Author of No Pickle1, No Performance
7-22-78
In the early days of Harold Kennedy's theatrical2 career, he was involved in a play written by Sinclair Lewis, who may have been a great novelist but was no playwright3. Kennedy was talking with Lewis one evening before the play opened when a young student approached the famous author and politely asked for an autograph. Lewis took the piece of paper the boy offered him and wrote on it: "Why don't you find a hobby that isn't a nuisance to other people?" He handed it back unsigned.
But the boy got even. The play opened a few nights later and was a total disaster. Lewis was sitting gloomily in the dressing4 room after the final curtain when a note was hand-delivered to him by an usher5. He opened it and read, in his own handwriting: "Why don't you find a hobby that isn't a nuisance to other people?"
The story is one of dozens told in Harold Kennedy's book, No Pickle, No Performance, published this month by Doubleday. The book is a fascinating collection of true-life anecdotes6 stored up by Kennedy during his four decades in the theatre as a director, actor, and playwright on Broadway and across the country. The subtitle7 of his book is "An Irreverent Theatrical Excursion from Tallulah to Travolta," and he has written chapters about his experiences with both of these stars, in addition to Orson Welles, Charlton Heston, Thornton Wilder, Gloria Swanson, Steve Allen, and others who are less well known today but were legends in their time.
Its book is dedicated8 to actress Renee Taylor, who refused to come on stage during a play's opening night until she got a pickle with her sandwich, as she had during the previews. The coffee shop that had provided those sandwiches was closed, and the curtain was held while a prop9 man got in his car and went searching for the holy pickle. It arrived seven minutes after the advertised curtain time, and the show went on.
Unknown to Taylor, the stage crew was so enraged10 by her antics that they performed "a little ceremony" with the pickle before giving it to her. Gloria Swanson later said: "Poor Miss Taylor. Can't you see her shopping around to every delicatessen in New York complaining that she can never find a pickle to match the caliber11 of the one she had in New Jersey12."
I meet the author on a recent evening at Backstage on West 45th Street. "The thing about this book," he says, "is that whether people know the actors or not, they find the stories amusing. You know, I never thought of writing these stories down. I used to tell them to other members of the company over drinks after the show, and everyone loved them. But I'm an actor, and I thought what made them funny was the way I told them. I didn't know how they'd look in print. A good friend of mine finally convinced me to write about a hundred pages, and I said, "If anyone wants it, I'll write the whole thing." The first publisher I sent it to — Doubleday — accepted it."
Those who have seen portions of the Ginger13 Rogers chapter in a recent issue of New York magazine might think the book is malicious14, but this is not the case. Says Kennedy: "It just tells what happened, and some people come out better than others."
The chapter begins: "It seems that Ginger Rogers never smiles. It may be that someone has told her it would crack her face. It may be more likely that she's a lady devoid15 of one smidgin of one inch of a sense of humor." The author describes her as "colder than anyone else I had met. Totally unlike her screen self — which only goes to prove what a good actress she is."
He reveals Rogers at her worst when she attempts to make an actor out of her no-talent fifth husband, G. William Marshall, at the expense of Kennedy and everyone else in the cast. The couple were still on their honeymoon16, and Rogers demanded that Bill be given the role of her leading man in Bell, Book and Candle. The results were disastrous17. Detroit's leading critic wrote after the opening: "The program lists Mr. Marshall as having been acquainted with many phases of show business. Last night he showed not even a nodding acquaintance with any of them."
Kennedy writes at the chapter's end: "Hopefully Ginger will find another husband. As it turned out, the last one apparently18 worked out worse for her than it did for me." Rogers is apparently considering a lawsuit19 against the author.
Still very active in the theatre at 64, Kennedy is undertaking20 three productions this summer — Barefoot In the Park with Maureen O'Sullivan and Donny Most, The Marriage-Go-Round with Kitty Carlisle, and Bell, Book and Candle with Lana Turner. He is directing all three and acting21 in two of them.
Two years ago he directed John Travolta for a summer stock company that opened to hordes22 of screaming teenagers in Skowhegan, Maine. Whenever Travolta made in entrance or an exit, Kennedy tells in the chapter titled "John Who?", he caused such a commotion23 that the play virtually came to a halt. "John is a darling. He's such a lovely boy," says the author. "He'd kiss me full on the lips when we met and parted. And I say that with no sense of implication. In the theatre, we've always been relaxed about an expression of affection. … I thought in Saturday Night Fever he was a star in the old tradition — in the tradition of Tyrone Power. … I couldn't call John intelligent, but he'll own the movie industry in two years. And he has things in his contract that no other stars have had, like approval of the final cut of the movie."
A native of Holyoke, Massachusetts, Kennedy worked his way through Dartmouth College and the Yale School of Drama "and came out with a profit." In 1937 he moved to New York; he has lived on the West Side ever since. Among his close friends are some of the merchants and artisans in his area. "They care about theatre and they know we have special problems," he says. "There's Mal the Tailor on West 72nd Street, for example. If I'm doing a play and need something right away, he'll drop everything and take care of me."
No Pickle, No Performance has already received many favorable reviews and has been partially24 reprinted in the New York Post. Kennedy is planning to hit the talk shows soon with some of his leading ladies. What seems to be uppermost in his mind at the moment, however, is whether Ginger Rogers will sue for libel.
"I kind of wish she would, just to get some publicity25 for the book," he muses26. "Of course, she's a fool if she does, because she'd never win, and the people who haven't heard of the book will rush out and get it. … But I can say one thing: if there's a package from Ginger waiting for me in my dressing room, I'm going to have it dumped in water."
点击收听单词发音
1 pickle | |
n.腌汁,泡菜;v.腌,泡 | |
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2 theatrical | |
adj.剧场的,演戏的;做戏似的,做作的 | |
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3 playwright | |
n.剧作家,编写剧本的人 | |
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4 dressing | |
n.(食物)调料;包扎伤口的用品,敷料 | |
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5 usher | |
n.带位员,招待员;vt.引导,护送;vi.做招待,担任引座员 | |
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6 anecdotes | |
n.掌故,趣闻,轶事( anecdote的名词复数 ) | |
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7 subtitle | |
n.副题(书本中的),说明对白的字幕 | |
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8 dedicated | |
adj.一心一意的;献身的;热诚的 | |
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9 prop | |
vt.支撑;n.支柱,支撑物;支持者,靠山 | |
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10 enraged | |
使暴怒( enrage的过去式和过去分词 ); 歜; 激愤 | |
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11 caliber | |
n.能力;水准 | |
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12 jersey | |
n.运动衫 | |
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13 ginger | |
n.姜,精力,淡赤黄色;adj.淡赤黄色的;vt.使活泼,使有生气 | |
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14 malicious | |
adj.有恶意的,心怀恶意的 | |
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15 devoid | |
adj.全无的,缺乏的 | |
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16 honeymoon | |
n.蜜月(假期);vi.度蜜月 | |
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17 disastrous | |
adj.灾难性的,造成灾害的;极坏的,很糟的 | |
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18 apparently | |
adv.显然地;表面上,似乎 | |
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19 lawsuit | |
n.诉讼,控诉 | |
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20 undertaking | |
n.保证,许诺,事业 | |
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21 acting | |
n.演戏,行为,假装;adj.代理的,临时的,演出用的 | |
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22 hordes | |
n.移动着的一大群( horde的名词复数 );部落 | |
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23 commotion | |
n.骚动,动乱 | |
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24 partially | |
adv.部分地,从某些方面讲 | |
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25 publicity | |
n.众所周知,闻名;宣传,广告 | |
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26 muses | |
v.沉思,冥想( muse的第三人称单数 );沉思自语说(某事) | |
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