With the assistance of the hotel officials, they secured a very pretty Japanese “yashiki,” or villa6, situated7 at about half an hour's distance from the town, and caused such European furniture as they were likely to require to be transported thither8. When all was ready, they took up their residence there, with a large retinue9 of native servants, both male and female. These were under the orders of an ex-Samurai (member of the lower grades of the nobility), who spoke10 both English and German, and who was to act as their interpreter and major-domo.
The secrecy11 with which it had been necessary to observe all their relations until the moment when they left Batavia, had imbued12 their intrigue13 with a certain degree of piquancy14, and the constant change of scene which had passed before their eyes like a kaleidoscope, since they left Java, had prevented any danger of monotony and ennui16. The experiment which they were now, however, [Pg 128] about to enter upon was a most perilous17 one. With no European society in the neighborhood, and dependent solely18 on one another for conversation and diversion, it was only natural that a man of Frederick's character and temperament19 should soon begin to weary of the sameness and dreariness20 of his existence. It is useless to expect that any man should remain in a state of perpetual adoration21 for an indefinite length of time before his lady-love, no matter how beautiful she may be. Familiarity breeds contempt, and this is especially the case when the lady is no longer young and has become sentimental22 and exacting23. Accustomed as Nina had been at Batavia to see Frederick, and in fact all the other men by whom she was surrounded, anxious for a smile and ever ready to execute her slightest behest, it cut her to the very heart to see how, after the first few weeks of their residence in Japan, her lover's affection toward her decreased. He betrayed traces of weariness in her society, and spent much of his time in riding about alone in the neighborhood.
At about a quarter of an hour's distance from the house, and standing25 on the banks of a small river, was a pretty village, of which the chief attraction was a “chaya,” or tea-house. It was here that Frederick's horse might have been frequently seen walking up and down, attended by his “betto” (native groom26), while his master was being entertained by the graceful27 “mousmes,” who constitute so charming a feature of every Japanese restaurant.
Stretched on a mat of the most immaculate whiteness, Frederick would remain for hours, lazily sipping28 his tea and watching the voluptuous29 dances of the “geishas” (dancing-girls). Although not beautiful, yet the Japanese women, when young, are exceedingly pretty and captivating. They have many winning and gracious little ways, and are thoroughly30 impressed with the notion that their sole mission in life is to provide amusement for the sterner sex.
[Pg 129]
The young man appreciated these little excursions into the country all the more since, with commendable31 caution, Madame Van der Beck had insisted that all the female servants employed in the house should be married women. In order to realize what this meant, it must be explained that on their wedding-day, the Japanese wives are obliged by custom and tradition to shave off their eyebrows32 and to stain their teeth a brilliant black, so that their husbands may have no further grounds for jealousy33. Their appearance is therefore scarcely prepossessing.
Nina, more and more embittered34 by her lover's ever-increasing indifference35, lost much of her former good humor and cheerfulness. She spent the whole day brooding alone in the gardens which surrounded her villa. These were laid out with much ingenuity36 and artistic37 feeling by one of the most famous Japanese landscape gardeners. Miniature rivers traversed the ground in every direction, spanned by miniature bridges, and with miniature temples and pagodas38 on their banks. There were also miniature waterfalls, miniature junks, and even miniature trees, the latter being especially curious. By some method which has been kept a profound secret by the great guild39 of horticulturists at Tokio, trees even two hundred and three hundred years old have been treated in such a manner as to stunt40 their growth and to prevent them from attaining41 a height of more than two or, at the most, three feet. Their trunks are gnarled and twisted by age, but there is no trace of the pruning-knife, and they constitute an exact representation in miniature of the grand old sycamore, oak, and cedar42 trees which line the magnificent fifty-mile avenue which leads up to the sacred shrines43 of “Nikko.” The object which the Japanese have in view in thus stunting44 the growth of certain classes of their trees is the fact that owing to the want of space the inhabitants of cities are obliged to content themselves with very small gardens. In order to make these appear larger [Pg 130] and to allow for the composition of the landscape, which is the Japanese ideal of a garden, they are obliged to arrange everything in miniature, and since trees of normal size would be out of keeping with the rest they have discovered an ingenious scheme of dwarfing45 them to a corresponding size.
One day, a few minutes after Frederick had arrived on his customary visit to the (tea-house), he was suddenly called out into the court-yard, where he found his betto stretched dead on the ground. Frederick had been in such a hurry to get away from home that he had ridden too fast, and the unfortunate native, whose duty, as in all oriental countries, it was to run before the horse, had, on reaching his destination, expired of the rupture46 of an aneurism of the heart. Much annoyed by this incident, Frederick ordered the corpse47 to be conveyed home at once, and spent the remainder of the day with the pretty “mousmes” at the tea-house.
When he returned home that evening, the widow of his ill-fated groom rushed up to him and, kissing his boot, entreated48 his pardon for the “stupidity of which her husband had been guilty in dying while out with the master and occasioning him thereby49 the trouble of attending to his own horse.”
Frederick, much amused at this display of truly oriental courtesy, tossed the woman a few yen50 notes and entered the the house, laughing, with the intention of telling Madame Van der Beck about it. The smile, however, faded from his lips when he came into her presence, for, having learned from the men who had brought home the groom's body, the nature of the place where Frederick was in the habit of passing his days, her feelings of jealousy and anger were aroused to a boiling pitch. Thoroughly spoiled, accustomed to have every whim51 humored, and with no notion of how to control her temper, she gave full vent15 to a perfect torrent52 [Pg 131] of reproaches and abuse against the man for whom she had sacrificed husband, rank, and position. She taunted53 him bitterly with his ingratitude54, and it was only with the greatest difficulty that he at length succeeded in restoring her to anything like calm.
Had she but known the true character and the past record of the man to whom she had so rashly confided56 her happiness, it is probable that she would have exercised a greater restraint over her temper. Frederick had now lost all sense of her charms and attractions, and was determined to cut himself loose from bonds which, though gilded57, had become irksome to him. Moreover, he lived in constant dread58 that her husband, Mr. Van der Beck, would end by discovering their place of refuge. This last encounter with his mistress brought matters to a climax59, and he determined to put into execution, without any further delay, the projects which he had been maturing for some time past.
A few days later, he rode into Yokohama and took the train up to Tokio. There he directed his jinrikisha, as the little two-wheeled carriages (drawn60 at a sharp trot62 by one, two, or three coolies, harnessed tandem63 fashion) are called, to take him to the quarter of the metropolis64 inhabited by the merchants dealing65 in furs. After considerable trouble, he succeeded in finding some skins of the wild-cat, with which he returned to the railway station and thence to Yokohama.
On reaching home, he seized the earliest possible moment to lock himself up in his room, where he spent an hour in cutting off the short, hard hairs of the furs which he had purchased, and, locking them away in a small box, he then destroyed the skins.
While stationed in the interior of Java, a native soldier to whom he had shown some acts of kindness had displayed his gratitude55 by making him acquainted with the properties of the chopped hair of a wild-cat when mixed [Pg 132] with food. These hairs are swallowed without being noticed, but remain stuck by their points in the intestines66. Any attempts to remove them or to relieve the patient by means of medicines are useless, since the hairs merely bend in order to give way to the medicament and then resume their former position. In a very short space of time, they produce terrible and incurable67 ulcerations of the intestines, and in the course of a few weeks the victim, who is unable to take any further food or nourishment68, wastes away and finally dies of exhaustion69 and inanition.
It was of this fiendish method that Frederick was about to avail himself for the purpose of getting rid of his rich inamorata, whose money, however, he was determined at all costs to retain.
Mme. Van der Beck soon began to notice an agreeable change in the conduct of Frederick. His indifference and coldness vanished entirely70 and he became once more an attentive71 and devoted72 lover. He no longer spent his days at the “chaya,” but remained at home, and only left the house to accompany her on her drives in the lovely environs of Yokohama. Nina was at first at a loss to understand the reason of so radical73 a reformation, but finally made up her mind that it was to be attributed to the sorrow she had manifested at his neglect; and her love for him revived in all its former intensity74.
One day while driving in the neighborhood their attention was suddenly attracted by cries for assistance which proceeded from the banks of a small stream. On approaching the spot they found that an English phaeton of somewhat antiquated75 build, and drawn by an exceedingly vicious looking pair of half-broken Japanese ponies76, had been overturned into the water. The carriage was imbedded in the mud, and the grooms77 were making frantic78 efforts to extricate79 the terrified horses from the tangle80 of harness and reins81. On the bank stood a Japanese gentleman in native costume, [Pg 133] who was giving directions to his men. Frederick, having alighted, courteously82 raised his hat and inquired if he could be of any assistance, an offer which was gratefully accepted. With the help of his servants the ponies were at length freed, but it was found impossible to pull the heavy and cumbrous vehicle out of the mud. At Nina's pressing solicitation84, the Japanese, who, judging by his dress and appearance, was evidently a man of high rank, allowed himself to be prevailed upon to accept a seat in her carriage and to be driven to his home. The latter was an extremely pretty country house surrounded by vast grounds. On taking leave of them, with many profuse85 expressions of gratitude, he requested permission to call upon them on the following day. They learned subsequently from their major-domo that their new acquaintance was one of the most famous statesmen of the land.
On the following day he paid them a long visit, and before he left requested them to spend the next afternoon at his yashiki. There for the first time they caught a glimpse of Japanese life such as is rarely enjoyed by foreigners.
On arriving in the court-yard and entering the house they found the entire body of servants and dependents of the establishments assembled in two rows under the heavy portico86 of carved wood. All were on their knees, and when Frederick and Nina passed between their ranks every head was lowered to the ground in silent and respectful greeting to the guests of their lord. At this moment the master of the house appeared, and in his flowing silken robes, with his slow and dignified87 movements, presented a striking contrast to the restless and frisky88 little Japs whom one is accustomed to see rushing through the streets of London and Paris.
A magnificent banquet was then served in true Japanese style. Six girls in gorgeous apparel entered the dining hall, and, falling on their knees, prostrated89 themselves till their [Pg 134] heads touched the floor. They wore the most artistic of dresses, with huge sashes of a soft rich color. In their hands they bore several native instruments of music, including a “koto,” a kind of horizontal harp61 or zither; a “samasin,” or banjo, and a “yokobuc,” or flute90. The fair musicians, still kneeling on the floor, began to play and to sing a strangely weird91 but somewhat exciting melody. Meanwhile other handmaidens, scarcely less richly dressed than the first, made their appearance, carrying costly92 lacquer trays with egg-shell porcelain93 cups containing slices of the feelers of the octopus94, or devil-fish, wonderfully contrived95 soups, oranges preserved in sirups, and various other extraordinary confections. At first both Nina and Frederick made fruitless attempts to convey the viands96 to their mouths by means of the chop-sticks which had been placed before them, but soon, following the example of their host, they overcame this difficulty by raising the cups to their lips and gulping97 down the contents.
Then came the most dainty morsel98 of the feast, which is to the Japanese epicure99 what fresh oysters100 and Russian sterlet are to us. Resting on a large dish of priceless Kioto porcelain, garnished101 with a wreath of variegated102 bamboo leaves, was a magnificent fish of the turbot species. It was still alive, for its gills and its mouth moved regularly. To Nina's horror, the serving girl raised the skin from the upper side of the fish, which was already loose, and picked off slice after slice of the living creature, which, although alive, had been carved in such a manner that no vital part had been touched; the heart, gills, liver, and stomach had been left intact, and the damp sea-weed on which the fish rested sufficed to keep the lungs in action. The miserable103 thing seemed to look with a lustrous104 but reproachful eye upon the guests while they consumed its body. To be buried alive is horrible enough in all conscience, but to be eaten alive must be even still worse. It [Pg 135] should be added that this particular fish, the dai, is only good when eaten alive. The moment it is dead the flesh becomes opaque105, tough, and starchy. The wine consisted of warm “sakke” and other kinds of liquor distilled106 from rice.
Toward the end of the repast, which lasted several hours, a sliding panel was suddenly drawn aside and an elderly Japanese lady made her appearance, crawling on her hands and knees. She was followed by a considerably107 younger looking woman and two little girls. On Frederick looking inquiringly at his host, the latter, with a contemptuous jerk backward of his thumb, said:
“Oh! my wife,” at which words the good lady touched the floor with her forehead.
The younger woman was equally briefly108 introduced as “Okamisan,” and was the second wife of the worthy109 host. Of the two little girls one was a daughter by the first wife and the other by Okamisan, who all dwelt on the best of terms together.
Both Frederick and Nina were about to rise from the cushions on which they were sitting on the floor in order to greet the ladies, but they were forced by their entertainer to keep their places, while with an important wave of the hand he dismissed his family.
On her way home that night Nina complained of feeling very ill, but attributing it to the effects of the extraordinary and mysterious dishes of which she had partaken, she attached no particular importance thereto.
On the following day she was but little better, and from that time forth110 was scarcely ever well. Her languor111 and loss of appetite increased day by day. At Frederick's suggestion one of the best European doctors at Yokohama was summoned to attend to her case, but the remedies which he prescribed proved of no avail. She was rarely able to leave the grounds of the villa, and grew more feeble as the time [Pg 136] passed by. Frederick was unremitting in his attention, and nursed her with what was apparently112 the most tender solicitude113.
Their residence at the “vashiki” was brought to a sudden close shortly afterward by a tragic114 incident. A valuable gold bracelet115 belonging to Nina had disappeared, and as the young Samurai (nobleman) who acted as interpreter and major-domo, had engaged the servants and rendered himself personally responsible for their honesty, Frederick laid the blame on him, and reproached him about the theft in the most violent and unmeasured terms. The poor fellow seemed to take the matter to heart very much, but uttered no word of response.
The following day, however, he summoned all his friends and relatives, to the number of about twenty, and caused them to assemble in one of the detached pavilions of the villa which had been assigned to his use. Squatting116 on their heels around the room, with their “hibashi” or charcoal117 boxes in front of them, from the burning embers of which they every few minutes lighted their small and peculiarly shaped pipes, they listened in silence to a long document which the young man, who was seated in the middle of the room, read to them. Its contents were to the effect that he had rendered himself responsible for the honesty of the servants of his employer's establishment, that an important theft had occurred, that he had been held accountable, and that not only had he been loaded with reproaches, but even himself been suspected of being the thief. Dishonor such as this could only be wiped out by his blood. He had therefore requested his friends and relatives to be present during his last moments, and to receive his dying wishes.
As soon as he had concluded the reading of this document every one of those present prostrated himself with a long-drawn exclamation118 of “Hai,” which seemed to come [Pg 137] from the very depths of the heart. This was to indicate that they fully83 approved of the course which he intended to adopt.
After a few moments of profound silence the young man, in a low but yet matter-of-fact tone of voice, addressed each one of those present in succession, giving directions as to the disposal of his property and messages for absent acquaintances.
[Pg 138]
Then there was another silence, during which cups of tea and “sakke” were passed around.
Suddenly, on a sign from the young man, the person nearest to him, and who was his dearest relative, arose and left the room. On returning a few minutes later he drew from his loose and flowing sleeve a short but heavy Japanese sword about twenty inches in length. The whole of the broad, heavy blade and the razor-like edge were hidden by a double layer of fine but opaque Japanese tissue paper, which effectually concealed119 from sight every trace of the deadly steel excepting about a quarter of an inch of the point. Prostrating120 himself before the young Samurai he handed it to him with much formality.
The latter received it in the same ceremonious manner, and having taken one last whiff at his pipe and replaced it in the fire-box, he bared his stomach, and inserting the point into his left side, plunged121 it up to its hilt, and then, without a cry, without a moan, or even a single exclamation of pain, drew it swiftly across to the right side and halfway122 back again before he fell forward on his face. A few gasps123 were all that was heard, except the deep-drawn sighs of those present. The plucky124 young fellow was dead. Almost every internal organ had been severed125 by the terrible cut, and he lay there motionless in a pool of blood, the red color of which contrasted vividly126 with the pure whiteness of the straw matting.
COMMITTING HARI-KARI.
Tenderly raising him up, his friends bore the corpse into an adjoining room, where, after washing off the blood and cleansing127 the body, they clothed it in the full costume of a Samurai and laid him on a mat, with his legs drawn up and crossed, his hands folded on his breast, and his two swords—the long one for his enemies and the short one for himself—lying on the ground by his side. Not a trace of pain or anguish128 was to be seen on the dead man's face, which looked incredibly calm and peaceful.
[Pg 139]
During that whole night his friends sat by the body, moaning and chanting in a low voice some kind of “Shinto” songs or verse.
It was only on the morrow that Frederick and Nina were made acquainted with all the particulars of the tragedy of the previous evening. The doctor happening to arrive shortly afterward, and being informed of the terrible incident, immediately impressed upon them the necessity of leaving the spot at once, and even recommended them to quit Japan as soon as possible. At any rate, he urged that they should drive back with him to Yokohama and take up their residence temporarily at the Grand Hotel, within the boundaries of the foreign settlement. He explained to them that since their major-domo had committed hari-kari in consequence of his deeming himself mortally insulted by Frederick, it had become the bounden and solemn duty of the nearest relative of the dead man to avenge129 his honor.
Nina, whose nerves had already received a terrible shock on hearing of her major-domo's tragical130 end—a shock which in her feeble condition of health she was scarcely in a position to bear—now became terribly alarmed, and insisted on acting24 on the doctor's advice. Frederick, knowing how small are the chances of a European against the deadly swords of the Samurai, which cut through flesh and bone, readily consented, and, having hastily gathered together their money, jewelry131, papers, and other portable valuables, they drove to Yokohama in the doctor's carriage.
Nina, however, even when comfortably established in the handsome apartments on the first floor of the Grand Hotel, was in a constant state of dread and terror. She was convinced that every native whom she saw passing along the wharf132 was intent on murdering her beloved Frederick, and the idea of remaining any longer in Japan was intolerable to her. Having become aware that a steamer was about to leave two days later for San Francisco, she prevailed upon [Pg 140] Frederick to secure passages, and accordingly at the hour appointed for sailing she was carried on board in an exceedingly feeble condition.
Before taking leave of them their friend, the doctor, who had attended to the removal of all their property from the villa, solemnly informed Frederick that he considered his wife's case almost hopeless; that he believed her to be suffering from decomposition133 of the blood, and that her only chance of recovery lay in a radical change of climate and a sea voyage.
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1
afterward
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| adv.后来；以后 | |
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promontory
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| n.海角；岬 | |
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enchanted
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| adj. 被施魔法的，陶醉的，入迷的 动词enchant的过去式和过去分词 | |
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picturesque
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| adj.美丽如画的，（语言）生动的，绘声绘色的 | |
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determined
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| adj.坚定的；有决心的 | |
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villa
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| n.别墅，城郊小屋 | |
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situated
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| adj.坐落在...的，处于某种境地的 | |
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thither
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| adv.向那里；adj.在那边的，对岸的 | |
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retinue
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| n.侍从；随员 | |
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spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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secrecy
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| n.秘密，保密，隐蔽 | |
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imbued
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| v.使（某人/某事）充满或激起（感情等）( imbue的过去式和过去分词 )；使充满；灌输；激发（强烈感情或品质等） | |
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intrigue
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| vt.激起兴趣，迷住；vi.耍阴谋；n.阴谋，密谋 | |
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piquancy
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| n.辛辣，辣味，痛快 | |
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vent
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| n.通风口，排放口；开衩；vt.表达，发泄 | |
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ennui
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| n.怠倦，无聊 | |
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perilous
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| adj.危险的，冒险的 | |
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solely
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| adv.仅仅，唯一地 | |
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temperament
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| n.气质，性格，性情 | |
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dreariness
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| 沉寂，可怕，凄凉 | |
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adoration
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| n.爱慕，崇拜 | |
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sentimental
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| adj.多愁善感的，感伤的 | |
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exacting
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| adj.苛求的，要求严格的 | |
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acting
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| n.演戏，行为，假装；adj.代理的，临时的，演出用的 | |
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standing
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| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
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groom
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| vt.给（马、狗等）梳毛，照料，使...整洁 | |
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graceful
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| adj.优美的，优雅的；得体的 | |
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sipping
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| v.小口喝，呷，抿( sip的现在分词 ) | |
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voluptuous
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| adj.肉欲的，骄奢淫逸的 | |
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thoroughly
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| adv.完全地，彻底地，十足地 | |
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commendable
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| adj.值得称赞的 | |
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eyebrows
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| 眉毛( eyebrow的名词复数 ) | |
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jealousy
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| n.妒忌，嫉妒，猜忌 | |
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embittered
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| v.使怨恨，激怒( embitter的过去式和过去分词 ) | |
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indifference
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| n.不感兴趣，不关心，冷淡，不在乎 | |
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ingenuity
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| n.别出心裁；善于发明创造 | |
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artistic
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| adj.艺术(家)的，美术(家)的；善于艺术创作的 | |
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pagodas
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| 塔，宝塔( pagoda的名词复数 ) | |
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guild
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| n.行会，同业公会，协会 | |
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stunt
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| n.惊人表演，绝技，特技；vt.阻碍...发育，妨碍...生长 | |
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attaining
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| （通常经过努力）实现( attain的现在分词 )； 达到； 获得； 达到（某年龄、水平、状况） | |
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cedar
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| n.雪松，香柏(木) | |
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shrines
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| 圣地，圣坛，神圣场所( shrine的名词复数 ) | |
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stunting
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| v.阻碍…发育[生长]，抑制，妨碍( stunt的现在分词 ) | |
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dwarfing
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| n.矮化病 | |
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rupture
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| n.破裂；(关系的)决裂；v.(使)破裂 | |
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corpse
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| n.尸体，死尸 | |
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entreated
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| 恳求，乞求( entreat的过去式和过去分词 ) | |
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thereby
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| adv.因此，从而 | |
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50
yen
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| n. 日元；热望 | |
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51
whim
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| n.一时的兴致，突然的念头；奇想，幻想 | |
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52
torrent
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| n.激流，洪流；爆发，(话语等的)连发 | |
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53
taunted
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| 嘲讽( taunt的过去式和过去分词 )； 嘲弄； 辱骂； 奚落 | |
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54
ingratitude
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| n.忘恩负义 | |
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55
gratitude
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| adj.感激，感谢 | |
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56
confided
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| v.吐露（秘密，心事等）( confide的过去式和过去分词 )；（向某人）吐露（隐私、秘密等） | |
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57
gilded
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| a.镀金的，富有的 | |
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58
dread
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| vt.担忧，忧虑；惧怕，不敢；n.担忧，畏惧 | |
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59
climax
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| n.顶点；高潮；v.(使)达到顶点 | |
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60
drawn
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| v.拖，拉，拔出；adj.憔悴的，紧张的 | |
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61
harp
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| n.竖琴；天琴座 | |
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62
trot
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| n.疾走，慢跑；n.老太婆；现成译本；(复数）trots:腹泻（与the 连用）；v.小跑，快步走，赶紧 | |
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63
tandem
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| n.同时发生；配合；adv.一个跟着一个地；纵排地；adj.（两匹马）前后纵列的 | |
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64
metropolis
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| n.首府；大城市 | |
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65
dealing
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| n.经商方法，待人态度 | |
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66
intestines
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| n.肠( intestine的名词复数 ) | |
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67
incurable
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| adj.不能医治的，不能矫正的，无救的；n.不治的病人，无救的人 | |
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68
nourishment
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| n.食物，营养品；营养情况 | |
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69
exhaustion
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| n.耗尽枯竭，疲惫，筋疲力尽，竭尽，详尽无遗的论述 | |
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70
entirely
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| ad.全部地，完整地；完全地，彻底地 | |
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71
attentive
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| adj.注意的，专心的；关心(别人)的，殷勤的 | |
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devoted
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| adj.忠诚的，忠实的，热心的，献身于...的 | |
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radical
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| n.激进份子，原子团，根号；adj.根本的，激进的，彻底的 | |
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intensity
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| n.强烈，剧烈；强度；烈度 | |
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75
antiquated
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| adj.陈旧的，过时的 | |
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76
ponies
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| 矮种马，小型马( pony的名词复数 )； ￡25 25 英镑 | |
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grooms
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| n.新郎( groom的名词复数 )；马夫v.照料或梳洗（马等）( groom的第三人称单数 )；使做好准备；训练；（给动物）擦洗 | |
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frantic
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| adj.狂乱的，错乱的，激昂的 | |
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extricate
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| v.拯救，救出；解脱 | |
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tangle
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| n.纠缠；缠结；混乱；v.(使)缠绕；变乱 | |
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81
reins
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| 感情，激情； 缰( rein的名词复数 )； 控制手段； 掌管； （成人带着幼儿走路以防其走失时用的）保护带 | |
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courteously
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| adv.有礼貌地，亲切地 | |
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83
fully
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| adv.完全地，全部地，彻底地；充分地 | |
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84
solicitation
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| n.诱惑；揽货；恳切地要求；游说 | |
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profuse
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| adj.很多的，大量的，极其丰富的 | |
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portico
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| n.柱廊，门廊 | |
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87
dignified
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| a.可敬的，高贵的 | |
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88
frisky
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| adj.活泼的，欢闹的；n.活泼，闹着玩；adv.活泼地，闹着玩地 | |
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89
prostrated
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| v.使俯伏，使拜倒( prostrate的过去式和过去分词 )；（指疾病、天气等）使某人无能为力 | |
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90
flute
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| n.长笛；v.吹笛 | |
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91
weird
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| adj.古怪的，离奇的；怪诞的，神秘而可怕的 | |
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costly
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| adj.昂贵的，价值高的，豪华的 | |
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93
porcelain
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| n.瓷；adj.瓷的，瓷制的 | |
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94
octopus
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| n.章鱼 | |
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95
contrived
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| adj.不自然的，做作的；虚构的 | |
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96
viands
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| n.食品，食物 | |
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97
gulping
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| v.狼吞虎咽地吃，吞咽( gulp的现在分词 )；大口地吸（气）；哽住 | |
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98
morsel
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| n.一口，一点点 | |
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99
epicure
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| n.行家，美食家 | |
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100
oysters
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| 牡蛎( oyster的名词复数 ) | |
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101
garnished
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| v.给（上餐桌的食物）加装饰( garnish的过去式和过去分词 ) | |
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102
variegated
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| adj.斑驳的，杂色的 | |
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103
miserable
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| adj.悲惨的，痛苦的；可怜的，糟糕的 | |
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104
lustrous
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| adj.有光泽的；光辉的 | |
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105
opaque
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| adj.不透光的；不反光的，不传导的；晦涩的 | |
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106
distilled
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| adj.由蒸馏得来的v.蒸馏( distil的过去式和过去分词 )；从…提取精华 | |
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107
considerably
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| adv.极大地；相当大地；在很大程度上 | |
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108
briefly
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| adv.简单地，简短地 | |
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109
worthy
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| adj.(of)值得的，配得上的；有价值的 | |
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110
forth
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| adv.向前；向外，往外 | |
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111
languor
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| n.无精力，倦怠 | |
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112
apparently
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| adv.显然地；表面上，似乎 | |
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113
solicitude
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| n.焦虑 | |
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114
tragic
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| adj.悲剧的，悲剧性的，悲惨的 | |
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115
bracelet
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| n.手镯，臂镯 | |
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116
squatting
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| v.像动物一样蹲下( squat的现在分词 )；非法擅自占用（土地或房屋）；为获得其所有权；而占用某片公共用地。 | |
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117
charcoal
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| n.炭，木炭，生物炭 | |
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118
exclamation
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| n.感叹号，惊呼，惊叹词 | |
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119
concealed
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| a.隐藏的，隐蔽的 | |
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120
prostrating
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| v.使俯伏，使拜倒( prostrate的现在分词 )；（指疾病、天气等）使某人无能为力 | |
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121
plunged
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| v.颠簸( plunge的过去式和过去分词 )；暴跌；骤降；突降 | |
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122
halfway
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| adj.中途的，不彻底的，部分的；adv.半路地，在中途，在半途 | |
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123
gasps
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| v.喘气( gasp的第三人称单数 )；喘息；倒抽气；很想要 | |
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124
plucky
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| adj.勇敢的 | |
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125
severed
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| v.切断，断绝( sever的过去式和过去分词 )；断，裂 | |
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126
vividly
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| adv.清楚地，鲜明地，生动地 | |
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127
cleansing
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| n. 净化(垃圾) adj. 清洁用的 动词cleanse的现在分词 | |
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128
anguish
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| n.(尤指心灵上的)极度痛苦，烦恼 | |
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129
avenge
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| v.为...复仇，为...报仇 | |
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130
tragical
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| adj. 悲剧的, 悲剧性的 | |
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131
jewelry
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| n.（jewllery）（总称）珠宝 | |
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132
wharf
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| n.码头，停泊处 | |
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133
decomposition
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| n. 分解, 腐烂, 崩溃 | |
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