In all his intrigues the Duke was constantly aided by his Jester, Rigoletto, a hunchback, who was the most privileged person at Court; for, beneath the cap and bells, the buffoon10 possessed11 a fertile, scheming brain that never failed to devise cunning ruses12 to gratify the lawless passions of his unscrupulous master.
For this reason Rigoletto had gained many enemies, for, besides exciting the jealousy13 of the courtiers by making himself the favourite of their royal master, he was also hated by many haughty14 nobles whose honour had been assailed15 by his intrigues. The jealous lords constantly vented16 their spleen upon the hated Jester by scornful taunts17 and slights, all of which Rigoletto returned with interest, making the proud courtiers the subjects of his spiteful wit and stinging raillery, whilst inwardly he triumphed in a joy they knew naught18 about.
For Rigoletto had a beautiful daughter, named Gilda, whom he loved passionately19, and fearing lest the maiden7's loveliness should lead to the ruin of her innocence20, he had ever kept her existence a secret even from his most intimate acquaintances.
To this end, on coming to Mantua, he placed her in a humble house in a quiet part of the city, under the care of her old nurse, Giovanna; and every evening after dark he went to receive the sweet caresses21 of this darling child, a stolen happiness that more than compensated22 him for the scorn of his enemies.
Little did the poor Jester guess that the precious treasure he guarded so lovingly was doomed23 to become the prey24 of the very person whose notice of her he most dreaded—his royal master; yet so it was ordained25.
For every morning Gilda attended matins in the neighbouring church, and here she was at length seen by the young Duke, who quickly became enamoured of her beauty. Every day he stole into the church to watch her at her devotions; and Gilda, though she scarcely dared return the ardent glances bestowed26 upon her by the handsome cavalier, soon felt an answering thrill in her own heart. Yet, fearing her father's anger, she kept this new sweet joy a secret; and since the Duke did not need his favourite's help in such a simple enterprise, it came about that Rigoletto remained in ignorance that his happiness was at stake. But in spite of the care he took, his secret visits to the humble house at length became known to the jealous courtiers; and this discovery was made soon after the Duke had first seen Gilda at the church.
One evening, a splendid entertainment was being held at the Ducal Palace, and in an ante-room a group of courtiers, freshly smarting under the spiteful wit of Rigoletto, were gathered together venting27 their grievances28, and listening to the special complaints of one of their number, Count Ceprano, whose pretty wife was for that evening the Duke's plaything, thanks to the machinations of the hated Jester.
Whilst they were talking angrily together, they were joined by another noble, named Marullo, who declared that he had great news for them; and in answer to their eager questions, he told them he had discovered that Rigoletto had a sweetheart, since he went nearly every evening after dark to pay a visit at a humble house in a certain quiet street—a sure sign that his mistress dwelt there.
The courtiers all laughed derisively30 at the idea of the ugly hunchback being in love; but Ceprano, seeing in the incident a means of revenging himself upon the scheming Jester, quickly proposed a plan to them. He suggested that they should repair to the humble dwelling31 pointed32 out by Marullo, and, forcing an entrance, carry off the fair lady who dwelt therein; and by this means they would punish the hunchback for the insults he had piled upon them.
The courtiers eagerly fell in with the plan, and having promised to meet Ceprano late next evening in order to carry out the enterprise, they returned to the brilliant salon33. Here, dancing, feasting, and merriment were being indulged in with an utter absence of restraint, for it was the delight of the Duke of Mantua to pursue his pleasures with an extravagant34 recklessness.
But suddenly the revels35 were strangely interrupted, for after a loud altercation36 with the servitors at the door, who vainly tried to detain him, an uninvited guest dashed through the careless throng37 in the salon, and quickly made his way to the spot where the Duke was standing38. The intruder was an aged39 noble, the Count of Monterone, whose beautiful daughter had lately been stolen from her home to gratify the evil passion of the libertine40 Duke; and in a voice trembling with scorn and anger, the outraged41 father demanded the restoration of his child, calling down vengeance42 upon her betrayer.
But Monterone's appeals and threats were drowned in derisive29 laughter, and the Duke, impatient at such an unpleasant interruption to the revels, instantly ordered his guards to imprison43 the Count in a cell beneath.
Rigoletto, taking up his cue from his master's humour, made merry over the poor father's despair, and uttered mocking quips at his expense; but soon he regretted his words, for as Monterone was being led away by the guards, he turned upon the Jester and cursed him with great fury.
Now, Rigoletto was very superstitious44, and so was filled with fear as he realised that a father's curse had fallen upon him, and though the revels went on as before, the incident took such a hold on his imagination that he felt some terrible woe45 was in store for him.
Late next night, these disturbing thoughts were still in the Jester's mind as he hastened towards the humble abode46 of his beloved daughter; and when he was presently accosted47 by a begging bravo, he stopped to converse48 with him, thinking that he might have occasion later on for the services of some such desperate rogue49.
The bravo, who gave his name as Sparafucile, declared that for gold he would dispose of any enemy who lay in the Jester's path, stating that his abode was an outlying, lonely inn, where intended victims were easily lured50 by the attractive looks of his pretty sister, a gipsy-girl named Maddalena.
Having agreed to seek the bravo's aid, should he need it, Rigoletto hurried into the courtyard of his house; and here he found the beautiful Gilda already waiting for him with her attendant, Giovanna.
Now, Gilda had been kept in complete ignorance of her father's name and profession; and to-night, after greeting him with her usual joyful51 embraces, she begged of him to reveal his true identity, being weary of the mystery that so constantly surrounded her.
But Rigoletto firmly refused her plea, gently bidding her to love him only and ask no questions; and then he turned to Giovanna, sternly demanding whether she guarded her charge with the strictness he had commanded. Gilda trembled at this question, remembering the gallant52 whom she met each day at church, and whose admiring glances had aroused love in her heart; but Giovanna, less fearful, boldly answered her master's question, and assured him that he had no cause for alarm.
Then Rigoletto bade his daughter a loving farewell, and departed; for he never dared to remain long with her, for fear his absence from Court should be noticed.
No sooner had he gone than the young Duke of Mantua suddenly appeared in the courtyard, having at last discovered the abode of his new love, and determined53 to seek an interview with her that night; and rushing forward, he clasped Gilda in his arms, declaring that he loved her. Giovanna, having secretly received a purse of gold from the Duke upon his entrance, quietly departed into the house, and the pair were thus left alone in the courtyard.
Gilda was at first alarmed at finding herself alone with the stranger, whom she quickly recognised as the handsome cavalier whose ardent glances had thrilled her at her morning devotions; but, utterly54 unable to resist the passionate wooing of the Duke, she at length submitted willingly to his caresses, and admitted that she loved him in return. The cunning gallant described himself as a poor scholar, who would nevertheless make a humble home for her; and Gilda was filled with rapture55 at the thought that no barrier of rank would thus separate her from her lover.
Presently, approaching footsteps in the street beyond warded56 them that this sweet interview must end; and the Duke, fearful of discovery, bade the maiden a hasty, but passionate farewell, and quickly hurried away. Then Gilda, gazing lovingly after his retreating figure, reluctantly entered the house; but not before she had been seen by the newcomers, who were none other than Count Ceprano, Marullo, and their companion plotters, who, masked and cloaked, had come to carry out the plan of vengeance on Rigoletto which they had arranged the night before.
They were astonished at the beauty of the Jester's supposed mistress, but ere they had time for further comment on the matter, they were suddenly confronted by Rigoletto himself, who, being uneasy in his mind, had returned to take another look at his daughter's sanctuary57.
Marullo, quickly seeing additional zest58 for their scheme in this unlooked-for interruption, gaily59 accosted the Jester, and making himself known, invited him to join in their enterprise; and to deceive the poor hunchback further he declared that they were about to carry off the wife of Count Ceprano, and take her to the Duke.
Rigoletto, thus imagining that his own secret treasure was not sought, quickly fell into the trap, for Ceprano's palace was situated60 on the opposite side of the street, a circumstance which gave credence61 to the story; and delighted to assist in bringing dishonour62 upon one of his most hated enemies, he readily agreed to join the ravishers.
Marullo then declared that since the others were all masked, Rigoletto must also have his face hidden; and seizing a scarf, he bound it so tightly over the Jester's eyes and ears, that he could neither see nor hear. He next made his victim hold the ladder they had brought against the wall of his own house, and then he and his companions, hardly able to restrain their mirth at the trick they were playing, climbed up to an open window above, and made their entry.
Rigoletto, holding the ladder below, still imagined that it was his enemy's house that was being entered; and when the ravishers presently returned, bearing Gilda in their arms, he rejoiced, thinking that the victim was Ceprano's wife. His hearing being dulled by the tight bandages over his ears, he did not catch the stifled63 cries of the poor girl as she was quickly borne away; and it was not until the maskers were far out of his reach that he discovered he had been left alone.
Then, tearing off his bandage with difficulty, he saw that the ladder was leaning against the wall of his own house; and realising the cruel trick that had been played upon him, he was filled with rage and despair. He rushed madly down the street towards the palace, trembling for the fate of his beloved child; and forcing his way to the ante-room adjoining the Duke's private chamber64, he found his enemies already there. For the plotters had immediately brought their prize in triumph to their royal master, declaring her to be the mistress of Rigoletto; and the Duke had received her with joy, on recognising the lovely features of his own new lady-love.
When Rigoletto reached the ante-room, he passionately demanded to have his precious daughter restored to him, being filled with woe on learning that she was even now in the power of the Duke; but the courtiers, though astonished to know that she was his child, only met him with derisive laughter, utterly disregarding his frantic65 appeals for mercy.
But at that moment, Gilda herself rushed forth66 from the Duke's room, and flung herself in her father's arms, having heard his voice in the ante-room; and as the Jester quickly hurried her away, she poured forth into his ears the whole story of her infatuation for the handsome cavalier who had admired her in church, of his visit to her that evening, and of her despair on now discovering him to be but a base libertine, who only desired to use her as his plaything.
Yet, even in spite of this knowledge, the poor girl loved him still; and when Rigoletto swore vengeance on the false betrayer, she entreated67 him to spare her lover, whom she had already forgiven for the wrong he had done her.
But Rigoletto's anger against his royal master was so furious that nothing but death would satisfy his longing68 for revenge; and quickly sending for Sparafucile, the bravo, he bargained with him for a sum of gold to entice69 the Duke to his lonely inn and murder him there. A few days later Sparafucile returned, saying that his sister, Maddalena, had already brought herself before the Duke's notice, and enticed70 him into a promise to visit the inn that evening, when his murder would be easily accomplished71 during the night; and Rigoletto determined to take Gilda to the spot also, that he might convince her of her base lover's faithlessness, and so cure her infatuation for him.
So when dusk fell, the Jester and his daughter quickly made their way to a wild spot on the outskirts72 of the city; and on arriving at the bravo's lonely inn, Rigoletto drew the maiden into the shadows near a window, from whence they could see and hear all that took place in the room beyond.
A few minutes later, they saw the Duke, in disguise, enter the inn; and as Sparafucile left the room, after serving the guest with wine, his pretty gipsy-sister, Maddalena, took his place. The Duke at once began to make love to the girl, who, however, only laughed and teased him in return; and when Gilda thus saw for herself how soon her fickle73 gallant had forgotten her, and heard him utter the same sweet love-speeches to the gipsy-girl that he had whispered into her own delighted ears only a few evenings ago, she was filled with deepest grief.
Rigoletto, seeing that his daughter was at last convinced of her lover's faithlessness, was now eager to get her away from the inn, not wishing her to know of the tragic74 end in store for the false betrayer; and bidding her hasten home at once, he told her to disguise herself in the garments of a youth, which he had provided for her, and to then fly on horseback to Verona, where he would meet her later on. At first, Gilda could not bring herself to leave the spot; but when her father sternly repeated his command, she hurried away at once to obey his will.
Sparafucile now came out to learn his final instructions, and Rigoletto told him that after murdering the Duke, he was to place the dead body in a sack, that it might be ready for him to throw into the river Mincio that flowed close by. He then gave the bravo half of the money agreed upon between them, and promising75 to return at midnight with the remainder of the money, when he should expect to find the deed accomplished, he departed.
Throughout the evening, the unsuspecting Duke amused himself with the pretty decoy, Maddalena; and the gipsy-girl at length became so fascinated with him that she could no longer bear to think of taking his life, and a feeling of pity for his fate took sudden hold of her heart. She was therefore filled with repulsion when her brother next appeared and invited the guest to retire to rest in the upper chamber set apart for him; and when, after a last tender glance at her, the Duke had mounted the rickety stairs and stretched himself on the couch above, she besought76 Sparafucile to spare the young man's life, declaring she felt a tender interest in him.
But Sparafucile muttered angrily that the hunchback's gold was more to him than the gay cavalier's life; and it was not until Maddalena again passionately implored77 him with tears in her eyes to grant her request, that he at length agreed on a compromise. He promised to spare the cavalier only on condition that some other stranger called at the inn before midnight, whom he could slay78 instead, and pass off to the hunchback as his victim; and with this, Maddalena was forced to be content, though she felt little hope of gaining her wish, since it was a stormy night, and no strangers were likely to call.
Now, the whole of this conversation between the brother and sister had been overheard by Gilda; for, though she had been to her home and changed her garments for male attire79, according to Rigoletto's orders, she had been unable to resist the temptation to return to the inn that she might look once again upon the features of the man she still loved so dearly.
She arrived just in time to hear the gipsy-girl pleading for the life of the Duke; and realising that he was about to be murdered, she was overcome with horror. But on hearing the condition by which he might yet be saved, a wild enthusiasm filled her heart; and she resolved heroically that since her own life was ruined by a hopeless passion, she would sacrifice herself for the sake of her faithless lover.
Having commended her soul to Heaven, she calmly approached the door and knocked; and instantly there was a dead silence within. Maddalena trembled on hearing the sound; but Sparafucile drew his dagger80, and upon a second knock being heard, he flung open the door and fiercely stabbed the supposed youth standing there. Gilda fell to the ground without a single word; and hastily producing a sack, the brother and sister fastened the body within it.
It was now midnight; and a few minutes later, Rigoletto entered, and paying down the remainder of the money promised, demanded his victim. Sparafucile produced the sack, and not wishing his trick to be discovered, suggested that the body should be immediately thrown into the river, and offered his assistance for this purpose.
Rigoletto, however, declined the offer, desiring to gloat over his victim alone; and when the bravo had reluctantly relinquished81 the sack, he dragged it a few yards distant, and then sat down to rejoice over his fallen enemy. But at that moment he heard the sound of a voice singing in the upper chamber of the inn; for the Duke had been awakened82 by the talking below, and was now indulging in gay snatches of song.
Instantly recognising the voice as that of the Duke, Rigoletto was filled with amazement83 and angry disappointment; and furious at having been thus cheated of his prey, he tore open the sack, and by the light of the moon beheld84 the beloved features of his own beautiful daughter!
Horror-struck, the poor hunchback lifted his child in his arms, and wildly implored her to speak to him once again; and Gilda, who was still breathing, opened her eyes and murmured a few words, saying that she had willingly given her life to save that of her lover.
She then sank back, dead, in her father's arms; and Rigoletto, suddenly remembering the curse that had been laid upon him for having mocked at a distracted parent's grief, realised that his retribution was just, and, with a despairing cry of woe, fell senseless beside the prostrate85 body of his beloved child.
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1
reigned
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| vi.当政，统治（reign的过去式形式） | |
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licentious
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| adj.放纵的，淫乱的 | |
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intrigues
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| n.密谋策划( intrigue的名词复数 )；神秘气氛；引人入胜的复杂情节v.搞阴谋诡计( intrigue的第三人称单数 )；激起…的好奇心 | |
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susceptible
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| adj.过敏的，敏感的；易动感情的，易受感动的 | |
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ardent
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| adj.热情的，热烈的，强烈的，烈性的 | |
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passionate
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| adj.热情的，热烈的，激昂的，易动情的，易怒的，性情暴躁的 | |
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maiden
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| n.少女，处女；adj.未婚的，纯洁的，无经验的 | |
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maidens
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| 处女( maiden的名词复数 )； 少女； 未婚女子； （板球运动）未得分的一轮投球 | |
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humble
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| adj.谦卑的，恭顺的；地位低下的；v.降低，贬低 | |
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buffoon
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| n.演出时的丑角 | |
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possessed
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| adj.疯狂的；拥有的，占有的 | |
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12
ruses
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| n.诡计，计策( ruse的名词复数 ) | |
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jealousy
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| n.妒忌，嫉妒，猜忌 | |
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haughty
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| adj.傲慢的，高傲的 | |
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assailed
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| v.攻击( assail的过去式和过去分词 )；困扰；质问；毅然应对 | |
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vented
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| 表达，发泄（感情，尤指愤怒）( vent的过去式和过去分词 ) | |
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taunts
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| 嘲弄的言语，嘲笑，奚落( taunt的名词复数 ) | |
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naught
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| n.无，零 [=nought] | |
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passionately
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| ad.热烈地，激烈地 | |
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innocence
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| n.无罪；天真；无害 | |
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caresses
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| 爱抚，抚摸( caress的名词复数 ) | |
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compensated
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| 补偿，报酬( compensate的过去式和过去分词 )； 给（某人）赔偿（或赔款） | |
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doomed
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| 命定的 | |
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prey
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| n.被掠食者，牺牲者，掠食；v.捕食，掠夺，折磨 | |
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ordained
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| v.任命（某人）为牧师( ordain的过去式和过去分词 )；授予（某人）圣职；（上帝、法律等）命令；判定 | |
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bestowed
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| 赠给，授予( bestow的过去式和过去分词 ) | |
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venting
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| 消除； 泄去； 排去； 通风 | |
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grievances
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| n.委屈( grievance的名词复数 )；苦衷；不满；牢骚 | |
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derisive
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| adj.嘲弄的 | |
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derisively
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| adv. 嘲笑地，嘲弄地 | |
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dwelling
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| n.住宅，住所，寓所 | |
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pointed
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| adj.尖的，直截了当的 | |
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salon
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| n.[法]沙龙；客厅；营业性的高级服务室 | |
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extravagant
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| adj.奢侈的；过分的；(言行等)放肆的 | |
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revels
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| n.作乐( revel的名词复数 )；狂欢；着迷；陶醉v.作乐( revel的第三人称单数 )；狂欢；着迷；陶醉 | |
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altercation
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| n.争吵，争论 | |
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throng
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| n.人群，群众；v.拥挤，群集 | |
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standing
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| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
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aged
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| adj.年老的，陈年的 | |
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libertine
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| n.淫荡者；adj.放荡的，自由思想的 | |
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outraged
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| a.震惊的，义愤填膺的 | |
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vengeance
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| n.报复，报仇，复仇 | |
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43
imprison
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| vt.监禁，关押，限制，束缚 | |
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superstitious
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| adj.迷信的 | |
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woe
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| n.悲哀，苦痛，不幸，困难；int.用来表达悲伤或惊慌 | |
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abode
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| n.住处，住所 | |
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accosted
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| v.走过去跟…讲话( accost的过去式和过去分词 )；跟…搭讪；（乞丐等）上前向…乞讨；（妓女等）勾搭 | |
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48
converse
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| vi.谈话，谈天，闲聊；adv.相反的，相反 | |
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49
rogue
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| n.流氓；v.游手好闲 | |
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50
lured
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| 吸引，引诱（lure的过去式与过去分词形式） | |
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51
joyful
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| adj.欢乐的，令人欢欣的 | |
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52
gallant
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| adj.英勇的，豪侠的；(向女人)献殷勤的 | |
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53
determined
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| adj.坚定的；有决心的 | |
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54
utterly
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| adv.完全地，绝对地 | |
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55
rapture
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| n.狂喜；全神贯注；着迷；v.使狂喜 | |
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56
warded
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| 有锁孔的，有钥匙榫槽的 | |
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57
sanctuary
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| n.圣所，圣堂，寺庙；禁猎区，保护区 | |
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zest
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| n.乐趣；滋味，风味；兴趣 | |
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gaily
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| adv.欢乐地，高兴地 | |
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situated
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| adj.坐落在...的，处于某种境地的 | |
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credence
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| n.信用，祭器台，供桌，凭证 | |
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dishonour
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| n./vt.拒付（支票、汇票、票据等）；vt.凌辱，使丢脸；n.不名誉，耻辱，不光彩 | |
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stifled
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| （使）窒息， （使）窒闷( stifle的过去式和过去分词 )； 镇压，遏制； 堵 | |
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chamber
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| n.房间，寝室；会议厅；议院；会所 | |
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frantic
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| adj.狂乱的，错乱的，激昂的 | |
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forth
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| adv.向前；向外，往外 | |
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entreated
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| 恳求，乞求( entreat的过去式和过去分词 ) | |
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longing
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| n.（for）渴望 | |
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entice
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| v.诱骗，引诱，怂恿 | |
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enticed
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| 诱惑，怂恿( entice的过去式和过去分词 ) | |
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accomplished
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| adj.有才艺的；有造诣的；达到了的 | |
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outskirts
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| n.郊外，郊区 | |
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fickle
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| adj.(爱情或友谊上)易变的，不坚定的 | |
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tragic
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| adj.悲剧的，悲剧性的，悲惨的 | |
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promising
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| adj.有希望的，有前途的 | |
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besought
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| v.恳求，乞求（某事物）( beseech的过去式和过去分词 )；(beseech的过去式与过去分词) | |
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implored
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| 恳求或乞求（某人）( implore的过去式和过去分词 ) | |
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slay
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| v.杀死，宰杀，杀戮 | |
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attire
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| v.穿衣，装扮[同]array；n.衣着；盛装 | |
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dagger
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| n.匕首，短剑，剑号 | |
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relinquished
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| 交出，让给( relinquish的过去式和过去分词 )； 放弃 | |
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awakened
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| v.（使）醒( awaken的过去式和过去分词 )；（使）觉醒；弄醒；（使）意识到 | |
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83
amazement
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| n.惊奇，惊讶 | |
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beheld
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| v.看，注视( behold的过去式和过去分词 )；瞧；看呀；（叙述中用于引出某人意外的出现）哎哟 | |
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prostrate
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| v.拜倒，平卧，衰竭；adj.拜倒的，平卧的，衰竭的 | |
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