“Now,” said old Redwood, “this is altogether too fine a day for me to spend cooped up in the house. I’ll leave you two young folks to take care of each other. I’m going to read my newspaper in the park. Sunday don’t come more than once a week, you understand. By-by, Chris. So long, Mr. Bacharach.”
He went off.
For a while Elias worked in silence. So great was the pleasure that he got from studying this young girl’s beauty, and endeavoring to transfer the elements of it to his canvas, that he never thought of how heavily the time might lag for her. But all at once it occurred to him.
“Why,” he reflected, “I’m treating her for all the world as if she were a paid model. This won’t do. I must try to amuse her.”
Then he sought high and low for something to say, something that would be at once appropriate and entertaining. In vain. His wits seemed to have deserted6 him, his mind to have become a total and hopeless blank. In order readily and happily to manufacture polite conversation, one must have had experience. Elias had had none. Now, in despair, he saw himself reduced to taking refuge in the weather.
“This—er—has been an unusually mild fall, Miss Redwood,” he ventured.
“Yes, very,” she acquiesced7.
“But the summer—that was a scorcher, wasn’t it?”
“Yes, indeed, dreadful,” she assented8.
“You spent it in the country, I suppose?”
“Oh, no; we staid in the city.”
“Ah, did you? So did I.”
“Indeed?”
“Yes.”
He waited for her to go on, but she did not go on. With a sense of deep discouragement, he concluded that he had entered a cul-de-sac. He must begin anew, and upon another topic.
Presently, “I hope you are not getting tired,” he said. “Don’t hesitate to rest as often as you like.”
“Oh, thank you, no; I’m not tired yet,” she answered.
“Generally,” he announced, standing9 off, closing one eye, and taking an observation over the end of his crayon, “generally people who aren’t used to it, find sitting very irksome; and even regular models, whose business it is, want to get up every now and then, and stretch themselves. But the painter himself never wearies.”
“Because he is so interested in his work, I suppose?”
“Yes, of course. Why, sometimes, of a summer day, I’ve painted for thirteen or fourteen hours at a stretch—from dawn till sunset—and then only been sorry that I could paint no more.”
“It must be delightful10 to have an occupation like that—one that is a constant source of pleasure. It’s the same, isn’t it, with all kinds of artists—with musicians and sculptors11?”
“Yes, and writers. I know a man who is a writer—writes stories and poems and that sort of thing—and his wife says she has to use main force to get him to leave his manuscripts. Writers have the advantage of painters in one respect—they don’t need daylight. Indeed, I think many of them like lamp-light better. The lamp is sort of emblematic12 of their calling, just as the palette is of ours. I have read somewhere of quite a celebrated13 novelist—I forget his name—an Englishman, I believe—who shuts his blinds, and lights the gas, and works by gaslight even in broad day. That’s curious, isn’t it?”
“And foolish, besides; because they say it’s very unhealthful and very bad for the eyes. I should think his novels would be awfully14 morbid15.”
“I used to paint by gaslight when I was at the League. But I don’t any more. It doesn’t pay. In the daytime your colors all look false and unwholesome—hectic—as if they had the consumption. Of course, if you’re merely sketching18, or working in black and white, it’s different.”
“Did you study at the League?”
“Yes; and also under Stainar, in his studio.”
“Stainar? At Paris?”
“Oh, no; in New York. What little I know I have learned here in New York.”
“Why, I thought every body had to study abroad—at Paris or Munich or Düsseldorf.”
“They don’t exactly have to. You can get very good instruction here. Stainar is a capital master; and there are others. Of course, it’s desirable to study abroad, too. But I couldn’t very well. I have never been further than fifty or a hundred miles from this city in my life.”
“Why, how strange! I haven’t either. But then, I’m a girl. You’re a man. I should think you would have traveled.”
“It was on account of my mother. She was a great stay-at-home; and I never felt like leaving her. Since her death—two years ago—I haven’t had any wish to travel. I haven’t had the heart for it.”
After a little pause, Christine asked softly, “Have you any brothers or sisters?”
“No, none. And my father died when I was a baby. So, except for me, my mother was quite alone. To be sure, she had my uncle, the rabbi; but he’s not much company.”
“Oh, have you an uncle who is a rabbi?”
“Yes—Dr. Gedaza, of the Congregation Gates of Pearl, in Seventeenth Street.”
“How interesting! Tell me, what is he like?”
“Why, I don’t know. How do you mean?”
“What does he look like? And his character?”
“Well, he’s a little old gentleman, a widower19. He wears spectacles, and he’s got a bald head. He knows an’ awful lot of theology, but in point of worldly wisdom he’s as deficient20 as a child. Sometimes he’s fairly good-natured, sometimes very severe. Generally he’s absent-minded—up in the clouds.”
“Has he a long white beard?”
“He has a beard; but it’s neither long nor white. It’s short and black—though there may be a few white hairs scattered21 through it. There ought to be, considering his age. He’s—Let me see. He’s ten years older than my mother; and she was thirty years older than I. That would make him sixty-six.”
“I have never seen a rabbi; but I always thought they had long white beards, and wore gowns, and looked mysterious and awe-inspiring, like astrologers or alchemists.”
“There’s nothing mysterious about my uncle,” said Elias, laughing, “unless it be his prodigious22 learning; and nothing awe-inspiring, except his temper. That’s pretty quick. He wears an ordinary black coat and white cravat23, like a Protestant minister’s. You’d take him for a Protestant minister if you should pass him in the street.”
“And he isn’t at all patriarchal or picturesque24?”
“Alas, no; not that I have been able to discover.”
“Oh, dear; how disappointing!”
After another little pause, Christine said: “I haven’t any brothers or sisters, either; and my mother died when I was three years old; and my father is a great home-body, too. Isn’t it strange that our lives should have been so much alike? Only, you’re a man and an artist; and I’m a girl and have nothing to do but to keep house. I wish I loved housekeeping as you do painting. But I don’t; I hate it.”
“That’s too bad. But then, it doesn’t take up all your time, and it doesn’t cause you such an endless deal of worry and discouragement as painting does. You have plenty of time left in which to read, and see your friends, and enjoy life.”
“Oh, no, I don’t. You have no idea how many miserable25 little things there are to be done. And we only keep one servant. And she’s so stupid that I have to be standing over her all day long. It’s like a regular business—almost.”
She had thrown a good deal of feeling into these utterances26; had emphasized them by bending forward, and lifting her face toward her hearer’s; and by this time she was completely out of pose.
Didn’t she think she’d like to rest a little now? Elias asked.
She thought she would like to, for a few minutes, she said; and getting up, she crossed over and looked at Elias’s canvas. All she could see were a few straggling charcoal27 lines.
“Oh,” she queried28, “is that the way you begin?”
“Yes; I must sketch17 every thing in in black, first.”
“But how long will that take?”
“That depends upon how often you let me come.”
“Well, if you come every Sunday?”
“Oh, it will take three or four weeks—may be more.”
“And then, how long before the picture will be finished?”
“I can’t tell exactly; but if we only have one sitting a week, probably not till spring.”
“Oh,” she said, and said it with an inflection which Elias construed29 to be that of disappointment.
“Why, did you wish to have it finished earlier?” he asked.
“Oh, no; I don’t care about that. I wasn’t thinking of that,” she answered, but still with an inflection which made Elias feel that her contentment had been disturbed. He wondered whether he had said any thing indiscreet, any thing to hurt or to offend her. He could remember nothing.
She resumed her pose. He could not have told what it was, but there was something in her bearing which prompted him to ask: “Is the position uncomfortable?” and to urge: “Don’t sit any more to-day, if you would rather not.”
“Oh, no; the position isn’t uncomfortable. I’d just as soon sit,” was her reply, in the same unhappy tone of voice.
Now, what could the matter be? What had happened to annoy her?
“Please, Miss Redwood,” Elias pleaded, “please be frank with me. Perhaps I am keeping you from something?”
Her eyes were fixed30 dreamily upon the window-pane behind his shoulder.
“I was only thinking,” she confessed in a slow, pensive31 manner, “of what a beautiful day it is, and that”—She stopped herself.
“And that—”
“That’s all. Nothing else.”
“Oh, yes, there was. Please tell me. And that—?”
“And that—now the winter is upon us—that we shan’t have many more like it. There.”
“Ah, I see! And you were longing32 to be out of doors, enjoying it. No wonder.”
She colored up and began protesting.
“Oh, really, Mr. Bacharach; no, indeed—”
“Oh, yes, you were. No use denying it. And so far as I’m concerned, I’ve done a good morning’s work already. And, I propose that we go and join your father in the park—if you know where to find him?”
“Oh, yes, I know where to find him. Shall I put on my things? One sitting, more or less—if it’s going to take so very, very long—won’t count, will it?”
A few moments later they had entered the park, and were sauntering down a sunlit pathway. Christine’s hair glowed like a web of fine flames. Roses bloomed in her cheeks. Her eyes sparkled. She vowed33 that there had never before been such a delicious day. How soft the air was, and yet how crisp! How sweet it smelled! How exquisitely34 the leafless branches of the trees, gilded35 by the sunshine, were penciled against the deep blue of the sky! The sunshine transfigured every thing. What rich and varied36 colors it brought out upon the landscape! What reds, what purples, what yellows! Had Mr. Bacharach ever seen any thing equal to it? Was it not a keen pleasure merely to breathe, merely to exist, upon such a day? By and by they turned a corner, and came upon a bench.
“Oh,” exclaimed Christine, halting abruptly37, “he’s not here.”
“Who?” Elias asked.
“Why, my father.”
“Oh, to be sure; I had forgotten.”
“This is his favorite bench. He always sits here. Now, what can have become of him?”
“Perhaps he has walked on a little.”
“I suppose he has. But he can’t have gone far. He never does. We’ll soon overtake him.”
At the end of another quarter hour, however, they had not yet overtaken him.
“I’m afraid we’ve missed him,” she said; “though it’s very strange, because he never goes anywhere else, but just in this direction. I think we may as well give up the search. But I’m a little tired, and would you mind sitting down and resting for a moment before turning back?”
“I should like nothing better; only, I must warn you that I haven’t the remotest notion how we are to find our way out of here. The paths we have taken have been so crooked38, I’ve entirely39 lost my reckoning.”
“Ah, but I—I know the park by heart. I could find my way anywhere in it, blindfold40, I think.”
“Indeed? How did you get so well acquainted?”
“Oh, we’ve lived within a stone’s throw of it all my life. When I was a little girl I used to play here. Then I had to cross it twice a day, when I went to the Normal College. And since then I’ve made a practice of taking long walks here every afternoon. There’s scarcely a tree or stone that I’m not familiar with; and I’ve discovered lots of delightful little places—nooks and corners—that nobody else suspects the existence of. Sometime I’d like to show you some of them. They’d be splendid to paint.”
By this time they were seated.
“Oh, thank you,” said Elias, “that will be charming. And so, you went to the Normal College?”
“Yes; I graduated there last spring.”
“Graduated! Why, I shouldn’t have thought you were old enough!”
“How old do you think I am?”
“Seventeen?”
“Oh, ever so much older. Guess again.”
“Eighteen, then?”
“I’ll be nineteen in January—January third—just one month from to-day.”
“Mercy! You’re very venerable, to be sure. And then, having graduated from the Normal College, what an immense deal of wisdom you must possess, too!”
She laughed as gayly as though he had perpetrated a rare witticism41; and then said, “No, seriously, I never learned much at the Normal College—I mean in the classes—except a lot of mathematics and Latin, which I’ve forgotten all about now. I learned a little from the other girls, though. Some of them were wonderfully intelligent and cultivated; and they put me on the track of good books and such things. Shall we start home now?” (They rose and began to retrace42 their steps.) “Tell me, Mr. Bacharach, what is the one book which you like best of all?”
“That’s rather a hard question. Suppose I were to put it to you, could you answer it?”
“Oh, yes. I think ‘Adam Bede’ is the greatest book that was ever written.”
“That’s saying a vast deal, isn’t it?”
“Well, of course, I mean the greatest book of its kind—the most vivid and truthful43 picture of real deep feeling. I wasn’t thinking of scientific books, or essays, or histories, like Spencer, or Emerson, or Macaulay. I mean, it pierces-deeper into the heart, than any other book that I have read.”
“Have you ever read ‘Wilhelm Meister?’”
“No. I was going to, though. One of the girls lent me a copy—-Carlyle’s translation. She said it was splendid. But when my father saw it he made me give it back. He holds very old-fashioned ideas of literature, you know; and he says that Goethe is demoralizing. His taste in music is old-fashioned, too. He never will take me to hear good music. It bores him dreadfully. He likes to go to grand sacred concerts on Sunday evening, where they play Strauss and Offenbach, and then at the end ‘Home, Sweet Home.’ Strauss and Offenbach and even ‘Home, Sweet Home’ are very well of their kind; but one tires of them after a while, don’t you think so? I haven’t been at a Symphony or Philharmonic for more than a year.”
“Why don’t you go to the rehearsals44?”
“Why, he won’t take me to the rehearsals, any more than to the concerts.”
“But you can go to them alone. They’re in the afternoon.”
“Oh, but I can’t bear to hear music alone. I I must have somebody with me, or else I don’t enjoy it at all. I always want somebody to nudge, when the music is especially thrilling; don’t you?”
“Yes, one longs for a sympathetic neighbor,” Elias admitted; and thought in his own soul, “I wish the old man would deputize me; it must be exceedingly pleasant to be nudged by her little elbow.”
When they had reached the house, Christine asked him whether he wouldn’t come in for a little while; and he replied that he guessed he would, for the purpose of putting away his paraphernalia46, which he had left cluttering47 up the parlor. Inside they found old Redwood, who explained that he had departed from his custom that morning, and chosen quite a different quarter of the park for his outing. Elias stowed his things under the piano. As he was doing so, a bell rang below stairs.
“Dinner,” announced the old man. “Come, Mr. Bacharach.”
Elias began to make his excuses.
“Oh, none o’ that!” the old man cried, grasping Elias’s arm. “Come down and take pot-luck; and may good digestion48 wait on appetite.”
Pretty soon Elias found himself installed at Redwood’s table, with Christine beaming upon him from one end, and the old man carving49 a turkey at the other.
“Well, I declare, Chris, this is quite jolly, ain’t it? To have company to dinner! We two—she and I, Mr. Bacharach—we generally dine alone; and as we’ve told each other about all either of us knows, time and time again, we don’t find it particularly lively; do we, Chris? Now, Mr. Bacharach, I know that you Israelites—excuse me—you foreigners—don’t drink ice-water with your meals; but as I haven’t got any wine to offer you, I’ll send out for some beer. Mary!”
The maid appeared; and old Redwood instructed her to purchase a quart of beer at the corner liquor store. “You’ll have to go in by the side-door, Mary, because it’s Sunday. And if any policeman should ask what you’ve got in the pitcher50, tell him it’s milk. Don’t be afraid. If he takes you up, I’ll go bail51 for you. Ha-ha-ha!”
“Father!” cried Christine, with a glance at once beseeching52 and reproachful.
“Beer,” the old man continued, moderating his hilarity53, and adopting a commentative tone, “beer is a great drink, mild, refreshing54, wholesome16. And it’s done a sight of good for temperance, too—more than all your total abstinence orators55 and blue-rib-bonites put together. I’m very fond of it, and always drink it with my lunch, down-town. There’s a saloon just under my shop. But Chris there, she can’t abide56 it, on account of the bitter. She likes wine—and wine—not being a capitalist—I call an extravagance.”
“Yes,” said Christine, “I think wine is perfectly57 delicious; and so pretty to look at, with its deep red or yellow. Once a friend of father’s sent us a whole box of wine—Rhine wine—and——”
“And,” old Redwood interrupted, “and that innocent appearing young woman there, sir, she disposed of every blessed drop of it; she did, for a fact. What do you think of that?”
“Oh, father,” protested Christine, blushing beautifully, “you ought not to say such a thing. Mr. Bacharach might believe you.”
“Well, any how, I wish we had some of it left to offer you, Mr. Bacharach,” said Redwood. “But here comes the beer.”
“Oh, by the way,” put in Elias, addressing himself to Christine, “did you know? They’re going to give the ‘Damnation of Faust’ at the Symphony rehearsal45 Friday afternoon—the great work of Berlioz. Have you ever heard it?”
“No; but I have heard selections from it. I wish”—bringing her eyes to bear upon her father—“I wish I could go.”
“Well, why don’t ye? Who’s to prevent ye?”
“Will you take me?”
“Not I. But, Great Scott, what’s the use of being a pretty young girl if you’ve got to drag your aged58 father around after you? Why don’t you get some young man? I’ll bet there are twenty young fellows in this town, who’d only be too glad. But she, Mr. Bacharach, she scares them all away, with her high and mighty59 manners. She’s too particular. She’ll die an old maid, mark my words.”
Elias caught a glimpse of a golden opportunity. “I wish, Miss Redwood, I wish you would go with me,” he ventured, a little timidly, and waited anxiously for her response.
“There you are, Chris!” cried her father. “There’s your chance! But”—turning to Elias—“but she won’t. You see if she will.”
“Oh, thank you, Mr. Bacharach? That’s lovely. I’ll go with the very greatest pleasure.”
Her eyes lighted up; and leaving her seat, she ran around the table, and deposited a wholly irrelevant60 kiss upon her father’s forehead.
“Ha-ha-ha!” laughed that gentleman, clapping his hands. “You’re the first young fellow I’ve seen, Mr. Bacharach, who she thought was good enough for her. By George, Chris, there’s hope for you, after all.”
“Oh,” cried Christine, “I’m so glad. I never wanted any thing more in my life, than I did to hear the—the—it sounds awfully profane61, doesn’t it?—‘Damnation of Faust.’”
“Well, now,” said the old man, “there’s nothing like killing62 two birds with one stone. So what I propose is this: I propose that you come up here Friday forenoon, Mr. Bacharach; and then you can work for a while at her portrait. Afterward63 she’ll give you a bite of lunch—won’t ye, Chris?—and you can tote her off to the concert. By the way, where does it take place? At the Academy?”
“No; at Steinway Hall.”
“And when does it let out?”
“At about half-past four, I think.”
“All right. Then I’ll meet you at the door when it’s over—my shop, you know, is just around the corner—I’ll meet you at the door and save you the trouble of bringing her home. How does that suit, eh?”
“Very well,” said Elias; but he thought that he should not have minded the trouble of bringing her home.
When he returned to the quiet, dark house on Stuyvesant Square, late that afternoon, he sat down at the big window of his studio, and went over the happenings of the day. He felt wonderfully lighthearted, wonderfully elated, as though he had drunken of some subtle stimulant64. What a pleasant, interesting city New York was, after all! How thoroughly65 one could enjoy one’s self in it! The noises of it, mingling66 in a confused, continuous rumble67, and falling upon his ears, sounded like the voice of a good old friend. It was an old friend’s face that greeted him, as he looked out upon the bare trees in the park. Every now and then he drew a deep, tremulous, audible breath. The colors faded from the sky. Dusk gathered. The bell of St. George’s Church rang to vespers. The street lamps were lighted. It got dark. Elias did not stir.
“Oh, what a sweet, natural, beautiful girl!” he was soliloquizing. “And what a rough old bear of a father! And what—what a heavenly time we’ll have on Friday!”
He marveled at himself, it gave him such a swift, exultant68 thrill to think of Friday; but the obvious psychological explanation of it, he never once suspected.
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peculiar
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| adj.古怪的，异常的；特殊的，特有的 | |
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fragrance
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| n.芬芳，香味，香气 | |
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resuscitate
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| v.使复活，使苏醒 | |
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cardinal
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| n.(天主教的)红衣主教；adj.首要的，基本的 | |
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parlor
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| n.店铺，营业室；会客室，客厅 | |
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deserted
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| adj.荒芜的，荒废的，无人的，被遗弃的 | |
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acquiesced
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| v.默认，默许( acquiesce的过去式和过去分词 ) | |
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assented
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| 同意，赞成( assent的过去式和过去分词 ) | |
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standing
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| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
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delightful
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| adj.令人高兴的，使人快乐的 | |
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sculptors
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| 雕刻家，雕塑家( sculptor的名词复数 )； [天]玉夫座 | |
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emblematic
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| adj.象征的，可当标志的；象征性 | |
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celebrated
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| adj.有名的，声誉卓著的 | |
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awfully
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| adv.可怕地，非常地，极端地 | |
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morbid
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| adj.病的；致病的；病态的；可怕的 | |
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wholesome
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| adj.适合；卫生的；有益健康的；显示身心健康的 | |
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sketch
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| n.草图；梗概；素描；v.素描；概述 | |
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sketching
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| n.草图 | |
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widower
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| n.鳏夫 | |
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deficient
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| adj.不足的，不充份的，有缺陷的 | |
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scattered
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| adj.分散的，稀疏的；散步的；疏疏落落的 | |
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prodigious
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| adj.惊人的，奇妙的；异常的；巨大的；庞大的 | |
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cravat
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| n.领巾，领结；v.使穿有领结的服装，使结领结 | |
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picturesque
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miserable
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| adj.悲惨的，痛苦的；可怜的，糟糕的 | |
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utterances
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charcoal
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| n.炭，木炭，生物炭 | |
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queried
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| v.质疑，对…表示疑问( query的过去式和过去分词 )；询问 | |
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construed
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| v.解释（陈述、行为等）( construe的过去式和过去分词 )；翻译，作句法分析 | |
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fixed
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pensive
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| a.沉思的,哀思的,忧沉的 | |
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longing
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vowed
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| 起誓，发誓（vow的过去式与过去分词形式） | |
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exquisitely
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gilded
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| a.镀金的，富有的 | |
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varied
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| adj.多样的，多变化的 | |
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abruptly
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| adv.突然地，出其不意地 | |
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crooked
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| adj.弯曲的；不诚实的，狡猾的，不正当的 | |
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entirely
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| ad.全部地，完整地；完全地，彻底地 | |
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blindfold
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| vt.蒙住…的眼睛；adj.盲目的；adv.盲目地；n.蒙眼的绷带[布等]； 障眼物，蒙蔽人的事物 | |
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witticism
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| n.谐语，妙语 | |
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retrace
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| v.折回；追溯，探源 | |
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truthful
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| adj.真实的，说实话的，诚实的 | |
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rehearsals
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| n.练习( rehearsal的名词复数 )；排练；复述；重复 | |
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rehearsal
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| n.排练，排演；练习 | |
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paraphernalia
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| n.装备；随身用品 | |
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cluttering
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| v.杂物，零乱的东西零乱vt.( clutter的现在分词 )；乱糟糟地堆满，把…弄得很乱；（以…） 塞满… | |
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digestion
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| n.消化，吸收 | |
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carving
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| n.雕刻品，雕花 | |
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pitcher
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| n.(有嘴和柄的)大水罐；(棒球)投手 | |
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bail
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| v.舀（水），保释；n.保证金，保释，保释人 | |
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beseeching
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| adj.恳求似的v.恳求，乞求（某事物）( beseech的现在分词 ) | |
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hilarity
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| n.欢乐；热闹 | |
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refreshing
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| adj.使精神振作的，使人清爽的，使人喜欢的 | |
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orators
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| n.演说者，演讲家( orator的名词复数 ) | |
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abide
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| vi.遵守；坚持；vt.忍受 | |
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perfectly
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| adv.完美地，无可非议地，彻底地 | |
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aged
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| adj.年老的，陈年的 | |
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mighty
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| adj.强有力的；巨大的 | |
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irrelevant
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| adj.不恰当的，无关系的，不相干的 | |
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profane
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| adj.亵神的，亵渎的；vt.亵渎，玷污 | |
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killing
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| n.巨额利润；突然赚大钱，发大财 | |
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afterward
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| adv.后来；以后 | |
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stimulant
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| n.刺激物，兴奋剂 | |
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thoroughly
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| adv.完全地，彻底地，十足地 | |
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mingling
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| adj.混合的 | |
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rumble
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| n.隆隆声；吵嚷；v.隆隆响；低沉地说 | |
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exultant
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| adj.欢腾的，狂欢的，大喜的 | |
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