At about the end of November it was our custom, my sister's, Lucette's and mine, to make out a list of the things we desired most. Everybody in the two families prepared surprises for us, and the mystery surrounding these gifts was our most exquisite1 pleasure during the last days of the year. Between parents, grandmother and aunts there occurred, to excite my curiosity still further, conversations full of mysterious hints, and whisperings that were hastily discontinued as soon as I appeared.
Between Lucette and me it became a real guessing game. As in the play of “Words with a double meaning,” we had the right to ask certain pointed2 questions,—for example we asked the most ridiculous ones, such as: “Has it hair like an animal?”
And the answers went something after this fashion:
What your father is to give you (a dressing-case made of leather) had hair, but it has none now, except on some portion of its interior (brushes), and that is false. Your mamma's present (a fur muff) still has some hair. What your aunt is to give you (a lamp) will help you to see the hair on the others better; but, let me see, yes, I am sure that that has none.
In the December twilights, in that hour between daylight and darkness, we would sit upon our low stools before the wood-fire, and continue our series of questions from day to day. We grew ever more eager and excited until the 31st, and in the evening of that momentous4 day the mysteries were revealed.
That day the presents for the two families, wrapped, tied and labeled, were piled upon tables in a room closed against Lucette and me. At eight o'clock the doors were thrown open and we filed in, the elders going first, and each one of us sought for his own gift among the heap of white parcels. For me the moment of entry was an exceedingly joyous5 one, and until I was twelve or thirteen years of age, I could not refrain from jumping and leaping like a kid long before it came time for us to cross the threshold.
We had supper at eleven, and when the clock in the dining room struck the midnight hour, tranquilly6, in harmony with the sound of its calm stroke, we separated in the first moments of those New Years that are now buried under the ashes of many succeeding ones. And on those evenings I fell asleep with all my gifts in my room near me. I even kept the favorite ones upon my bed. The following morning I always waked earlier than usual so that I might re-examine them; they cast a spell of enchantment7 over that winter morning, the first one of a new year.
Through the study of fossils I had already been initiated10 into the mysteries of prehistoric11 creations. I knew something about those terrible creatures that in geologic12 times shook the primitive13 forests with their heavy tread; for a long time the thought of them disquieted14 me. I found them all in my book pictured in their proper habitat, surrounded by great brakes, and standing15 under a leaden sky.
The antediluvian world already haunted my imagination and became the constant subject of my dreams; often I concentrated my whole mind upon it, and endeavored to picture to myself one of its gigantic landscapes that seemed ever enveloped16 in a sinister17 and gloomy twilight3 with a background filled in with great moving shadows. Then when the vision thus created took on a seeming reality I felt an inexpressible sadness that was like an exhalation of the soul,—as soon as the emotion passed the dream-structure vanished.
Soon after this I sketched18 a new scene for the “Donkey's Skin;” it was one representing the liassic period. I painted a dismal19 swamp overshadowed by lowering clouds, where, in the shave-grass and the gigantic ferns, strange extinct beasts wandered slowly.
The play of the “Donkey's Skin” seemed no longer the same Donkey's Skin. I discarded one by one the little stage people who now offended me by their uncompromising doll-like stiffness; they were relegated20 to their card-board box, the poor little things, where they slept the sleep eternal, and without doubt they will never be exhumed21.
My new scenes had nothing in common with the old fairy spectacle: in the depths of virgin22 forests, in exotic gardens, and oriental palaces formed of pearls and gold I tried to realize, with the small means at my command, all my dreams, while waiting for that improbable better time that ever lies in the future.
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1 exquisite | |
adj.精美的;敏锐的;剧烈的,感觉强烈的 | |
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2 pointed | |
adj.尖的,直截了当的 | |
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3 twilight | |
n.暮光,黄昏;暮年,晚期,衰落时期 | |
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4 momentous | |
adj.重要的,重大的 | |
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5 joyous | |
adj.充满快乐的;令人高兴的 | |
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6 tranquilly | |
adv. 宁静地 | |
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7 enchantment | |
n.迷惑,妖术,魅力 | |
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8 illustrated | |
adj. 有插图的,列举的 动词illustrate的过去式和过去分词 | |
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9 antediluvian | |
adj.史前的,陈旧的 | |
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10 initiated | |
n. 创始人 adj. 新加入的 vt. 开始,创始,启蒙,介绍加入 | |
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11 prehistoric | |
adj.(有记载的)历史以前的,史前的,古老的 | |
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12 geologic | |
adj.地质的 | |
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13 primitive | |
adj.原始的;简单的;n.原(始)人,原始事物 | |
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14 disquieted | |
v.使不安,使忧虑,使烦恼( disquiet的过去式和过去分词 ) | |
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15 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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16 enveloped | |
v.包围,笼罩,包住( envelop的过去式和过去分词 ) | |
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17 sinister | |
adj.不吉利的,凶恶的,左边的 | |
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18 sketched | |
v.草拟(sketch的过去式与过去分词形式) | |
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19 dismal | |
adj.阴沉的,凄凉的,令人忧郁的,差劲的 | |
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20 relegated | |
v.使降级( relegate的过去式和过去分词 );使降职;转移;把…归类 | |
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21 exhumed | |
v.挖出,发掘出( exhume的过去式和过去分词 ) | |
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22 virgin | |
n.处女,未婚女子;adj.未经使用的;未经开发的 | |
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