“And now?” I whispered, when we had trussed him up, for all the world like a fat fowl4. It seemed to me rather useless and silly, all this fuss, and yet, I confess, I found it exciting.
St. Hilary shook his head for silence. One of the duke’s cigarettes drooping5 at the corner of his mouth, he deliberately6 went through da Sestos’s pockets. As I watched him, I shook with silent laughter. St. Hilary played his part with such boyish gusto. They made a picture, those two: the duke straining frantically7 at his bonds; St. Hilary, deft8 and cool, quite to the manner born, tapping this pocket and that, and emptying the contents of each in a little heap on the table–money, keys, letters. When he had glanced through the last, he conscientiously9 returned each 139article to its respective pocket. Except the keys and the copy of a telegram. The keys he calmly transferred to his own pocket; the telegram he handed to me. I read it curiously10:
“Please tell Mr. Hume that he is by all means to give you the clock at once.”
It was signed by Mrs. Gordon, and was directed to the duke. I looked at it thoughtfully.
“Supposing, St. Hilary, that while reading this telegram the candle’s flame happened to catch it. Naturally, I should let it go–like this,” I whispered, and stamped on the burning paper.
“Wise young man,” commented St. Hilary. “And now I am going to return the call of the duke. We are going to play our little game of tit for tat.”
He put on his cloak, then, drawing its folds about him, he beckoned11 me out into the sala.
“Yes, I am off to our comedian’s apartment. We must have those fourteen pages, if possible. Do you keep your eye on the duke there until four o’clock. Then let yourself down-stairs softly, very softly. Return noisily, very noisily. Imagine you have been dining, as the poet says, not wisely but too well. You will then be horrified12 to discover that our lord duke is blindfolded13, strapped14, and gagged. You release him with 140cries of concern. You are all sympathy. We have done our work skilfully15 enough so that he can not know we are the aggressors. It is true, he may guess. I shall return here to-morrow morning, probably not before noon. We shall need a few hours’ sleep. I hope I shall bring those fourteen pages with me, then we can amuse ourselves with our clock.”
“But our beast of prey16 in there. Though he can not see or move, don’t forget he can hear. Keeping still until four o’clock in the morning does not appeal to me in the least. Why not shut him up in my coat-closet until it is time to release him?”
“Excellent.”
We entered my room again, and, in spite of his struggles, stood the duke upright in the narrow closet. Then, leaving him standing17 there like a mummy, we turned the key on him and left him to his reflections.
“Now I’m off,” whispered St. Hilary.
When he had closed the door behind him, I took the seat in front of the clock. I waited for the clock to strike the hour of two.
The silver bell struck the three-quarter-hour. The minutes dragged on. As I sat there, staring at the clock, my eyes on its face, it seemed a thing sinister18, half alive. Its yellow face took on a 141look that was half human. It made faces at me. It mocked me.
And then at last a spring whirred. The little silver bells, sweet as an elfin chime in fairyland, shocked me into rigid19 attention. It was two o’clock. I watched the doors eagerly.
At first I thought none of the twelve doors had opened. I forgot for the moment that the door of the second hour was at the side of the clock. I moved the candle to the side. Yes, the door was wide open. I thrust the rays of the candle at the little doorway20, and I saw–what?
A circular platform was being pushed slowly forward. On this platform was a tiny throne in silver. At the foot of this throne a bronze figure crouched21 abjectly22. Another figure stood upright at the base of the throne. In his two hands the upright figure clutched a sword. As the clock struck twice, the sword was raised high above his head, with a droll23, mechanical jerk. It descended24 twice on the neck of the crouching25 figure. Then, very slowly, the platform retreated into the doorway. The door closed.
That was all. A dollar cuckoo clock is hardly less impressive or more ridiculous. A figure hacks26 with a sword at a figure complacently27 kneeling to receive the blow–that was all! But was it all? Was there not, behind the little 142figure, a background of bronze, a drop-curtain, so to speak? And on the background was there not something in bas-relief? I felt quite sure that there was, though the two automata must be the principal actors in the foolish scene. I jotted28 down as much as I could remember, and waited for three o’clock to strike.
But if the previous hour was disappointing, this was maddeningly so. This time I had the two lighted candles standing at the third door, that not a fraction of a second might be wasted.
Again the whirr of the spring and the chime of bells. The third door opened slowly. The circular platform was pushed out again. A single figure this time. I watched it, breathless, and it did–nothing. It stood there motionless. But at the second glance I saw that it was designedly motionless. It was not an automaton29. It was simply a piece of bronze cast in the shape of an old man in a flowing robe. The Doge’s cap was on his head. His right arm was lifted as if gesticulating. And as the hours struck, there appeared from the rear of the platform, in quick succession, tiny round disks. They sprang into line from within one after the other. Before the door closed I counted ten of them. They stood in a row, facing the immovable figure. There was again a bronze plate at the back. At first 143I thought it was ornamented30 with a geometrical design. But as I looked at it more closely, I saw that it was a gate. This scene was more tantalizing31 than the last. When the clock had been in perfect repair the ten disks must have been the basis for ten automata, much after the fashion of the Noah’s Ark men of our childhood. Naturally, the ten figures suggested the Council of Ten, and the single figure the Doge. But one would need some imagination to guess their significance. The clock might have a wonderful secret to tell, but it would take a genius or extraordinary luck to puzzle it out.
The clock ticked complacently. It seemed to jeer32 at me with its clacking rhythm. I lighted one of the duke’s excellent cigarettes. My nerves had been spurred to an ecstasy33 of excitement. I had expected wonderful things to happen. Nothing had happened. Nothing, I said to myself, was going to happen. I was very sleepy. The irritating tick-tock sounded far away. I nodded in my chair.
The whirr of the spring and the silver chime aroused me. I leaned forward languidly, cynically34, rubbing my eyes. The first of the six doors in front opened. This time no automaton appeared. In the background I made out some monster, a well-curb, and a tree. The door 144closed slowly. I laughed aloud. St. Hilary and myself had been mad to dream that after almost five centuries the clock could tell its secret, if indeed it had a secret to tell.
I yawned, blew out the candles, put on my overcoat and hat, and slipped down-stairs. It was time to let the duke out of his box.
点击
收听单词发音
收听单词发音 |
1
bungle
|
|
| v.搞糟；n.拙劣的工作 | |
参考例句： |
|
|
|
|
2
antagonist
|
|
| n.敌人，对抗者，对手 | |
参考例句： |
|
|
|
|
3
spine
|
|
| n.脊柱，脊椎；(动植物的)刺；书脊 | |
参考例句： |
|
|
|
|
4
fowl
|
|
| n.家禽，鸡，禽肉 | |
参考例句： |
|
|
|
|
5
drooping
|
|
| adj. 下垂的，无力的 动词droop的现在分词 | |
参考例句： |
|
|
|
|
6
deliberately
|
|
| adv.审慎地；蓄意地；故意地 | |
参考例句： |
|
|
|
|
7
frantically
|
|
| ad.发狂地, 发疯地 | |
参考例句： |
|
|
|
|
8
deft
|
|
| adj.灵巧的，熟练的（a deft hand 能手） | |
参考例句： |
|
|
|
|
9
conscientiously
|
|
| adv.凭良心地；认真地，负责尽职地；老老实实 | |
参考例句： |
|
|
|
|
10
curiously
|
|
| adv.有求知欲地；好问地；奇特地 | |
参考例句： |
|
|
|
|
11
beckoned
|
|
| v.（用头或手的动作）示意，召唤( beckon的过去式和过去分词 ) | |
参考例句： |
|
|
|
|
12
horrified
|
|
| a.(表现出)恐惧的 | |
参考例句： |
|
|
|
|
13
blindfolded
|
|
| v.（尤指用布）挡住（某人）的视线( blindfold的过去式 )；蒙住（某人）的眼睛；使不理解；蒙骗 | |
参考例句： |
|
|
|
|
14
strapped
|
|
| adj.用皮带捆住的，用皮带装饰的；身无分文的；缺钱；手头紧v.用皮带捆扎(strap的过去式和过去分词)；用皮带抽打；包扎；给…打绷带 | |
参考例句： |
|
|
|
|
15
skilfully
|
|
| adv. (美skillfully)熟练地 | |
参考例句： |
|
|
|
|
16
prey
|
|
| n.被掠食者，牺牲者，掠食；v.捕食，掠夺，折磨 | |
参考例句： |
|
|
|
|
17
standing
|
|
| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
参考例句： |
|
|
|
|
18
sinister
|
|
| adj.不吉利的，凶恶的，左边的 | |
参考例句： |
|
|
|
|
19
rigid
|
|
| adj.严格的，死板的；刚硬的，僵硬的 | |
参考例句： |
|
|
|
|
20
doorway
|
|
| n.门口，(喻)入门；门路，途径 | |
参考例句： |
|
|
|
|
21
crouched
|
|
| v.屈膝，蹲伏( crouch的过去式和过去分词 ) | |
参考例句： |
|
|
|
|
22
abjectly
|
|
| 凄惨地； 绝望地； 糟透地； 悲惨地 | |
参考例句： |
|
|
|
|
23
droll
|
|
| adj.古怪的，好笑的 | |
参考例句： |
|
|
|
|
24
descended
|
|
| a.为...后裔的，出身于...的 | |
参考例句： |
|
|
|
|
25
crouching
|
|
| v.屈膝，蹲伏( crouch的现在分词 ) | |
参考例句： |
|
|
|
|
26
hacks
|
|
| 黑客 | |
参考例句： |
|
|
|
|
27
complacently
|
|
| adv. 满足地, 自满地, 沾沾自喜地 | |
参考例句： |
|
|
|
|
28
jotted
|
|
| v.匆忙记下( jot的过去式和过去分词 )；草草记下，匆匆记下 | |
参考例句： |
|
|
|
|
29
automaton
|
|
| n.自动机器，机器人 | |
参考例句： |
|
|
|
|
30
ornamented
|
|
| adj.花式字体的v.装饰，点缀，美化( ornament的过去式和过去分词 ) | |
参考例句： |
|
|
|
|
31
tantalizing
|
|
| adj.逗人的；惹弄人的；撩人的；煽情的v.逗弄，引诱，折磨( tantalize的现在分词 ) | |
参考例句： |
|
|
|
|
32
jeer
|
|
| vi.嘲弄，揶揄；vt.奚落；n.嘲笑，讥评 | |
参考例句： |
|
|
|
|
33
ecstasy
|
|
| n.狂喜，心醉神怡，入迷 | |
参考例句： |
|
|
|
|
34
cynically
|
|
| adv.爱嘲笑地，冷笑地 | |
参考例句： |
|
|
|
| 欢迎访问英文小说网 |