Co-star of Sugar Babies
1-12-80
Sugar Babies, the rollicking burlesque2 musical that rolled into Broadway last fall, was one of the most-awaited shows of the year because it signalled Mickey Rooney's return to Broadway after umpteen3 years. Less attention was initially4 given to Mickey's co-star, dazzling Ann Miller, who last appeared on Broadway in 1970 as a star of Mame. Ann, it turns out, is not only a wonderful singer and comedienne, but, in her mid-50s, is still one of the best tap dancers in America. Her fancy footwork has become a prime attraction of this box-office smash.
"I was also in George White's Scandals for a year when I was 15," recalls Ann in her dressing5 room after a performance. "This is my third show only." For most of her career, she has lived in Beverly Hills, California. The veteran of dozens of movies, including On The Town with Frank Sinatra, Miss Miller is a larger-than-life entertainer who believes that her career comes first and foremost, ahead of personal happiness and family. Married and divorced three times, she has no children, but is an ardent6 animal lover.
"I have two beautiful dogs, Cinderella and Jasmine," she says in a light Southern accent. "They look exactly alike, only one is Hungarian and the other is French. My secretary walks them. … I'm very much interested in the protection of animals. I think people treat animals very cruelly, and to me, when you adopt a dog, it's like adopting a child. My little Cinderella: she was thrown out of a car by somebody wanting to get rid of her. I found her in Cincinnati in a blizzard8. She almost died and I saved her life."
By looking beyond the heavy rouge9, bright red lipstick10, large rhinestone11 earrings12 and fluttering false eyelashes that are part of her act, one can see that Ann appears considerably13 younger then her years. Sugar Babies, she points out, is not burlesque in the normal sense. "Burlesque got sleazy in the 1940s with bumps and grinds and tassel-twirlers, but that's not what we're selling. We sell, in a sense, glorified14, old-fashioned, 1920s-style vaudeville15, with good production numbers. And that's what burlesque was originally. … A college professor got this together. The jokes are authentic16. … Our show is for everybody. It's not dirty at all — not by today's standards."
There is a crowd of people waiting to see Ann after nearly every show. Rooney escapes the fans by dashing out the stage door within minutes of the final curtain. "He lives way out in New Jersey," explains Ann, who rents a hotel suite17 on the Upper West Side. "Mickey is married and he has 10 children. He loves them all very much. … Mickey and I went to school together. He's a very nice person and he's a great pro7. He may be a small man, but he's a giant in his own way."
Miss Miller, who likes to dine at the 21 Club, Sardi's and the
Conservatory18, believes that Sugar Babies is a hit "because it's timely.
People are desperate to laugh. They're tired of hearing about war and the
food crunch19 and the oil crunch. They want to be entertained."
She has written her autobiography20, Miller's High Life, which is available "only in rate bookstores and in every library in the country. It isn't out in paperback21 yet, but there's some talk of it." Asked about a projected second volume, Miller on Tap, she says: "It will be my life; it will carry on from where the other one left off."
She has no secret for looking so young, except that she is a nonsmoker, drinks nothing stronger than wine, watches her diet, and avoids anything strenuous22 in the daytime, to save her energy for the show.
With her jet-black hair, pearl-white teeth, and exaggerated makeup23, Ann looks more than a little exotic. This may help to explain her belief in reincarnation. "I really do have memories of Egypt. They're not in a form that I can describe. You sometimes just know things. You're born with knowing. I have been to Egypt three times, and I'm planning to go back again and again, I want to go mainly to Luxor. I'm very entranced with it. I like all the antiquities24 of Egypt. The present-day Egypt I have no interest in to speak of."
Ann says she doesn't like the name of her current show. "People think it's candy, because there is Sugar Babies candy," she explains, "but in the old days, babies meant beautiful show girls. The girls had sugar daddies, so they were called sugar babies."
A Texas native who began dancing professionally in New York at the age of 11, Ann says yes, she feels good about her career, but that "it's been a long struggle. The sad part is, I have wanted so much to be happy, but I have never found happiness."
Her father, who was a lawyer, left her mother when Ann was 10. Since Mrs. Miller was almost totally deaf, Ann supported them by tap dancing at Rotary25 Club luncheons26. She retains a fear of poverty to this day. "I save all my clothes because some day I might be poor again," she says. "I have a room with nothing in it but racks of clothes. I cover them nicely, and once a year I air them out, in case they come back in style."
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1 miller | |
n.磨坊主 | |
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2 burlesque | |
v.嘲弄,戏仿;n.嘲弄,取笑,滑稽模仿 | |
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3 umpteen | |
adj.多的,大量的;n.许许多多 | |
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4 initially | |
adv.最初,开始 | |
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5 dressing | |
n.(食物)调料;包扎伤口的用品,敷料 | |
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6 ardent | |
adj.热情的,热烈的,强烈的,烈性的 | |
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7 pro | |
n.赞成,赞成的意见,赞成者 | |
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8 blizzard | |
n.暴风雪 | |
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9 rouge | |
n.胭脂,口红唇膏;v.(在…上)擦口红 | |
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10 lipstick | |
n.口红,唇膏 | |
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11 rhinestone | |
n.水晶石,莱茵石 | |
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12 earrings | |
n.耳环( earring的名词复数 );耳坠子 | |
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13 considerably | |
adv.极大地;相当大地;在很大程度上 | |
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14 glorified | |
美其名的,变荣耀的 | |
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15 vaudeville | |
n.歌舞杂耍表演 | |
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16 authentic | |
a.真的,真正的;可靠的,可信的,有根据的 | |
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17 suite | |
n.一套(家具);套房;随从人员 | |
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18 conservatory | |
n.温室,音乐学院;adj.保存性的,有保存力的 | |
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19 crunch | |
n.关键时刻;艰难局面;v.发出碎裂声 | |
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20 autobiography | |
n.自传 | |
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21 paperback | |
n.平装本,简装本 | |
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22 strenuous | |
adj.奋发的,使劲的;紧张的;热烈的,狂热的 | |
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23 makeup | |
n.组织;性格;化装品 | |
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24 antiquities | |
n.古老( antiquity的名词复数 );古迹;古人们;古代的风俗习惯 | |
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25 rotary | |
adj.(运动等)旋转的;轮转的;转动的 | |
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26 luncheons | |
n.午餐,午宴( luncheon的名词复数 ) | |
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