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CHAPTER XXI THE OLDEST BOOKS AND POEMS
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The books of saga1, poetry, and annals that have come down to our day, though so vastly more ancient and numerous than anything that the rest of Western Europe has to show, are yet an almost inappreciable fragment of the literature that at one time existed in Ireland. The great native scholar O'Curry, who possessed2 a unique and unrivalled knowledge of Irish literature in all its forms, has drawn3 up a list of lost books which may be supposed to have contained our earliest literature.

We find the poet Senchan Torpéist—according to the account in the Book of Leinster, a manuscript which dates from about the year 1150—complaining that the only perfect record of the great Irish epic4, the Táin Bo Chuailgne[1] or Cattle-spoil of Cooley, had been taken to the East with the Cuilmenn,[2] or Great Skin Book. Now Zimmer, who made a special and minute study of this story, considers that the earliest redaction of the Táin dates from the seventh century.[Pg 264] This legend about Senchan—a real historical poet whose eulogy6 in praise of Columcille, whether genuine or not, was widely popular—is probably equally old, and points to the early existence of a great skin book in which pagan tales were written, but which was then lost. The next great book is the celebrated7 Saltair of Tara, which is alluded8 to in a genuine poem of Cuan O'Lochain about the year 1000, in which he says that Cormac mac Art drew up the Saltair of Tara. Cormac, being a pagan, could not have called the book a Saltair or Psalterium, but it may have got the name in later times from its being in metre. All that this really proves, however, is that there then existed a book about the prerogatives9 of Tara and the provincial10 kings so old that Cuan O'Lochain—no doubt following tradition—was not afraid to ascribe it to Cormac mac Art who lived in the third century. The next lost book is called the Book of the Uacongbhail, upon which both the O'Clerys in their Book of Invasions and Keating in his history drew, and which, according to O'Curry, still existed at Kildare so late as 1626. The next book is called the Cin of Drom Snechta. It is quoted in the Leabhar na h-Uidhre, or "Book of the Dun Cow"—a MS. of about the year 1100—and often in the Book of Ballymote and by Keating, who in quoting it says, "And it was before the coming of Patrick to Ireland that that book existed,"[3] and the Book of Leinster ascribes it to the son of a king of Connacht who died either in 379 or 499. The next books of which we find mention were said to have belonged to St. Longarad, a contemporary of St. Columcille. The scribe who wrote the glosses12 on the Féil?rè of Angus the Culdee, said that the books existed still in his day, but that nobody could read them; for which he accounts by the tale that Columcille once paid Longarad a visit in order to see his books, but that his host refused to show them, and that Columcille then said, "May your books be of no use after you, since[Pg 265] you have exercised inhospitality about them." On account of this the books became illegible13 after Longarad's death. Angus the Culdee lived about the year 800, but Stokes ascribes the Féil?rè to the tenth century; a view, however, which Mr. Strachan's studies on the Irish deponent verb, which is of such frequent occurrence in the Féil?rè, may perhaps modify. At what time the scholiast wrote his note on the text is uncertain, but it also is very old. It is plain, then, that at this time a number of illegible books—illegible no doubt from age—existed; and to account for this illegibility14 the story of Columcille's curse was invented. The Annals of Ulster quote another book at the year 527 under the name of the Book of St. Mochta, who was a disciple15 of St. Patrick. They also quote the Book of Cuana at the year 468 and repeatedly afterwards down to the year 610, while they record the death of Cuana, a scribe, at the year 738, after which no more quotations16 from Cuana's book occur.

The following volumes, almost all of which existed prior to the year 1100, are also alluded to in our old literature:—The Book of Dubhdaleithe; the Yellow Book of Slane; the original Leabhar na h-Uidhre, or "Book of the Dun Cow"; the Books of Eochaidh O'Flanagain; a certain volume known as the book eaten by the poor people in the desert; the Book of Inis an Dúin; the short Book of Monasterboice; the Books of Flann of Monasterboice; the Book of Flann of Dungiven; the Book of Downpatrick; the Book of Derry; the Book of Sábhal Patrick; the Black Book of St. Molaga; the Yellow Book of St. Molling; the Yellow Book of Mac Murrough; the Book of Armagh (not the one now so called); the Red Book of Mac Egan; the Long Book of Leithlin; the Books of O'Scoba of Clonmacnois; the "Duil" of Drom Ceat; the Book of Clonsost; the Book of Cluain Eidhneach (the ivy17 meadow) in Leix; and one of the most valuable and often quoted of all, Cormac's great Saltair of Cashel, compiled by Cormac mac Culinan, who was at once king of Munster[Pg 266] and archbishop of Cashel,[4] and who fell in battle in 903, according to the chronology of the "Four Masters." The above are certainly only a few of the books in which a large early literature was contained, one that has now perished almost to a page. Michael O'Clery, in the Preface to his Book of Invasions written in 1631, mentions the books from which he and his four antiquarian friends compiled their work—mostly now perished!—and adds:—

    "The histories and synchronisms of Erin were written and tested in the presence of those illustrious saints, as is manifest in the great books that are named after the saints themselves and from their great churches; for there was not an illustrious church in Erin that had not a great book of history named from it or from the saints who sanctified it. It would be easy, too, to know from the books which the saints wrote, and the songs of praise which they composed in Irish that they themselves and their churches were the centres of the true knowledge, and the archives and homes of the manuscripts of the authors of Erin in the elder times. But, alas18! short was the time until dispersion and decay overtook the churches of the saints,[Pg 267] their relics19, and their books; for there is not to be found of them now [1631] but a small remnant that has not been carried away into distant countries and foreign nations—carried away so that their fate is unknown from that time unto this."

As far as actual existing documents go, we have no specimens21 of Irish MSS. written in Irish before the eighth century. The chief remains22 of the old language that we have are mostly found on the Continent, whither the Irish carried their books in great numbers, and unfortunately they are not books of saga, but chiefly, with the exception of a few poems, glosses and explanations of books used evidently in the Irish ecclesiastical schools.[5] A list of the most remarkable23 is worth giving here, as it will help to show the extraordinary geographical24 diversity of the Irish settlements upon the Continent, and the keenness with which their relics have been studied by European scholars—French, German, and Italian. The most important are the glosses found in the Irish MSS. of Milan, published by Ascoli, Zeuss, Stokes, and Nigra; those in St. Gall25—a monastery26 in Switzerland founded by St. Gall, an Irish friend of Columbanus, in the sixth century—published by Ascoli and Nigra; those in Wurtzburg, published by Zimmer and Zeuss; those in Carlsruhe, published by Zeuss; those in Turin, published by Zimmer, Nigra, and Stokes in his "Goidelica"; those in Vienna, published by Zimmer in his "Gloss11? Hibernic?" and Stokes in his "Goidelica"; those in Berne, those in Leyden, those in Nancy, and the glosses on the Cambrai Sermon, published by Zeuss.[6] Next in antiquity27 to these are the Irish parts of the Book of Armagh, the poems in the MSS. of St.[Pg 268] Gall and Milan,[7] and some of the pieces published by Windisch in his "Irische Texte." Next to this is probably the Martyrology of Angus the Culdee. And then come the great Middle-Irish books—the Leabhar na h-Uidhre, the Book of Leinster, and the rest.

From a pal28?ographic point of view the oldest books in Ireland are probably the "Domhnach Airgid," a copy of the Four Gospels in a triple shrine29 of yew30, silver-plated copper31, and gold-plated silver, which St. Patrick was believed to have given to St. Carthainn when he told that saint with a shrewd wisdom, which in later days aroused the admiration32 of Mr. Matthew Arnold, to build himself a church "that should not be too near to himself for familiarity nor too far from himself for intercourse33." It probably dates from the fifth or sixth century. The Cathach supposed to have been surreptitiously written by Columcille from Finnian's book[8]—a Latin copy of the Gospels in Trinity College, Dublin; the Book of Durrow, a beautiful illuminated34 copy of the same; the Book of Dimma, containing the Four Gospels, ritual, and prayers, probably a work of the seventh century; the Book of Molling, of probably about the same date; the Gospels of Mac Regol, the largest of the Old Irish Gospel books, highly but not elegantly coloured, with an interlinear Anglo-Saxon version in a late hand carried through its pages; the Book of Kells, the unapproachable glory of Irish illumination, and some other ecclesiastical books. After them come the Leabhar na h-Uidre and the great books of poems and saga.

Although the language of these sagas35 and poems is not that of the glosses, but what is called "Middle-Irish," still it does not in the least follow that the poems and sagas belong to the Middle-Irish period. "The old Middle-Irish manuscripts," says Zimmer, "contain for the most part only Old Irish texts re-written."[9] "Unfortunately," says Windisch, "every new[Pg 269] copyist has given to the text more or less of the linguistic36 garb37 of his own day, so that as far as the language of Irish texts goes, it depends principally upon the age of the manuscript that contains them."[10] And again, in his preface to Adamnan's vision, he writes: "Since we know that Irish texts were rewritten by every fresh copyist more or less regularly in the speech of his own day, the real age or a prose text cannot possibly be determined38 by the linguistic forms of its language."[11] It is much easier to tell the age of poetry than prose, for the gradual modification39 of language, altering of words, shortening of inflexions, and so on, must interfere40 with the metre, so that when we find a poem in a twelfth-century manuscript written in Middle Irish and in a perfect metrical form, we may—no matter to what age it is ascribed—be pretty sure that it cannot be more than two or three centuries older than the manuscript that contains it. Yet even of the poems Dr. Atkinson writes: "The poem may be of the eighth century, but the forms are in the main of the twelfth."[12] Where poems that really are of ancient date have had their language modified in transcription so as to render them intelligible41, the metre is bound to suffer, and this lends us a criterion whereby to gauge42 the age of verse, which is lacking to us when we come to deal with prose.

This modification of language is not uncommon43 in literature and takes place naturally, but I doubt if there ever was a literature in which it played the same important part as in Irish. Thus let us take the story of the Táin Bo Chuailgne, of which I shall have more to say later on. Zimmer, after long and careful study of the text as preserved to us in a manuscript of about the year 1100, came to the conclusion from the marks of Old Irish inflexion, and so forth44, which still remain in the eleventh-century text, that there had been two recensions of[Pg 270] the story, a pre-Danish, that is, say, a seventh-century one, and a post-Danish, that is a tenth-or eleventh-century one. Thus the epic may have been originally committed to paper in the seventh century, modified in the tenth, transcribed45 into the manuscripts in which we have it in the eleventh and twelfth, and propagated from that down to the eighteenth century, in copies every one of which underwent more or less alteration46 in order to render it more intelligible; and it was in fact in an eighteenth-century manuscript, yet one that differed, as I subsequently discovered, in few essentials from the copy in the Book of Leinster that I first read it. As the bards48 lived to please so they had to please to live. The popular mind only receives with pleasure and transmits with readiness popular poetry upon the condition that it is intelligible,[13] and hence granting that Finn mac Cool was a real historical personage, it is perfectly49 possible that some of his poetry was handed down from generation to generation amongst the conservative Gael, and slightly altered or modified from time to time to make it more intelligible, according as words died out and inflexions became obsolete50. The Oriental philologist51, Max Müller, in attempting to explain how myths arose (according to his theory) from a disease of language, thinks that during the transition period of which he speaks, there would be many words "understood perhaps by the grandfather, familiar to the father, but strange to the son, and misunderstood by the grandson." This is exactly what is taking place over half Ireland at this very moment, and it is what has always been at work amongst a people whose language and literature go back with certainty for nearly 1,500 years. Accordingly before the art of writing became common, ere yet expensive vellum MSS. and a highly-paid[Pg 271] class of historians and schools of scribes to a certain extent stereotyped53 what they set down, it is altogether probable that people who trusted to the ear and to memory, modified and corrupted54 but still handed down, at least some famous poems, like those ascribed to Amergin or Finn mac Cool. That the Celtic memory for things unwritten is long I have often proved. I have heard from peasants stanzas55 composed by Donogha Mór O'Daly, of Boyle, in the thirteenth century; I have recovered from an illiterate56 peasant, in 1890 in Roscommon, verses which had been jotted57 down in phonetic58 spelling in Argyleshire by Macgregor, Dean of Lismore, in the year 1512, and which may have been sung for hundreds of years before it struck the fancy of the Highland59 divine to commit them to paper;[14] and I have again heard verses in which the measure and sense were preserved, but found on comparing them with MSS. that several obsolete words had been altered to others that rhymed with them and were intelligible.[15] For these reasons I should, in many cases, refuse absolutely to reject the authenticity60 of a poem simply because the language is more modern than that of the bard47 could have been to whom it is ascribed, and it seems to me equally uncritical either to accept or reject much of our earliest poetry, except what is in highly-developed metre, as a good deal of it may possibly be the actual (but linguistically61 modified) work of the supposed authors.

This modifying process is something akin52 to but very different in degree from Pope's rewriting of Donne's satires62 or Dryden's version of Chaucer, inasmuch as it was probably both unconscious and unintentional. To understand better how this modification may have taken place, let us examine a[Pg 272] few lines of the thirteenth-century English poem, the "Brut" of Layamon:—

"And swa ich habbe al niht
Of mine swevene swithe ithoht,
For ich what to iwisse
Agan is al my blisse."

These lines were, no doubt, intelligible to an ordinary Englishman at the time. Gradually they become a little modernised, thus:—

"And so I have all night
Of min-e sweeven swith ythought,
For I wat to ywiss
Agone is all my bliss63."

Had these verses been preserved in folk-memory they must have undergone a still further modification as soon as the words sweeven (dream), swith (much), and ywiss (certainty) began to grow obsolete, and we should have the verse modified and mangled64, perhaps something in this way:—

"And so I have all the night
Of my dream greatly thought,
For I wot and I wis
That gone is all my bliss."

The words "I wot and I wis," in the third line, represent just about as much archaism as the popular memory and taste will stand without rebelling. Some modification in the direction here hinted at may be found in, I should think, more than half the manuscripts in the Royal Irish Academy to-day, and just in the same sense as the lines,

"For I wot and I wis
That gone is my bliss,"

are Layamon's; so we may suppose,

"Dubthach missi mac do Lugaid
Laidech lantrait
[Pg 273]Mé ruc inmbreith etir Loegaire
Ocus Patraic,"[16]

to be the fifth century O'Lugair's, or

"Leathaid folt fada fraich,
Forbrid canach fann finn,"[17]

to be Finn mac Cúmhail's.

Of the many poems—as distinguished65 from sagas, which are a mixture of poetry and prose—said to have been produced from pagan times down to the eighth century, none can be properly called epics66 or even épopées. There are few continued efforts, and the majority of the pieces though interesting for a great many reasons to students, would hardly interest an English reader when translated. Unfortunately, such a great amount of our early literature being lost, we can only judge of what it was like through the shorter pieces which have been preserved, and even these short pieces read rather jejune67 and barren in English, partly because of the great condensation68 of the original, a condensation which was largely brought about by the necessity of versification in difficult metres. In order to see beauty in the most ancient Irish verse it is absolutely necessary to read it in the original so as to perceive and appreciate the alliteration69 and other tours de force which appear in every line. These verses, for instance, which Mève, daughter or Conan, is said to have pronounced over Cuchorb, her husband,[Pg 274] in the first century, appear bald enough in a literal translation:—

"Moghcorb's son whom fame conceals70 [covers]
Well sheds he blood by his spears,
A stone over his grave—'tis a pity—
Who carried battle over Cliú Máil.

My noble king, he spoke71 not falsehood,
His success was certain in every danger,
As black as a raven72 was his brow,
As sharp was his spear as a razor," etc.

One might read this kind of thing for ever in a translation without being struck by anything more than some occasional curiosa felicitas of phrase or picturesque73 expression, and one would never suspect that the original was so polished and complicated as it really is. Here are these two verses done into the exact versification of the original, in which interlinear vowel-rhymes, alliterations, and all the other requirements of the Irish are preserved and marked:—

"Mochorb's son of Fiercest FAME,
KNown his NAME for bloody74 toil75,
To his Gory76 Grave is GONE,
He who SHONE o'er SHouting Moyle.

Kindly77 King, who Liked not LIES,
Rash to RISE to Fields of Fame,
Raven-Black his Brows of FEAR,
Razor-Sharp his SPEAR of flame," etc.[18]

This specimen20 of Irish metre may help to place much of our poetry in another light, for its beauty depends less upon the intrinsic substance of the thought than the external elegance[Pg 275] of the framework. We must understand this in order to do justice to our versified literature, for the student must not imagine that he will find long-sustained epics or interesting narrative78 poems after the manner of the Iliad or Odyssey79, or even the Nibelungenlied, or the "Song of Roland;" none such now exist: if they did exist they are lost. The early poems consist rather of eulogies80, elegies81, historical pieces, and lyrics82, few of them of any great length, and still fewer capable of interesting an English reader in a translation. Occasionally we meet with touches of nature poetry of which the Gael has always been supremely83 fond. Here is a tentative translation made by O'Donovan of a part of the first poem which Finn mac Cúmhail is said to have composed after his eating of the salmon84 of knowledge:—

    "May-Day, delightful85 time! How beautiful the colour; the blackbirds sing their full lay; would that Laighaig were here! The cuckoos sing in constant strains. How welcome is ever the noble brilliance86 of the seasons! On the margin87 of the branching woods the summer swallows skim the stream. The swift horses seek the pool. The heath spreads out its long hair, the weak, fair bog-down grows. Sudden consternation88 attacks the signs, the planets, in their courses running, exert an influence; the sea is lulled89 to rest, flowers cover the earth."

The language of this poem is so old as to be in parts unintelligible90, and the broken metre points to the difficulties of transmission over a long period of time, yet he would be a bold man who would ascribe with certainty the authorship of it to Finn mac Cúmhail in the third century, or the elegy91 on Cuchorb to Mève, daughter of Conan, a contemporary of Virgil and Horace. And yet all the history of these people is known and recorded with much apparent plausibility92 and many collateral93 circumstances connecting them with the men of their time. How much of this is genuine historical tradition? How much is later invention? It is difficult to decide at present.
********
[1] Pronounced "Taun Bo Hoo-il-n'ya." The "a" in Táin is pronounced nearly like the "a" in the English word "Tarn94."

[2] Cuilmenn—it has been remarked, I think, by Kuno Meyer—seems cognate95 with Colmméne, glossed96 nervus, and Welsh cwlm, "a knot or tie." It is found glossed lebar—i.e., leabhar, or "book."

[3] For the authorship of this book see above, p. 71.

[4] "At what time this book was lost," says O'Curry, "we have no precise knowledge, but that it existed, though in a dilapidated state, in the year 1454 is evident from the fact that there is in the Bodleian Library at Oxford97 (Laud 610) a copy of such portions of it as could be deciphered at that time, made by Shawn O'Clery for Mac Richard Butler. From the contents of this copy and from the frequent references to the original for history and genealogies98 found in the Books of Ballymote, Lecan, and others, it must have been an historical and genealogical compilation99 of large size and great diversity."

A legible copy of the Saltair appears, however, to have existed at a much later date. I discovered a curious poem in an uncatalogued MS. in the Royal Irish Academy by one David Condon, written apparently100 at some time between the Cromwellian and Williamite wars, in which he says—

"Saltair Chaisill is dearbh gur léigheas-sa
Leabhar ghleanna-dá-locha gan gó ba léir dam,
Leabhar Buidhe Mhuigleann (?) obair aosta," &c.

I.e.," Surely I have read the Saltair of Cashel, and the Book of Glendaloch was certainly plain to me, and the Yellow Book of Mulling (?) (see above, p. 210), an ancient work, the Book of Molaga, and the lessons of Cionnfaola, and many more (books) along with them which are not (now) found in Ireland."

[5] Such, for example, is the fragment of a commentary on the Psalter published by Kuno Meyer in "Hibernica Minora," from Rawlinson, B. 512. The original is assigned by him, judging from its grammatical forms, to about the year 750. It is very ample and diffuse101, and tells about the Shophet?m, or Sophtim, as the writer calls it, the Didne Haggam?m, etc., and is an excellent example of the kind of Irish commentaries used by the early ecclesiastics102.

[6] "Gram. Celt.," p. 1004-7.

[7] Published by Zeuss in his "Grammatica Celtica."

[8] See above, p. 175.

[9] "Keltische Studien," Heft i. p. 88.

[10] Preface to Loinges Mac n-Usnig, "Irische Texte," i. 61.

[11] "Irische Texte," i. p. 167.

[12] Preface to the list of contents of the facsimile Book of Leinster.

[13] With the exception of the ancient Irish prayers like Mairinn Phádraig, preserved by tradition, which are for the most part not intelligible to the reciters, but which owe their preservation103 to the promise usually tacked104 on at the end that the reciters shall receive some miraculous105 or heavenly blessing106. See my "Religious Songs of Connacht."

[14] See my note on the Story of Oscar au fléau, in "Revue Celtique," vol. xiii. p. 425.

[15] Cf. my note on Bran's colour, at p. 277 of my "Beside the Fire."

[16] In more modern Irish:—

"Dubhthach mise, mac do Lughaidh
Laoi-each lán-traith
Mé rug an bhreith idir Laoghaire
Agus Pádraig."

I.e., "I am Dubhthach, son of Lewy the lay-full, full-wise. It is I who delivered judgment107 between Leary and Patrick." Traith is the only obsolete word here.

[17] In modern Irish, "Leathnuighidh folt fada fraoch," i.e., "Leathnuighidh fraoch folt fada, foirbridh (fásaidh) canach (ceannabhán) fann fionn," i.e., "Spreads heath its long hair, flourishes the feeble, fair cotton-grass."

[18] Here is the first verse of this in the original. The Old Irish is nearly unintelligible to a modern. I have here modernised the spelling:—

"Mac Mogachoirb Cheileas CLú
Cun fearas CRú thar a gháibh
Ail5 uas a Ligi—budh LIACH—-
Baslaide CHLIATH thar Cliú Máil."

The rhyming words do not make perfect rhyme as in English, but pretty nearly so—clu cru, liath cliath, gáibh máil.

点击收听单词发音收听单词发音  

1 saga aCez4     
n.(尤指中世纪北欧海盗的)故事,英雄传奇
参考例句:
  • The saga of Flight 19 is probably the most repeated story about the Bermuda Triangle.飞行19中队的传说或许是有关百慕大三角最重复的故事。
  • The novel depicts the saga of a family.小说描绘了一个家族的传奇故事。
2 possessed xuyyQ     
adj.疯狂的;拥有的,占有的
参考例句:
  • He flew out of the room like a man possessed.他像着了魔似地猛然冲出房门。
  • He behaved like someone possessed.他行为举止像是魔怔了。
3 drawn MuXzIi     
v.拖,拉,拔出;adj.憔悴的,紧张的
参考例句:
  • All the characters in the story are drawn from life.故事中的所有人物都取材于生活。
  • Her gaze was drawn irresistibly to the scene outside.她的目光禁不住被外面的风景所吸引。
4 epic ui5zz     
n.史诗,叙事诗;adj.史诗般的,壮丽的
参考例句:
  • I gave up my epic and wrote this little tale instead.我放弃了写叙事诗,而写了这个小故事。
  • They held a banquet of epic proportions.他们举行了盛大的宴会。
5 ail lVAze     
v.生病,折磨,苦恼
参考例句:
  • It may provide answers to some of the problems that ail America.这一点可能解答困扰美国的某些问题。
  • Seek your sauce where you get your ail.心痛还须心药治。
6 eulogy 0nuxj     
n.颂词;颂扬
参考例句:
  • He needs no eulogy from me or from any other man. 他不需要我或者任何一个人来称颂。
  • Mr.Garth gave a long eulogy about their achievements in the research.加思先生对他们的研究成果大大地颂扬了一番。
7 celebrated iwLzpz     
adj.有名的,声誉卓著的
参考例句:
  • He was soon one of the most celebrated young painters in England.不久他就成了英格兰最负盛名的年轻画家之一。
  • The celebrated violinist was mobbed by the audience.观众团团围住了这位著名的小提琴演奏家。
8 alluded 69f7a8b0f2e374aaf5d0965af46948e7     
提及,暗指( allude的过去式和过去分词 )
参考例句:
  • In your remarks you alluded to a certain sinister design. 在你的谈话中,你提到了某个阴谋。
  • She also alluded to her rival's past marital troubles. 她还影射了对手过去的婚姻问题。
9 prerogatives e2f058787466d6bb48040c6f4321ae53     
n.权利( prerogative的名词复数 );特权;大主教法庭;总督委任组成的法庭
参考例句:
  • The tsar protected his personal prerogatives. 沙皇维护了自己的私人特权。 来自《简明英汉词典》
  • Congressmen may be reluctant to vote for legislation that infringes the traditional prerogatives of the states. 美国国会议员可能不情愿投票拥护侵犯各州传统特权的立法。 来自英汉非文学 - 环境法 - 环境法
10 provincial Nt8ye     
adj.省的,地方的;n.外省人,乡下人
参考例句:
  • City dwellers think country folk have provincial attitudes.城里人以为乡下人思想迂腐。
  • Two leading cadres came down from the provincial capital yesterday.昨天从省里下来了两位领导干部。
11 gloss gloss     
n.光泽,光滑;虚饰;注释;vt.加光泽于;掩饰
参考例句:
  • John tried in vain to gloss over his faults.约翰极力想掩饰自己的缺点,但是没有用。
  • She rubbed up the silver plates to a high gloss.她把银盘擦得很亮。
12 glosses 06b65dbe6857b06a7a412502c293fc2e     
n.(页末或书后的)注释( gloss的名词复数 );(表面的)光滑;虚假的外表;用以产生光泽的物质v.注解( gloss的第三人称单数 );掩饰(错误);粉饰;把…搪塞过去
参考例句:
  • The movie glosses over the real issues of the war. 这部电影掩饰了这次战争的真正问题。 来自《简明英汉词典》
  • Time inevitably glosses over the particularities of each situation. 时间不可避免地掩饰了每种情形的特质。 来自互联网
13 illegible tbQxW     
adj.难以辨认的,字迹模糊的
参考例句:
  • It is impossible to deliver this letter because the address is illegible.由于地址字迹不清,致使信件无法投递。
  • Can you see what this note says—his writing is almost illegible!你能看出这个便条上写些什么吗?他的笔迹几乎无法辨认。
14 illegibility 76c6eeb1c034f44793433033fb3d257e     
n.不清不楚,不可辨认,模糊
参考例句:
  • The illegibility mathematics is used for evaluating water quality. 将模糊数学应用于水质评价中。 来自互联网
  • Foreign students accepted at an American school will receive a document called a Certificate of illegibility(Eligibility). 被美国学校接受的外国留学生将会收到一份被称为资格证书的文件。 来自互联网
15 disciple LPvzm     
n.信徒,门徒,追随者
参考例句:
  • Your disciple failed to welcome you.你的徒弟没能迎接你。
  • He was an ardent disciple of Gandhi.他是甘地的忠实信徒。
16 quotations c7bd2cdafc6bfb4ee820fb524009ec5b     
n.引用( quotation的名词复数 );[商业]行情(报告);(货物或股票的)市价;时价
参考例句:
  • The insurance company requires three quotations for repairs to the car. 保险公司要修理这辆汽车的三家修理厂的报价单。 来自《简明英汉词典》
  • These quotations cannot readily be traced to their sources. 这些引语很难查出出自何处。 来自《现代汉英综合大词典》
17 ivy x31ys     
n.常青藤,常春藤
参考例句:
  • Her wedding bouquet consisted of roses and ivy.她的婚礼花篮包括玫瑰和长春藤。
  • The wall is covered all over with ivy.墙上爬满了常春藤。
18 alas Rx8z1     
int.唉(表示悲伤、忧愁、恐惧等)
参考例句:
  • Alas!The window is broken!哎呀!窗子破了!
  • Alas,the truth is less romantic.然而,真理很少带有浪漫色彩。
19 relics UkMzSr     
[pl.]n.遗物,遗迹,遗产;遗体,尸骸
参考例句:
  • The area is a treasure house of archaeological relics. 这个地区是古文物遗迹的宝库。
  • Xi'an is an ancient city full of treasures and saintly relics. 西安是一个有很多宝藏和神圣的遗物的古老城市。
20 specimen Xvtwm     
n.样本,标本
参考例句:
  • You'll need tweezers to hold up the specimen.你要用镊子来夹这标本。
  • This specimen is richly variegated in colour.这件标本上有很多颜色。
21 specimens 91fc365099a256001af897127174fcce     
n.样品( specimen的名词复数 );范例;(化验的)抽样;某种类型的人
参考例句:
  • Astronauts have brought back specimens of rock from the moon. 宇航员从月球带回了岩石标本。
  • The traveler brought back some specimens of the rocks from the mountains. 那位旅行者从山上带回了一些岩石标本。 来自《简明英汉词典》
22 remains 1kMzTy     
n.剩余物,残留物;遗体,遗迹
参考例句:
  • He ate the remains of food hungrily.他狼吞虎咽地吃剩余的食物。
  • The remains of the meal were fed to the dog.残羹剩饭喂狗了。
23 remarkable 8Vbx6     
adj.显著的,异常的,非凡的,值得注意的
参考例句:
  • She has made remarkable headway in her writing skills.她在写作技巧方面有了长足进步。
  • These cars are remarkable for the quietness of their engines.这些汽车因发动机没有噪音而不同凡响。
24 geographical Cgjxb     
adj.地理的;地区(性)的
参考例句:
  • The current survey will have a wider geographical spread.当前的调查将在更广泛的地域范围內进行。
  • These birds have a wide geographical distribution.这些鸟的地理分布很广。
25 gall jhXxC     
v.使烦恼,使焦躁,难堪;n.磨难
参考例句:
  • It galled him to have to ask for a loan.必须向人借钱使他感到难堪。
  • No gall,no glory.没有磨难,何来荣耀。
26 monastery 2EOxe     
n.修道院,僧院,寺院
参考例句:
  • They found an icon in the monastery.他们在修道院中发现了一个圣像。
  • She was appointed the superior of the monastery two years ago.两年前她被任命为这个修道院的院长。
27 antiquity SNuzc     
n.古老;高龄;古物,古迹
参考例句:
  • The museum contains the remains of Chinese antiquity.博物馆藏有中国古代的遗物。
  • There are many legends about the heroes of antiquity.有许多关于古代英雄的传说。
28 pal j4Fz4     
n.朋友,伙伴,同志;vi.结为友
参考例句:
  • He is a pal of mine.他是我的一个朋友。
  • Listen,pal,I don't want you talking to my sister any more.听着,小子,我不让你再和我妹妹说话了。
29 shrine 0yfw7     
n.圣地,神龛,庙;v.将...置于神龛内,把...奉为神圣
参考例句:
  • The shrine was an object of pilgrimage.这处圣地是人们朝圣的目的地。
  • They bowed down before the shrine.他们在神龛前鞠躬示敬。
30 yew yew     
n.紫杉属树木
参考例句:
  • The leaves of yew trees are poisonous to cattle.紫杉树叶会令牛中毒。
  • All parts of the yew tree are poisonous,including the berries.紫杉的各个部分都有毒,包括浆果。
31 copper HZXyU     
n.铜;铜币;铜器;adj.铜(制)的;(紫)铜色的
参考例句:
  • The students are asked to prove the purity of copper.要求学生们检验铜的纯度。
  • Copper is a good medium for the conduction of heat and electricity.铜是热和电的良导体。
32 admiration afpyA     
n.钦佩,赞美,羡慕
参考例句:
  • He was lost in admiration of the beauty of the scene.他对风景之美赞不绝口。
  • We have a great admiration for the gold medalists.我们对金牌获得者极为敬佩。
33 intercourse NbMzU     
n.性交;交流,交往,交际
参考例句:
  • The magazine becomes a cultural medium of intercourse between the two peoples.该杂志成为两民族间文化交流的媒介。
  • There was close intercourse between them.他们过往很密。
34 illuminated 98b351e9bc282af85e83e767e5ec76b8     
adj.被照明的;受启迪的
参考例句:
  • Floodlights illuminated the stadium. 泛光灯照亮了体育场。
  • the illuminated city at night 夜幕中万家灯火的城市
35 sagas e8dca32d4d34a71e9adfd36b93ebca41     
n.萨迦(尤指古代挪威或冰岛讲述冒险经历和英雄业绩的长篇故事)( saga的名词复数 );(讲述许多年间发生的事情的)长篇故事;一连串的事件(或经历);一连串经历的讲述(或记述)
参考例句:
  • Artwork depicted the historical sagas and biblical tales for the illiterate faithful. 墙上的插图为不识字的信徒描绘了历史传说和圣经故事。 来自互联网
  • It will complete one of the most remarkable transfer sagas in English football. 到时候,英格兰史上最有名的转会传奇故事之一将落下帷幕。 来自互联网
36 linguistic k0zxn     
adj.语言的,语言学的
参考例句:
  • She is pursuing her linguistic researches.她在从事语言学的研究。
  • The ability to write is a supreme test of linguistic competence.写作能力是对语言能力的最高形式的测试。
37 garb JhYxN     
n.服装,装束
参考例句:
  • He wore the garb of a general.他身着将军的制服。
  • Certain political,social,and legal forms reappear in seemingly different garb.一些政治、社会和法律的形式在表面不同的外衣下重复出现。
38 determined duszmP     
adj.坚定的;有决心的
参考例句:
  • I have determined on going to Tibet after graduation.我已决定毕业后去西藏。
  • He determined to view the rooms behind the office.他决定查看一下办公室后面的房间。
39 modification tEZxm     
n.修改,改进,缓和,减轻
参考例句:
  • The law,in its present form,is unjust;it needs modification.现行的法律是不公正的,它需要修改。
  • The design requires considerable modification.这个设计需要作大的修改。
40 interfere b5lx0     
v.(in)干涉,干预;(with)妨碍,打扰
参考例句:
  • If we interfere, it may do more harm than good.如果我们干预的话,可能弊多利少。
  • When others interfere in the affair,it always makes troubles. 别人一卷入这一事件,棘手的事情就来了。
41 intelligible rbBzT     
adj.可理解的,明白易懂的,清楚的
参考例句:
  • This report would be intelligible only to an expert in computing.只有计算机运算专家才能看懂这份报告。
  • His argument was barely intelligible.他的论点不易理解。
42 gauge 2gMxz     
v.精确计量;估计;n.标准度量;计量器
参考例句:
  • Can you gauge what her reaction is likely to be?你能揣测她的反应可能是什么吗?
  • It's difficult to gauge one's character.要判断一个人的品格是很困难的。
43 uncommon AlPwO     
adj.罕见的,非凡的,不平常的
参考例句:
  • Such attitudes were not at all uncommon thirty years ago.这些看法在30年前很常见。
  • Phil has uncommon intelligence.菲尔智力超群。
44 forth Hzdz2     
adv.向前;向外,往外
参考例句:
  • The wind moved the trees gently back and forth.风吹得树轻轻地来回摇晃。
  • He gave forth a series of works in rapid succession.他很快连续发表了一系列的作品。
45 transcribed 2f9e3c34adbe5528ff14427d7ed17557     
(用不同的录音手段)转录( transcribe的过去式和过去分词 ); 改编(乐曲)(以适应他种乐器或声部); 抄写; 用音标标出(声音)
参考例句:
  • He transcribed two paragraphs from the book into his notebook. 他把书中的两段抄在笔记本上。
  • Every telephone conversation will be recorded and transcribed. 所有电话交谈都将被录音并作全文转写。
46 alteration rxPzO     
n.变更,改变;蚀变
参考例句:
  • The shirt needs alteration.这件衬衣需要改一改。
  • He easily perceived there was an alteration in my countenance.他立刻看出我的脸色和往常有些不同。
47 bard QPCyM     
n.吟游诗人
参考例句:
  • I'll use my bard song to help you concentrate!我会用我的吟游诗人歌曲帮你集中精神!
  • I find him,the wandering grey bard.我发现了正在徘徊的衰老游唱诗人。
48 bards 77e8523689645af5df8266d581666aa3     
n.诗人( bard的名词复数 )
参考例句:
  • There were feasts and drinking and singing by the bards. 他们欢宴狂饮,还有吟游诗人的歌唱作伴助兴。 来自英汉非文学 - 历史
  • Round many western islands have I been Which Bards in fealty to Apollo hold. 还有多少西方的海岛,歌都已使它们向阿波罗臣服。 来自英汉 - 翻译样例 - 文学
49 perfectly 8Mzxb     
adv.完美地,无可非议地,彻底地
参考例句:
  • The witnesses were each perfectly certain of what they said.证人们个个对自己所说的话十分肯定。
  • Everything that we're doing is all perfectly above board.我们做的每件事情都是光明正大的。
50 obsolete T5YzH     
adj.已废弃的,过时的
参考例句:
  • These goods are obsolete and will not fetch much on the market.这些货品过时了,在市场上卖不了高价。
  • They tried to hammer obsolete ideas into the young people's heads.他们竭力把陈旧思想灌输给青年。
51 philologist 77eb2f9d617b1352ec24786ae1f0bd82     
n.语言学者,文献学者
参考例句:
  • Syme was a philologist, a specialist in Newspeak. 赛姆是语言学家,也是新话专家。 来自英汉文学
52 akin uxbz2     
adj.同族的,类似的
参考例句:
  • She painted flowers and birds pictures akin to those of earlier feminine painters.她画一些同早期女画家类似的花鸟画。
  • Listening to his life story is akin to reading a good adventure novel.听他的人生故事犹如阅读一本精彩的冒险小说。
53 stereotyped Dhqz9v     
adj.(指形象、思想、人物等)模式化的
参考例句:
  • There is a sameness about all these tales. They're so stereotyped -- all about talented scholars and lovely ladies. 这些书就是一套子,左不过是些才子佳人,最没趣儿。
  • He is the stereotyped monster of the horror films and the adventure books, and an obvious (though not perhaps strictly scientific) link with our ancestral past. 它们是恐怖电影和惊险小说中的老一套的怪物,并且与我们的祖先有着明显的(虽然可能没有科学的)联系。
54 corrupted 88ed91fad91b8b69b62ce17ae542ff45     
(使)败坏( corrupt的过去式和过去分词 ); (使)腐化; 引起(计算机文件等的)错误; 破坏
参考例句:
  • The body corrupted quite quickly. 尸体很快腐烂了。
  • The text was corrupted by careless copyists. 原文因抄写员粗心而有讹误。
55 stanzas 1e39fe34fae422643886648813bd6ab1     
节,段( stanza的名词复数 )
参考例句:
  • The poem has six stanzas. 这首诗有六小节。
  • Stanzas are different from each other in one poem. 诗中节与节差异颇大。
56 illiterate Bc6z5     
adj.文盲的;无知的;n.文盲
参考例句:
  • There are still many illiterate people in our country.在我国还有许多文盲。
  • I was an illiterate in the old society,but now I can read.我这个旧社会的文盲,今天也认字了。
57 jotted 501a1ce22e59ebb1f3016af077784ebd     
v.匆忙记下( jot的过去式和过去分词 );草草记下,匆匆记下
参考例句:
  • I jotted down her name. 我匆忙记下了她的名字。 来自《简明英汉词典》
  • The policeman jotted down my address. 警察匆匆地将我的地址记下。 来自《现代英汉综合大词典》
58 phonetic tAcyH     
adj.语言的,语言上的,表示语音的
参考例句:
  • Our department has engaged a foreign teacher as phonetic adviser.我们系已经聘请了一位外籍老师作为语音顾问。
  • English phonetic teaching is an important teaching step in elementary stages.语音教学是英语基础阶段重要的教学环节。
59 highland sdpxR     
n.(pl.)高地,山地
参考例句:
  • The highland game is part of Scotland's cultural heritage.苏格兰高地游戏是苏格兰文化遗产的一部分。
  • The highland forests where few hunters venture have long been the bear's sanctuary.这片只有少数猎人涉险的高山森林,一直都是黑熊的避难所。
60 authenticity quyzq     
n.真实性
参考例句:
  • There has been some debate over the authenticity of his will. 对于他的遗嘱的真实性一直有争论。
  • The museum is seeking an expert opinion on the authenticity of the painting. 博物馆在请专家鉴定那幅画的真伪。
61 linguistically 7b66da4344783a4db62f333568be23c1     
adv. 语言的, 语言学的
参考例句:
  • But this group is linguistically, culturally, and even genetically diverse. 但这个人群在语言上,文化上,甚至在遗传上都是多样化的。
  • Like the EU, Belgium is linguistically and culturally divided. 与欧盟一样,比利时是个多语言、多文化的地区。
62 satires 678f7ff8bcf417e9cccb7fbba8173f6c     
讽刺,讥讽( satire的名词复数 ); 讽刺作品
参考例句:
  • Some of Aesop's Fables are satires. 《伊索寓言》中有一些是讽刺作品。
  • Edith Wharton continued writing her satires of the life and manners of the New York aristocracy. 伊迪丝·沃顿继续写讽刺纽约贵族生活和习俗的作品。
63 bliss JtXz4     
n.狂喜,福佑,天赐的福
参考例句:
  • It's sheer bliss to be able to spend the day in bed.整天都可以躺在床上真是幸福。
  • He's in bliss that he's won the Nobel Prize.他非常高兴,因为获得了诺贝尔奖金。
64 mangled c6ddad2d2b989a3ee0c19033d9ef021b     
vt.乱砍(mangle的过去式与过去分词形式)
参考例句:
  • His hand was mangled in the machine. 他的手卷到机器里轧烂了。
  • He was off work because he'd mangled his hand in a machine. 他没上班,因为他的手给机器严重压伤了。 来自《简明英汉词典》
65 distinguished wu9z3v     
adj.卓越的,杰出的,著名的
参考例句:
  • Elephants are distinguished from other animals by their long noses.大象以其长长的鼻子显示出与其他动物的不同。
  • A banquet was given in honor of the distinguished guests.宴会是为了向贵宾们致敬而举行的。
66 epics a6d7b651e63ea6619a4e096bc4fb9453     
n.叙事诗( epic的名词复数 );壮举;惊人之举;史诗般的电影(或书籍)
参考例句:
  • one of the great Hindu epics 伟大的印度教史诗之一
  • Homer Iliad and Milton's Paradise Lost are epics. 荷马的《伊利亚特》和弥尔顿的《失乐园》是史诗。 来自互联网
67 jejune T3rxg     
adj.枯燥无味的,贫瘠的
参考例句:
  • They were of great service in correcting my jejune generalizations.他们纠正了我不成熟的泛泛之论,帮了我大忙。
  • I detected a jejune air that had not inbed me before.我感到一种沉闷的空气,这种感觉是以前从来没有的。
68 condensation YYyyr     
n.压缩,浓缩;凝结的水珠
参考例句:
  • A cloud is a condensation of water vapour in the atmosphere.云是由大气中的水蒸气凝结成的。
  • He used his sleeve to wipe the condensation off the glass.他用袖子擦掉玻璃上凝结的水珠。
69 alliteration ioJy7     
n.(诗歌的)头韵
参考例句:
  • We chose alliteration on the theory a little vulgarity enhances memory.在理论上我们选择有点儿粗俗的头韵来帮助记忆。
  • It'seems to me that in prose alliteration should be used only for a special reason.依我看,在散文里,头韵只能在一定的场合使用。
70 conceals fa59c6f4c4bde9a732332b174939af02     
v.隐藏,隐瞒,遮住( conceal的第三人称单数 )
参考例句:
  • He conceals his worries behind a mask of nonchalance. 他装作若无其事,借以掩饰内心的不安。 来自《简明英汉词典》
  • Drunkenness reveals what soberness conceals. 酒醉吐真言。 来自《简明英汉词典》
71 spoke XryyC     
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说
参考例句:
  • They sourced the spoke nuts from our company.他们的轮辐螺帽是从我们公司获得的。
  • The spokes of a wheel are the bars that connect the outer ring to the centre.辐条是轮子上连接外圈与中心的条棒。
72 raven jAUz8     
n.渡鸟,乌鸦;adj.乌亮的
参考例句:
  • We know the raven will never leave the man's room.我们知道了乌鸦再也不会离开那个男人的房间。
  • Her charming face was framed with raven hair.她迷人的脸上垂落着乌亮的黑发。
73 picturesque qlSzeJ     
adj.美丽如画的,(语言)生动的,绘声绘色的
参考例句:
  • You can see the picturesque shores beside the river.在河边你可以看到景色如画的两岸。
  • That was a picturesque phrase.那是一个形象化的说法。
74 bloody kWHza     
adj.非常的的;流血的;残忍的;adv.很;vt.血染
参考例句:
  • He got a bloody nose in the fight.他在打斗中被打得鼻子流血。
  • He is a bloody fool.他是一个十足的笨蛋。
75 toil WJezp     
vi.辛劳工作,艰难地行动;n.苦工,难事
参考例句:
  • The wealth comes from the toil of the masses.财富来自大众的辛勤劳动。
  • Every single grain is the result of toil.每一粒粮食都来之不易。
76 gory Xy5yx     
adj.流血的;残酷的
参考例句:
  • I shuddered when I heard the gory details.我听到血淋淋的详情,战栗不已。
  • The newspaper account of the accident gave all the gory details.报纸上报道了这次事故中所有骇人听闻的细节。
77 kindly tpUzhQ     
adj.和蔼的,温和的,爽快的;adv.温和地,亲切地
参考例句:
  • Her neighbours spoke of her as kindly and hospitable.她的邻居都说她和蔼可亲、热情好客。
  • A shadow passed over the kindly face of the old woman.一道阴影掠过老太太慈祥的面孔。
78 narrative CFmxS     
n.叙述,故事;adj.叙事的,故事体的
参考例句:
  • He was a writer of great narrative power.他是一位颇有记述能力的作家。
  • Neither author was very strong on narrative.两个作者都不是很善于讲故事。
79 odyssey t5kzU     
n.长途冒险旅行;一连串的冒险
参考例句:
  • The march to Travnik was the final stretch of a 16-hour odyssey.去特拉夫尼克的这段路是长达16小时艰险旅行的最后一程。
  • His odyssey of passion, friendship,love,and revenge was now finished.他的热情、友谊、爱情和复仇的漫长历程,到此结束了。
80 eulogies 7ba3958e5e74512a6b4d38a226071b8b     
n.颂词,颂文( eulogy的名词复数 )
参考例句:
  • Her latest film has brought eulogies from the critics. 她最近的这部电影获得影评界的好评。 来自互联网
81 elegies 57b43181c824384d42359857e8b63906     
n.哀歌,挽歌( elegy的名词复数 )
参考例句:
82 lyrics ko5zoz     
n.歌词
参考例句:
  • music and lyrics by Rodgers and Hart 由罗杰斯和哈特作词作曲
  • The book contains lyrics and guitar tablatures for over 100 songs. 这本书有100多首歌的歌词和吉他奏法谱。
83 supremely MhpzUo     
adv.无上地,崇高地
参考例句:
  • They managed it all supremely well. 这件事他们干得极其出色。
  • I consider a supremely beautiful gesture. 我觉得这是非常优雅的姿态。
84 salmon pClzB     
n.鲑,大马哈鱼,橙红色的
参考例句:
  • We saw a salmon jumping in the waterfall there.我们看见一条大马哈鱼在那边瀑布中跳跃。
  • Do you have any fresh salmon in at the moment?现在有新鲜大马哈鱼卖吗?
85 delightful 6xzxT     
adj.令人高兴的,使人快乐的
参考例句:
  • We had a delightful time by the seashore last Sunday.上星期天我们在海滨玩得真痛快。
  • Peter played a delightful melody on his flute.彼得用笛子吹奏了一支欢快的曲子。
86 brilliance 1svzs     
n.光辉,辉煌,壮丽,(卓越的)才华,才智
参考例句:
  • I was totally amazed by the brilliance of her paintings.她的绘画才能令我惊歎不已。
  • The gorgeous costume added to the brilliance of the dance.华丽的服装使舞蹈更加光彩夺目。
87 margin 67Mzp     
n.页边空白;差额;余地,余裕;边,边缘
参考例句:
  • We allowed a margin of 20 minutes in catching the train.我们有20分钟的余地赶火车。
  • The village is situated at the margin of a forest.村子位于森林的边缘。
88 consternation 8OfzB     
n.大为吃惊,惊骇
参考例句:
  • He was filled with consternation to hear that his friend was so ill.他听说朋友病得那么厉害,感到非常震惊。
  • Sam stared at him in consternation.萨姆惊恐不安地注视着他。
89 lulled c799460fe7029a292576ebc15da4e955     
vt.使镇静,使安静(lull的过去式与过去分词形式)
参考例句:
  • They lulled her into a false sense of security. 他们哄骗她,使她产生一种虚假的安全感。 来自《简明英汉词典》
  • The movement of the train lulled me to sleep. 火车轻微的震动催我进入梦乡。 来自《简明英汉词典》
90 unintelligible sfuz2V     
adj.无法了解的,难解的,莫明其妙的
参考例句:
  • If a computer is given unintelligible data, it returns unintelligible results.如果计算机得到的是难以理解的数据,它给出的也将是难以理解的结果。
  • The terms were unintelligible to ordinary folk.这些术语一般人是不懂的。
91 elegy HqBxD     
n.哀歌,挽歌
参考例句:
  • Good heavens,what would be more tragic than that elegy!天哪,还有什么比那首挽歌更悲伤的呢!
  • His book is not intended to be a complete history but a personal elegy.他的书与其说是一部完整的历史,更像是一篇个人挽歌。
92 plausibility 61dc2510cb0f5a78f45d67d5f7172f8f     
n. 似有道理, 能言善辩
参考例句:
  • We can add further plausibility to the above argument. 我们可以在上述论据之外,再进一步增添一个合理的论据。
  • Let us consider the charges she faces, and the legal plausibility of those charges. 让我们考虑一下她面临的指控以及这些指控在法律上的可信性。
93 collateral wqhzH     
adj.平行的;旁系的;n.担保品
参考例句:
  • Many people use personal assets as collateral for small business loans.很多人把个人财产用作小额商业贷款的抵押品。
  • Most people here cannot borrow from banks because they lack collateral.由于拿不出东西作为抵押,这里大部分人无法从银行贷款。
94 tarn AqMwG     
n.山中的小湖或小潭
参考例句:
  • This pool or tarn was encircled by tree!这个池塘,或是说山潭吧,四周全被树木围了起来。
  • The deep and dark tarn at my feet closed over the fragments of the House of Usher.我脚下深邃阴沉的小湖将厄谢尔古屋的断垣残墙吞没了。
95 cognate MqHz1     
adj.同类的,同源的,同族的;n.同家族的人,同源词
参考例句:
  • Mathematics and astronomy are cognate sciences.数学和天文学是互相关联的科学。
  • English,Dutch and German are cognate languages. 英语、荷兰语、德语是同语族的语言。
96 glossed 4df0fb546674680c16a9b0d5fffac46c     
v.注解( gloss的过去式和过去分词 );掩饰(错误);粉饰;把…搪塞过去
参考例句:
  • The manager glossed over the team's recent defeat. 经理对这个队最近的失败闪烁其词。 来自《简明英汉词典》
  • He glossed over his selfishness with a display of generosity. 他以慷慨大方的假象掩饰他的自私。 来自互联网
97 Oxford Wmmz0a     
n.牛津(英国城市)
参考例句:
  • At present he has become a Professor of Chemistry at Oxford.他现在已是牛津大学的化学教授了。
  • This is where the road to Oxford joins the road to London.这是去牛津的路与去伦敦的路的汇合处。
98 genealogies 384f198446b67e53058a2678f579f278     
n.系谱,家系,宗谱( genealogy的名词复数 )
参考例句:
  • Tracing back our genealogies, I found he was a kinsman of mine. 转弯抹角算起来——他算是我的一个亲戚。 来自汉英文学 - 中国现代小说
  • The insertion of these genealogies is the more peculiar and unreasonable. 这些系谱的掺入是更为离奇和无理的。 来自辞典例句
99 compilation kptzy     
n.编译,编辑
参考例句:
  • One of the first steps taken was the compilation of a report.首先采取的步骤之一是写一份报告。
  • The compilation of such diagrams,is of lasting value for astronomy.绘制这样的图对天文学有永恒的价值。
100 apparently tMmyQ     
adv.显然地;表面上,似乎
参考例句:
  • An apparently blind alley leads suddenly into an open space.山穷水尽,豁然开朗。
  • He was apparently much surprised at the news.他对那个消息显然感到十分惊异。
101 diffuse Al0zo     
v.扩散;传播;adj.冗长的;四散的,弥漫的
参考例句:
  • Direct light is better for reading than diffuse light.直射光比漫射光更有利于阅读。
  • His talk was so diffuse that I missed his point.他的谈话漫无边际,我抓不住他的要点。
102 ecclesiastics 8e35e35ee875d37db44c85c23529c53f     
n.神职者,教会,牧师( ecclesiastic的名词复数 )
参考例句:
103 preservation glnzYU     
n.保护,维护,保存,保留,保持
参考例句:
  • The police are responsible for the preservation of law and order.警察负责维持法律与秩序。
  • The picture is in an excellent state of preservation.这幅画保存得极为完好。
104 tacked d6b486b3f9966de864e3b4d2aa518abc     
用平头钉钉( tack的过去式和过去分词 ); 附加,增补; 帆船抢风行驶,用粗线脚缝
参考例句:
  • He tacked the sheets of paper on as carefully as possible. 他尽量小心地把纸张钉上去。
  • The seamstress tacked the two pieces of cloth. 女裁缝把那两块布粗缝了起来。
105 miraculous DDdxA     
adj.像奇迹一样的,不可思议的
参考例句:
  • The wounded man made a miraculous recovery.伤员奇迹般地痊愈了。
  • They won a miraculous victory over much stronger enemy.他们战胜了远比自己强大的敌人,赢得了非凡的胜利。
106 blessing UxDztJ     
n.祈神赐福;祷告;祝福,祝愿
参考例句:
  • The blessing was said in Hebrew.祷告用了希伯来语。
  • A double blessing has descended upon the house.双喜临门。
107 judgment e3xxC     
n.审判;判断力,识别力,看法,意见
参考例句:
  • The chairman flatters himself on his judgment of people.主席自认为他审视人比别人高明。
  • He's a man of excellent judgment.他眼力过人。


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