John Barth

John Simmons Barth (born May 27, 1930) is an American novelist and short-story writer, known for the postmodernist and metafictive quality of his work.

John Barth, called "Jack," was born in Cambridge, Maryland. Barth has an older brother, Bill, and a twin sister, Jill. He brief...

John Simmons Barth (born May 27, 1930) is an American novelist and short-story writer, known for the postmodernist and metafictive quality of his work.

John Barth, called "Jack," was born in Cambridge, Maryland. Barth has an older brother, Bill, and a twin sister, Jill. He briefly studied "Elementary Theory and Advanced Orchestration" at Juilliard before attending Johns Hopkins University, from which he received a B.A. in 1951 and an M.A. in 1952 (for which he wrote a thesis novel, The Shirt of Nessus).

Barth was a professor at The Pennsylvania State University from 1953 to 1965. During the "American high Sixties," he moved to teach at SUNY/Buffalo from 1965 to 1973. In that period he came to know "the remarkable short fiction" of the Argentine Jorge Luis Borges, which inspired his collection Lost in the Funhouse.

He then taught at Boston University (visiting professor, 1972–73) and Johns Hopkins University (1973–95) before retiring in 1995.

Barth began his career with The Floating Opera and The End of the Road, two short "realist" novels that deal wittily with controversial topics, suicide and abortion respectively. They are straightforward realistic tales; as Barth later remarked, they "didn't know they were novels."[citation needed]

The Sot-Weed Factor (1960), was initially intended as the completing novel of a trilogy comprising his first two "realist" novels, but, as a consequence of Barth's maturation as a writer, it developed into a different project. The novel is significant as it marked Barth's discovery of Postmodernism.

Barth's next novel, Giles Goat-Boy (about 800 pages), is a speculative fiction based on the conceit of the university as universe. A boy raised as a goat discovers his humanity and becomes a savior in a story presented as a computer tape given to Barth, who denies that it is his work. In the course of the novel Giles carries out all the tasks prescribed by Joseph Campbell in The Hero with a Thousand Faces. Barth kept a list of the tasks taped to his wall while he was writing the book.[citation needed][clarification needed]

The short story collection Lost in the Funhouse and the novella collection Chimera, the latter of which won the National Book Award, are even more metafictional than their two predecessors, foregrounding the writing process and presenting achievements such as a seven-deep nested quotation. In LETTERS Barth and his first six books' characters interact.

His 1994 Once upon a Time: A Floating Opera, reuses stock characters, stock situations and formulas.