 amazement 7zlzBK     
n.惊奇,惊讶
参考例句:
  • All those around him looked at him with amazement.周围的人都对他投射出惊异的眼光。
  • He looked at me in blank amazement.他带着迷茫惊诧的神情望着我。
64 humility 8d6zX     
n.谦逊,谦恭
参考例句:
  • Humility often gains more than pride.谦逊往往比骄傲收益更多。
  • His voice was still soft and filled with specious humility.他的声音还是那么温和,甚至有点谦卑。
65 tangible 4IHzo     
adj.有形的,可触摸的,确凿的,实际的
参考例句:
  • The policy has not yet brought any tangible benefits.这项政策还没有带来任何实质性的好处。
  • There is no tangible proof.没有确凿的证据。
66 abode hIby0     
n.住处,住所
参考例句:
  • It was ten months before my father discovered his abode.父亲花了十个月的功夫,才好不容易打听到他的住处。
  • Welcome to our humble abode!欢迎光临寒舍!
67 narrative CFmxS     
n.叙述,故事;adj.叙事的,故事体的
参考例句:
  • He was a writer of great narrative power.他是一位颇有记述能力的作家。
  • Neither author was very strong on narrative.两个作者都不是很善于讲故事。
68 catching cwVztY     
adj.易传染的,有魅力的,迷人的,接住
参考例句:
  • There are those who think eczema is catching.有人就是认为湿疹会传染。
  • Enthusiasm is very catching.热情非常富有感染力。
69 killing kpBziQ     
n.巨额利润;突然赚大钱,发大财
参考例句:
  • Investors are set to make a killing from the sell-off.投资者准备清仓以便大赚一笔。
  • Last week my brother made a killing on Wall Street.上个周我兄弟在华尔街赚了一大笔。
70 exquisite zhez1     
adj.精美的;敏锐的;剧烈的,感觉强烈的
参考例句:
  • I was admiring the exquisite workmanship in the mosaic.我当时正在欣赏镶嵌画的精致做工。
  • I still remember the exquisite pleasure I experienced in Bali.我依然记得在巴厘岛所经历的那种剧烈的快感。
71 appalling iNwz9     
adj.骇人听闻的,令人震惊的,可怕的
参考例句:
  • The search was hampered by appalling weather conditions.恶劣的天气妨碍了搜寻工作。
  • Nothing can extenuate such appalling behaviour.这种骇人听闻的行径罪无可恕。
72 implores 387b5ff81564ede5ab10226012f89cb9     
恳求或乞求(某人)( implore的第三人称单数 )
参考例句:
  • Every movie we see, every story we are told implores us to wait for it. 我们看的每一部电影,听的每一个故事都恳求着我们驻足等待。
  • Every movie we see, every story we're told implores is to wait for it. 我们看的每场电影,听过的每个故事都告诉我们要耐心等待。
73 tragic inaw2     
adj.悲剧的,悲剧性的,悲惨的
参考例句:
  • The effect of the pollution on the beaches is absolutely tragic.污染海滩后果可悲。
  • Charles was a man doomed to tragic issues.查理是个注定不得善终的人。
74 imprisoned bc7d0bcdd0951055b819cfd008ef0d8d     
下狱,监禁( imprison的过去式和过去分词 )
参考例句:
  • He was imprisoned for two concurrent terms of 30 months and 18 months. 他被判处30个月和18个月的监禁,合并执行。
  • They were imprisoned for possession of drugs. 他们因拥有毒品而被监禁。
75 outlet ZJFxG     
n.出口/路;销路;批发商店;通风口;发泄
参考例句:
  • The outlet of a water pipe was blocked.水管的出水口堵住了。
  • Running is a good outlet for his energy.跑步是他发泄过剩精力的好方法。
76 upbraided 20b92c31e3c04d3e03c94c2920baf66a     
v.责备,申斥,谴责( upbraid的过去式和过去分词 )
参考例句:
  • The captain upbraided his men for falling asleep. 上尉因他的部下睡着了而斥责他们。 来自《现代英汉综合大词典》
  • My wife upbraided me for not earning more money. 我的太太为了我没有赚更多的钱而责备我。 来自辞典例句
77 superstition VHbzg     
n.迷信,迷信行为
参考例句:
  • It's a common superstition that black cats are unlucky.认为黑猫不吉祥是一种很普遍的迷信。
  • Superstition results from ignorance.迷信产生于无知。
78 leisurely 51Txb     
adj.悠闲的;从容的,慢慢的
参考例句:
  • We walked in a leisurely manner,looking in all the windows.我们慢悠悠地走着,看遍所有的橱窗。
  • He had a leisurely breakfast and drove cheerfully to work.他从容的吃了早餐,高兴的开车去工作。
79 serenely Bi5zpo     
adv.安详地,宁静地,平静地
参考例句:
  • The boat sailed serenely on towards the horizon.小船平稳地向着天水交接处驶去。
  • It was a serenely beautiful night.那是一个宁静美丽的夜晚。
80 devoted xu9zka     
adj.忠诚的,忠实的,热心的,献身于...的
参考例句:
  • He devoted his life to the educational cause of the motherland.他为祖国的教育事业贡献了一生。
  • We devoted a lengthy and full discussion to this topic.我们对这个题目进行了长时间的充分讨论。
81 pointed Il8zB4     
adj.尖的,直截了当的
参考例句:
  • He gave me a very sharp pointed pencil.他给我一支削得非常尖的铅笔。
  • She wished to show Mrs.John Dashwood by this pointed invitation to her brother.她想通过对达茨伍德夫人提出直截了当的邀请向她的哥哥表示出来。
82 perturbed 7lnzsL     
adj.烦燥不安的v.使(某人)烦恼,不安( perturb的过去式和过去分词 )
参考例句:
  • I am deeply perturbed by the alarming way the situation developing. 我对形势令人忧虑的发展深感不安。 来自《简明英汉词典》
  • Mother was much perturbed by my illness. 母亲为我的病甚感烦恼不安。 来自《现代英汉综合大词典》
83 prawns d7f00321a6a1efe17e10d298c2afd4b0     
n.对虾,明虾( prawn的名词复数 )
参考例句:
  • Mine was a picture of four translucent prawns, with two small fish swimming above them. 给我画的是四只虾,半透明的,上画有两条小鱼。 来自汉英文学 - 现代散文
  • Shall we get some shrimp and prawns? 我们要不要买些小虾和对虾? 来自无师自通 校园英语会话
84 hesitation tdsz5     
n.犹豫,踌躇
参考例句:
  • After a long hesitation, he told the truth at last.踌躇了半天,他终于直说了。
  • There was a certain hesitation in her manner.她的态度有些犹豫不决。
85 funereal Zhbx7     
adj.悲哀的;送葬的
参考例句:
  • He addressed the group in funereal tones.他语气沉痛地对大家讲话。
  • The mood of the music was almost funereal.音乐的调子几乎像哀乐。
86 canopy Rczya     
n.天篷,遮篷
参考例句:
  • The trees formed a leafy canopy above their heads.树木在他们头顶上空形成了一个枝叶茂盛的遮篷。
  • They lay down under a canopy of stars.他们躺在繁星点点的天幕下。
87 coffin XWRy7     
n.棺材,灵柩
参考例句:
  • When one's coffin is covered,all discussion about him can be settled.盖棺论定。
  • The coffin was placed in the grave.那口棺材已安放到坟墓里去了。
88 eternity Aiwz7     
n.不朽,来世;永恒,无穷
参考例句:
  • The dull play seemed to last an eternity.这场乏味的剧似乎演个没完没了。
  • Finally,Ying Tai and Shan Bo could be together for all of eternity.英台和山伯终能双宿双飞,永世相随。
89 triumphant JpQys     
adj.胜利的,成功的;狂欢的,喜悦的
参考例句:
  • The army made a triumphant entry into the enemy's capital.部队胜利地进入了敌方首都。
  • There was a positively triumphant note in her voice.她的声音里带有一种极为得意的语气。
90 catastrophe WXHzr     
n.大灾难,大祸
参考例句:
  • I owe it to you that I survived the catastrophe.亏得你我才大难不死。
  • This is a catastrophe beyond human control.这是一场人类无法控制的灾难。
91 forth Hzdz2     
adv.向前;向外,往外
参考例句:
  • The wind moved the trees gently back and forth.风吹得树轻轻地来回摇晃。
  • He gave forth a series of works in rapid succession.他很快连续发表了一系列的作品。
92 jealousy WaRz6     
n.妒忌,嫉妒,猜忌
参考例句:
  • Some women have a disposition to jealousy.有些女人生性爱妒忌。
  • I can't support your jealousy any longer.我再也无法忍受你的嫉妒了。
93 hatred T5Gyg     
n.憎恶,憎恨,仇恨
参考例句:
  • He looked at me with hatred in his eyes.他以憎恨的眼光望着我。
  • The old man was seized with burning hatred for the fascists.老人对法西斯主义者充满了仇恨。
94 moor T6yzd     
n.荒野,沼泽;vt.(使)停泊;vi.停泊
参考例句:
  • I decided to moor near some tourist boats.我决定在一些观光船附近停泊。
  • There were hundreds of the old huts on the moor.沼地上有成百上千的古老的石屋。
95 utterly ZfpzM1     
adv.完全地,绝对地
参考例句:
  • Utterly devoted to the people,he gave his life in saving his patients.他忠于人民,把毕生精力用于挽救患者的生命。
  • I was utterly ravished by the way she smiled.她的微笑使我完全陶醉了。
96 plaintive z2Xz1     
adj.可怜的,伤心的
参考例句:
  • Her voice was small and plaintive.她的声音微弱而哀伤。
  • Somewhere in the audience an old woman's voice began plaintive wail.观众席里,一位老太太伤心地哭起来。
97 withered 342a99154d999c47f1fc69d900097df9     
adj. 枯萎的,干瘪的,(人身体的部分器官)因病萎缩的或未发育良好的 动词wither的过去式和过去分词形式
参考例句:
  • The grass had withered in the warm sun. 这些草在温暖的阳光下枯死了。
  • The leaves of this tree have become dry and withered. 这棵树下的叶子干枯了。
98 hissed 2299e1729bbc7f56fc2559e409d6e8a7     
发嘶嘶声( hiss的过去式和过去分词 ); 发嘘声表示反对
参考例句:
  • Have you ever been hissed at in the middle of a speech? 你在演讲中有没有被嘘过?
  • The iron hissed as it pressed the wet cloth. 熨斗压在湿布上时发出了嘶嘶声。
99 glut rflxv     
n.存货过多,供过于求;v.狼吞虎咽
参考例句:
  • The glut of coffee led to a sharp drop in prices.咖啡供过于求道致价格急剧下跌。
  • There's a glut of agricultural products in Western Europe.西欧的农产品供过于求。
100 inquisitive s64xi     
adj.求知欲强的,好奇的,好寻根究底的
参考例句:
  • Children are usually inquisitive.小孩通常很好问。
  • A pat answer is not going to satisfy an inquisitive audience.陈腔烂调的答案不能满足好奇的听众。
101 hip 1dOxX     
n.臀部,髋;屋脊
参考例句:
  • The thigh bone is connected to the hip bone.股骨连着髋骨。
  • The new coats blouse gracefully above the hip line.新外套在臀围线上优美地打着褶皱。
102 hideous 65KyC     
adj.丑陋的,可憎的,可怕的,恐怖的
参考例句:
  • The whole experience had been like some hideous nightmare.整个经历就像一场可怕的噩梦。
  • They're not like dogs,they're hideous brutes.它们不像狗,是丑陋的畜牲。
103 brutally jSRya     
adv.残忍地,野蛮地,冷酷无情地
参考例句:
  • The uprising was brutally put down.起义被残酷地镇压下去了。
  • A pro-democracy uprising was brutally suppressed.一场争取民主的起义被残酷镇压了。
104 throbbed 14605449969d973d4b21b9356ce6b3ec     
抽痛( throb的过去式和过去分词 ); (心脏、脉搏等)跳动
参考例句:
  • His head throbbed painfully. 他的头一抽一跳地痛。
  • The pulse throbbed steadily. 脉搏跳得平稳。
105 corpse JYiz4     
n.尸体,死尸
参考例句:
  • What she saw was just an unfeeling corpse.她见到的只是一具全无感觉的尸体。
  • The corpse was preserved from decay by embalming.尸体用香料涂抹以防腐烂。
106 hideousness 3a44e36f83b8b321e23b561df4a2eef0     
参考例句:
  • Hideousness of aspect, deformity of instinct, troubled him not, and did not arouse his indignation. 外形的丑陋和本性的怪异都不能惊动他,触犯他。 来自互联网
107 sobs d4349f86cad43cb1a5579b1ef269d0cb     
啜泣(声),呜咽(声)( sob的名词复数 )
参考例句:
  • She was struggling to suppress her sobs. 她拼命不让自己哭出来。
  • She burst into a convulsive sobs. 她突然抽泣起来。
108 sob HwMwx     
n.空间轨道的轰炸机;呜咽,哭泣
参考例句:
  • The child started to sob when he couldn't find his mother.孩子因找不到他妈妈哭了起来。
  • The girl didn't answer,but continued to sob with her head on the table.那个女孩不回答,也不抬起头来。她只顾低声哭着。
109 intoxicated 350bfb35af86e3867ed55bb2af85135f     
喝醉的,极其兴奋的
参考例句:
  • She was intoxicated with success. 她为成功所陶醉。
  • They became deeply intoxicated and totally disoriented. 他们酩酊大醉,东南西北全然不辨。
110 sublime xhVyW     
adj.崇高的,伟大的;极度的,不顾后果的
参考例句:
  • We should take some time to enjoy the sublime beauty of nature.我们应该花些时间去欣赏大自然的壮丽景象。
  • Olympic games play as an important arena to exhibit the sublime idea.奥运会,就是展示此崇高理念的重要舞台。
111 splendor hriy0     
n.光彩;壮丽,华丽;显赫,辉煌
参考例句:
  • Never in his life had he gazed on such splendor.他生平从没有见过如此辉煌壮丽的场面。
  • All the splendor in the world is not worth a good friend.人世间所有的荣华富贵不如一个好朋友。
112 captivity qrJzv     
n.囚禁;被俘;束缚
参考例句:
  • A zoo is a place where live animals are kept in captivity for the public to see.动物园是圈养动物以供公众观看的场所。
  • He was held in captivity for three years.他被囚禁叁年。
113 groaned 1a076da0ddbd778a674301b2b29dff71     
v.呻吟( groan的过去式和过去分词 );发牢骚;抱怨;受苦
参考例句:
  • He groaned in anguish. 他痛苦地呻吟。
  • The cart groaned under the weight of the piano. 大车在钢琴的重压下嘎吱作响。 来自《简明英汉词典》
114 frightful Ghmxw     
adj.可怕的;讨厌的
参考例句:
  • How frightful to have a husband who snores!有一个发鼾声的丈夫多讨厌啊!
  • We're having frightful weather these days.这几天天气坏极了。
115 betrothed betrothed     
n. 已订婚者 动词betroth的过去式和过去分词
参考例句:
  • She is betrothed to John. 她同约翰订了婚。
  • His daughter was betrothed to a teacher. 他的女儿同一个教师订了婚。
116 asunder GVkzU     
adj.分离的,化为碎片
参考例句:
  • The curtains had been drawn asunder.窗帘被拉向两边。
  • Your conscience,conviction,integrity,and loyalties were torn asunder.你的良心、信念、正直和忠诚都被扯得粉碎了。


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