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CHAPTER VII SUPPER ON THE STAGE
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Reception on the St. James’s Stage—An Indian Prince—His Comments—The Audience—George Alexander’s Youth—How he missed a Fortune—How he learns a Part—A Scenic1 Garden—Love of the Country—Actors’ Pursuits—Strain of Theatrical2 Life—Life and Death—Fads3—Mr. Maude’s Dressing-room—Sketches4 on Distempered Walls—Arthur Bourchier and his Dresser—John Hare—Early and late Theatres—A Solitary5 Dinner—An Hour’s Make-up—A Forgetful Actor—Bonne camaraderie6—Theatrical Salaries—Treasury Day—Thriftlessness—The Advent7 of Stalls—The Bancrofts—The Haymarket photographs—A Dress Rehearsal8.

ONE of the most delightful9 theatrical entertainments I ever remember was held by Mr. George Alexander on the stage of the St. James’s Theatre. It was in honour of the Coronation of Edward VII., and given to the Indian Princes and Colonial visitors.

The play preceding the reception was that charming piece Paolo and Francesca. I sat in the stalls, and on my right hand was a richly attired10 Indian, who wore a turban lavishly11 ornamented12 with jewels. I had seen him a short while previously13 at a Court at Buckingham Palace, one of those magnificent royal evening receptions Queen Alexandra has instituted instead of those dreary14 afternoon Drawing-rooms. This gentleman[Pg 126] had been there when the Royalties15 received the Indian Princes in June, 1902, the occasion when the royal cortége promenaded16 through those spacious17 rooms with such magnificent effect. It was the Court held a few days prior to the date first fixed18 for the Coronation—a ceremony postponed19, as all the world knows, till some weeks later in consequence of the King’s sudden illness.

My princely neighbour was very grand. He wore that same huge ruby20 at the side of his head, set in diamonds and ornamented with an osprey, which had excited so much admiration21 at Buckingham Palace. Although small he was a fine-looking man and had charming manners. He read his programme carefully and seemed much interested in the performance, then he looked through his opera-glasses and appeared puzzled; suddenly I realised he wanted to know something.

“You follow the play?” I asked; “or can I explain anything to you?”

“Thank you so much,” he replied in charming English. “I can follow it pretty well, but I cannot quite make out whether the lovely young lady is really going to marry that hump-backed man. Surely she ought to marry the handsome young fellow. She is so lily-lovely.”

“No, Francesca marries Giovanni.”

“Ah, it is too sad, poor thing,” answered the Indian gentleman, apparently22 much grieved. He turned to his neighbour, who did not speak English, and retailed23 the information. Their distress24 was really amusing. Evidently the lovely white lady (Miss Millard) deserved[Pg 127] a better fate according to their ideas, for he repeatedly expressed his distress as the play proceeded. Before he left the theatre that night he crossed the stage, and making a profound bow, thanked me for helping25 him to understand the play. His gratitude26 and Oriental politeness were charming.

The St. James’s presented a gay scene. The Indian dresses, the diamonds, and extra floral decorations rendered it a regular gala performance. At the usual hour the curtain descended27. The general public left; but invited guests remained. We rose from our seats and conversed28 with friends, while a perfect army of stage carpenters and strange women, after moving out the front row of stalls, brought flights of steps and made delightfully29 carpeted staircases lead up to either side of the stage. Huge palms and lovely flowers banked the banisters and hid the orchestra. Within a few moments the whole place resembled a conservatory30 fitted up as for a rout31. It was all done as if by magic. Methinks Mr. Alexander must have had several “stage rehearsals32” to accomplish results so admirable with such rapidity.

The curtain rose, the stage had been cleared, and there at the head of the staircase stood the handsome actor-manager in plain dress clothes, washed and cleaned from his heavy make-up, and with his smiling wife ready to receive their guests.

At the back of the stage the scenery had been arranged to form a second room, wherein supper was served at a buffet33.

It was all admirably done. Most of the Colonial[Pg 128] Premiers34 were there, many of the Indian Princes, and a plentiful35 sprinkling of the leading lights of London. Of course a stage is not very big and the numbers had to be limited; but about a couple of hundred persons thoroughly36 enjoyed that supper behind the footlights at the St. James’s Theatre. Many of the people had never been on a stage before, and it was rather amusing to see them peeping behind the flies, and asking weird37 questions from the scene-shifters. Some were surprised to find the floor was not level, but a gentle incline, for all audiences do not know the necessity of raising the back figures, so that those in front of the house may see all the performers.

A party on the stage is always interesting, and generally of rare occurrence, although Sir Henry Irving and Mr. Beerbohm Tree both gave suppers in honour of the Coronation, so England’s distinguished38 visitors had several opportunities of enjoying these unique receptions. At the supper at His Majesty’s Theatre a few nights later the chief attractions besides the Beerbohm Trees were Mrs. Kendal and Miss Ellen Terry, the latter still wearing her dress as Mistress Page. Every one wanted to shake hands with her, and not a few were saddened to see her using those grey smoked glasses she always dons when not actually before the footlights.

Photo by Langfier, 23a, Old Bond Street, London, W.

MR. GEORGE ALEXANDER.

George Alexander has had a most successful career, but he was not cradled on the stage. His father was an Ayrshire man and the boy was brought up for business. Not liking39 that he turned to [Pg 129]medicine, and still being dissatisfied he abandoned the doctor’s art at an early stage and took a post in a silk merchant’s office. This brought him to London. From that moment he was a constant theatre-goer, and in September, 1879, made his first bow behind the footlights. He owes much of his success to the training he received in Sir Henry Irving’s Company at the Lyceum. There is no doubt much of the business learned in early youth has stood him in good stead in his theatrical ventures, and much of the artistic40 taste and desire for perfection in stage-mounting so noticeable at the St. James’s was imbibed41 in the early days at the Lyceum. It takes a great deal to make a successful actor-manager; he must have literary and artistic taste, business capacity, and withal knowledge of his craft.

In 1891 he took the St. James’s Theatre and began a long series of successes. He has gone through the mill, worked his way from the bottom to the top, and being possessed42 of an exceptionally clear business head, has made fewer mistakes than many others in his profession.

Mr. Alexander tells a good story about himself:

“For many months I continually received very long letters from a lady giving me her opinion not only on current stage matters, but on the topics of the hour, with graphic43 descriptions of herself—her doings—her likes and dislikes. She gave no address, but her letters usually bore the postmark of a country town not a hundred miles from London. She confided44 in me that she was a spinster, and that she did not[Pg 130] consider her relations sympathetic. She was obviously well-to-do—I gathered this from her account of her home and her daily life as she described them. Suddenly her letters ceased, and I wondered what had happened. Almost two months after I received her last letter, I had a communication from a firm of lawyers asking for an appointment. I met them—two very serious-looking gentlemen they were too! After a good deal of preliminary talk they came to their point.

“‘You know Miss ——’ said the elder of the men.

“‘No,’ I replied.

“‘But you do,’ he said. ‘She has written to you continually.’

“This was very puzzling, but following up the slight clue, I asked:

“‘Is her Christian45 name Mary?’

“‘Yes,’ he replied.

“‘And she lives at——?’

“Then I knew whom they meant. Their mission, it seemed, was to tell me that the lady had been very ill, and fearing she was going to die, had expressed a wish to alter her will in my favour. As the lawyers had acted for her family for many years, and were friends of her relations, they had taken her instructions quietly, but after much discussion in private had decided46 to call on me and inform me of the facts, and they asked me to write a letter to them stating that such a course would be distasteful to me and unfair to her relations. I did so in strong terms, and so I lost a little fortune[Pg 131].”

When Mr. Alexander learns a new part he and his wife retire to their cottage at Chorley Wood to study. I bicycled thither47 one day from Chalfont St. Peter’s, when to my disappointment the servant informed me they were “out.”

“Oh dear, how sad!” I said, “for it is so hot, and I’m tired and wanted some tea.”

Evidently this wrung48 her heart, for she said she would “go and see.” She went, and immediately Mr. Alexander appeared to bid me welcome.

“I’m working,” he said, “and the maid has orders not to admit any one without special permission.”

What a pretty scene. Lying in a hammock in the orchard49 on that hot summer’s day was the actor-manager of the St. James’s Theatre. Seated on a garden chair was his wife, simply dressed in white serge and straw hat. On her lap lay the new typewritten play in its brown paper covers, and at her feet was Boris, the famous hound. The Alexanders had been a fortnight at the cottage working hard at the play, and at the moment of my arrival Mrs. Alexander was hearing her husband his part. Not only does she do this, but she makes excellent suggestions. She studies the plays, too, and her taste is of the greatest value as regards dresses, stage decorations, or the arrangement of crowds. Although she has never played professionally, Mrs. Alexander knows all the ins and outs of theatrical life, and is of the greatest help to her husband in the productions.

Had a stranger entered a compartment50 of a train between Chorley Wood and London a few days later,[Pg 132] he might have thought George Alexander and I were about to commit murder, suicide, or both.

“What have you got there?” asked the actor when we met on the platform.

“A gun,” was my reply.

“A gun?”

“Yes, a gun. I’m taking it to London to be mended.”

“Ha ha! I can beat that,” he laughed. “See what I have here,” and opening a little box he disclosed half a dozen razors.

“Razors!” I exclaimed.

“Yes, razors; so be wary51 with your sanguinary weapon, for mine mean worse mischief52.”

He was taking the razors to London to be sharpened.

It was fortunate no accident happened to that train, or a gun and six razors might have formed food for “public inquiry53.”

It is a curious thing how many actors and actresses like to shake the dust of the stage from their feet on leaving the theatre. They seem to become satiated with publicity54, to long for the country and an outdoor, freer life, and in many instances they not only long for it, but actually succeed in obtaining it, and the last trains on Saturday night are often full of theatrical folk seeking repose55 far from theatres till Monday afternoon.

Recreation and entire change of occupation are absolutely necessary to the brain-worker, and the man is wise who realises this. If he does, and seeks complete[Pg 133] rest from mental strain, he will probably have a long and successful career; otherwise the breakdown56 is sure to come, and may come with such force as to leave the victim afflicted57 for life, so it is far wiser for the brain-worker of whatever profession or business to realise this at an early stage. In this respect actors are as a rule wiser than their fellow-workers, and seek and enjoy recreation on Sunday and Monday, which is more than can be said of many lawyers, doctors, painters, or literary men.

The strain of theatrical life is great. No one should attempt to go upon the stage who is not strong. If there be any constitutional weakness, theatrical life will find it out. Extremes of heat and cold have to be borne. Low dresses or thick furs have to be worn in succeeding acts. The atmosphere of gas and sulphur is often bad, but must be endured.

A heavy part exhausts an actor in a few minutes as much as carrying a hod of bricks all day does a labourer. He may have to change his underclothing two or three times in an evening, in spite of all his dresser’s rubbing down. The mental and physical strain affects the pores of the skin and exhausts the body, that is why one hardly ever finds an actor fat. He takes too much physical exercise, takes too much out of himself, ever to let superfluous58 flesh accumulate upon his bones.

Yes, the actor’s life is often a mental strain, of which the following is a striking instance. A very devoted59 couple were once caused much anxiety by[Pg 134] the wife’s serious and protracted60 illness. Months wore on, and every night the husband played his part, wondering what news would greet him when he returned home. At last it was decided that an operation was necessary. It was a grave operation, one of life and death, but it had to be faced.

One morning the wife bade her bairns and her home good-bye, and drove off with her spouse61 to a famous surgical62 home. That night the poor actor had to play his comic part, with sad and anxious heart he had to smile and caper63 and be amusing. Think of the mockery of it all. Next morning he was up early, toying with his breakfast, in order to be at the home before nine o’clock, when that serious operation was to be performed. He did not see his wife—that would have upset them both—but like a caged lion he walked up and down, up and down in an adjoining room. At last came the glad tidings that it was over, and all had so far gone satisfactorily.

Back to the theatre he went that night, having heard the latest bulletin, and played his part with smiling face, knowing his wife was hovering64 between life and death. Next morning she was not so well. It was a matinée day, and in an agony of anxiety and excitement that poor man played two performances, receiving wires about her condition between the acts. Think of it! We often laugh at men and women, who may be for all we know, acting65 with aching hearts. Comedy and tragedy are closely interwoven in life, perhaps especially so in theatrical life.

By way of recreation from work George Alexander[Pg 135] rushes off to his cottage at Chorley Wood to play golf. Sir Charles Wyndham and Sir Squire66 and Lady Bancroft for many years enjoyed rambles67 in Switzerland. Sir Henry Irving is a tremendous smoker68 and never happy without a cigar. Ellen Terry is so devoted to her son and daughter, she finds recreation in their society. Cyril Maude loves shooting and all country pursuits. Winifred Emery never mentions the theatre after she leaves the stage door, and finds relaxation69 in domesticity. Mrs. Kendal knits. Lewis Waller motors. Dan Leno retires to the suburbs to look after his ducks. Arthur Bourchier is fond of golfing whenever he gets a chance. Miss Marie Tempest lives in a musical set, and is as devoted to her friends as they are to her.

The world is governed by fads. Fads are an antidote70 to boredom—a tonic71 to the overworked, and actors enjoy fads like the rest of us; for instance:

Eugene Oudin, that most delightful operatic singer, who was cut off just as he stepped on the top rung of Fame’s ladder, was a splendid photographer. In 1890 photography was not so much the fashion as it is nowadays, but even then his pictures were works of art. He portrayed72 his contemporaries—the De Reskes, Van Dyck, Calvé, Hans Richter, Mascagni, Joachim, Tosti, Alma-Tadema, John Drew, Melba, and dozens more at their work, or in some way that would make a picture as well as a photograph. Then these worthies73 signed the copies, which were subsequently hung round the walls of Oudin’s private study.

[Pg 136]

Miss Julia Neilson has a passion for collecting fans. Herbert Waring is a brilliant whist-player. Mrs. Patrick Campbell adores small dogs, and nearly always has one tucked under her arm. Many actresses have particular mascots74. Miss Ellen Terry, Miss Lily Hanbury, and a host more have their lucky ornaments75 which they wear on first nights. Miss Irene Vanbrugh is devoted to turquoises76, and has a necklace composed of curious specimens77 of these stones, presents from her many friends.

Miss Violet Vanbrugh declares she is “one of those people who somehow never contrive78 actively79 or passively to be the heroine of any little stage joke.” This is rather an amusing assertion for a lady who is continually playing stage heroines. Her husband, Mr. Arthur Bourchier, however, tells a good story against himself.

“My present servant, or ‘dresser,’ as they are called at the theatre, was one of the original Gallery First Nighters and a member of the celebrated80 Gaiety Gallery Boys. Of course when he joined me I imagined he had forsaken81 the auditorium82 for the stage. One night, however, a play was produced by me, the dress rehearsal of which he had seen, and I noticed that he seemed particularly gloomy and morose83 at its conclusion. On the first night, when I came back to my dressing-room from the stage, I found the door locked. Here was a pretty predicament. It was clear that he had got the key and had mysteriously disappeared. I had the door broken open, for dress I must as time was pressing, and sent[Pg 137] another man to search for my missing servant. The sequel is as follows. He was caught red-handed in the gallery among his old associates loudly ‘booing’ his master. Arraigned84 before me, he maintained the firmest attitude possible, and asserted boldly:

“‘No, sir, I am your faithful servant behind the scenes, but as an independent man and honest gallery boy I am bound to express my unbiased opinion either for or against any play which I may happen to see at a first night!’”

Mr. Hare, like most men, has his hobby, and it is racing85: he loves a horse, and he loves a race meeting. In fact, on one occasion report says he nearly missed appearing at the theatre in consequence.

John Hare is one of the greatest character-actors of our day. He is a dapper little gentleman, and lives in Upper Berkeley Street, near Portman Square. His house is most tasteful, and while his handsome wife has had much to say to the decoration, the actor-manager has decided views of his own in these matters. He has a delightful study at the back of the house, round the sides of which low book-cases run, while the walls reflect copper86 and brass87 pots, and old blue china. It is here he is at his best, as he sits smoking a cigarette, perched on the high seat in front of the fire.

What an expressive88 face his is. The fine-chiselled features, the long thin lips are like a Catholic priest of ?sthetic tendency; but as the expression changes with lightning speed, and the dark deep-set eyes sparkle or sadden, one realises the actor-spirit.

[Pg 138]

Evidence of fads may often be seen in an actor’s dressing-room, where the walls are decorated according to the particular taste of its occupant.

Cyril Maude has a particularly interesting dressing-room at the Haymarket Theatre. It is veritably a studio, for he has persuaded his artistic friends to do sketches for him on the distempered walls, and a unique little collection they make. Phil May, Harry89 Furniss, Dudley Hardy90, Holman Clarke, Bernard Partridge, Raven91 Hill, Tom Brown, are among the contributors, and Leslie Ward’s portrait of Lord Salisbury is one of the finest ever sketched92 of the late Prime Minister. It is a quaint93 and original idea of Mr. Maude’s, but unfortunately those walls are so precious he will never dare to disturb the grime of ages and have them cleaned.

The St. James’s Theatre, as it stands, is very modern, and therefore Mr. Alexander is the proud possessor of a charming sitting-room94 with a little dressing-room attached. It is quite near the stage, and has first-floor windows which look out on King Street, next door to Willis’s Rooms, once so famous for their dinners, and still more famous at an earlier date as Almack’s, where the beaux and belles95 of former days disported96 themselves.

Both Mr. Alexander and his wife are fond of artistic surroundings, and his little room at the theatre is therefore charming. Here on matinée days the actor-manager dines, an arrangement which saves him much time and trouble, and his huge dog Boris—the famous boarhound which appeared in Rupert[Pg 139] of Hentzau—is his companion, unless Mrs. Alexander pops in with some little delicacy97 to cheer him over his solitary meal.

That is one of the drawbacks of the stage, the poor actor generally has to eat alone. He cannot expect ordinary mortals to dine at his hours, and he cannot accommodate himself to theirs. The artist who appears much in public is forced to live much by himself, and his meals are consequently as lonely as those of a great Indian potentate98.

If we are to follow Mr. Pinero’s advice we shall all have to eschew99 dinner and adopt a “high-tea” principle before the play; but as all the audience are not agreed upon the subject there seems to be some difficulty about it.

Why not have the evening performance as late as usual on matinée days, to allow the players time to take food and rest, and early on other days to suit those folk who prefer the drama from seven to ten instead of nine to twelve? By this means early comers and late diners would both be satisfied. Instead of which, as matters stand in London, the late diners arrive gorged100 and grumbling101 half through the first act to disturb every one, and the ’bus and train folk struggle out halfway102 through the last act, sad and annoyed at having to leave.

Most theatrical folk dine at five o’clock. Allowing an hour for this meal, they are able to get a little rest before starting for the theatre, which generally has to be reached by seven.

Preparing for the stage is a serious matter. All that can be put on beforehand is of course donned.[Pg 140] Ladies have been known to wear three pairs of stockings, so that a pair might be taken off quickly between each act. Then a long time is required to “make up.” For instance in such a part as Giovanni Malatesta (Paolo and Francesca), Mr. Alexander spent an hour each day painting his face and arranging his wig103. He did not look pretty from the front, but the saffron of his complexion104 and the blue of his eyes became absolutely hideous105 when beheld106 close at hand. That make-up, however, was really a work of art.

An actor’s day, even in London, is often a heavy one. Breakfast between nine and ten is the rule, then a ride or some form of exercise, and the theatre at eleven or twelve for a “call,” namely, a rehearsal. This “call” may go on till two o’clock or later, at which hour light luncheon107 is allowed; but if the rehearsal be late, and the meal consequently delayed, it is impossible to eat again between five and six, consequently the two meals get merged108 into one. Rehearsals for a new play frequently last a whole month, and during that month the players perform eight times a week in the old piece, and rehearse, or have to attend the theatre nearly all day as well. Three months is considered a good run for a play—so, as will be seen, the company scarcely recover from the exertions109 of one play before they have to commence rehearsing for another, to say nothing of the everlasting110 rehearsals for charity performances. The actor’s life is necessarily one of routine, and routine tends to become monotonous111.

[Pg 141]

A well-known actor was a very absent-minded man except about his profession, where habit had drilled him to punctuality. One Sunday he was sitting in the Garrick Club when a friend remarked he was dining at A——.

“God bless me, so am I.”

He rushed home, dressed, and went off to the dinner, during the course of which his neighbour asked him if he were going to the B.’s.

“I’d really forgotten it—but if you are going I’ll go too.”

So he went.

About midnight he got home. His wife was sitting in full evening dress with her gloves and cloak on.

“You are very late,” she said.

“Late? I thought it was early. It is only a quarter past twelve.”

“I’ve been waiting for nearly two hours.”

“Waiting—what for?”

“Why, you arranged to fetch me a little after ten o’clock to go to the B’s.”

“God bless me—I forgot I had a dinner-party, forgot there was a soirée, and forgot I had a wife.”

“And where’s your white tie?” asked his wife stiffly.

“Oh dear, I must have forgotten that too! Dear, dear, what a man I am away from the stage and my dresser!”

There is a wonderful bonne camaraderie among all people engaged in the theatrical profession.

[Pg 142]

Theatrical people are as generous to one another in misfortune as the poor. In times of success they are apt to be jealous; but let a comrade fall on evil days, let him be forced to “rest” when he wants to work, and his old colleagues will try and procure112 him employment, and when work and health fail utterly113, they get up a benefit for him. These benefits take much organising; they often entail114 endless rehearsals and some expense, and yet the profession is ever ready to come forward and help those in need.

People on the stage have warm hearts and generous purses, but to give gracefully115 requires as much tact116 as to receive graciously.

It is a curious thing how few actors have died rich men. Many have made fortunes, but they have generally contrived117 to lose them again. Money easily made is readily lost. He who buys what he does not want ends in wanting what he cannot buy. Style and show begun in flourishing times are hard to relinquish118. Capital soon runs away when drawn119 upon because salary has ceased, even temporarily. Many an actor, once a rich man, has died poor. Kate Vaughan, once a wealthy woman, died in penury120, and so on ad infinitum.

Actors, like other people, have to learn there is no disgrace in being poor—it is merely inconvenient121.

Theatrical salaries are sometimes enormous, although George Edwardes has informed the public that £100 a week is the highest he ever gives, because he finds to go beyond that sum does not pay him.

It seems a great deal for a pretty woman, not highly[Pg 143] born, nor highly educated, nor highly gifted—merely a pretty woman who has been well drilled by author, stage manager, and conductor, to be able to command £100 a week in a comic opera, but after all it is not for long. It is never for fifty-two weeks in the year, and only for a few years at most. Beauty fades, flesh increases, the attraction goes, and she is relegated122 to the shelf, a poorer, wiser woman than before. But meanwhile her scintillating123 success, the glamour124 around her, have acted as a bait to induce others to rush upon the stage.

The largest salary ever earned by a man was probably that paid to Charles Kean, who once had a short engagement at Drury Lane for £50 a night, and on one occasion he made £2,000 by a benefit. Madame Vestris, however, beat him, for she had a long engagement at the Haymarket at £40 a night, or £240 a week, a sum unheard of to-day.

It may be here mentioned that salaries are doled125 out according to an old and curious custom.

“Treasury day” is a great event; theatrical folk never speak of “pay”: it is always “salaries” and “treasury day.” Each “house” has its own methods of procedure, but at a great national theatre like Drury Lane the “chiefs” are paid by cheque, while every Friday night the treasurer126 and his assistants with trays full of “salary” go round the theatre and distribute packets in batches127 to the endless persons who combine to make a successful performance. The money is sealed up in an envelope which bears the name of the receiver, so no one knows what his[Pg 144] neighbour gets. It takes five or six hours for the treasurer and his two assistants to pay off a thousand people at a pantomime, and check each salary paid.

There is no field where that little colt imagination scampers128 more wildly than in the matter of salaries. For instance, a girl started as “leading lady” in a well-known play on a provincial129 tour. Her name, in letters nearly as big as herself, met her on the hoardings of every town the company visited. She was given the star dressing-room, and a dresser to herself. This all meant extra tips and extra expenses everywhere, for she was the “leading lady”! Wonderful notices appeared in all the provincial papers and this girl was the draw. The manager knew that, and advertised her and pushed her forward in every way. All the company thought she began at a salary of £10 a week, and rumour130 said this sum had been doubled after her success. Such was the story. Now for the truth. She was engaged for the tour at £3 a week, and £3 a week she received without an additional penny, although the tour of weeks extended into months. She was poor, others were dependent on her, and she dared not throw up that weekly sixty shillings for fear she might lose everything in her endeavour to get more.

This is only one instance: there are many such upon the stage.

“I suppose A—— has given more time to rehearsals this year,” said the wife of a well-known actor, “than any man in London, and yet he has only drawn ten weeks’ salary. Everything has turned out badly;[Pg 145] so we have had to live for fifty-two weeks on ten weeks’ pay and thirty-four weeks’ work.”

Large sums and well-earned salaries have, of course, been made—in fact, Sir Henry Irving was earning about £30,000 a year at the beginning of the century, an income very few actor-managers could boast.

Among thrifty131 theatrical folk the Bancrofts probably take front rank. Marie Wilton and her husband amused England for thirty years, and had the good sense always to spend less than they made. The result was that, while still young enough to enjoy their savings132 they bought a house in Berkeley Square, retired133, and have enjoyed a well-earned rest. More than that, Sir Squire Bancroft stands unique as regards charities. Although not wishing to be tied any more to the stage, he does not mind giving an occasional “Reading” of Dickens’s Christmas Carol, and he has elected to give his earnings134 to hospitals and other charities, which are over £15,000 the richer for his generosity135. Could anything be more delightful than for a retired actor to give his talent for the public good?

I was brought up on Mrs. Bancroft and Shakespeare, so to speak. The Bancrofts at that time had the Haymarket Theatre, and their Robertson pieces were considered suitable to my early teens by way of amusement, while I was taken to Shakespeare’s plays by way of instruction. I remember I thought the Robertson comedies far preferable, and should love to see them again.

It is always averred136 by old playgoers that Marie[Pg 146] Wilton (Lady Bancroft) was the originator of modern comedy. She and her husband at one time had a little play-house in an unfashionable part of London, to which they attracted society people of that day. The theatre was not then what it is now, the “upper ten” seldom visited the play at that time, and yet the Prince of Wales’ Theatre known as “The Dust-hole” drew all fashionable London to the Tottenham Court Road to laugh with Marie Wilton over Robertson’s comedies.

Her company consisted of men and women who are actor-managers to-day: people went forth137 well drilled in their profession, accustomed to expending138 minute care over details, each in their turn to inculcate the same thoroughness in the next generation. These people numbered John Hare, Mr. and Mrs. Kendal (Madge Robertson was the younger sister of the dramatist), H. J. Montague, and Arthur Cecil. Again one finds the best succeeds, and there is always room at the top, hence the Bancroft triumph.

One of their innovations was to rope off the front rows of the pit, which then occupied the entire floor of the house, and call them “stalls,” for which they dared ask 6/-apiece. They got it—more were wanted. Others were added, and gradually the price rose to 10/6, which is now the charge: but half-guinea stalls, though now universal, are a modern institution.

At a dinner given by the Anderson Critchetts in 1891 I sat between Squire Bancroft and G. Boughton, R.A. Mr. Bancroft remarked in the course of conversation that he was just fifty, though he looked[Pg 147] much younger. His tall figure was perfectly139 erect140, and his white hair showed up the freshness of his complexion. I asked him if he did not miss acting, the applause, and the excitement of the theatre.

“No,” he replied. “It will be thirty years this September since I first went on the stage, and it is now nearly six since I gave it up. No, I don’t think I should mind much if I never entered a theatre again, either as spectator or actor—and my wife feels the same. My only regret about our theatrical career is that we never visited America, but no dollars would induce Mrs. Bancroft to cross the sea, so we never went.”

He surprised me by saying that during the latter years of their theatrical life they never took supper, but dined at 6.0 or 6.30 as occasion required, and afterwards usually walked to the theatre. During the performance they had coffee and biscuits, or sometimes, on cold nights, a little soup, and the moment the curtain was down they jumped into their carriage, and were in their own house in Cavendish Square, where they then lived, by 11.30, and in bed a few minutes later. They were always down to breakfast at 9 o’clock year in year out; an early hour for theatrical folk.

I spoke141 of the autograph photographs which I had seen in the Haymarket green-room.

“How curious,” he said, “that you should mention them to-night. We have always intended to take them away, and only yesterday, after an interval142 of six years, I gave the order for their removal. This[Pg 148] evening as we started for dinner they arrived in Berkeley Square. A strange coincidence.”

Lady Bancroft has the merriest laugh imaginable. I used to love to see her act when I was quite a girl, and somehow Miss Marie Tempest reminds me strongly of her to-day. She has the same lively manner.

Lady Bancroft’s eyes are her great feature—they are deeply set, with long dark lashes143, and their merry twinkle is infectious. When she laughs her eyes seem to disappear in one glorious smile, and every one near her joins in her mirth. Mrs. Bancroft was comparatively a young woman when she retired from the stage, and one of her greatest joys at the time was to feel she was no longer obliged to don the same gown at the same moment every day.

At some theatres a dress rehearsal is a great affair. The term properly speaking means the whole performance given privately144 right through, without even a repeated scene. The final dress rehearsal, as a rule, is played before a small critical audience, and the piece is expected to run as smoothly145 as on the first night itself—to be, in fact, a sort of prologue146 to the first night. This is a dress rehearsal proper, such as is given by Sir Henry Irving, Messrs. Beerbohm Tree, Cyril Maude, George Alexander, or the old Savoy Company.

Before this, however, there are endless “lighting rehearsals,” “scenic rehearsals,” or “costume parades,” all of which are done separately, and with the greatest care. As we saw before, Mrs. Kendal disapproves147 of a dress rehearsal, but she is almost alone in her opinion.[Pg 149] It is really, therefore, a matter of taste whether the whole performance be gone through in separate portions or whether one final effort be made before the actual first night. As a rule Sir Henry Irving has three dress rehearsals, but the principals only appear in costume at one of them. They took nine weeks to rehearse the operetta The Medal and the Maid, yet Irving put The Merchant of Venice with all its details on the Lyceum stage in twenty-three days.

Sir Henry strongly objects to the public being present at any rehearsal. “The impression given of an incomplete effort cannot be a fair one,” he says. “It is not fair to the artistes. A play to be complete must pass through one imagination, one intellect must organise148 and control. In order to attain149 this end it is necessary to experiment: no one likes to be corrected before strangers, therefore rehearsals—or in other words ‘experiments’—should be made in private. Even trained intellect in an outsider should not be admitted, as great work may be temporarily spoiled by some slight mechanical defect.”

In Paris rehearsals used to be great institutions. They were opportunities for meeting friends. In the foyers and green-rooms of the theatres, at répètitions générales, every one talked and chatted over the play, the actors, and the probable success or failure. This, however, gradually became a nuisance, and early in this twentieth century both actors and authors struck. They decided that even privileged persons should be excluded from final rehearsals, which are always in[Pg 150] costume in Paris. As a sort of salve to the offended public, it was agreed that twenty-four strangers should be admitted to the last great dress rehearsal before the actual production of a new piece, hence everybody who is anybody clamours to be there.



点击收听单词发音收听单词发音  

1 scenic aDbyP     
adj.自然景色的,景色优美的
参考例句:
  • The scenic beauty of the place entranced the visitors.这里的美丽风光把游客们迷住了。
  • The scenic spot is on northwestern outskirts of Beijing.这个风景区位于北京的西北远郊。
2 theatrical pIRzF     
adj.剧场的,演戏的;做戏似的,做作的
参考例句:
  • The final scene was dismayingly lacking in theatrical effect.最后一场缺乏戏剧效果,叫人失望。
  • She always makes some theatrical gesture.她老在做些夸张的手势。
3 fads abecffaa52f529a2b83b6612a7964b02     
n.一时的流行,一时的风尚( fad的名词复数 )
参考例句:
  • It was one of the many fads that sweep through mathematics regularly. 它是常见的贯穿在数学中的许多流行一时的风尚之一。 来自辞典例句
  • Lady Busshe is nothing without her flights, fads, and fancies. 除浮躁、时髦和幻想外,巴歇夫人一无所有。 来自辞典例句
4 sketches 8d492ee1b1a5d72e6468fd0914f4a701     
n.草图( sketch的名词复数 );素描;速写;梗概
参考例句:
  • The artist is making sketches for his next painting. 画家正为他的下一幅作品画素描。
  • You have to admit that these sketches are true to life. 你得承认这些素描很逼真。 来自《简明英汉词典》
5 solitary 7FUyx     
adj.孤独的,独立的,荒凉的;n.隐士
参考例句:
  • I am rather fond of a solitary stroll in the country.我颇喜欢在乡间独自徜徉。
  • The castle rises in solitary splendour on the fringe of the desert.这座城堡巍然耸立在沙漠的边际,显得十分壮美。
6 camaraderie EspzQ     
n.同志之爱,友情
参考例句:
  • The camaraderie among fellow employees made the tedious work just bearable.同事之间的情谊使枯燥乏味的工作变得还能忍受。
  • Some bosses are formal and have occasional interactions,while others prefer continual camaraderie.有些老板很刻板,偶尔才和下属互动一下;有些则喜欢和下属打成一片。
7 advent iKKyo     
n.(重要事件等的)到来,来临
参考例句:
  • Swallows come by groups at the advent of spring. 春天来临时燕子成群飞来。
  • The advent of the Euro will redefine Europe.欧元的出现将重新定义欧洲。
8 rehearsal AVaxu     
n.排练,排演;练习
参考例句:
  • I want to play you a recording of the rehearsal.我想给你放一下彩排的录像。
  • You can sharpen your skills with rehearsal.排练可以让技巧更加纯熟。
9 delightful 6xzxT     
adj.令人高兴的,使人快乐的
参考例句:
  • We had a delightful time by the seashore last Sunday.上星期天我们在海滨玩得真痛快。
  • Peter played a delightful melody on his flute.彼得用笛子吹奏了一支欢快的曲子。
10 attired 1ba349e3c80620d3c58c9cc6c01a7305     
adj.穿着整齐的v.使穿上衣服,使穿上盛装( attire的过去式和过去分词 )
参考例句:
  • The bride was attired in white. 新娘穿一身洁白的礼服。 来自《简明英汉词典》
  • It is appropriate that everyone be suitably attired. 人人穿戴得体是恰当的。 来自《简明英汉词典》
11 lavishly VpqzBo     
adv.慷慨地,大方地
参考例句:
  • His house was lavishly adorned.他的屋子装饰得很华丽。
  • The book is lavishly illustrated in full colour.这本书里有大量全彩插图。
12 ornamented af417c68be20f209790a9366e9da8dbb     
adj.花式字体的v.装饰,点缀,美化( ornament的过去式和过去分词 )
参考例句:
  • The desk was ornamented with many carvings. 这桌子装饰有很多雕刻物。 来自《简明英汉词典》
  • She ornamented her dress with lace. 她用花边装饰衣服。 来自《简明英汉词典》
13 previously bkzzzC     
adv.以前,先前(地)
参考例句:
  • The bicycle tyre blew out at a previously damaged point.自行车胎在以前损坏过的地方又爆开了。
  • Let me digress for a moment and explain what had happened previously.让我岔开一会儿,解释原先发生了什么。
14 dreary sk1z6     
adj.令人沮丧的,沉闷的,单调乏味的
参考例句:
  • They live such dreary lives.他们的生活如此乏味。
  • She was tired of hearing the same dreary tale of drunkenness and violence.她听够了那些关于酗酒和暴力的乏味故事。
15 royalties 1837cbd573d353f75291a3827b55fe4e     
特许权使用费
参考例句:
  • I lived on about £3,000 a year from the royalties on my book. 我靠着写书得来的每年约3,000英镑的版税生活。 来自辞典例句
  • Payments shall generally be made in the form of royalties. 一般应采取提成方式支付。 来自经济法规部分
16 promenaded b139dc6c1e3e9f28694e232830e1e1dd     
v.兜风( promenade的过去式和过去分词 )
参考例句:
  • He promenaded back and forth on the ship's deck. 他在甲板上踱来踱去。 来自辞典例句
  • They promenaded their children along the sea-front. 他们带着孩子在海滨大道散步。 来自辞典例句
17 spacious YwQwW     
adj.广阔的,宽敞的
参考例句:
  • Our yard is spacious enough for a swimming pool.我们的院子很宽敞,足够建一座游泳池。
  • The room is bright and spacious.这房间很豁亮。
18 fixed JsKzzj     
adj.固定的,不变的,准备好的;(计算机)固定的
参考例句:
  • Have you two fixed on a date for the wedding yet?你们俩选定婚期了吗?
  • Once the aim is fixed,we should not change it arbitrarily.目标一旦确定,我们就不应该随意改变。
19 postponed 9dc016075e0da542aaa70e9f01bf4ab1     
vt.& vi.延期,缓办,(使)延迟vt.把…放在次要地位;[语]把…放在后面(或句尾)vi.(疟疾等)延缓发作(或复发)
参考例句:
  • The trial was postponed indefinitely. 审讯无限期延迟。
  • The game has already been postponed three times. 这场比赛已经三度延期了。
20 ruby iXixS     
n.红宝石,红宝石色
参考例句:
  • She is wearing a small ruby earring.她戴着一枚红宝石小耳环。
  • On the handle of his sword sat the biggest ruby in the world.他的剑柄上镶有一颗世上最大的红宝石。
21 admiration afpyA     
n.钦佩,赞美,羡慕
参考例句:
  • He was lost in admiration of the beauty of the scene.他对风景之美赞不绝口。
  • We have a great admiration for the gold medalists.我们对金牌获得者极为敬佩。
22 apparently tMmyQ     
adv.显然地;表面上,似乎
参考例句:
  • An apparently blind alley leads suddenly into an open space.山穷水尽,豁然开朗。
  • He was apparently much surprised at the news.他对那个消息显然感到十分惊异。
23 retailed 32cfb2ce8c2d8660f8557c2efff3a245     
vt.零售(retail的过去式与过去分词形式)
参考例句:
  • She retailed the neighbours' activities with relish. 她饶有兴趣地对邻居们的活动说三道四。
  • The industrial secrets were retailed to a rival concern. 工业秘密被泄露给一家对立的公司。 来自《简明英汉词典》
24 distress 3llzX     
n.苦恼,痛苦,不舒适;不幸;vt.使悲痛
参考例句:
  • Nothing could alleviate his distress.什么都不能减轻他的痛苦。
  • Please don't distress yourself.请你不要忧愁了。
25 helping 2rGzDc     
n.食物的一份&adj.帮助人的,辅助的
参考例句:
  • The poor children regularly pony up for a second helping of my hamburger. 那些可怜的孩子们总是要求我把我的汉堡包再给他们一份。
  • By doing this, they may at times be helping to restore competition. 这样一来, 他在某些时候,有助于竞争的加强。
26 gratitude p6wyS     
adj.感激,感谢
参考例句:
  • I have expressed the depth of my gratitude to him.我向他表示了深切的谢意。
  • She could not help her tears of gratitude rolling down her face.她感激的泪珠禁不住沿着面颊流了下来。
27 descended guQzoy     
a.为...后裔的,出身于...的
参考例句:
  • A mood of melancholy descended on us. 一种悲伤的情绪袭上我们的心头。
  • The path descended the hill in a series of zigzags. 小路呈连续的之字形顺着山坡蜿蜒而下。
28 conversed a9ac3add7106d6e0696aafb65fcced0d     
v.交谈,谈话( converse的过去式 )
参考例句:
  • I conversed with her on a certain problem. 我与她讨论某一问题。 来自《现代英汉综合大词典》
  • She was cheerful and polite, and conversed with me pleasantly. 她十分高兴,也很客气,而且愉快地同我交谈。 来自辞典例句
29 delightfully f0fe7d605b75a4c00aae2f25714e3131     
大喜,欣然
参考例句:
  • The room is delightfully appointed. 这房子的设备令人舒适愉快。 来自《现代汉英综合大词典》
  • The evening is delightfully cool. 晚间凉爽宜人。 来自《现代汉英综合大词典》
30 conservatory 4YeyO     
n.温室,音乐学院;adj.保存性的,有保存力的
参考例句:
  • At the conservatory,he learned how to score a musical composition.在音乐学校里,他学会了怎样谱曲。
  • The modern conservatory is not an environment for nurturing plants.这个现代化温室的环境不适合培育植物。
31 rout isUye     
n.溃退,溃败;v.击溃,打垮
参考例句:
  • The enemy was put to rout all along the line.敌人已全线崩溃。
  • The people's army put all to rout wherever they went.人民军队所向披靡。
32 rehearsals 58abf70ed0ce2d3ac723eb2d13c1c6b5     
n.练习( rehearsal的名词复数 );排练;复述;重复
参考例句:
  • The earlier protests had just been dress rehearsals for full-scale revolution. 早期的抗议仅仅是大革命开始前的预演。
  • She worked like a demon all through rehearsals. 她每次排演时始终精力过人。 来自《简明英汉词典》
33 buffet 8sXzg     
n.自助餐;饮食柜台;餐台
参考例句:
  • Are you having a sit-down meal or a buffet at the wedding?你想在婚礼中摆桌宴还是搞自助餐?
  • Could you tell me what specialties you have for the buffet?你能告诉我你们的自助餐有什么特色菜吗?
34 premiers 9d9d255de3724c51f4d4a49dab49b791     
n.总理,首相( premier的名词复数 );首席官员,
参考例句:
  • The Vice- Premiers and State Councillors assist the Premier in his work. 副总理、国务委员协助总理工作。 来自汉英非文学 - 中国宪法
  • The Premier, Vice-Premiers and State Councillors shall serve no more than two consecutive terms. 总理、副总理、国务委员连续任职不得超过两届。 来自汉英非文学 - 中国宪法
35 plentiful r2izH     
adj.富裕的,丰富的
参考例句:
  • Their family has a plentiful harvest this year.他们家今年又丰收了。
  • Rainfall is plentiful in the area.这个地区雨量充足。
36 thoroughly sgmz0J     
adv.完全地,彻底地,十足地
参考例句:
  • The soil must be thoroughly turned over before planting.一定要先把土地深翻一遍再下种。
  • The soldiers have been thoroughly instructed in the care of their weapons.士兵们都系统地接受过保护武器的训练。
37 weird bghw8     
adj.古怪的,离奇的;怪诞的,神秘而可怕的
参考例句:
  • From his weird behaviour,he seems a bit of an oddity.从他不寻常的行为看来,他好像有点怪。
  • His weird clothes really gas me.他的怪衣裳简直笑死人。
38 distinguished wu9z3v     
adj.卓越的,杰出的,著名的
参考例句:
  • Elephants are distinguished from other animals by their long noses.大象以其长长的鼻子显示出与其他动物的不同。
  • A banquet was given in honor of the distinguished guests.宴会是为了向贵宾们致敬而举行的。
39 liking mpXzQ5     
n.爱好;嗜好;喜欢
参考例句:
  • The word palate also means taste or liking.Palate这个词也有“口味”或“嗜好”的意思。
  • I must admit I have no liking for exaggeration.我必须承认我不喜欢夸大其词。
40 artistic IeWyG     
adj.艺术(家)的,美术(家)的;善于艺术创作的
参考例句:
  • The picture on this screen is a good artistic work.这屏风上的画是件很好的艺术品。
  • These artistic handicrafts are very popular with foreign friends.外国朋友很喜欢这些美术工艺品。
41 imbibed fc2ca43ab5401c1fa27faa9c098ccc0d     
v.吸收( imbibe的过去式和过去分词 );喝;吸取;吸气
参考例句:
  • They imbibed the local cider before walking home to dinner. 他们在走回家吃饭之前喝了本地的苹果酒。 来自《简明英汉词典》
  • Hester Prynne imbibed this spirit. 海丝特 - 白兰汲取了这一精神。 来自英汉文学 - 红字
42 possessed xuyyQ     
adj.疯狂的;拥有的,占有的
参考例句:
  • He flew out of the room like a man possessed.他像着了魔似地猛然冲出房门。
  • He behaved like someone possessed.他行为举止像是魔怔了。
43 graphic Aedz7     
adj.生动的,形象的,绘画的,文字的,图表的
参考例句:
  • The book gave a graphic description of the war.这本书生动地描述了战争的情况。
  • Distinguish important text items in lists with graphic icons.用图标来区分重要的文本项。
44 confided 724f3f12e93e38bec4dda1e47c06c3b1     
v.吐露(秘密,心事等)( confide的过去式和过去分词 );(向某人)吐露(隐私、秘密等)
参考例句:
  • She confided all her secrets to her best friend. 她向她最要好的朋友倾吐了自己所有的秘密。
  • He confided to me that he had spent five years in prison. 他私下向我透露,他蹲过五年监狱。 来自《简明英汉词典》
45 Christian KVByl     
adj.基督教徒的;n.基督教徒
参考例句:
  • They always addressed each other by their Christian name.他们总是以教名互相称呼。
  • His mother is a sincere Christian.他母亲是个虔诚的基督教徒。
46 decided lvqzZd     
adj.决定了的,坚决的;明显的,明确的
参考例句:
  • This gave them a decided advantage over their opponents.这使他们比对手具有明显的优势。
  • There is a decided difference between British and Chinese way of greeting.英国人和中国人打招呼的方式有很明显的区别。
47 thither cgRz1o     
adv.向那里;adj.在那边的,对岸的
参考例句:
  • He wandered hither and thither looking for a playmate.他逛来逛去找玩伴。
  • He tramped hither and thither.他到处流浪。
48 wrung b11606a7aab3e4f9eebce4222a9397b1     
绞( wring的过去式和过去分词 ); 握紧(尤指别人的手); 把(湿衣服)拧干; 绞掉(水)
参考例句:
  • He has wrung the words from their true meaning. 他曲解这些字的真正意义。
  • He wrung my hand warmly. 他热情地紧握我的手。
49 orchard UJzxu     
n.果园,果园里的全部果树,(美俚)棒球场
参考例句:
  • My orchard is bearing well this year.今年我的果园果实累累。
  • Each bamboo house was surrounded by a thriving orchard.每座竹楼周围都是茂密的果园。
50 compartment dOFz6     
n.卧车包房,隔间;分隔的空间
参考例句:
  • We were glad to have the whole compartment to ourselves.真高兴,整个客车隔间由我们独享。
  • The batteries are safely enclosed in a watertight compartment.电池被安全地置于一个防水的隔间里。
51 wary JMEzk     
adj.谨慎的,机警的,小心的
参考例句:
  • He is wary of telling secrets to others.他谨防向他人泄露秘密。
  • Paula frowned,suddenly wary.宝拉皱了皱眉头,突然警惕起来。
52 mischief jDgxH     
n.损害,伤害,危害;恶作剧,捣蛋,胡闹
参考例句:
  • Nobody took notice of the mischief of the matter. 没有人注意到这件事情所带来的危害。
  • He seems to intend mischief.看来他想捣蛋。
53 inquiry nbgzF     
n.打听,询问,调查,查问
参考例句:
  • Many parents have been pressing for an inquiry into the problem.许多家长迫切要求调查这个问题。
  • The field of inquiry has narrowed down to five persons.调查的范围已经缩小到只剩5个人了。
54 publicity ASmxx     
n.众所周知,闻名;宣传,广告
参考例句:
  • The singer star's marriage got a lot of publicity.这位歌星的婚事引起了公众的关注。
  • He dismissed the event as just a publicity gimmick.他不理会这件事,只当它是一种宣传手法。
55 repose KVGxQ     
v.(使)休息;n.安息
参考例句:
  • Don't disturb her repose.不要打扰她休息。
  • Her mouth seemed always to be smiling,even in repose.她的嘴角似乎总是挂着微笑,即使在睡眠时也是这样。
56 breakdown cS0yx     
n.垮,衰竭;损坏,故障,倒塌
参考例句:
  • She suffered a nervous breakdown.她患神经衰弱。
  • The plane had a breakdown in the air,but it was fortunately removed by the ace pilot.飞机在空中发生了故障,但幸运的是被王牌驾驶员排除了。
57 afflicted aaf4adfe86f9ab55b4275dae2a2e305a     
使受痛苦,折磨( afflict的过去式和过去分词 )
参考例句:
  • About 40% of the country's population is afflicted with the disease. 全国40%左右的人口患有这种疾病。
  • A terrible restlessness that was like to hunger afflicted Martin Eden. 一阵可怕的、跟饥饿差不多的不安情绪折磨着马丁·伊登。
58 superfluous EU6zf     
adj.过多的,过剩的,多余的
参考例句:
  • She fined away superfluous matter in the design. 她删去了这图案中多余的东西。
  • That request seemed superfluous when I wrote it.我这样写的时候觉得这个请求似乎是多此一举。
59 devoted xu9zka     
adj.忠诚的,忠实的,热心的,献身于...的
参考例句:
  • He devoted his life to the educational cause of the motherland.他为祖国的教育事业贡献了一生。
  • We devoted a lengthy and full discussion to this topic.我们对这个题目进行了长时间的充分讨论。
60 protracted 7bbc2aee17180561523728a246b7f16b     
adj.拖延的;延长的v.拖延“protract”的过去式和过去分词
参考例句:
  • The war was protracted for four years. 战争拖延了四年。 来自《简明英汉词典》
  • We won victory through protracted struggle. 经过长期的斗争,我们取得了胜利。 来自《简明英汉词典》
61 spouse Ah6yK     
n.配偶(指夫或妻)
参考例句:
  • Her spouse will come to see her on Sunday.她的丈夫星期天要来看她。
  • What is the best way to keep your spouse happy in the marriage?在婚姻中保持配偶幸福的最好方法是什么?
62 surgical 0hXzV3     
adj.外科的,外科医生的,手术上的
参考例句:
  • He performs the surgical operations at the Red Cross Hospital.他在红十字会医院做外科手术。
  • All surgical instruments must be sterilised before use.所有的外科手术器械在使用之前,必须消毒。
63 caper frTzz     
v.雀跃,欢蹦;n.雀跃,跳跃;续随子,刺山柑花蕾;嬉戏
参考例句:
  • The children cut a caper in the yard.孩子们在院子里兴高采烈地乱蹦乱跳。
  • The girl's caper cost her a twisted ankle.小姑娘又蹦又跳,结果扭伤了脚踝。
64 hovering 99fdb695db3c202536060470c79b067f     
鸟( hover的现在分词 ); 靠近(某事物); (人)徘徊; 犹豫
参考例句:
  • The helicopter was hovering about 100 metres above the pad. 直升机在离发射台一百米的上空盘旋。
  • I'm hovering between the concert and the play tonight. 我犹豫不决今晚是听音乐会还是看戏。
65 acting czRzoc     
n.演戏,行为,假装;adj.代理的,临时的,演出用的
参考例句:
  • Ignore her,she's just acting.别理她,她只是假装的。
  • During the seventies,her acting career was in eclipse.在七十年代,她的表演生涯黯然失色。
66 squire 0htzjV     
n.护卫, 侍从, 乡绅
参考例句:
  • I told him the squire was the most liberal of men.我告诉他乡绅是世界上最宽宏大量的人。
  • The squire was hard at work at Bristol.乡绅在布里斯托尔热衷于他的工作。
67 rambles 5bfd3e73a09d7553bf08ae72fa2fbf45     
(无目的地)漫游( ramble的第三人称单数 ); (喻)漫谈; 扯淡; 长篇大论
参考例句:
  • He rambles in his talk. 他谈话时漫无中心。
  • You will have such nice rambles on the moors. 你可以在旷野里好好地溜达溜达。
68 smoker GiqzKx     
n.吸烟者,吸烟车厢,吸烟室
参考例句:
  • His wife dislikes him to be a smoker.他妻子不喜欢他当烟民。
  • He is a moderate smoker.他是一个有节制的烟民。
69 relaxation MVmxj     
n.松弛,放松;休息;消遣;娱乐
参考例句:
  • The minister has consistently opposed any relaxation in the law.部长一向反对法律上的任何放宽。
  • She listens to classical music for relaxation.她听古典音乐放松。
70 antidote 4MZyg     
n.解毒药,解毒剂
参考例句:
  • There is no known antidote for this poison.这种毒药没有解药。
  • Chinese physicians used it as an antidote for snake poison.中医师用它来解蛇毒。
71 tonic tnYwt     
n./adj.滋补品,补药,强身的,健体的
参考例句:
  • It will be marketed as a tonic for the elderly.这将作为老年人滋补品在市场上销售。
  • Sea air is Nature's best tonic for mind and body.海上的空气是大自然赋予的对人们身心的最佳补品。
72 portrayed a75f5b1487928c9f7f165b2773c13036     
v.画像( portray的过去式和过去分词 );描述;描绘;描画
参考例句:
  • Throughout the trial, he portrayed himself as the victim. 在审讯过程中,他始终把自己说成是受害者。
  • The author portrayed his father as a vicious drunkard. 作者把他父亲描绘成一个可恶的酒鬼。 来自《现代汉英综合大词典》
73 worthies 5d51be96060a6f2400cd46c3e32cd8ab     
应得某事物( worthy的名词复数 ); 值得做某事; 可尊敬的; 有(某人或事物)的典型特征
参考例句:
  • The world is peopled with worthies, and workers, useful and clever. 世界上住着高尚的人,劳动的人,有用又聪明。
  • The former worthies have left us a rich cultural heritage. 前贤给我们留下了丰富的文化遗产。
74 mascots aecb9f35e21335e20c5eb14a9f5e4d45     
n.吉祥物( mascot的名词复数 )
参考例句:
  • One of the mascots was the platypus. 吉祥物一是鸭嘴兽。 来自《简明英汉词典》
  • Information on all things Olympic, including logos, mascots, venues,and bid candidates. 所有事情奥林匹克,包括的标识语,吉祥物,地点,和出价候选人的信息。 来自互联网
75 ornaments 2bf24c2bab75a8ff45e650a1e4388dec     
n.装饰( ornament的名词复数 );点缀;装饰品;首饰v.装饰,点缀,美化( ornament的第三人称单数 )
参考例句:
  • The shelves were chock-a-block with ornaments. 架子上堆满了装饰品。
  • Playing the piano sets up resonance in those glass ornaments. 一弹钢琴那些玻璃饰物就会产生共振。 来自《简明英汉词典》
76 turquoises a11310013c47bd2422e33cd1217b46b5     
n.绿松石( turquoise的名词复数 );青绿色
参考例句:
77 specimens 91fc365099a256001af897127174fcce     
n.样品( specimen的名词复数 );范例;(化验的)抽样;某种类型的人
参考例句:
  • Astronauts have brought back specimens of rock from the moon. 宇航员从月球带回了岩石标本。
  • The traveler brought back some specimens of the rocks from the mountains. 那位旅行者从山上带回了一些岩石标本。 来自《简明英汉词典》
78 contrive GpqzY     
vt.谋划,策划;设法做到;设计,想出
参考例句:
  • Can you contrive to be here a little earlier?你能不能早一点来?
  • How could you contrive to make such a mess of things?你怎么把事情弄得一团糟呢?
79 actively lzezni     
adv.积极地,勤奋地
参考例句:
  • During this period all the students were actively participating.在这节课中所有的学生都积极参加。
  • We are actively intervening to settle a quarrel.我们正在积极调解争执。
80 celebrated iwLzpz     
adj.有名的,声誉卓著的
参考例句:
  • He was soon one of the most celebrated young painters in England.不久他就成了英格兰最负盛名的年轻画家之一。
  • The celebrated violinist was mobbed by the audience.观众团团围住了这位著名的小提琴演奏家。
81 Forsaken Forsaken     
adj. 被遗忘的, 被抛弃的 动词forsake的过去分词
参考例句:
  • He was forsaken by his friends. 他被朋友们背弃了。
  • He has forsaken his wife and children. 他遗弃了他的妻子和孩子。
82 auditorium HO6yK     
n.观众席,听众席;会堂,礼堂
参考例句:
  • The teacher gathered all the pupils in the auditorium.老师把全体同学集合在礼堂内。
  • The stage is thrust forward into the auditorium.舞台向前突出,伸入观众席。
83 morose qjByA     
adj.脾气坏的,不高兴的
参考例句:
  • He was silent and morose.他沉默寡言、郁郁寡欢。
  • The publicity didn't make him morose or unhappy?公开以后,没有让他郁闷或者不开心吗?
84 arraigned ce05f28bfd59de4a074b80d451ad2707     
v.告发( arraign的过去式和过去分词 );控告;传讯;指责
参考例句:
  • He was arraigned for murder. 他因谋杀罪而被提讯。
  • She was arraigned for high treason. 她被控叛国罪。 来自《现代英汉综合大词典》
85 racing 1ksz3w     
n.竞赛,赛马;adj.竞赛用的,赛马用的
参考例句:
  • I was watching the racing on television last night.昨晚我在电视上看赛马。
  • The two racing drivers fenced for a chance to gain the lead.两个赛车手伺机竞相领先。
86 copper HZXyU     
n.铜;铜币;铜器;adj.铜(制)的;(紫)铜色的
参考例句:
  • The students are asked to prove the purity of copper.要求学生们检验铜的纯度。
  • Copper is a good medium for the conduction of heat and electricity.铜是热和电的良导体。
87 brass DWbzI     
n.黄铜;黄铜器,铜管乐器
参考例句:
  • Many of the workers play in the factory's brass band.许多工人都在工厂铜管乐队中演奏。
  • Brass is formed by the fusion of copper and zinc.黄铜是通过铜和锌的熔合而成的。
88 expressive shwz4     
adj.表现的,表达…的,富于表情的
参考例句:
  • Black English can be more expressive than standard English.黑人所使用的英语可能比正式英语更有表现力。
  • He had a mobile,expressive,animated face.他有一张多变的,富于表情的,生动活泼的脸。
89 harry heBxS     
vt.掠夺,蹂躏,使苦恼
参考例句:
  • Today,people feel more hurried and harried.今天,人们感到更加忙碌和苦恼。
  • Obama harried business by Healthcare Reform plan.奥巴马用医改掠夺了商界。
90 hardy EenxM     
adj.勇敢的,果断的,吃苦的;耐寒的
参考例句:
  • The kind of plant is a hardy annual.这种植物是耐寒的一年生植物。
  • He is a hardy person.他是一个能吃苦耐劳的人。
91 raven jAUz8     
n.渡鸟,乌鸦;adj.乌亮的
参考例句:
  • We know the raven will never leave the man's room.我们知道了乌鸦再也不会离开那个男人的房间。
  • Her charming face was framed with raven hair.她迷人的脸上垂落着乌亮的黑发。
92 sketched 7209bf19355618c1eb5ca3c0fdf27631     
v.草拟(sketch的过去式与过去分词形式)
参考例句:
  • The historical article sketched the major events of the decade. 这篇有关历史的文章概述了这十年中的重大事件。 来自《简明英汉词典》
  • He sketched the situation in a few vivid words. 他用几句生动的语言简述了局势。 来自《现代汉英综合大词典》
93 quaint 7tqy2     
adj.古雅的,离奇有趣的,奇怪的
参考例句:
  • There were many small lanes in the quaint village.在这古香古色的村庄里,有很多小巷。
  • They still keep some quaint old customs.他们仍然保留着一些稀奇古怪的旧风俗。
94 sitting-room sitting-room     
n.(BrE)客厅,起居室
参考例句:
  • The sitting-room is clean.起居室很清洁。
  • Each villa has a separate sitting-room.每栋别墅都有一间独立的起居室。
95 belles 35634a17dac7d7e83a3c14948372f50e     
n.美女( belle的名词复数 );最美的美女
参考例句:
  • Every girl in Atlanta was knee deep in men,even the plainest girls were carrying on like belles. 亚特兰大的女孩子个个都有许多男人追求,就连最不出色的也像美人一样被男人紧紧缠住。 来自《简明英汉词典》
  • Even lot of belles, remand me next the United States! 还要很多美女,然后把我送回美国! 来自互联网
96 disported 37b7c948a7728f0e25c5b59e9fa3ee9f     
v.嬉戏,玩乐,自娱( disport的过去式和过去分词 )
参考例句:
  • He disported among books, radio and tape recorder. 他以读书、听收音机和录音机自娱。 来自辞典例句
  • The picnickers disported themselves merrily on the beach. 野餐者在海滩上欢快地炫耀自己。 来自互联网
97 delicacy mxuxS     
n.精致,细微,微妙,精良;美味,佳肴
参考例句:
  • We admired the delicacy of the craftsmanship.我们佩服工艺师精巧的手艺。
  • He sensed the delicacy of the situation.他感觉到了形势的微妙。
98 potentate r1lzj     
n.统治者;君主
参考例句:
  • People rose up against the despotic rule of their potentate.人们起来反抗君主的专制统治。
  • I shall recline here like an oriental potentate.我要像个东方君主一样躺在这.
99 eschew fzzyw     
v.避开,戒绝
参考例句:
  • Eschew fattening foods if you want to lose weight.你如想减肥,就不要吃致肥的食物。
  • Good kid should eschew bad company.好孩子应避免交坏朋友。
100 gorged ccb1b7836275026e67373c02e756e79c     
v.(用食物把自己)塞饱,填饱( gorge的过去式和过去分词 );作呕
参考例句:
  • He gorged himself at the party. 在宴会上他狼吞虎咽地把自己塞饱。 来自《简明英汉词典》
  • The men, gorged with food, had unbuttoned their vests. 那些男人,吃得直打饱嗝,解开了背心的钮扣。 来自辞典例句
101 grumbling grumbling     
adj. 喃喃鸣不平的, 出怨言的
参考例句:
  • She's always grumbling to me about how badly she's treated at work. 她总是向我抱怨她在工作中如何受亏待。
  • We didn't hear any grumbling about the food. 我们没听到过对食物的抱怨。
102 halfway Xrvzdq     
adj.中途的,不彻底的,部分的;adv.半路地,在中途,在半途
参考例句:
  • We had got only halfway when it began to get dark.走到半路,天就黑了。
  • In study the worst danger is give up halfway.在学习上,最忌讳的是有始无终。
103 wig 1gRwR     
n.假发
参考例句:
  • The actress wore a black wig over her blond hair.那个女演员戴一顶黑色假发罩住自己的金黄色头发。
  • He disguised himself with a wig and false beard.他用假发和假胡须来乔装。
104 complexion IOsz4     
n.肤色;情况,局面;气质,性格
参考例句:
  • Red does not suit with her complexion.红色与她的肤色不协调。
  • Her resignation puts a different complexion on things.她一辞职局面就全变了。
105 hideous 65KyC     
adj.丑陋的,可憎的,可怕的,恐怖的
参考例句:
  • The whole experience had been like some hideous nightmare.整个经历就像一场可怕的噩梦。
  • They're not like dogs,they're hideous brutes.它们不像狗,是丑陋的畜牲。
106 beheld beheld     
v.看,注视( behold的过去式和过去分词 );瞧;看呀;(叙述中用于引出某人意外的出现)哎哟
参考例句:
  • His eyes had never beheld such opulence. 他从未见过这样的财富。 来自《简明英汉词典》
  • The soul beheld its features in the mirror of the passing moment. 灵魂在逝去的瞬间的镜子中看到了自己的模样。 来自英汉文学 - 红字
107 luncheon V8az4     
n.午宴,午餐,便宴
参考例句:
  • We have luncheon at twelve o'clock.我们十二点钟用午餐。
  • I have a luncheon engagement.我午饭有约。
108 merged d33b2d33223e1272c8bbe02180876e6f     
(使)混合( merge的过去式和过去分词 ); 相融; 融入; 渐渐消失在某物中
参考例句:
  • Turf wars are inevitable when two departments are merged. 两个部门合并时总免不了争争权限。
  • The small shops were merged into a large market. 那些小商店合并成为一个大商场。
109 exertions 2d5ee45020125fc19527a78af5191726     
n.努力( exertion的名词复数 );费力;(能力、权力等的)运用;行使
参考例句:
  • As long as they lived, exertions would not be necessary to her. 只要他们活着,是不需要她吃苦的。 来自辞典例句
  • She failed to unlock the safe in spite of all her exertions. 她虽然费尽力气,仍未能将那保险箱的锁打开。 来自辞典例句
110 everlasting Insx7     
adj.永恒的,持久的,无止境的
参考例句:
  • These tyres are advertised as being everlasting.广告上说轮胎持久耐用。
  • He believes in everlasting life after death.他相信死后有不朽的生命。
111 monotonous FwQyJ     
adj.单调的,一成不变的,使人厌倦的
参考例句:
  • She thought life in the small town was monotonous.她觉得小镇上的生活单调而乏味。
  • His articles are fixed in form and monotonous in content.他的文章千篇一律,一个调调儿。
112 procure A1GzN     
vt.获得,取得,促成;vi.拉皮条
参考例句:
  • Can you procure some specimens for me?你能替我弄到一些标本吗?
  • I'll try my best to procure you that original French novel.我将尽全力给你搞到那本原版法国小说。
113 utterly ZfpzM1     
adv.完全地,绝对地
参考例句:
  • Utterly devoted to the people,he gave his life in saving his patients.他忠于人民,把毕生精力用于挽救患者的生命。
  • I was utterly ravished by the way she smiled.她的微笑使我完全陶醉了。
114 entail ujdzO     
vt.使承担,使成为必要,需要
参考例句:
  • Such a decision would entail a huge political risk.这样的决定势必带来巨大的政治风险。
  • This job would entail your learning how to use a computer.这工作将需要你学会怎样用计算机。
115 gracefully KfYxd     
ad.大大方方地;优美地
参考例句:
  • She sank gracefully down onto a cushion at his feet. 她优雅地坐到他脚旁的垫子上。
  • The new coats blouse gracefully above the hip line. 新外套在臀围线上优美地打着褶皱。
116 tact vqgwc     
n.机敏,圆滑,得体
参考例句:
  • She showed great tact in dealing with a tricky situation.她处理棘手的局面表现得十分老练。
  • Tact is a valuable commodity.圆滑老练是很有用处的。
117 contrived ivBzmO     
adj.不自然的,做作的;虚构的
参考例句:
  • There was nothing contrived or calculated about what he said.他说的话里没有任何蓄意捏造的成分。
  • The plot seems contrived.情节看起来不真实。
118 relinquish 4Bazt     
v.放弃,撤回,让与,放手
参考例句:
  • He was forced to relinquish control of the company.他被迫放弃公司的掌控权。
  • They will never voluntarily relinquish their independence.他们绝对不会自动放弃独立。
119 drawn MuXzIi     
v.拖,拉,拔出;adj.憔悴的,紧张的
参考例句:
  • All the characters in the story are drawn from life.故事中的所有人物都取材于生活。
  • Her gaze was drawn irresistibly to the scene outside.她的目光禁不住被外面的风景所吸引。
120 penury 4MZxp     
n.贫穷,拮据
参考例句:
  • Hardship and penury wore him out before his time.受穷受苦使他未老先衰。
  • A succession of bad harvest had reduced the small farmer to penury.连续歉收使得这个小农场主陷入了贫困境地。
121 inconvenient m4hy5     
adj.不方便的,令人感到麻烦的
参考例句:
  • You have come at a very inconvenient time.你来得最不适时。
  • Will it be inconvenient for him to attend that meeting?他参加那次会议会不方便吗?
122 relegated 2ddd0637a40869e0401ae326c3296bc3     
v.使降级( relegate的过去式和过去分词 );使降职;转移;把…归类
参考例句:
  • She was then relegated to the role of assistant. 随后她被降级做助手了。
  • I think that should be relegated to the garbage can of history. 我认为应该把它扔进历史的垃圾箱。 来自《现代汉英综合大词典》
123 scintillating 46d87ba32ffac8539edf2202d549047e     
adj.才气横溢的,闪闪发光的; 闪烁的
参考例句:
  • Statistics on unemployment levels hardly make for scintillating reading. 失业统计数据读来不大会有趣味。
  • You were scintillating on TV last night. 您昨晚在电视上妙语如珠。
124 glamour Keizv     
n.魔力,魅力;vt.迷住
参考例句:
  • Foreign travel has lost its glamour for her.到国外旅行对她已失去吸引力了。
  • The moonlight cast a glamour over the scene.月光给景色增添了魅力。
125 doled 86af1872f19d01499d5f6d6e6dbc2b3a     
救济物( dole的过去式和过去分词 ); 失业救济金
参考例句:
  • The food was doled out to the poor. 食品分发给了穷人。
  • Sisco briskly doled out the United States positions on the key issues. 西斯科轻快地把美国在重大问题上的立场放了出去。
126 treasurer VmHwm     
n.司库,财务主管
参考例句:
  • Mr. Smith was succeeded by Mrs.Jones as treasurer.琼斯夫人继史密斯先生任会计。
  • The treasurer was arrested for trying to manipulate the company's financial records.财务主管由于试图窜改公司财政帐目而被拘留。
127 batches f8c77c3bee0bd5d27b9ca0e20c216d1a     
一批( batch的名词复数 ); 一炉; (食物、药物等的)一批生产的量; 成批作业
参考例句:
  • The prisoners were led out in batches and shot. 这些囚犯被分批带出去枪毙了。
  • The stainless drum may be used to make larger batches. 不锈钢转数设备可用来加工批量大的料。
128 scampers 578d3d9c5f564f878508fc91ed8d3d0f     
v.蹦蹦跳跳地跑,惊惶奔跑( scamper的第三人称单数 )
参考例句:
  • Chi-li scampers off to play. 奇立蹦蹦跳跳,到处玩耍。 来自互联网
129 provincial Nt8ye     
adj.省的,地方的;n.外省人,乡下人
参考例句:
  • City dwellers think country folk have provincial attitudes.城里人以为乡下人思想迂腐。
  • Two leading cadres came down from the provincial capital yesterday.昨天从省里下来了两位领导干部。
130 rumour 1SYzZ     
n.谣言,谣传,传闻
参考例句:
  • I should like to know who put that rumour about.我想知道是谁散布了那谣言。
  • There has been a rumour mill on him for years.几年来,一直有谣言产生,对他进行中伤。
131 thrifty NIgzT     
adj.节俭的;兴旺的;健壮的
参考例句:
  • Except for smoking and drinking,he is a thrifty man.除了抽烟、喝酒,他是个生活节俭的人。
  • She was a thrifty woman and managed to put aside some money every month.她是个很会持家的妇女,每月都设法存些钱。
132 savings ZjbzGu     
n.存款,储蓄
参考例句:
  • I can't afford the vacation,for it would eat up my savings.我度不起假,那样会把我的积蓄用光的。
  • By this time he had used up all his savings.到这时,他的存款已全部用完。
133 retired Njhzyv     
adj.隐退的,退休的,退役的
参考例句:
  • The old man retired to the country for rest.这位老人下乡休息去了。
  • Many retired people take up gardening as a hobby.许多退休的人都以从事园艺为嗜好。
134 earnings rrWxJ     
n.工资收人;利润,利益,所得
参考例句:
  • That old man lives on the earnings of his daughter.那个老人靠他女儿的收入维持生活。
  • Last year there was a 20% decrease in his earnings.去年他的收入减少了20%。
135 generosity Jf8zS     
n.大度,慷慨,慷慨的行为
参考例句:
  • We should match their generosity with our own.我们应该像他们一样慷慨大方。
  • We adore them for their generosity.我们钦佩他们的慷慨。
136 averred 4a3546c562d3f5b618f0024b711ffe27     
v.断言( aver的过去式和过去分词 );证实;证明…属实;作为事实提出
参考例句:
  • She averred that she had never seen the man before. 她斩钉截铁地说以前从未见过这个男人。
  • The prosecutor averred that the prisoner killed Lois. 检察官称被拘犯杀害洛伊丝属实。 来自互联网
137 forth Hzdz2     
adv.向前;向外,往外
参考例句:
  • The wind moved the trees gently back and forth.风吹得树轻轻地来回摇晃。
  • He gave forth a series of works in rapid succession.他很快连续发表了一系列的作品。
138 expending 2bc25f0be219ef94a9ff43e600aae5eb     
v.花费( expend的现在分词 );使用(钱等)做某事;用光;耗尽
参考例句:
  • The heart pumps by expending and contracting of muscle. 心脏通过收缩肌肉抽取和放出(血液)。 来自互联网
  • Criminal action is an action of expending cost and then producing profit. 刑事诉讼是一种需要支付成本、能够产生收益的活动。 来自互联网
139 perfectly 8Mzxb     
adv.完美地,无可非议地,彻底地
参考例句:
  • The witnesses were each perfectly certain of what they said.证人们个个对自己所说的话十分肯定。
  • Everything that we're doing is all perfectly above board.我们做的每件事情都是光明正大的。
140 erect 4iLzm     
n./v.树立,建立,使竖立;adj.直立的,垂直的
参考例句:
  • She held her head erect and her back straight.她昂着头,把背挺得笔直。
  • Soldiers are trained to stand erect.士兵们训练站得笔直。
141 spoke XryyC     
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说
参考例句:
  • They sourced the spoke nuts from our company.他们的轮辐螺帽是从我们公司获得的。
  • The spokes of a wheel are the bars that connect the outer ring to the centre.辐条是轮子上连接外圈与中心的条棒。
142 interval 85kxY     
n.间隔,间距;幕间休息,中场休息
参考例句:
  • The interval between the two trees measures 40 feet.这两棵树的间隔是40英尺。
  • There was a long interval before he anwsered the telephone.隔了好久他才回了电话。
143 lashes e2e13f8d3a7c0021226bb2f94d6a15ec     
n.鞭挞( lash的名词复数 );鞭子;突然猛烈的一击;急速挥动v.鞭打( lash的第三人称单数 );煽动;紧系;怒斥
参考例句:
  • Mother always lashes out food for the children's party. 孩子们聚会时,母亲总是给他们许多吃的。 来自《简明英汉词典》
  • Never walk behind a horse in case it lashes out. 绝对不要跟在马后面,以防它突然猛踢。 来自《简明英汉词典》
144 privately IkpzwT     
adv.以私人的身份,悄悄地,私下地
参考例句:
  • Some ministers admit privately that unemployment could continue to rise.一些部长私下承认失业率可能继续升高。
  • The man privately admits that his motive is profits.那人私下承认他的动机是为了牟利。
145 smoothly iiUzLG     
adv.平滑地,顺利地,流利地,流畅地
参考例句:
  • The workmen are very cooperative,so the work goes on smoothly.工人们十分合作,所以工作进展顺利。
  • Just change one or two words and the sentence will read smoothly.这句话只要动一两个字就顺了。
146 prologue mRpxq     
n.开场白,序言;开端,序幕
参考例句:
  • A poor wedding is a prologue to misery.不幸的婚姻是痛苦的开始。
  • The prologue to the novel is written in the form of a newspaper account.这本小说的序言是以报纸报道的形式写的。
147 disapproves 2409ec34a905c5a568c1e2e81c7efcdc     
v.不赞成( disapprove的第三人称单数 )
参考例句:
  • She disapproves of unmarried couples living together. 她反对未婚男女同居。 来自《简明英汉词典》
  • Her mother disapproves of her wearing transparent underwear. 她母亲不赞成她穿透明的内衣。 来自辞典例句
148 organise organise     
vt.组织,安排,筹办
参考例句:
  • He has the ability to organise.他很有组织才能。
  • It's my job to organise all the ceremonial events.由我来组织所有的仪式。
149 attain HvYzX     
vt.达到,获得,完成
参考例句:
  • I used the scientific method to attain this end. 我用科学的方法来达到这一目的。
  • His painstaking to attain his goal in life is praiseworthy. 他为实现人生目标所下的苦功是值得称赞的。


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