Back on Broadway after 27 years
12-29-79
On January 1, 1980, the curtain will finally ring down on Da, Hugh Leonard's strikingly original and poignant1 drama about a man's fond memories of his working-class Irish father. Da won four Tony Awards in 1978, including Best Play. Since July 30, the title role has been ably filled by Brian Keith, an actor perhaps best known for playing "Uncle Bill" in the situation comedy Family Affair, one of television's most popular shows from 1966 to 1971. Recently he has been seen in the TV specials Centennial, The Chisholms and The Seekers. In his long, illustrious career, the 57-year-old actor has starred in four other TV series and appeared in more than 60 motion pictures.
During the late 1940s, when he worked primarily on Broadway, Keith rented an apartment on East 66th Street with a fireplace and kitchen for $70 a month. Leaving for Hollywood in 1952, he eventually married a Hawaiian actress, and nine years ago became a full-time2 resident of Hawaii.
"I hadn't been to New York for years and years and years, and when we came here for a vacation last winter, I saw a play every night for a couple of weeks," says Keith. "Da was the only one I thought I'd really like to do sometime." Not long afterward3, Barnard Hughes, the Tony Award winning star of Da, decided4 to tour with the show, and Keith was offered a five-month contract to replace him. Delighted with the chance to return to Broadway in such a compelling role after a 27-year absence, Keith quickly said yes. Bringing his wife and children to New York for an extended visit, he again chose the Upper East Side as a place to live.
A big, brawny5 6-footer whose deep, gravelly voice and slothful mannerisms somehow bring to mind a friendly trained bear, Keith normally spends the time between his matinee and evening performances sleeping on an Army cot in his dressing6 room. On this particular day, he is sitting in the sparsely7 furnished room with his shirt off, smoking a cigarette and answering questions about his career. His initially8 gruff demeanor9 soon gives way to laughter, sentiment, hopefulness and cynicism in equal measure. A no-holds-barred conversationalist, he talks about the acting10 life with a rare frankness.
Taking over the role of Da with only about 20 hours of rehearsal11, says Keith, was "just a matter of trouping12 it." He didn't find the task too difficult, partly because of his Irish background. Asked how far back his ancestry13 goes, Keith laughs and says, "How far back? If you go back far enough, you never stop. I'm Irish on both sides. On my father's side they came over in Revolutionary days. On my mother's side, five or six generations. It stays, though. The first time I went to Ireland, I felt the whole deja vu thing. I knew what I'd see around the next corner when I walked."
He was born in the backstage of a theatre in Bayonne, New Jersey14. "I was there about a week. I'm always getting letter from people saying: 'I'm from Bayonne too!' My parents were actors, so we went everywhere. … I went to high school in Long Island. Very … very nothing. And I didn't care a damn thing about acting."
>From 1945 to 1955 he served in the U.S. Marine15 Corps16 as a sergeant17 in the Pacific campaign. "When I got out of the service, I was just banging around, looking for a job. I didn't have an education or anything. A guy offered me a part in a play and I didn't know whether I'd ever get another one. But I did, so it's been very nice. Very lucky. It's unlike the usual struggle that people go through."
When the conversation lands on Meteor, his latest movie, Keith declines comment, choosing to speak instead of The Last of the Mountain Men, a feature film that was completed in July and is scheduled for a Easter release. "Charlton Heston and I co-star. It's about two trappers in the West in 1830, and what happens to them when the beaver18 period comes to a close. The two guys are like Sundance and Butch. But damn well written. It's one of the best scripts I ever read. Heston's kid wrote it. He worked for a couple of years up around Idaho and Montana as a river guide. There's not a wasted word in the script."
Many of his films and TV shows Keith has never seen. "If it's some piece of junk, I don't see why I should bother. It's bad enough you did it. But to live through it again!. … You can't sit around and wait for something you think is worthy19 of you."
Brian and his wife Victoria have two children. Mimi, his daughter from a previous marriage, is a member of the Pennsylvania Ballet Company. Between acting assignments, says Keith with affection, he spends most of his time "raising the damn kids. It's a 24-hour job. We do a lot of outdoor stuff, because in Hawaii you can, all year round. We go on the beach and camp out and all that crap."
He finds that being based in Hawaii causes no problems with his career. "It doesn't make any difference where you live," Keith growls20 softly. "People live in London, in Spain, in Switzerland. You don't go around looking for jobs. You wait till your agent calls you and you get on a plane and go. You can be halfway21 around the world overnight, from anywhere. It beats Bayonne."
点击收听单词发音
1 poignant | |
adj.令人痛苦的,辛酸的,惨痛的 | |
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2 full-time | |
adj.满工作日的或工作周的,全时间的 | |
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3 afterward | |
adv.后来;以后 | |
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4 decided | |
adj.决定了的,坚决的;明显的,明确的 | |
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5 brawny | |
adj.强壮的 | |
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6 dressing | |
n.(食物)调料;包扎伤口的用品,敷料 | |
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7 sparsely | |
adv.稀疏地;稀少地;不足地;贫乏地 | |
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8 initially | |
adv.最初,开始 | |
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9 demeanor | |
n.行为;风度 | |
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10 acting | |
n.演戏,行为,假装;adj.代理的,临时的,演出用的 | |
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11 rehearsal | |
n.排练,排演;练习 | |
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12 trouping | |
巡回演出(troupe的现在分词形式) | |
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13 ancestry | |
n.祖先,家世 | |
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14 jersey | |
n.运动衫 | |
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15 marine | |
adj.海的;海生的;航海的;海事的;n.水兵 | |
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16 corps | |
n.(通信等兵种的)部队;(同类作的)一组 | |
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17 sergeant | |
n.警官,中士 | |
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18 beaver | |
n.海狸,河狸 | |
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19 worthy | |
adj.(of)值得的,配得上的;有价值的 | |
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20 growls | |
v.(动物)发狺狺声, (雷)作隆隆声( growl的第三人称单数 );低声咆哮着说 | |
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21 halfway | |
adj.中途的,不彻底的,部分的;adv.半路地,在中途,在半途 | |
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