One form of mutilation—that of perforating the lobes of the ears—was referred to in the last chapter. “Perforating,” however, inadequately4 describes the cutting away of the major portion of the ear-lobe1, leaving only a thin circle of flesh through which is thrust the bamboo ear-plug. As previously5 described, the bamboo tube is, in the case of women, decorated by having strands6 of yarn8, or of dried grass, threaded through it; this being twisted to form a rosette at either end of the bamboo. Men also wear the bamboo ear-plug, but I have never seen the ear-plug of a man decorated with rosettes.[96] Masculine vanity, as regards the ear, seems to take a different form—that of having rings of wire twisted through the hole in the lobe, between the bamboo ear-plug and the rim9 of flesh beneath it, so that these[187] “ear-rings” hang from the ear, sometimes jingling10 as the wearer walks, if he be fortunate enough to secure enough wire to make several rings for each ear. This added weight of the rings of wire depending from the lobe of the ear, which has already been cut to a thin strip—to allow the passage through it of the bamboo plug—sometimes causes the flesh to tear through. The man to whom such an accident happens meets with little sympathy; he is regarded as a weakling, and treated with consequent scorn.
The most painful form of mutilation, however, common among all the tribes except the Ami, is the knocking out of the two upper lateral11 incisor teeth. This constitutes a sort of puberty ceremony, being performed upon both boys and girls when they reach the age of thirteen or fourteen. Among the Taiyal, the teeth—instead of being knocked out with wooden blocks, as is common among the other tribes—are often extracted with twisted China grass, or with a strand7 from a loom12 of one of the women of the tribe. This ceremony is usually performed by a priestess, though among some of the tribal13 units the honour of performing the dental ceremony is conferred upon a valiant14 and successful warrior15. The reason given for extracting the teeth of youths and maidens16 is that, as these are now no longer children, they must cease to resemble monkeys and dogs, which have not the wisdom to remove their teeth. As, however, the same custom exists among practically[188] all primitive18 peoples, the explanation given is a dubious19 one, and is obviously “thought up” for the sake of satisfying the curiosity of the white man, or woman, who is foolish enough to want to know the “reason why” of customs that all sensible and well-brought-up people follow as a matter of course.
Tattooing is a form of mutilation that is followed by the two large tribes of Taiyal and Paiwan; the small tribe of Saisett imitating the system in vogue20 among the Taiyal; the Tsarisen and Piyuma imitating that of the Paiwan. The Taiyal system is the most distinctive21, and seems to have the greatest significance as indicating the status of the individual in the tribe. The tattooing of the Taiyal is on the face. When a child—whether boy or girl—reaches the age of about five, it has tattooed22 on its forehead a series of horizontal lines, each line being about half an inch in length. These lines are repeated, one above another, from a point between the eyebrows23 to one just below the roots of the hair; the design when finished giving the impression of a finely striped rectangle about half an inch in width and two and a half inches in height. Usually several children are tattooed at the same time, and the occasion is made one of feasting and dancing. The children are by this ceremony formally accepted as members of the tribe, entitled to its rights and privileges, and also expected to bear some share of its duties and responsibilities.[189] It is usually at this time that a boy is made to lay his hand upon the head of an enemy decapitated by his father—a custom to which reference has previously been made.
A Japanese lecturer in a paper read before the China Society in London in 1916—and afterwards published—said, in speaking of the Taiyal: “When a boy attains24 the age of five or six he tattoos25 on his forehead a series of three blocks of horizontal lines,” etc. “A girl also tattoos her forehead at the same age.”
It was probably the English of the lecturer in question that was at fault, not his knowledge of the subject. As a matter of fact, no child tattoos itself. It is always an adult—usually a priestess—who tattoos the child. The latter reclines upon the ground; the tattooer26 stands behind the child and strikes its forehead with a tattooing implement27. This is a piece of bamboo—occasionally wood—with a number of thorns (from six to ten) fastened at one end, somewhat resembling a miniature toothbrush.[97] Often a block of wood is held in the tattooer’s other hand, and with this the tattooing implement is struck after it has been laid upon the forehead; this ensures a stronger blow, and one more accurately28 placed. It seems necessary that blood be drawn29; this is wiped away, and into each puncture30 a sort of native lamp-black—obtained by burning oily[190] nuts—is rubbed; the effect is to produce lines in the design described above.
The same method is employed by the priestess in tattooing the bride—a custom to which reference was made in the chapter dealing31 with Marriage Customs. In this case, however, the tattooing is done upon the cheeks, and in a design quite different from that which is made upon the forehead of the child. The design that indicates matronhood is one that practically covers both cheeks, extending from the mouth (the upper line a little above it; the lower one a little below it, to be exact) to the ear on each side. The design tattooed upon the bride is not rectilinear, as was that tattooed upon her forehead in childhood, but consists of upward-curving lines, between every three or four of which is a row of marks resembling chevrons32. That is, this is the design most usually seen. In some cases, however—and this is seen more frequently in the case of women prominent in the tribal unit, therefore is perhaps an insignia of rank or of honour—the design begins with three parallel curving lines, a little space, then another line; immediately below which are two rows of chevrons. The lower row of chevrons rests, as it were, upon another line; again a little space, then four more parallel lines, the whole design, when completed, being one of great elaboration.
As the bride is tattooed after the fashion described, so must the bridegroom also be[191] tattooed. But in his case the tattooing must be done before marriage; this in order to show that he is a successful warrior, and therefore entitled to enter upon the married state. This insignia of honour and of dignity befitting a Benedict consists of tattoo-marks on the chin—a series of straight lines, a little longer than those pricked33 into the forehead in childhood. By these presents know all men that the chin-tattooed young brave has at least one head to his credit—though in these degenerate34 days it may be only a head decapitated by his father on which his young hands have been placed. In such a case, however, it is with humiliation35 and with apologetic explanations that confession36 is made of the fact that the valour was by proxy37.
Among the Paiwan the successful warriors38 are tattooed on the shoulders, the chest, or the arms; sometimes on all these parts of the body; but less significance seems attached by them to tattoo-marking than is the case among the Taiyal. Social custom seems to allow the Paiwan greater latitude39 in the choice of design, which seems to be regarded more as of purely40 ornamental41 character. It is, however, possible that further research will show as definite a system regarding tattoo-marking and its significance to exist among the Paiwan as among the Taiyal.
Paiwan women are not tattooed on their bodies as the men of the tribe are, or on their faces as are Taiyal women; but only on the backs of their[192] hands—little series of lines that approximate sometimes squares, sometimes circles. The women of the Lu-chu islands have a similar custom. Whether or not there has been any contact between the two peoples would be an interesting subject for investigation42.
The custom of circumcision does not seem to exist among any of the Formosan tribes, either as a rite43 of puberty or of infancy44. Nor did I see any evidence while among them of finger mutilation, such as exists among certain peoples in Africa; and also, I believe, among some Australian tribes. Neither do young men pass through the extremely painful initiation45 rites46 that are demanded of the young “braves” of certain North American Indian tribes—notably the Sioux—such as hanging suspended from a rod which is passed through the flesh of the shoulders, walking over live coals, or the like. The most painful rite to which either the young man or the young woman is subjected is that of having the teeth extracted. This is usually borne with stoical fortitude47, and afterwards the youth or maiden17 will proudly boast of the fact that the tongue can be seen through the teeth, and will lose no opportunity of broadly smiling to demonstrate the truth of the assertion.
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1
lobe
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| n.耳垂，（肺，肝等的）叶 | |
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lobes
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| n.耳垂( lobe的名词复数 )；（器官的）叶；肺叶；脑叶 | |
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3
tattooing
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| n.刺字，文身v.刺青，文身( tattoo的现在分词 )；连续有节奏地敲击；作连续有节奏的敲击 | |
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4
inadequately
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| ad.不够地；不够好地 | |
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previously
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| adv.以前，先前（地） | |
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strands
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| n.（线、绳、金属线、毛发等的）股( strand的名词复数 )；缕；海洋、湖或河的)岸；（观点、计划、故事等的）部份v.使滞留，使搁浅( strand的第三人称单数 ) | |
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strand
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| vt.使（船）搁浅，使（某人）困于（某地） | |
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yarn
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| n.纱，纱线，纺线；奇闻漫谈，旅行轶事 | |
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rim
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| n.(圆物的)边，轮缘；边界 | |
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jingling
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| 叮当声 | |
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lateral
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| adj.侧面的，旁边的 | |
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loom
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| n.织布机，织机；v.隐现，(危险、忧虑等)迫近 | |
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tribal
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| adj.部族的，种族的 | |
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valiant
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| adj.勇敢的，英勇的；n.勇士，勇敢的人 | |
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warrior
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| n.勇士，武士，斗士 | |
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maidens
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| 处女( maiden的名词复数 )； 少女； 未婚女子； （板球运动）未得分的一轮投球 | |
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maiden
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| n.少女，处女；adj.未婚的，纯洁的，无经验的 | |
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primitive
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| adj.原始的；简单的；n.原(始)人，原始事物 | |
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dubious
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| adj.怀疑的，无把握的；有问题的，靠不住的 | |
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Vogue
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| n.时髦，时尚；adj.流行的 | |
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distinctive
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| adj.特别的，有特色的，与众不同的 | |
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tattooed
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| v.刺青，文身( tattoo的过去式和过去分词 )；连续有节奏地敲击；作连续有节奏的敲击 | |
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eyebrows
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| 眉毛( eyebrow的名词复数 ) | |
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attains
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| （通常经过努力）实现( attain的第三人称单数 )； 达到； 获得； 达到（某年龄、水平、状况） | |
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tattoos
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| n.文身( tattoo的名词复数 )；归营鼓；军队夜间表演操；连续有节奏的敲击声v.刺青，文身( tattoo的第三人称单数 )；连续有节奏地敲击；作连续有节奏的敲击 | |
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tattooer
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| 文身师，黥墨师 | |
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implement
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| n.(pl.)工具，器具；vt.实行，实施，执行 | |
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accurately
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| adv.准确地，精确地 | |
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drawn
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| v.拖，拉，拔出；adj.憔悴的，紧张的 | |
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puncture
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| n.刺孔，穿孔；v.刺穿，刺破 | |
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dealing
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| n.经商方法，待人态度 | |
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32
chevrons
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| n.（警察或士兵所佩带以示衔级的）∧形或∨形标志( chevron的名词复数 ) | |
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33
pricked
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| 刺，扎，戳( prick的过去式和过去分词 )； 刺伤； 刺痛； 使剧痛 | |
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degenerate
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| v.退步，堕落；adj.退步的，堕落的；n.堕落者 | |
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35
humiliation
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| n.羞辱 | |
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36
confession
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| n.自白，供认，承认 | |
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37
proxy
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| n.代理权，代表权；（对代理人的）委托书；代理人 | |
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38
warriors
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| 武士，勇士，战士( warrior的名词复数 ) | |
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39
latitude
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| n.纬度，行动或言论的自由(范围)，(pl.)地区 | |
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40
purely
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| adv.纯粹地，完全地 | |
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41
ornamental
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| adj.装饰的；作装饰用的；n.装饰品；观赏植物 | |
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42
investigation
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| n.调查，调查研究 | |
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43
rite
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| n.典礼，惯例，习俗 | |
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44
infancy
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| n.婴儿期；幼年期；初期 | |
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45
initiation
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| n.开始 | |
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46
rites
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| 仪式，典礼( rite的名词复数 ) | |
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47
fortitude
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| n.坚忍不拔；刚毅 | |
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