The Best Positions in the ChurchService! talent! merit! bah! belong to a coterie1.
TELEMACHUSThus the idea of a Bishopric was for the first time blended with that ofJulien in the head of a woman who sooner or later would be distributingthe best positions in the Church of France. This prospect3 would havemade little difference to him; for the moment, his thoughts rose to nothing that was alien to his present misery4: everything intensified5 it; for instance the sight of his bedroom had become intolerable to him. At night,when he came upstairs with his candle, each piece of furniture, everylittle ornament6 seemed to acquire the power of speech to inform himharshly of some fresh detail of his misery.
This evening, 'I am a galley7 slave,' he said to himself, as he entered it,with a vivacity8 long unfamiliar9 to him: 'let us hope that the second letterwill be as boring as the first.'
It was even more so. What he was copying seemed to him so absurdthat he began to transcribe10 it line for line, without a thought of themeaning.
'It is even more emphatic,' he said to himself, 'than the official documents of the Treaty of Muenster, which my tutor in diplomacy11 made mecopy out in London.'
It was only then that he remembered the letters from Madame de Fervaques, the originals of which he had forgotten to restore to the graveSpaniard, Don Diego Bustos. He searched for them; they were really almost as fantastic a rigmarole as those of the young Russian gentleman.
They were completely vague. They expressed everything and nothing. 'Itis the Aeolian harp12 of style,' thought Julien. 'Amid the most loftythoughts about annihilation, death, the infinite, etc., I can see no realitysave a shocking fear of ridicule13.'
The monologue14 which we have here abridged15 was repeated nightly fora fortnight. Falling asleep while transcribing16 a sort of commentary on theApocalypse, going next day to deliver a letter with a melancholy17 air,leaving his horse in the stable yard with the hope of catching18 a glimpseof Mathilde's gown, working, putting in an appearance in the evening atthe Opera when Madame de Fervaques did not come to the Hotel de LaMole; such were the monotonous20 events of Julien's existence. They became more interesting when Madame de Fervaques paid a visit to theMarquise; then he could steal a glance at Mathilde's eyes beneath theside of the Marechale's hat, and would wax eloquent21. His picturesqueand sentimental22 phrases began to assume a turn at once more strikingand more elegant.
He was fully23 aware that what he was saying seemed absurd to Mathilde, but he sought to impress her by the elegance24 of his diction. 'Thefalser the things I say, the more I ought to appeal to her,' thought Julien;and then, with a shocking boldness, he began to exaggerate certain aspects of nature. He very soon perceived that, if he were not to appearvulgar in the eyes of the Marechale, he must above all avoid any simpleor reasonable idea. He continued on these lines, or abridged his amplifications according as he read success or indifference25 in the eyes of the twogreat ladies to whom he must appeal.
On the whole, his life was less horrible than at the time when his dayspassed in inaction.
'But,' he said to himself one evening, 'here I am transcribing the fifteenth of these abominable26 dissertations27; the first fourteen have beenfaithfully delivered to the Marechale's Swiss. I shall soon have the honour of filling all the pigeonholes28 in her desk. And yet she treats me exactly as though I were not writing! What can be the end of all this? Canmy constancy bore her as much as it bores me? I am bound to say thatthis Russian, Korasoff's friend, who was in love with the fair Quakeressof Richmond, must have been a terrible fellow in his day; no one couldbe more deadly.'
Like everyone of inferior intelligence whom chance brings into touchwith the operations of a great general, Julien understood nothing of theattack launched by the young Russian upon the heart of the fair Englishmaid. The first forty letters were intended only to make her pardon hisboldness in writing. It was necessary to make this gentle person, whoperhaps was vastly bored, form the habit of receiving letters that wereperhaps a trifle less insipid29 than her everyday life.
One morning, a letter was handed to Julien; he recognised the armorialbearings of Madame de Fervaques, and broke the seal with an eagernesswhich would have seemed quite impossible to him a few days earlier: itwas only an invitation to dine.
He hastened to consult Prince Korasoff's instructions. Unfortunately,the young Russian had chosen to be as frivolous30 as Dorat, just where heought to have been simple and intelligible31; Julien could not discover themoral attitude which he was supposed to adopt at the Marechale's table.
Her drawing-room was the last word in magnificence, gilded32 like theGalerie de Diane in the Tuileries, with oil paintings in the panels. Therewere blank spaces in these paintings, Julien learned later on that the subjects had seemed hardly decent to the lady of the house, who had hadthe pictures corrected. 'A moral age!' he thought.
In this drawing-room he remarked three of the gentlemen who hadbeen present at the drafting of the secret note. One of them, the RightReverend Bishop2 of ——, the Marechale's uncle, had the patronage33 of benefices, and, it was said, could refuse nothing to his niece. 'What a vaststride I have made,' thought Julien, with a melancholy smile, 'and howcold it leaves me! Here I am dining with the famous Bishop of ——.'
The dinner was indifferent and the conversation irritating. 'It is like thetable of contents of a dull book,' thought Julien. 'All the greatest subjectsof human thought are proudly displayed in it. Listen to it for threeminutes, and you ask yourself which is more striking, the emphasis ofthe speaker or his shocking ignorance.'
The reader has doubtless forgotten that little man of letters, namedTanbeau, the nephew of the Academician and an embryo34 professor, who,with his vile35 calumnies36, seemed to be employed in poisoning thedrawing-room of the Hotel de La Mole19.
It was from this little man that Julien first gleaned37 the idea that itmight well be that Madame de Fervaques, while refraining from answering his letters, looked with indulgence upon the sentiment that dictatedthem. The black heart of M. Tanbeau was torn asunder38 by the thought ofJulien's successes; but inasmuch as, looking at it from another angle, adeserving man cannot, any more than a fool, be in two places at once, 'ifSorel becomes the lover of the sublime39 Marechale,' the future professortold himself, 'she will place him in the Church in some advantageousmanner, and I shall be rid of him at the Hotel de La Mole.'
M. l'abbe Pirard also addressed long sermons to Julien on his successesat the Hotel de Fervaques. There was a sectarian jealousy40 between the austere41 Jansenist and the Jesuitical, regenerative and monarchicaldrawing-room of the virtuous42 Marechale.
1 coterie | |
n.(有共同兴趣的)小团体,小圈子 | |
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2 bishop | |
n.主教,(国际象棋)象 | |
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3 prospect | |
n.前景,前途;景色,视野 | |
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4 misery | |
n.痛苦,苦恼,苦难;悲惨的境遇,贫苦 | |
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5 intensified | |
v.(使)增强, (使)加剧( intensify的过去式和过去分词 ) | |
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6 ornament | |
v.装饰,美化;n.装饰,装饰物 | |
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7 galley | |
n.(飞机或船上的)厨房单层甲板大帆船;军舰舰长用的大划艇; | |
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8 vivacity | |
n.快活,活泼,精神充沛 | |
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9 unfamiliar | |
adj.陌生的,不熟悉的 | |
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10 transcribe | |
v.抄写,誉写;改编(乐曲);复制,转录 | |
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11 diplomacy | |
n.外交;外交手腕,交际手腕 | |
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12 harp | |
n.竖琴;天琴座 | |
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13 ridicule | |
v.讥讽,挖苦;n.嘲弄 | |
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14 monologue | |
n.长篇大论,(戏剧等中的)独白 | |
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15 abridged | |
削减的,删节的 | |
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16 transcribing | |
(用不同的录音手段)转录( transcribe的现在分词 ); 改编(乐曲)(以适应他种乐器或声部); 抄写; 用音标标出(声音) | |
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17 melancholy | |
n.忧郁,愁思;adj.令人感伤(沮丧)的,忧郁的 | |
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18 catching | |
adj.易传染的,有魅力的,迷人的,接住 | |
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19 mole | |
n.胎块;痣;克分子 | |
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20 monotonous | |
adj.单调的,一成不变的,使人厌倦的 | |
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21 eloquent | |
adj.雄辩的,口才流利的;明白显示出的 | |
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22 sentimental | |
adj.多愁善感的,感伤的 | |
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23 fully | |
adv.完全地,全部地,彻底地;充分地 | |
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24 elegance | |
n.优雅;优美,雅致;精致,巧妙 | |
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25 indifference | |
n.不感兴趣,不关心,冷淡,不在乎 | |
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26 abominable | |
adj.可厌的,令人憎恶的 | |
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27 dissertations | |
专题论文,学位论文( dissertation的名词复数 ) | |
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28 pigeonholes | |
n.鸽舍出入口( pigeonhole的名词复数 );小房间;文件架上的小间隔v.把…搁在分类架上( pigeonhole的第三人称单数 );把…留在记忆中;缓办;把…隔成小格 | |
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29 insipid | |
adj.无味的,枯燥乏味的,单调的 | |
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30 frivolous | |
adj.轻薄的;轻率的 | |
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31 intelligible | |
adj.可理解的,明白易懂的,清楚的 | |
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32 gilded | |
a.镀金的,富有的 | |
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33 patronage | |
n.赞助,支援,援助;光顾,捧场 | |
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34 embryo | |
n.胚胎,萌芽的事物 | |
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35 vile | |
adj.卑鄙的,可耻的,邪恶的;坏透的 | |
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36 calumnies | |
n.诬蔑,诽谤,中伤(的话)( calumny的名词复数 ) | |
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37 gleaned | |
v.一点点地收集(资料、事实)( glean的过去式和过去分词 );(收割后)拾穗 | |
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38 asunder | |
adj.分离的,化为碎片 | |
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39 sublime | |
adj.崇高的,伟大的;极度的,不顾后果的 | |
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40 jealousy | |
n.妒忌,嫉妒,猜忌 | |
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41 austere | |
adj.艰苦的;朴素的,朴实无华的;严峻的 | |
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42 virtuous | |
adj.有品德的,善良的,贞洁的,有效力的 | |
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