BEFORE COMMITTING AN ILLEGAL ENTRY, Hazard rang the doorbell. When no one responded, he rang it again.
Darkness in the Laputa house didn’t mean that the place was deserted1.
Rather than slinking around to the back of the residence, where his furtive2 behavior might catch the attention of a neighbor, Hazard entered boldly by the front. With the Lockaid, he popped both locks.
Pushing the door inward, he called out, “Anyone home or is it just us chickens?”
This was prudence3, not comedy. Even when silence greeted his question, he crossed the threshold cautiously.
Immediately upon entering, however, he located the wall switch and flicked4 on the foyer-ceiling fixture5. In spite of the rain and fog, some passing motorist or pedestrian might have seen him enter. The unhesitating use of lights would establish his legitimacy6 in suspicious minds.
Besides, if Laputa came home unexpectedly, he would be alarmed to see one lamp lit that had not been on when he’d left, or the beam of an inquiring flashlight in the darkness, but he would be disarmed7 [511] to find the house blazing with light. The success of an operation like this depended upon boldness and quickness.
Hazard closed the door but didn’t lock it. He wanted easy exit in the event of an unexpected confrontation8.
The ground floor most likely did not contain the incriminating evidence that he sought. Murderers tended to keep mementos9 of their crimes, gruesome and otherwise, in their bedrooms.
The second-favorite repository for their treasures was the basement, often in concealed11 or locked rooms where they were able to visit their collections without fear of discovery. There, in an atmosphere of calculated dementia, they could dreamily relive the bloody12 past without fear of discovery.
In respect of land prone13 to earthquakes and mud slides, houses in southern California seldom had basements. This one, as well, had been built on a slab14, with no door that opened to a lower darkness.
Hazard toured the ground floor, not bothering to search cabinets and drawers. If he found nothing upstairs, he would take a second pass at these rooms, probing them with greater care.
Right now he cared only about establishing that no one lurked15 in any of these chambers16. He left lights on everywhere behind him. Darkness was not his friend.
In the kitchen, he unlocked the back door and left it standing17 ajar, providing himself with a second unobstructed exit.
Tentacles18 of fog wove through the open door, drawn19 by the warmth but dissipating in it.
Everything in the house appeared to have been scoured20, scrubbed, vacuumed, polished, and buffed to a degree that approached obsession21. Collections of decorative22 items—Lalique glass, ceramic23 boxes, small bronze figures—were arranged not with an artful eye but with a rigid24 sense of order reminiscent of a chess set. Every book on every shelf stood precisely25 half an inch from the edge.
The house seemed to be a refuge against the messiness of the world beyond its walls. However, in spite of conveniences aplenty, in [512] spite of comfortable furnishings, in spite of cleanness and order, the place was not welcoming, with none of the warmth of hearth26 and home. Instead, entirely27 apart from the tension that Hazard felt due to being here illegally, an air of edgy28 expectation was endemic to the place, and a desperation not quite nameable.
The only clutter29 on the ground floor lay on the dining-room table. Five sets of charts or blueprints30, rolled and fastened with rubber bands. A long-handled magnifying glass. A yellow, lined tablet. Rolling Writer pens—one red, one black. Although these items had not been put away, they had been arranged neatly31 side by side.
Satisfied that the lower rooms held no nasty surprises, Hazard climbed to the upper floor. He was confident that his activities thus far would have drawn an inquiry32 if anyone were home, so he proceeded without stealth, switching on the lights in the upper hall.
The master bedroom was near the head of the stairs. This, too, proved antiseptically clean and almost eerily33 well organized.
If Laputa had killed his mother and Mina Reynerd, and if he had kept tokens of remembrance, not of the women but of the violence, he would most likely have chosen pieces of their jewelry34, bracelets35 or lockets, or rings. Probably the best that could be hoped for were bloodstained articles of clothing or locks of their hair.
Often, a man of Laputa’s position in the community, a man with a prestigious36 job and many material possessions, if driven to commit a murder or two, might keep no memento10. Motivated not by psychopathic frenzy37 but rather by financial gain or jealousy38, their type had no burning psychological need to relive their crimes repeatedly in vivid detail with the aid of souvenirs.
Hazard had a hunch39 that Laputa would prove an exception to that pattern. The uncommon40 savagery41 with which Justine Laputa and Mina Reynerd had been beaten suggested that within the upstanding citizen resided something worse than a mere42 hyena43, a Mr. Hyde who relived his brutal44 crimes with pleasure if not glee.
The contents of the walk-in closet were organized with military [513] precision. Several boxes on the shelves above the hanging clothes were of interest to him. He studied the position of each before he moved it, hoping to be able to return all the boxes to exactly the position in which he’d found them.
As he worked, he listened to the house. He checked his watch too often.
He felt that he was not alone. Maybe this was because the back wall of the closet featured a full-length mirror, repeatedly catching45 his attention with reflections of his movements. Maybe not.
1 deserted | |
adj.荒芜的,荒废的,无人的,被遗弃的 | |
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2 furtive | |
adj.鬼鬼崇崇的,偷偷摸摸的 | |
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3 prudence | |
n.谨慎,精明,节俭 | |
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4 flicked | |
(尤指用手指或手快速地)轻击( flick的过去式和过去分词 ); (用…)轻挥; (快速地)按开关; 向…笑了一下(或瞥了一眼等) | |
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5 fixture | |
n.固定设备;预定日期;比赛时间;定期存款 | |
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6 legitimacy | |
n.合法,正当 | |
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7 disarmed | |
v.裁军( disarm的过去式和过去分词 );使息怒 | |
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8 confrontation | |
n.对抗,对峙,冲突 | |
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9 mementos | |
纪念品,令人回忆的东西( memento的名词复数 ) | |
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10 memento | |
n.纪念品,令人回忆的东西 | |
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11 concealed | |
a.隐藏的,隐蔽的 | |
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12 bloody | |
adj.非常的的;流血的;残忍的;adv.很;vt.血染 | |
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13 prone | |
adj.(to)易于…的,很可能…的;俯卧的 | |
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14 slab | |
n.平板,厚的切片;v.切成厚板,以平板盖上 | |
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15 lurked | |
vi.潜伏,埋伏(lurk的过去式与过去分词形式) | |
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16 chambers | |
n.房间( chamber的名词复数 );(议会的)议院;卧室;会议厅 | |
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17 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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18 tentacles | |
n.触手( tentacle的名词复数 );触角;触须;触毛 | |
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19 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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20 scoured | |
走遍(某地)搜寻(人或物)( scour的过去式和过去分词 ); (用力)刷; 擦净; 擦亮 | |
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21 obsession | |
n.困扰,无法摆脱的思想(或情感) | |
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22 decorative | |
adj.装饰的,可作装饰的 | |
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23 ceramic | |
n.制陶业,陶器,陶瓷工艺 | |
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24 rigid | |
adj.严格的,死板的;刚硬的,僵硬的 | |
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25 precisely | |
adv.恰好,正好,精确地,细致地 | |
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26 hearth | |
n.壁炉炉床,壁炉地面 | |
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27 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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28 edgy | |
adj.不安的;易怒的 | |
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29 clutter | |
n.零乱,杂乱;vt.弄乱,把…弄得杂乱 | |
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30 blueprints | |
n.蓝图,设计图( blueprint的名词复数 ) | |
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31 neatly | |
adv.整洁地,干净地,灵巧地,熟练地 | |
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32 inquiry | |
n.打听,询问,调查,查问 | |
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33 eerily | |
adv.引起神秘感或害怕地 | |
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34 jewelry | |
n.(jewllery)(总称)珠宝 | |
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35 bracelets | |
n.手镯,臂镯( bracelet的名词复数 ) | |
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36 prestigious | |
adj.有威望的,有声望的,受尊敬的 | |
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37 frenzy | |
n.疯狂,狂热,极度的激动 | |
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38 jealousy | |
n.妒忌,嫉妒,猜忌 | |
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39 hunch | |
n.预感,直觉 | |
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40 uncommon | |
adj.罕见的,非凡的,不平常的 | |
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41 savagery | |
n.野性 | |
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42 mere | |
adj.纯粹的;仅仅,只不过 | |
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43 hyena | |
n.土狼,鬣狗 | |
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44 brutal | |
adj.残忍的,野蛮的,不讲理的 | |
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45 catching | |
adj.易传染的,有魅力的,迷人的,接住 | |
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