One warm night in January, Quentin left his house with the intention of walking by the palace in the Calle del Sol.
It was a beautiful, serene2 night, without a breath of air stirring. The great, round face of the moon was shining high overhead, its light dividing the streets into two zones—one white, and the other bluish black.
Some of the plazas3 seemed covered with snow, so white were the walls of the houses and the stones of the pavements.
Absently strolling along, Quentin approached the Mosque4; its walls rose as solemn and black as those of a fortress5; above their serrated battlements, the moon floated giddily in the deep, veiled blue of the sky.
“All this contains something of the stuff that dreams are made of,” he thought.[66]
No one was passing there, and his footsteps echoed loudly on the pavement.
Quentin started toward El Potro in order to reach the Calle del Sol, which was nearly at the other end of the town, and he was thinking of the thousand and one possibilities, both for and against his plans, when a little hunchback boy came running up to him, and said:
“A little alms, Se?orito, my mother and I have nothing to eat.”
“You come out at this time of night to ask alms!” murmured Quentin. “You’ll have a fine time finding any people here.”
“But my mother has fainted.”
“Where is she?”
“Here, in this street.”
Quentin entered a dark alley6, and had no sooner done so, than he felt himself seized by his arms and legs, and tied by his elbows, and then blind-folded with a handkerchief.
“What’s this? What do you want of me?” he exclaimed, trying vainly to disengage himself. “I’ll give you all the money I have.”
“Shut up,” said a gruff voice with a gipsy accent, “and come with us—Somebody wants to settle a little account with you.”
“With me! Nobody has any accounts to settle with me.”
“Be quiet, my friend, and let’s be going.”
“Very well; but take off the handkerchief; I’ll go wherever you tell me to.”
“It can’t be done.”
When Quentin found that he was overpowered, he felt the blood rush to his head with anger. He began to[67] stumble along. When he had gone about twenty paces, he stopped.
“I said that I would go wherever he is.”
“No, Se?or.”
Quentin settled himself firmly on his left leg, and with his right, kicked in the direction whence he had heard the voice. There was a dull thud as a body struck the ground.
“Ay! Ay!” groaned7 a voice. “He hit me on the hip8. Ay!”
“You’ll either go on, or I’ll knock your brains out,” said the gipsy’s voice.
“But why don’t you take off this handkerchief?” vociferated Quentin.
“In a minute.”
Quentin went on stumblingly, and they made several turns. He was not sufficiently9 acquainted with the streets near El Potro to get his bearings as he went along. After a quarter of an hour had elapsed, the gipsies stopped and made Quentin enter the door of a house.
“Here’s your man,” said the voice of the gipsy.
“Good,” said a vigorous and haughty10 voice. “Turn him loose.”
“He wounded Mochuelo bad,” added the gipsy.
“Was he armed?”
“No, but he gave him a kick that smashed him.”
“Good. Take off the handkerchief so we can see each other face to face.”
Quentin felt them remove his bandage, and found himself in a patio11 before a pale, blond, little man, with a decisive manner, and a cala?és hat on his head. The moonlight illuminated12 the patio; jardinières and flower[68]-pots hung upon the walls; and overhead, in the space between the roofs, gleamed the milky13 veil of the blue night sky.
“Whom have you brought me?” exclaimed the little man. “This isn’t the sergeant14.”
“Well! So it isn’t! We must have made a mistake.”
“You are lucky to have escaped, my friend,” exclaimed the little man, turning to Quentin. “If you had been the sergeant, they would have had to pick you up in pieces.”
“Bah! It wouldn’t be that bad,” said Quentin as he gazed in disgust at the boastful little man.
“Wouldn’t it?”
“Of course not.”
“Do you know to whom you are speaking?”
“No; and the most curious thing about it is that I don’t care. Still, if you want us two to fight it out alone, come with me, and we’ll see if it is your turn to win or to lose.”
“I never lose, young man.”
“Neither do I,” replied Quentin.
“We’ll have to give this lad a lesson,” said the gipsy, “to teach him how to talk to quality folk.”
“Be quiet, Cantarote,” said the little man in the cala?és. “This gentleman is a man, and talks like a man, and we are going to drink a few glasses this very minute to celebrate our meeting.”
“That’s the way to talk,” said Quentin.
“Well, come on. This way, please.”
Quentin followed the little fellow through a small door and down three or four steps to a corridor, through which they reached a dark cellar. It was dimly lighted[69] by several lamps which hung on wires from the ceiling. Seated upon benches about a long, greasy16 table, were gathered a dozen or so persons, of whom the majority were playing cards, and the rest drinking and chatting. Upon entering the cellar, Quentin and the little man in the cala?és made their way to a small table, and sat down facing each other. The blackened lamp, hanging by a wire from a beam in the ceiling, distilled17 a greenish oil drop by drop, which fell upon the greasy table.
The little man ordered the innkeeper to bring two glasses of white wine, and while they waited, Quentin observed him closely. He was a blond individual, pale, with blue eyes, and slender, well-kept hands. To Quentin’s scrutinizing18 glance, he responded with another, cool and clear, without flinching19.
At this point, a queer, ugly-looking man who was talking impetuously, and showing huge, yellow, horselike teeth, came toward the table and said to Quentin’s companion:
“Who is this bird, Se?or José?”
“This ‘bird,’” replied the other, “is a hard-headed bull—understand?—The best there is.”
“Well, that’s better.”
Quentin smiled as he gazed at the man who had called him a bird. He was an individual of indefinite age, clean-shaven, a mixture of a barber and a sacristan, with a forehead so low that his hair served him as eyebrows20, and with a jaw21 like a monkey’s.
“And this chap, who is he?” asked Quentin in turn.
“He? He is one of the most shameless fellows in the world. He wanders about these parts to see if they won’t give him a few pennies. Though he is old and musty, you will always find him with sporting women[70] and happy-go-lucky folk. Ask any one in Cordova about Currito Martín, and no matter where you are, they can tell you who he is.”
“Not everywhere, Se?or José,” replied Currito, who had listened impassively to the panegyric22, gesticulating with a hand whose fingers resembled vine-creepers. “If you should ask the Bishop23, he would not know me.”
“Well, I would have taken him for a sacristan,” said Quentin.
“I’m a sacristan of blackbirds and martens, if you must know,” said Currito somewhat piqued24. “The only places where I am known are the taverns26, the huts in the Calle de la Feria, and the Higuerilla.”
“And that’s enough,” said one of the card-players.
“That’s right.”
Two of the onlookers27 got up from the bench and began to chaff28 Currito. The sly rascal29 was at home among jests, and he answered the repartee30 that they directed at him with great impudence31.
“That’s a fine amber32 cigarette-holder, Currito,” said one of them.
“The Marquis,” he replied.
“A fine little cape15, old boy,” said the other, turning over the muffler of the scoundrel’s cloak.
“The Marquis,” he repeated.
“This Currito,” said Se?or José, “hasn’t an ounce of shame in him; for a long time he has lived on his wife, who is kept by a marquis, and he has the nerve to brag33 about it. Come here, Currito.”
Currito came to their table.
“Why do you keep boasting about your shame?” asked Se?or José. “Don’t you do it again in front of[71] me. Do you understand? If you do, I’ll skin you alive.”
“Very well, Se?or José.”
“Come, have a glass, and then see if La Generosa is in any of the rooms here.”
Currito emptied the wine-glass, wiped his mouth on the back of his hand, and left the cellar.
“Are you a foreigner?” Se?or José asked Quentin.
“I was educated outside of Spain.”
“Will you be in Cordova for some time?”
“I think so.”
“Well, I’m glad, because I like you.”
“Many thanks.”
“I’ll tell you who I am, and if after that, it doesn’t seem a bad idea to you, we’ll be friends.”
“Before, too.”
“No, not before. I am Pacheco, the horseman, or rather Pacheco, the bandit. Now, if you care to be Pacheco’s friend, here’s my hand.”
“Here is mine.”
“Well, you’re a brave chap,” exclaimed Pacheco. “That’s the way I like to have a fellow act. Listen: any time you need me, you will find me here, in El Cuervo’s tavern25. Now let’s see what these lads are talking about.”
Pacheco got up, and followed by Quentin, went over to the card-players’ table.
“Hello, Pajarote!” said Pacheco to the banker.
“Hello, Se?or José! Were you here? I didn’t see you.”
“What’s doing in Seville and the low country?”
“Nothing.... It’s pretty slow. Everything is closed by hunger and poverty, and here I am with these[72] thieves who would even steal a man’s breath.... Why, I’m beginning to lose faith even in San Rafael himself.”
“Now you’ve spoiled my luck, comrade,” said one of the players, throwing down his cards angrily. “What business did you have ringing in that angel? Look here, I’m not going to play any more.”
Pajarote smiled. He was a scoundrel and a card sharp, and he always took delight in pretending to be unlucky while he was cleaning his friends of their money. He dealt the cards.
“I’ll bet,” said a man with one eye higher than the other whom they called Charpaneja, in the thin voice of a hunchback.
“I’ll bet six,” gruffly replied a charcoal-burner nicknamed El Torrezno.
More cards were tossed upon the table, and, as before, Pajarote won.
“I don’t want to play,” squeaked34 Charpaneja.
“Why not?” asked the banker.
“Because your hands are always lucky.”
“The fact is, you haven’t any spirit,” replied Pajarote coldly. “You start out like a Cordovese colt, and quit like a donkey of La Mancha.”
At this point Currito returned, and coming up to Se?or José, said:
“La Generosa hasn’t come yet, but Se?ora Rosario with her two girls, and Don Gil Sabadía are in the next room.”
“Well, let’s go in,” said Pacheco.
He and Quentin again came out into the patio, and entered a room illuminated by a brass35 lamp set upon a round table. By the light of the lamp he could see a frightful-looking old woman with a hooked nose and[73] moles36 on her chin, two young girls with flowers in their hair, and a bushy-haired old man with a long beard.
“The peace of God be with you,” said Pacheco as he entered. “How is Don Gil? Good evening, Se?ora Rosario; what’s the news?”
“Nothing: we just came here so these girls could have a drink of something.”
“You mean these rosebuds,” interrupted Currito.
“Thanks, Currito,” said one of the girls with a smile.
“Child!” exclaimed Pacheco, “be very careful of Currito, for he’s dangerous.”
“He!” replied the old woman, “he is already among the down-and-outs.”
“I’m like the old guide in the Mosque,” replied Currito. “Every time he saw me, he used to say, ‘Let me have an old suit of clothes—I’m more dead than alive.’”
“Heavens! What little wit you have!” said one of the girls with a gesture of contempt.
“Well, I live by my wits, my girl,” answered Currito, piqued.
“Then, confound them, my man,” she replied with the same gesture of contempt.
Currito peevishly37 fell silent, and Pacheco presented Quentin to the bushy-haired man.
“This gentleman,” and he indicated Quentin, “is a brave chap whom I have had the pleasure of meeting this evening by mistake. This man,” and he nodded to the old man with the long beard, “is Don Gil Sabadía, the only person in Cordova who knows the history of every street, alley, and by-way in the city.”
“Not as much as that, man, not as much as that,” said Don Gil with a smile.
“If there is anything you don’t know,” Pacheco went[74] on, “nobody in Cordova knows it. Well, if you and the girls would like to drink a bottle of the best Montilla, I’ll treat.”
“Accepted.”
“Cuervo!” shouted Pacheco, stepping outside the door.
The innkeeper appeared; a man of some fifty years, stoop-shouldered, ill-shaven, with hatchet-shaped side whiskers, and a red sash about his waist.
“What does Se?or José wish?” he inquired.
“Bring a few bottles of your best.”
While they were waiting for the wine, the ill-tempered girl and Currito resumed their quarrel.
“Look out for that girl,” said Currito, “she hasn’t much sense.”
“Did anybody speak?” she asked in disgust.
“I believe the girl is suffering from jaundice.”
“My goodness! What a bad-tempered38 old uncle he is!” said she.
“Listen, my child,” continued Currito, “I’m going to make you a present of a sugar-plum to see if we can’t sweeten your mouth.”
“Currito, we don’t need any sugar around here,” answered the other girl easily.
“Girls! There’s no need of getting scared,” said the old woman in a gruff voice.
“I’ve left her hanging like a fresco39 painting, haven’t I?” Currito remarked to Quentin.
“I’ve never noticed that fresco paintings were hung.”
“He’s a fool,” explained the contemptuous girl.
The innkeeper arrived with the bottle and the glasses, and Currito seized the former and served every one.
“You know so much, Don Gil, what will you bet that[75] you don’t know what that Italian bishop said when he saw the Mosque?” said Currito.
“What did he say? Let’s hear it,” inquired Don Gil with an ironic40 smile.
“Well, the canon Espejito went up to him, and pointing out the Christ of the Column, explained to him how it was made: ‘A prisoner made that Christ with his finger-nails,’ and the Bishop said to him, ‘The man who did it must have had good nails.’”
“He must be a heretic,” said Se?ora Rosario.
“And who told you that fake?” asked Don Gil.
“El Moji told me.”
“Well, he fooled you like a Chinaman.”
“No, sir, he did not fool me,” replied Currito. “El Moji was a man’s man, El Moji never lied, and El Moji....”
“But you are trying to tell me what the Bishop said, when I was there at the time,” exclaimed Don Gil.
“You there! Why, it was the time you went to Seville!”
“Very well, I was not there. Blas told me, and there’s an end to it.”
“But of what importance is all this?” asked Quentin.
“Let them be,” interrupted the ill-tempered girl; “they’re two disagreeable old uncles!”
“Don Gil,” said Pacheco, smiling and winking41 his eye, “permits no one to be informed of anything he does not know about himself.”
“Well, what will you bet,” Currito presently broke out, “that you don’t know what El Golotino said when he had the lawsuit42 with El Manano?”
“Let’s hear, let’s hear. This is most important,” remarked Pacheco.[76]
“Well, there isn’t much to it. El Golotino, as you know, had a herd43 of a couple of dozen goats, and El Manano, who was a charcoal-burner, had rented a hill; and to find out whether the goats had wandered on the hill or not, they had a lawsuit, which El Golotino lost. Don Nicanor, the clerk, was making an inventory44 of the property of the owner of the goats, and was adding: ‘two and four are six, and four are ten—carry one; fourteen and six are twenty, and three are twenty-three—carry two; twenty-seven and eight are thirty-five, and six are forty-one—carry four.’ El Golotino thought that when the clerk said, ‘carry one,’ he meant that he was going to carry off one goat, so he shouted tearfully: ‘Well, for that, you can carry off the whole bunch of them!’”
“That is not the way it was,” Se?or Sabadía started to remark, but every one burst out laughing.
“Come, girls, we must go home,” announced Se?ora Rosario.
“I’m going out,” said Don Gil, annoyed by the laughter.
“I am too,” added Quentin.
They took leave of Pacheco, and the innkeeper accompanied the three women and the two men to the door with the lamp. They went through several alleys45 and came out in the lower part of the Calle de la Feria. They stopped, before a miserable46 white hut, the old woman knocked on the door with her knuckles47, it was opened from within, and Se?ora Rosario and the three girls entered. Through a small window next the door could be seen a very small, whitewashed48 room, with a[77] glazed49 tile pedestal, a varnished50 bureau, and flower-pots full of paper flowers.
“What a cage! What a tiny house!” said Quentin.
“All the houses on this side of the street are like this,” answered Se?or Sabadía.
“Why?”
“On account of the wall.”
“Ah! Was there a wall here?”
“Of course! The wall that separated the upper city from the lower. The upper city was called Almadina, and the lower, Ajerquía.”
“That’s curious.”
They walked up the Calle de la Feria. The sloping street, with its tall, white houses bathed in the moonlight, presented a fantastic appearance; the two lines of roofs were outlined against the blue of the sky, broken here and there by the azoteas on some of the houses.
“Oh, yes,” continued the arch?ologist, “this wall used to extend from the Cruz del Rastro, to the Cuesta de Luján; then it stretched on through the Calle de la Zapatería and the Cuesta del Bailío, until it reached the tower on the Puerta del Rincón, where it ended.”
“So it cut the town in two, and one could not go from one side to the other? That was nice!”
“No. What nonsense! There were gates to go through. Up there near the Arquillo de Calceteros, was the Puerta de la Almadina, which in the time of the Romans, was called Piscatoria, or Fish Gate. The Portillo did not exist, and when they built against the wall, in the place it now occupies, there stood a house which the city bought in 1496 from its owner, Francisco[78] Sánchez Torquemada, in order to open up an arch in the wall. This data,” added Don Gil confidentially51, “comes from an original manuscript which is preserved in the City Hall. It’s curious, isn’t it?”
“Most curious.”
They climbed the Cuesta de Luján. The neighbouring streets were deserted52; within some of the houses they could hear the vague sound of guitars; lovers whispered to each other at the grated windows.
“See?” said Don Gil, looking toward the lower end of the Calle de la Feria, “the fosses of the wall followed the line the moon makes in the street.”
“Very interesting,” murmured Quentin.
“Have you noticed how high the houses are in this street?”
“Yes, indeed; why is that?”
“For two reasons,” answered Don Gil, turned dominie. “First, to gain the height the wall deprived them of; and second, because in times gone by, the majority of the spectacles were celebrated53 here. Here is where executions were held; where they baited bulls; and broke lances; and where, during the week preceding the Day of the Virgin54 of Linares, the hosiers held a grand fair. That is why there are so many windows and galleries in these houses, and why the street is called the Calle de la Feria.”
The arch?ologist seized Quentin’s arm and proceeded to relate several stories and legends to him. The two men traversed narrow alleys, and plazoletas lined with white houses with blue doors.
“You know no one here?” inquired the arch?ologist.
“Not a soul.”
“Absolutely no one?[79]”
“No. That is ... I know a Cordova boy who was educated with me in England. His name is ... Quentin García Roelas. Do you know him?”
“Not him; but I know his family.”
“He is a silent, taciturn chap. It seems to me that there is something unusual connected with his life. I’ve heard something....”
“Yes, there is an interesting story.”
“Do you know it?”
“Of course,” replied Don Gil.
“But you are so discreet55 that you will not tell it?”
“Naturally.”
“Very well, Don Gil. I’m going; I’m sorry to leave your agreeable company, but....”
“Must you go?”
“Yes, I must.”
“My dear man; don’t go. I must show you a most interesting spot, with a history....”
“No, I cannot.”
“I’ll take you to a place that you will have to like.”
“No, you must excuse me.”
“Moreover, I’ll tell you the story of your friend and schoolmate.”
“You see....”
“It’s early yet. It’s not more than one o’clock.”
“Very well, we’ll go wherever you say.”
They passed through very nearly the whole city until they came to the Paseo del Gran Capitán.
“What a city this is!” exclaimed Don Gil. “They can’t talk to me about Granada or Seville; for look you, Granada has three aspects: the Alhambra, the Puerta Real, and the Albaicín—three distinct things. Seville is larger than Cordova, but it is already more cosmo[80]politan—it’s like Madrid. But not so Cordova. Cordova is one and indivisible. Cordova is her own sauce. She is a city.”
From the Paseo del Gran Capitán, they followed Los Tejares, and on the right hand side, Se?or Sabadía paused before some little houses that were huddled56 close to a serrated wall. There were four of them, very small, very white, each with only one story, and all closed up except one, which merely had its door shut.
“Read this placard,” said Don Gil, pointing to a sign in a frame hanging on one side of the door.
Quentin read by the light of the moon:
Patrocinio de la Mata dresses
corpses57 at all hours of the day
or of the night in which she is
notified, at very regular prices.
“The devil! What a lugubrious58 sign!” exclaimed Quentin after reading it.
“Do you see this hut?” asked Don Gil. “Well, every intrigue59 that God ever turned loose, goes on here. But let us go in.”
They entered, and a cracked voice shouted:
“Who is it?”
“I, Se?ora Patrocinio, Don Gil Sabadía, who comes with a friend. Bring a light, for we’re going to stay a while.”
“One moment.”
The old woman descended60 with a lamp in her hand, and led the two men into a small parlour where there was a strong odour of lavender. She placed the lamp on the table and said:
“What do you want?[81]”
“Some small olives, and a little wine.”
The old woman opened a cupboard, took out a dish of olives, another of biscuits, and two bottles of wine.
“Is there anything else you want?”
“Nothing more, Se?ora Patrocinio.”
The old woman withdrew and shut the door.
“How do you like the place, eh?” asked Don Gil.
“Magnificent! Now for the history of my friend Quentin.”
“Before the history, let’s drink. Your health, comrade.”
“Yours.”
“May all our troubles vanish into thin air.”
“True,” exclaimed Quentin. “Let us leave to the gods the care of placating61 the winds, and let us enjoy life as long as fortune, age, and the black spindle of the Three Sisters will permit us.”
“Are you a reader of Horace?” asked Don Gil.
“Yes.”
“One more reason for my liking62 you. Another glass, eh?”
“Let us proceed. Go on with the story, comrade.”
“Here goes.”
Don Gil cleared his throat, and commenced his story as follows....
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expedient
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| adj.有用的，有利的；n.紧急的办法，权宜之计 | |
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serene
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| adj. 安详的，宁静的，平静的 | |
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plazas
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| n.（尤指西班牙语城镇的）露天广场( plaza的名词复数 )；购物中心 | |
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mosque
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| n.清真寺 | |
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fortress
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| n.堡垒，防御工事 | |
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alley
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| n.小巷，胡同；小径，小路 | |
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groaned
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| v.呻吟( groan的过去式和过去分词 )；发牢骚；抱怨；受苦 | |
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hip
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| n.臀部，髋；屋脊 | |
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sufficiently
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| adv.足够地，充分地 | |
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haughty
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| adj.傲慢的，高傲的 | |
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patio
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| n.庭院，平台 | |
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illuminated
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| adj.被照明的；受启迪的 | |
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milky
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| adj.牛奶的，多奶的；乳白色的 | |
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sergeant
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| n.警官，中士 | |
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cape
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| n.海角，岬；披肩，短披风 | |
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greasy
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| adj. 多脂的，油脂的 | |
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distilled
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| adj.由蒸馏得来的v.蒸馏( distil的过去式和过去分词 )；从…提取精华 | |
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scrutinizing
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| v.仔细检查，详审( scrutinize的现在分词 ) | |
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flinching
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| v.（因危险和痛苦）退缩，畏惧( flinch的现在分词 ) | |
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eyebrows
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jaw
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| n.颚，颌，说教，流言蜚语；v.喋喋不休，教训 | |
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panegyric
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bishop
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| n.主教，（国际象棋）象 | |
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piqued
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| v.伤害…的自尊心( pique的过去式和过去分词 )；激起（好奇心） | |
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tavern
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| n.小旅馆，客栈；小酒店 | |
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taverns
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| n.小旅馆，客栈，酒馆( tavern的名词复数 ) | |
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onlookers
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chaff
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| v.取笑，嘲笑；n.谷壳 | |
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rascal
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| n.流氓；不诚实的人 | |
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repartee
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| n.机敏的应答 | |
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impudence
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| n.厚颜无耻；冒失；无礼 | |
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amber
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| n.琥珀；琥珀色；adj.琥珀制的 | |
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brag
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| v./n.吹牛，自夸；adj.第一流的 | |
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squeaked
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| v.短促地尖叫( squeak的过去式和过去分词 )；吱吱叫；告密；充当告密者 | |
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brass
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| n.黄铜；黄铜器，铜管乐器 | |
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moles
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| 防波堤( mole的名词复数 )； 鼹鼠； 痣； 间谍 | |
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peevishly
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| adv．暴躁地 | |
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bad-tempered
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| adj.脾气坏的 | |
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fresco
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| n.壁画；vt.作壁画于 | |
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ironic
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| adj.讽刺的，有讽刺意味的，出乎意料的 | |
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winking
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| n.瞬眼，目语v.使眼色( wink的现在分词 )；递眼色（表示友好或高兴等）；（指光）闪烁；闪亮 | |
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lawsuit
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| n.诉讼，控诉 | |
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herd
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| n.兽群，牧群；vt.使集中，把…赶在一起 | |
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inventory
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| n.详细目录，存货清单 | |
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alleys
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| 胡同，小巷( alley的名词复数 )； 小径 | |
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miserable
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| adj.悲惨的，痛苦的；可怜的，糟糕的 | |
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knuckles
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| n.（指人）指关节( knuckle的名词复数 )；（指动物）膝关节，踝v.（指人）指关节( knuckle的第三人称单数 )；（指动物）膝关节，踝 | |
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whitewashed
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| 粉饰，美化，掩饰( whitewash的过去式和过去分词 ) | |
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glazed
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| adj.光滑的，像玻璃的；上过釉的；呆滞无神的v.装玻璃( glaze的过去式)；上釉于，上光；（目光）变得呆滞无神 | |
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varnished
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| 浸渍过的，涂漆的 | |
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confidentially
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| ad.秘密地，悄悄地 | |
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deserted
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| adj.荒芜的，荒废的，无人的，被遗弃的 | |
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celebrated
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| adj.有名的，声誉卓著的 | |
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virgin
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| n.处女，未婚女子；adj.未经使用的；未经开发的 | |
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discreet
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| adj.(言行)谨慎的；慎重的；有判断力的 | |
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huddled
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| 挤在一起（huddle的过去式与过去分词形式） | |
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corpses
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| n.死尸，尸体( corpse的名词复数 ) | |
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lugubrious
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| adj.悲哀的，忧郁的 | |
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intrigue
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| vt.激起兴趣，迷住；vi.耍阴谋；n.阴谋，密谋 | |
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descended
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| a.为...后裔的，出身于...的 | |
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placating
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| v.安抚，抚慰，使平静( placate的现在分词 ) | |
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liking
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| n.爱好；嗜好；喜欢 | |
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