"Will you take something?" she asked, the hostess.
Whisky and a siphon and glasses were on the sideboard.
"Oh no, thanks!"
"Not even a cigarette?" Holding out the box and looking up at him, she appealed with a long, anxious glance that he should honour her cigarettes.
"Thank you!" he said. "I should like a cigarette very much."
She lit a match for him.
"But you—do you not smoke?"
"Yes. Sometimes."
"Try one of mine—for a change."
He produced a long, thin gold cigarette-case, stuffed with cigarettes.
She lit a cigarette from his.
"Oh!" she cried after a few violent puffs13. "I like enormously your cigarettes. Where are they to be found?"
"Look!" said he. "I will put these few in your box." And he poured twenty cigarettes into an empty compartment14 of the box, which was divided into two.
"Not all!" she protested.
"Yes."
"But I say NO!" she insisted with a gesture suddenly firm, and put a single cigarette back into his case and shut the case with a snap, and herself returned it to his pocket. "One ought never to be without a cigarette."
He said:
"You understand life.... How nice it is here!" He looked about and then sighed.
"But why do you sigh?"
"Sigh of content! I was just thinking this place would be something else if an English girl had it. It is curious, lamentable15, that English girls understand nothing—certainly not love."
"As for that, I've always heard so."
"They understand nothing. Not even warmth. One is cold in their rooms."
"As for that—I mean warmth—one may say that I understand it; I do."
"You understand more than warmth. What is your name?"
"Christine."
She was the accidental daughter of a daughter of joy. The mother, as frequently happens in these cases, dreamed of perfect respectability for her child and kept Christine in the country far away in Paris, meaning to provide a good dowry in due course. At forty-two she had not got the dowry together, nor even begun to get it together, and she was ill. Feckless, dilatory16 and extravagant17, she saw as in a vision her own shortcomings and how they might involve disaster for Christine. Christine, she perceived, was a girl imperfectly educated—for in the affair of Christine's education the mother had not aimed high enough—indolent, but economical, affectionate, and with a very great deal of temperament18. Actuated by deep maternal19 solicitude20, she brought her daughter back to Paris, and had her inducted into the profession [16] under the most decent auspices21. At nineteen Christine's second education was complete. Most of it the mother had left to others, from a sense of propriety22. But she herself had instructed Christine concerning the five great plagues of the profession. And also she had adjured23 her never to drink alcohol save professionally, never to invest in anything save bonds of the City of Paris, never to seek celebrity24, which according to the mother meant ultimate ruin, never to mix intimately with other women. She had expounded25 the great theory that generosity26 towards men in small things is always repaid by generosity in big things—and if it is not the loss is so slight! And she taught her the fundamental differences between nationalities. With a Russian you had to eat, drink and listen. With a German you had to flatter, and yet adroitly27 insert, "Do not imagine that I am here for the fun of the thing." With an Italian you must begin with finance. With a Frenchman you must discuss finance before it is too late. With an Englishman you must talk, for he will not, but in no circumstances touch finance until he has mentioned it. In each case there was a risk, but the risk should be faced. The course of instruction finished, Christine's mother had died with a clear conscience and a mind consoled.
Said Christine, conversational28, putting the question that lips seemed then to articulate of themselves in obedience29 to its imperious demand for utterance30:
"How long do you think the war will last?"
The man answered with serenity: "The war has not begun yet."
"How English you are! But all the same, I ask myself whether you would say that if you had seen Belgium. I came here from Ostend last month." The man gazed at her with new vivacious31 interest.
"So it is like that that you are here!"
"But do not let us talk about it," she added quickly with a mournful smile.
"No, no!" he agreed.... "I see you have a piano. I expect you are fond of music."
"Ah!" she exclaimed in a fresh, relieved tone. "Am I fond of it! I adore it, quite simply. Do play for me. Play a boston—a two-step."
"I can't," he said.
"But you play. I am sure of it."
"And you?" he parried.
She made a sad negative sign.
"Well, I'll play something out of The Rosenkavalier."
Smiling, he, too, made a sad negative sign.
"The waltz out of The Rosenkavalier, eh?"
"Oh, yes! A waltz. I prefer waltzes to anything."
As soon as he had played a few bars she passed demurely33 out of the sitting-room, through the main part of the bedroom into the cabinet de toilette. She moved about in the cabinet de toilette thinking that the waltz out of The Rosenkavalier was divinely exciting. The delicate sound of her movements and the plash of water came to him across the bedroom. As he played he threw a glance at her now and then; he could see well enough, but not very well because the smoke of the shortening cigarette was in his eyes.
She returned at length into the sitting-room, carrying a small silk bag about five inches by three. The waltz finished.
"But you'll take cold!" he murmured.
"No. At home I never take cold. Besides—"
Smiling at him as he swung round on the music-stool, she undid34 the bag, and drew from it some folded stuff which she slowly shook out, rather in the manner of a conjurer, until it was revealed as a full-sized kimono. She laughed.
"Is it not marvellous?"
"It is."
"That is what I wear. In the way of chiffons it is the only fantasy I have bought up to the present in London. Of course, clothes—I have been forced to buy clothes. It matches exquisitely35 the stockings, eh?"
She slid her arms into the sleeves of the transparency. She was a pretty and highly developed girl of twenty-six, short, still lissom36, but with the fear of corpulence in her heart. She had beautiful hair and beautiful eyes, and she had that pucker37 of the forehead denoting, according to circumstances, either some kindly38, grave preoccupation or a benevolent39 perplexity about something or other.
She went near him and clasped hands round his neck, and whispered:
"Your waltz was adorable. You are an artist."
点击收听单词发音
1 cork | |
n.软木,软木塞 | |
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2 cosiness | |
n.舒适,安逸 | |
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3 sitting-room | |
n.(BrE)客厅,起居室 | |
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4 divan | |
n.长沙发;(波斯或其他东方诗人的)诗集 | |
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5 softened | |
(使)变软( soften的过去式和过去分词 ); 缓解打击; 缓和; 安慰 | |
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6 peculiar | |
adj.古怪的,异常的;特殊的,特有的 | |
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7 tint | |
n.淡色,浅色;染发剂;vt.着以淡淡的颜色 | |
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8 carmine | |
n.深红色,洋红色 | |
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9 voluptuous | |
adj.肉欲的,骄奢淫逸的 | |
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10 sentimental | |
adj.多愁善感的,感伤的 | |
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11 assorted | |
adj.各种各样的,各色俱备的 | |
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12 celestial | |
adj.天体的;天上的 | |
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13 puffs | |
n.吸( puff的名词复数 );(烟斗或香烟的)一吸;一缕(烟、蒸汽等);(呼吸或风的)呼v.使喷出( puff的第三人称单数 );喷着汽(或烟)移动;吹嘘;吹捧 | |
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14 compartment | |
n.卧车包房,隔间;分隔的空间 | |
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15 lamentable | |
adj.令人惋惜的,悔恨的 | |
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16 dilatory | |
adj.迟缓的,不慌不忙的 | |
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17 extravagant | |
adj.奢侈的;过分的;(言行等)放肆的 | |
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18 temperament | |
n.气质,性格,性情 | |
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19 maternal | |
adj.母亲的,母亲般的,母系的,母方的 | |
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20 solicitude | |
n.焦虑 | |
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21 auspices | |
n.资助,赞助 | |
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22 propriety | |
n.正当行为;正当;适当 | |
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23 adjured | |
v.(以起誓或诅咒等形式)命令要求( adjure的过去式和过去分词 );祈求;恳求 | |
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24 celebrity | |
n.名人,名流;著名,名声,名望 | |
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25 expounded | |
论述,详细讲解( expound的过去式和过去分词 ) | |
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26 generosity | |
n.大度,慷慨,慷慨的行为 | |
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27 adroitly | |
adv.熟练地,敏捷地 | |
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28 conversational | |
adj.对话的,会话的 | |
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29 obedience | |
n.服从,顺从 | |
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30 utterance | |
n.用言语表达,话语,言语 | |
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31 vivacious | |
adj.活泼的,快活的 | |
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32 amiably | |
adv.和蔼可亲地,亲切地 | |
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33 demurely | |
adv.装成端庄地,认真地 | |
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34 Undid | |
v. 解开, 复原 | |
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35 exquisitely | |
adv.精致地;强烈地;剧烈地;异常地 | |
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36 lissom | |
adj.柔软的,轻快而优雅的 | |
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37 pucker | |
v.撅起,使起皱;n.(衣服上的)皱纹,褶子 | |
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38 kindly | |
adj.和蔼的,温和的,爽快的;adv.温和地,亲切地 | |
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39 benevolent | |
adj.仁慈的,乐善好施的 | |
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40 sketch | |
n.草图;梗概;素描;v.素描;概述 | |
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